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Tiny Lockit Image
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Sony - ECM-77B Image
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Sony - ECM-77B Image
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Sanken - COS-11D-BK Image
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AKG - C747 Shotgun Mic Image
Audio
Sennheiser - E-604 Cardioid Mic
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Sennheiser - E-604 Cardioid Mic Image

The frequency response and cardioid pick-up pattern are optimized for drum sets and other percussion instrument miking, while also producing exceptional results on all forms of brass and woodwind. An integral stand mount screws directly onto mic stands and included clip attaches a mic to rim of the drum. Very high sound pressure level handling, in excess of 160 dB, is combined with a balanced, clear, low distortion signal similar to a high-end studio condenser microphone. Lightweight voice coil provides extended high frequency and rapid transient response. A tough reinforced glass fiber body takes the knocks and shocks and suppresses impact noise.

Features

  • Rugged reinforced glass-fiber body
  • Low sensitivity to impact and handling noise
  • Very high sound pressure handling capability
  • Low distortion microphone
  • Hum compensating coil
  • Easy to position due to the compact design
  • Integral stand mount

Technical Data

Pick-up pattern ……………………………………………………………. Cardioid
Frequency response ……………………………………………………… 40 – 18,000 Hz
Sensitivity (free field, no load, 1 kHz)………………………………….. 1.8 mV/Pa
Nominal impedance ……………………………………………………….. 350 Ω
Min. terminating impedance …………………………………………….. 1 kΩ
Dimensions …………………………………………………………………. Ø 33 x 59 mm
Weight ……………………………………………………………………… 60 g

Ambient Recording - ACL 203 Lockit Box
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Ambient Recording - ACL 203 Lockit Box Image

n the last few years Hi-Definition video has emerged to the de facto standard on everyday productions due to superior, crisp picture quality and resolution. Meanwhile, respecting cameras have become economically priced and the portfolio is continuously expanded with new HD models from Panasonic, Sony, Red and Arri. Adding to that HD is currently massively pushed as the future broadcast standard on a global scale. The Lockit ACL 203 stays abreast of this development including the complete variety of current HD video formats as well as Word Clock and AES3 black audio with sample rates up to 192 KHz for syncing audio recorders.

The 3 functional blocks, sync format, sync frequency, and time code frame rate are each controlled with a dedicated rotary encoder. This allows for quick and straightforward dialing through even the most exotic variants as pull up/down or cross jam modes. Despite the extensive enhancements it was possible to maintain the original footprint of the predecessor by using latest surface mount components and technology.

Thus, with extensive sync modes and an unrivalled accuracy of 0.2ppm in a highly portable package the Lockit continues being the prime choice for sophisticated synchronisation demands on the go, offering significantly less drift than a single frame per day between fully autonomous units on the set.

Supported Settings:

720P

23.98, 24, 25, 29.97, 30, 59.94, 50, 60

1080i / PsF

23.98, 24, 25(50i), 29.97(59.94i), 30(60i)

1080P

23.98,  24, 25, 29.97, 30

PAL

25 Fps

NTSC

29.97, 30 Fps

Word Clock

32, 44.1, 48, 88.2, 96, 176.4, 192 KHz, pull-up / pull-down

Black Audio AES3

24 Bit, Samplerates as above

Ambient Recording - ACD 301 Digislate
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Ambient Recording - ACD 301 Digislate Image

Generator/ Reader Slate

With Clockit TC generator, a reader capable of low and high speed TC, camera strobe speed and TC diversion check, battery voltage read-out and a selectable offset of up to +/- 7 frames the ACD301 has built up a name of being a real “smart” slate. In the latest revision, MK III more features have been added to stand up for this reputation: Power consumption was optimized for the use of only 6 AA cells with improved lifetime. The 2 super bright LEDs can now externally be selected to flash either at second transition to mark frame “00” for Telecine or clapped frame. Also, the slate can display external TC and internally generated on clapping for improved playback operation with multiple cameras.

Tiny Lockit
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ACN-TL – Timecode Generator & Transceiver

Technical Data

 

Highly accurate timecode generator
Generator buffered timecode transceiver
Drift of less than 1 frame a day (~0,1ppm, 0.0ppm within the ACN)
Supports all SMPTE frame rates
Sunlight readable OLED Display
Adjustable timecode offset
Adjustable timecode level for recording TC on audio track
MIDI timecode interface with LTC/MTC conversion
Built in ACN transceiver with internal antenna
RS232, USB and GP I/O port
Works 12 hours on 2 AAA batteries
Robust machined and anodized aluminum body
Dimension: 77 mm x 56.5 mm x 21 mm
Weight: 118 g

 

Sony - ECM-77B
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Sony - ECM-77B Image

Perfect for television applications, Sony’s ECM77B Omni-Directional Electret Condenser Microphone is a miniature lavalier microphone designed to be inconspicuous. This tiny mic runs on either phantom power or AA battery operation. The ECM77B comes with an XLR connector.

Omni-directional lavallier condenser microphone with AA battery power supply and XLR connector

  • Capsule Type: Electret Condenser
  • Frequency Response: 40 Hz to 20 kHz
  • Directivity: 40 Hz to 20 kHz
  • Directivity: Omni-directional
  • Sensitivity: -36.5 dB (15mV)
  • Dynamic Range: 90dB
  • S/N Ratio: 64 dB or more
  • Inherent Noise (0dB=20µPa): 30 dB SPL or less
  • Induction Noise from External Magnetic Field: 5 dB SPL or less
  • Wind Noise: 40 dB SPL or less (with windscreen, at 2 m/s)
  • Max SPL (dB SPL)(0dB=20µP): 120 dB SPL
  • Connector: B type. Supplied with XLR connector in power supply unit (single AA size battery)
  • Cable Length: 9.8 feet
  • Power Requirement: DC 1.5 V, AA size battery or +48V phantom power
  • Dimensions: 1/4 diameter X 1/2 inch (Microphone head)
  • 13/16 diameter X 5 1/4 inch (Power unit XLR type)
  • Weight: 4.3 oz (Includes Mic and Power Supply)
Voice Technologies - VT610TC125 Earphone Coiled 125 Ohm
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Voice Technologies - VT610TC125 Earphone Coiled 125 Ohm Image

VOICE TECHNOLOGIES EARPHONES

Voice Technologies is a manufacturer of high-end miniature lavalier microphones, head-worn microphones, and earphones for broadcast, theatre, film, video and conference applications. Established in 1998 in Zurich, Switzerland, the company continues the long tradition of Swiss precision engineering and moulding, resulting in exceptional performance and reliability in their range of miniature and ultra-miniature devices.

Equipped with a 3.5mm jack plug, the earphones are ready for connection to most wireless IFB/cue receivers or other personal listening systems. A wide range of accessories and replacement consumable parts is available.

Full technical specifications are available at www.voicetechnologies.net.

VT600, VT600C, and VT600T

The VT600 series has been conceived for the inconspicuous listening requirements of newscasters, security professionals, stage performers and other talent requiring discreet cueing. Excellent sound and ease of use are the primary user benefits. There is no need for a custom ear mould or snap fit parts, one size effectively fits all. It has a short bend, over-ear acoustic loop, with the 500-ohm transducer located discreetly behind and below the ear. This unit will interface with any wireless or hardwired receiver for monitoring.

The VT600 has a rugged, sweat-proof 1.5mm diameter straight beige cable, fitted with a 2-pole 3.5mm jack plug. The VT600C has a coiled grey cable. The VT600T has a longer, coiled transparent tube so the transducer can be fully concealed under clothing.

Included accessories: The VT600 series are supplied in a silver metal box with a clip and an additional earpiece.
Optional accessories: As an alternative to the standard earpiece a flexible ear insert for left or right ear, in three sizes, is also available.

VT602

The VT602 is a stereo version of the VT600. Excellent sound and ease of use are the primary user benefits. It is supplied with two flexible ear inserts. The open frame design still allows the user to hear ambient noise, they fit without pressure entirely in the outer auditory canal. They are very comfortable even after many hours, are hygienic and can be cleaned very easily. The VT602 is the ideal solution for discreet stereo listening (for example with a professional camera).

Impedance 8-12 ohms, 1.2 metre cable fitted with 3-pole 3.5mm jack plug.

Included accessories: The VT602 is supplied in a black pouch bag with a clip and additional earpieces.

VT610TC125

The VT610TC125 is an elegant black earphone with an acoustic tube and a cable with connector to suit the equipment to which the earphone is being connected. The earphone has a 125 ohm transducer (‘ear receiver’), a coloured clip and a transparent acoustic tube which directs the sound into the ear canal and reduces the ingress of ambient noise.

Impedance 125 ohms, 1.5 metre cable fitted with a 2-pole 3.5mm right angle jack plug.

Included accessories: The VT610TC25 is supplied in a silver metal box.

VT60M and VT60i MkII

The VT60 miniature earphone is a very small and extremely lightweight earphone, totally unobtrusive and in most cases almost invisible. The built-in receiver is connected with a thin cable and the silicon earpiece at the end of the receiver is placed directly into the ear canal, facilitating high quality sound as well as isolation from outside noise. It is designed for applications including stage presentations, theatre and broadcast studio operations. Impedance 500 ohms. cable 1.2 metres fitted with a 2-pole 3.5mm right angle jack plug.

The VT60M has a beige 1mm diameter cable, 1.2 metres length, fitted with a 2-pole 3.5mm right and jack plug. The VT60i MkII has an ultra fine connecting wire for the absolute minimum visibility, also terminated in a 2-pole 3.5mm right angle jack plug.

Included accessories: Earpiece, clip.

Sound Devices - MixPre Field Mixer
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Sound Devices - MixPre Field Mixer Image

MixPre Compact Field Mixer

The Ultimate Portable Mixer for Production, ENG, and Film

The MixPre from Sound Devices is a studio-quality two-channel, portable, stereo microphone mixer. Its impressive audio performance and comprehensive features, including pan switches, built-in slate microphone, 1 kHz tone oscillator, and headphone monitoring make it ideal for the front end of any studio or field production system.

Radio, television, and film production engineers value the compact size and ability to withstand extremes in the field. The MixPre combines rugged mechanical and electrical construction, compact size, and high-quality components. The MixPre gives no-compromise performance for any application.

Key Features

  • Dynamic range exceeding 110 dB
  • 10 Hz to 50 kHz audio bandwidth
  • Maximum of 66 dB of gain per input
  • Premium Lundahl input transformers
  • Discrete 6-transistor balanced output drivers
  • Sealed, conductive plastic potentiometers
  • Seven-segment, sunlight-readable GaN LED meters
  • Phantom power, 48 volts or 15 volts
  • High-pass filters @ 80 or 160 Hz, 6 dB per octave
  • Inputs hard panned to left, center, or right outputs
  • High-power headphone monitoring
  • “Unclippable” input peak limiters via two-stage optoisolator circuit with adjustable limiter threshold (per input)
  • Dual mono or linked stereo limiter operation
  • Two internal AA batteriesExternal 5 to 17 VDC powering
  • Power LED indicates low battery power
  • RF filtering on all inputs and outputs. Free from “Pin 1” grounding problems
  • High-strength, extruded aluminum chassis with protective metal end panels
  • All-metal connectors solidly connected to chassis
Sound Devices - 302 Field Mixer
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302 Compact Production Field Mixer

Developed specifically for audio-for-picture applications, the 302 mixer is the perfect tool for production companies and camera operators wanting to take control of their audio. The 302 is stunning for its size, flexibility, control, and performance; it is the most widely-used compact battery-powered professional audio mixer in its class.

With important features to accommodate nearly any over-the-shoulder production, the 302 interfaces with wireless transmitters and receivers, camera audio inputs of all kinds, and external audio recorders. Its microphone inputs share the same superb circuitry as the 552 Portable Production Mixer and MixPre-compact Field Mixer.

Like Sound Devices larger 552 Field Mixer, the 302 is a complete Field Mixer but designed in a super-compact package. Controls are accessible on its three main surfaces, its high-efficiency power circuitry runs the mixer from either three internal AA batteries or external 5-18 VDC.

Key Features List

  • Lundahl transformer-balanced mic or line-level inputs on XLR connectors
  • Continuously adjustable input trim
  • Two-position high-pass filter
  • Pan switches
  • Limiters on inputs and outputs
  • Stereo and MS linking of channel 1 and 2
  • Phantom (48 V or 12 V) or “T” microphone powering selected per channel
  • Solo (PFL) channel monitoring in headphones
  • Peak limiters per channel
  • Tape level output on TA3 locking connectors
  • Active-balanced line/tape/mic level outputs on XLR connectors
  • Return input for monitoring
  • Channel 4/5 input option
  • Sunlight-viewable LED meters with proprietary software selected ballistics
  • Onboard MS stereo matrix
  • Push pots for setup feature to keep the front panel clutter-free
  • Durable extruded aluminum chassis
  • Weight less than 1 kg with batteries
  • Powered by three AA batteries or external 5 – 18 VDC
Sound Devices - 633 Field Mixer/Recorder
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Sound Devices - 633 Field Mixer/Recorder Image

The 633 is a compact, six-input mixer with integrated 10-track recorder featuring PowerSafe technology. It offers six analog inputs and records to SD and CompactFlash memory cards. The 633 is designed for audio professionals requiring go-anywhere portability, without compromising recording or mixing capability.

Input and Output Flexibility

The 633 offers three high-bandwidth mic/ line inputs on XLR connectors (3+3), complete with phantom power, high-pass filter, input limiter and variable pan. Three additional line-level inputs on TA3 (mini-XLR) connectors offer flexibility for more complex productions. All inputs are assignable to its six output buses, left/right plus Aux 1/2/3/4.

10-Track Recording

All six inputs plus output buses left/right and Aux 1/2 can be recorded to individual tracks. The 633 offers 10-track 24-bit, 48 kHz uncompressed WAV recording (96 kHz and 192 kHz sampling up to six tracks) to SD and CompactFlash memory cards. The two cards can be set independently, recording either identical material for a real-time backup, or combinations of WAV and time code stamped MP3 files.

Quad Power

Powered by a unique Quad Power supply with PowerSafe technology, the unit is operational from any of four power sources. Sources can include external DC (12-18 V), two removable 7.2 V L-type lithium ion cells, and six internal AA batteries. The 633 automatically switches from one power supply to the next when power is exhausted or removed. With its combination of power sources, the 633 can operate for a full production day on batteries alone.

PowerSafe Technology

When all power sources are removed or depleted, the unit’s PowerSafe circuitry is activated. PowerSafe keeps the 633 operating for up to 10 seconds and ensures that all file operations are fully closed and the unit gracefully shuts down.

Two second power on-to-recording. Never wait on sound!

Ease-of-Use & Full Size Controls

Clear, fast, easy to navigate controls and interface; visible in all light conditions, configurable metering and display.

Integrated Time Code

The 633 integrates a rock-steady Ambient time code generator, supporting all common rates and modes. In addition to time code, the 633 supports extensive file metadata. Metadata is entered from either the front panel or from an attached USB keyboard.

Built for the Field

Designed to withstand the extremes of field production, the 633’s small, lightweight, compact chassis is made from molded, metalized carbon fiber. It is built on Sound Devices strong heritage of high performance audio mixers, audio recorders, and video recorders.

Additional Features

  • AES input, two-channel AES3 or AES42, four channels of AES output.
  • Clear, fast, easy to navigate controls and interface; visible in all light conditions, configurable metering and display.
  • Stereo Linking, MS and L/R.
  • Input delay selectable on all six inputs plus output bus delay on all six buses.
  • User-configurable headphone presets plus a headphone favorite mode for quick source selection.

633 Specifications

Analog Inputs

Frequency Response

  • 10 Hz to 40 kHz ± 0.5 dB, -3 dB @ 65 kHz (192 kHz sampling rate reference 1 kHz)

THD + Noise

0 .09% max (1 kHz, 22 Hz–22 kHz BW, fader at 0, 0 dBu output)

Equivalent Input Noise

  • -126 dBu (-128 dBV) maximum. (22 Hz – 22 kHz bandwidth, flat filter, trim control fully up)

Input Types

  • XLR Mic: active-balanced for use with ≤600 ohm mics, 4k ohm actual; 12V or 48V phantom power, 10 mA max
  • XLR AES: AES3 or AES42 (10 V power), SRC
  • XLR Line: active-balanced for use with ≤2k ohm outputs, 10k ohm actual
  • TA3 Line: active-balanced for use with ≤2k ohm outputs, 10k ohm actual
  • RTN (3.5 mm): unbalanced stereo for use with ≤2k ohm outputs, 30k ohm actual

Maximum Input Level

  • XLR Mic: 0 dBu (0 .78 Vrms)
  • XLR Line: +40 dBu (80 Vrms)
  • RTN (3 .5 mm): +24 dBu (12 .4 Vrms)

Maximum Gain

  • Mic-In-to-Line-Out: 91 dB
  • Mic-In-to-Aux-Out, -10 Out: 77 dB
  • Line-In-to-Line-Out: 39 dB

High-Pass Filters

  • Sweepable 80 Hz to 240 Hz, 12 dB/oct at 80 Hz, 6 dB/octave at 240 Hz

Microphone Powering (each analog Input selectable)

  • 12 V Phantom: through 680 ohm resistors, 10 mA per mic available
  • 48 V Phantom: through 6 .8k resistors, 10 mA per mic available

Analog Input Limiters (Inputs 1-3)

  • Affects the output of the mic preamps only (‘Trim’ stage) · +16 dBu threshold (fixed)
  • 20:1 limiting ratio
  • 1 mS attack time
  • 500 mS release time

Digital Input Limiters (Inputs 1-6)

  • Post-fader
  • +6 dBu to +18 dBu threshold (adjustable) · 20:1 limiting ratio
  • 1 mS attack time
  • 500 mS release time

Digital Inputs

AES42

  • AES42 Mode 1, provides +10 V Digital Phantom Power

Analog Outputs

Output Type

  • XLR Line: Active Balanced for use with ≥600 ohm inputs
  • XLR -10: Active Balanced for use with ≥10k ohm inputs
  • XLR Mic: Active Balanced for use with ≥600 ohm inputs
  • TA3 Active Balanced Mic/Line: pin-2 and 3 driven, for use with ≥3k ohm inputs · X3,X4 (3 .5 mm): Unbalanced, stereo, for use with ≥6k ohm inputs
  • Headphones (1/4”): Unbalanced, stereo, for use with 8-2k ohm headphones

Output Impedance (ohms actual)

  • XLR and TA3 balanced outputs: 100 ohms at Line setting, 3 .2k ohms at -10 setting, 150 ohms at Mic setting
  • TA3 Balanced Outs: 1k ohms at Mic and Line settings · X3,X4 (3 .5 mm): 100 ohms
  • Headphones (1/4”): 100 ohms

Line Output Clipping Level (1% THD)

  • 20 dBu minimum with 10k load

Maximum Output Level

  • Line: +20 dBu (7.8 Vrms)
  • -10: +6 dBu (1.5 Vrms)
  • Mic: -20 dBu (0.078 Vrms)
  • Aux 3/4: +6 dBu (1.5 Vrms)

Output Limiters

  • Affects the outputs of the mixer
  • Threshold selectable from +4 dBu to +18 dBu, 1 dB steps · 20:1 limiting ratio
  • 1 mS attack time
  • 500 mS release time

Maximum Gain – Typical (Trim, Fader, Master, Phones, RTN fully up)

MIC Level Input

LINE Level Input

RTN

Master Outs (XLR) @ LINE

91 dB 51 dB

Master Outs (XLR) @ -10

77 dB 37 dB

Master Outs (XLR) @ MIC

51 dB 11 dB

X3, X4 Outs (3 .5 mm)

77 dB 37 dB

Headphones (1/4”)

107 dB 67 dB 5dB

Digital Outputs/Recorder

AES3 Output

  • Transformer-balanced AES Out A,B on XLR
  • 110 ohm, 2 V p-p, AES and S/PDIF compatible with RCA adaptor

Sampling Frequency

  • 44.1 kHz
  • 47.952 kHz
  • 48 kHz
  • 48.048 kHz
  • 88.2 kHz
  • 96 kHz
  • 192 kHz

A/D

  • 24 bit

A/D Dynamic Range

  • 114 dB, A-weighted, typical

Recording Storage Type

  • SD, SDXC, SDHC Card
  • FAT32 or exFAT formatted, will format media on-board
  • CompactFlash (CF)
  • FAT32 formatted for CF and SD <32 GB, exFAT for SD cards >32 GB, will format memory cards in-unit

File Type

  • Record: WAV (Broadcast Wave File format), polyphonic or MP3
  • Playback: WAV (Broadcast Wave File format), polyphonic or MP3

Timecode and Sync

  • Modes Supported: off, Rec Run, Free Run, 24h Run, External
  • Frame Rates: 23.976, 24, 25, 29.97DF, 29.97ND, 30DF, 30ND
  • Accuracy: Ambient generator, 0.2 ppm (0.5 frame in 24 hr)
  • Time Code Input: 20k ohm impedance, 0.3 V – 3.0 V p-p (-17 dBu – +3 dBu)
  • Time Code Output: 1k ohm impedance, 3.0V p-p (+12 dBu)

Sample/Timecode Accuracy

  • ± 0.2 ppm (0.5 frames per 24 hours)

Power

  • External: 10-18 V on locking 4-pin Hirose connector, pin-4 = (+), pin-1 = (-).
  • Removable x 2: 7.2 V (nominal) Sony L-type Li-ion, operational from 6.5–8.5 V,
  • Internal: accepts 6 AA-sized (LR6) batteries, 1.2-1.6 V nominal (NiMH rechargeable compatible)

Environmental

  • Operating: -20°C to 60°C, 0 to 90% relative humidity; (non-condensing)
  • Storage: -40°C to 85°C

Dimensions and Weight

  • Dimensions: 6 cm x 24 cm x 14 cm (H x W x D); 2.2” x 9.4” x 5.6”
  • Weight: 1.1 kg; 2 lbs. 9 oz. (unpackaged, without batteries)
Sony - ECM-77B
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Sony - ECM-77B Image

Perfect for television applications, Sony’s ECM77B Omni-Directional Electret Condenser Microphone is a miniature lavalier microphone designed to be inconspicuous. This tiny mic runs on either phantom power or AA battery operation. The ECM77B comes with an XLR connector.

Omni-directional lavallier condenser microphone with AA battery power supply and XLR connector

  • Capsule Type: Electret Condenser
  • Frequency Response: 40 Hz to 20 kHz
  • Directivity: 40 Hz to 20 kHz
  • Directivity: Omni-directional
  • Sensitivity: -36.5 dB (15mV)
  • Dynamic Range: 90dB
  • S/N Ratio: 64 dB or more
  • Inherent Noise (0dB=20µPa): 30 dB SPL or less
  • Induction Noise from External Magnetic Field: 5 dB SPL or less
  • Wind Noise: 40 dB SPL or less (with windscreen, at 2 m/s)
  • Max SPL (dB SPL)(0dB=20µP): 120 dB SPL
  • Connector: B type. Supplied with XLR connector in power supply unit (single AA size battery)
  • Cable Length: 9.8 feet
  • Power Requirement: DC 1.5 V, AA size battery or +48V phantom power
  • Dimensions: 1/4 diameter X 1/2 inch (Microphone head)
  • 13/16 diameter X 5 1/4 inch (Power unit XLR type)
  • Weight: 4.3 oz (Includes Mic and Power Supply)
Sennheiser - ME-66 Highly Directional Shotgun Mic
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Sennheiser - ME-66 Highly Directional Shotgun Mic Image

The ME 66 is a short gun microphone head designed for use with the K6 and K6P powering modules. It is especially suitable for reporting, film and broadcast location applications and for picking up quiet signals in noisy or acoustically live environments as it discriminates against sound not emanating from the main pick-up direction. Matt black, anodised, scratch-resistant finish.

Features

  • Super-cardioid/lobar pick-up pattern
  • Low inherent self-noise
  • High sensitivity
  • Highly directional – Ideal for picking up quiet signals in noisy environments
  • Wide frequency response for authentic sound

 

Dimensions Ø 22,5 x 221 mm
Frequency response (microphone) 40…..20000 Hz +- 2,5 dB
Transducer principle (Microphone) pre-polarised condenser microphone
Pick-up pattern super-cardioid/lobar
Sensitivity in free field, no load (1kHz) 50 mV/Pa +- 2,5 dB
Nominal impedance 200 Ohm (K6)
Min. terminating impedance 1000 Ohm ( K6)
Equivalent noise level 10 dB
Equivalent noise level weighted as per CCIR 468-3 21 dB
Maximum sound pressure level (passiv) 125 dB / 1 kHz (K = 1%)

The K6 powering module is the heart of this Sennheiser professional modular microphone system and can be powered either by its internal ‘AA’ size 1.5 V battery or by 12 – 48 V phantom power. The K6 can be combined with different condenser microphone heads to provide a wide variety of polar patterns. Matt black, anodised scratch-resistant finish.

Features

  • Switchable bass roll-off filter protects against rumble, handling, pop and wind noise
  • On/off switch with battery test
  • High output, low noise
  • Transformerless balanced output on 3-pin XLR connector
  • Can be powered either by ‘AA’ size battery or by 12 – 48 V phantom power
  • Can be combined with condenser capsules with various pick-up patterns

 

Dimensions d 22 x 94 mm (netto)
Frequency response (microphone) 30…..20000 Hz +- 1 dB
Transducer principle (Microphone) Pre-polarised condenser microphone
Weight ca. 45 g
Nominal impedance 200 Ohm
Min. terminating impedance 1000 Ohm Phantom
Operating time max. 150 h (netto)
Gain 0 dB
Current consumption 2,2 mA (netto)
Output voltage 2 V Phantom
Battery Specification 12 – 48 V 1x Typ IEC LR 06 Phantom
Sennheiser - MKE-300 Directional Mic
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Sennheiser - MKE-300 Directional Mic Image

The MKE 300 has been specially designed for use on film and video cameras/camcorders. It is fitted onto the camera’s flash mount and by virtue of its super-cardioid/lobar pick-up pattern picks up the sound coming from the direction the camera is pointing at. Colour: anthracite.

Features:

  • High directivity
  • Sprung-mounted capsule ensures effective suppression of handling noise
  • Integral power supply using an LR 44 battery (button cell)
  • On/off switch with battery status indication
  • Flashmount adaptor
  • Quality sound with picture
Technical Data
Pick-up pattern super cardioid / lobar
Nominal impedance 200 Ohm
Min. terminating impedance 2700 Ohm
Operating time 200 h
Dimensions 230 x 65 x 50 mm
Weight w/o cable ca. 60 g
Sensitivity in free field, no load (1kHz) 16 mV/Pa +- 2,5 dB
Equivalent noise level 28 dB
Equivalent noise level 18 dB
Power supply 1,5 V -Batterie Typ IEC LR 44
Jack plug 3,5 mm Mono
Sennheiser - HD-25 Headphones
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Sennheiser - HD-25 Headphones Image

The closed-back HD 25-1 IIs are purpose-designed, professional monitoring headphones offering high attenuation of background noise. Capable of handling very high sound pressure levels and of extremely robust construction, these headphones perform exceptionally well in high-noise environments, e.g. ENG, sound reinforcement, studio monitoring, and audio equipment testing. The capsule is rotatable for one-ear listening. Ideal monitoring headphones for cameramen and DJs.

Features:

  • Very lightweight and comfortable, even if used for long periods
  • High maximum sound pressure level
  • 65 .nominal impedance for universal compatibility
  • Tough, detachable steel cable
  • Neodymium ferrous magnet systems and lightweight aluminum/copper voice

Profile:

  • Rugged closed dynamic headphone.
  • Max. SPL 120 dB,
frequency response 16 Hz to 22 kHz
  • THD < 0.3 %,
nominal impedance 70
  • Load rating 0.2 W. 3 m 
cable
  • 3.5 mm stereo jack plug and adaptor to 1 /4 ”
(6.3 mm) stereo jack plug.
Sanken - COS-11D-BK
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Sanken - COS-11D-BK Image

Superb Sound in a New Generation Ultra-miniature Lavalier Mic

  • Overcomes digital transmitter RFI
  • Water Resistant
  • Durable Design
  • Great Clear and Rich Sound
  • 4 Color Choices
  • Improved Moisture Resistance
  • Original Vertical Diaphragm Design
  • Optimized for the Human Voice

Sanken has introduced the COS-11D, which overcomes RFI (radio frequency interference) from the digital transmitter. In today’s wireless transmission systems the microphone must remain unaffected by new forms of digital transmitter signals. They present new challenges in the area of emission protection. In many cases, noise levels increase and the S/N ratio is deteriorated by the interference of digital transmitters. Sanken has designed the COS-11D specifically to diminish the instances where interference is an issue.

AKG - C747 Shotgun Mic
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AKG - C747 Shotgun Mic Image

The C 747 is a tiny shotgun microphone designed for exacting orchestral, choir, podium, and boardroom applications. Flat, extended frequency response makes it suitable for high-quality live music recording, while the frequency-independent pattern provides consistent off-axis rejection to control ambient noise and feedback in acoustically difficult environments. A switchable LF roll-off filter suppresses mechanical noise. The low-impedance transformerless preamp operates on 9 to 52 V phantom power. Standard accessories include a shock mount/adapter, mini gooseneck, stand adapter, mounting clamp, thread link, and windscreen.

  • Slim design
  • Extended bass and high-end response
  • Hypercardioid polar pattern
  • High SPL capability

 

Polar pattern hypercardioid
Frequency range 30 to 18,000 Hz
Sensitivity 8.5 mV/Pa (-42 dBV)
Max. SPL 133 dB
Equivalent noise level (IEC 60268-4) 32 dB
Equivalent noise level (IEC 60268-4, A-weighted) 21 dB-A
Signal/noise ratio (A-weighted) 73 dB
Bass filter 12 dB/octave at 150 Hz
Impedance 400 ohms
Recommended load impedance >1500 ohms
Supply voltage 9 to 52 V phantom power to DIN 45596
Powering <2 mA
Connector 3-pin XLR
Cable 3 m (10 ft.)
Finish dark gray
Net weight 25 g / 0.9 oz.
Shipping weight 750 g / 1.7 lbs.

Hypercardioid condenser microphone. Applications: Lectern, places of worship, theater, stage miking, conference. Frequency range: 30–18,000 Hz; sensitivity at 1 kHz: 8.5 mV/Pa; impedance: 400 ohms; maximum SPL: 133 dB SPL, S/N: 73 dB (A). Switchable bass cut filter: 12 dB/octave, 150 Hz. Dimensions: 9 mm (0.35 in.) dia.; 137 mm (5.4 in.) long. Weight excluding accessories, cable, and connector: 25 g (0.9 oz.).

Micron - Explorer 100 Series - TX716-A
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Micron - Explorer 100 Series - TX716-A Image

Micron wireless microphone and communication systems have been setting industry standards in broadcast and location recording for some four decades. The company’s design focus is on applying sophisticated electronic engineering to achieve the optimum balance of performance and cost. The Explorer 100 Series combines the legendary Micron qualities of sonic integrity, long-term reliability and rock-solid construction at a new and highly affordable price point.

  • 16 Channels over 24MHz
  • Very small true diversity receiver
  • ENG/EFP and location sound
  • Ideal for compact DV camcorders
  • TX AF 0dB and low battery indicators
  • RX Signal strength and low battery indicators
  • Unique easy to operate battery compartmen

Professional Sound Recordist and Cameraman’s choice for ENG, EFP, Drama, Filming and Location recording with secured Diversity reception even at hostile RF environments. Operating on 16 Channels over three UHF bands in Europe and four UHF bands in USA and Canada (24MHz). COMPLETE KIT supplied with SDR116 small diversity receiver, with two antennas and audio output cable; TX716-A body-worn Transmitter with belt clip and antenna all in a small carrying case with instruction manual on CD, and Quick User Guides.

DPA - 4062 Omnidirectional, XLo-Sens
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DPA - 4062 Omnidirectional, XLo-Sens Image

4062 Omnidirectional, XLo-Sens

The 4062 is available in two colors: black and beige

DPA 4062 is acoustically identical with the 4060, but the sensitivity is adjusted to match some of the more sensitive transmitters on the market. For a cordless microphone, choose from our adapter system or a hardwired connector.

Applications

The 4062 handles high sound pressure levels and is ideal for drums and brass.

Accessories

By changing the supplied grids (one high boost and one soft boost) you can acoustically modify the mic’s response according to placement. Additionally, a range of accessories is available, such as different colored windscreensclips and holders, extension cables, and power supplies.

Wireless microphones

A wide range of connection adapters makes it possible to use DPA miniature microphones with all professional UHF, VHF or digital wireless systems.

DPA has adapters for AKG, Audio Ltd., Audio-Technica, Beyerdynamic, Electro-Voice, Lectrosonics, Micron, Mipro, Pastega, Telex ProStar, Ramsa, Samson, Sennheiser, Shure, Sony, Toa, Vega, and other systems. Each adapter for your cordless microphone is guaranteed to perfectly mate to your system of choice.

Specifications

Offering great detail and resolution, the 4062s have a neutral sonic character and are very natural sounding. The 4062 has a very low noise floor, impressive sensitivity and can handle high SPLs. The noise floor of the DPA 4062 is 33 dB(A) re. 20 µPa and if powered correctly the microphone will be able to handle sound pressure levels up to 154 dB SPL before clipping occurs. For full technical specs, please click the Specifications tab above.

Related microphones

The DPA 40614062 and 4063 are acoustically identical to the 4061 but have different SPL handling or sensitivity.

Glensound Electronics - GS-MCA001 - Mic Preamp
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Glensound Electronics - GS-MCA001 - Mic Preamp Image

Features:

  • Frequency response: 20Hz to 20kHz > -1dB
  • Noise @ Minimum Gain -72 dBu (RMS 20Hz to 20kHz)
  • Noise @ Maximum Gain -52 dBu (RMS 20Hz to 20kHz)
  • Equivalent input noise @ maximum gain 127 dBu
  • Input Gain -25 to -75dB in 5dB steps
  • Gain accuracy > +/- 0.3 dB in relation to front panel scale
  • Maximum Output level: +19 dBu into high impedance
  • Maximum Output level: +17 dBu into 600 Ohms
  • Electronically balanced input
  • Input impedance 1K2 Ohms
  • Transformer Balanced Output
  • Output impedance 50 Ohms
  • THD + Noise: Measured at any gain setting (no limiter) <0.05%
  • CUT LF front panel switched 160Hz/ Flat /80Hz @ 12dB per octave
  • Limiter/ compressor circuit
  • Maximum input level before clipping -6dBu (limiter off)
  • Maximum input level before clipping +14dBu (limiter on)
  • Phantom power switch selectable (rear panel) 48Volts
  • CE marked
  • External Power input +12 to 20 volts <150 mA
  • Maximum Dimensions (excluding belt clip): 101 mm x 104 mm x 45mm
  • Weight (without battery): 355g

The Glensound GS-MCA001 is a portable, battery powered microphone preamplifier with limiter. It’s lightweight, small and rugged construction makes it ideal for outside broadcast and film production. As well as offering a high quality compressor/ limiter circuit (with bypass) it also has selectable LF cuts, 48 volts phantom power and a rotary stepped gain control. A belt clip is included for hands free operation and the single PP3 9 Volt battery offers good operational life. Manufactured in Glensound’s UK factory using high quality components & trusted manufacturing techniques the GS-MCA001 will give many years of reliable performance.

DPA - 4061 Omnidirectional, Lo-Sens
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DPA - 4061 Omnidirectional, Lo-Sens Image

DPA 4061 is acoustically identical with the 4060, but the sensitivity is adjusted to match some of the more sensitive transmitters on the market. For a wireless microphone, choose between our adapter system or a hardwired connector.

The 4061 is available in four colors: black, brown, beige and white.

Applications

Excellent speech and vocal mics, the DPA miniatures are used by musicals and theaters worldwide. They are also great live and studio microphones for acoustic string instruments.

Accessories

Two grids are supplied (one high boost and one soft boost) and by changing these grids you can acoustically modify the microphone according to placement (chest, head etc.) Additionally, a wide range of accessories is available, such as windscreensclips and holders, extension cables, and power supplies.

Wireless microphones

With a wide range of connection adapters, you can use DPA miniature microphones with all professional wireless systems plus 48 V Phantom.

DPA has specific adapters for AKG, Audio Ltd., Audio-Technica, Beyerdynamic, Electro-Voice, Lectrosonics, Micron, Mipro, Pastega, Telex ProStar, Ramsa, Samson, Sennheiser, Shure, Sony, Toa, Vega, and other systems. Each adapter for your cordless microphone is guaranteed to perfectly mate to your system of choice.

Specifications

Offering great detail and resolution, the 4061s have a neutral sonic character and are very natural sounding. The 4061 has a very low noise floor, impressive sensitivity and can handle high SPLs. For full technical specs, please click the Specifications tab above.

Related microphones

The DPA 40604062 and 4063 are acoustically identical to the 4061 but have different SPL handling or sensitivity. The 4061 is also included in stereo and instrument microphone kit solutions.

Beyer Dynamic - M-58 Dynamic ENG/EFP Microphone (Omnidirectional)
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Beyer Dynamic - M-58 Dynamic ENG/EFP Microphone (Omnidirectional) Image

The M 58 has been specifically designed to satisfy the demands of Electric News Gathering (ENG) and Electronic Field Production (EFP) applications. Its sophisticated internal shockmount dramatically reduces handling noise, while the microphone´s frequency response has been tailored to provide broadcasters with a very accurate and intelligible sound. The M 58´s weight-balanced design provides journalists with a high degree of comfort during lengthy interviews. Its rugged construction enables the microphone to withstand physical and environmental punishment typically encountered during field production operations. The M 58´s slim profile and non-glare finish result in a low profile on camera.

Features

  • Moving coil transducer
  • Internal shock mount reduces handling noise
  • Extended frequency response with rising high-end for maximum intelligibility
  • Rugged construction
  • Non-reflective finish
  • Weight-balanced, slim-profile design

 

Technical Data

Price category Mid-level
Polar pattern microphone Omnidirectional
Microphone frequency response 40 – 20,000 Hz
Dimensions 260 mm x 40 mm
Net weight without packaging 287 g
DPA - 4060 Omnidirectional, Hi-Sens
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DPA - 4060 Omnidirectional, Hi-Sens Image

Originally designed for use with wireless systems in theater, television and close-miked instrument applications, the 4060 capsule is highly unobtrusive.

Because of their small size, these tiny condensers exhibit an exceedingly accurate omnidirectional pattern and therefore do not need to be aimed directly at the sound source to achieve quality pickup.

The 4060 is available in four colors: black, brown, beige and white.

For a wireless microphone, choose between our adapter system or a hardwired connector.

Applications

Excellent speech and vocal mics, DPA miniatures are de facto theatre standards. Musicians and engineers use them as live or studio microphones for close-miking acoustic string instruments like violin, guitar, bass, viola, and harp. On television, DPA’s small condenser microphones are popular as lavalier lapel and tie clip mics.

Accessories

Two grids are supplied (one high boost and one soft boost) and by changing these grids you can acoustically modify the microphone’s response according to their placement on the body – the chest, the head etc. Additionally, a wide range of accessories is available, such as windscreens in different colors, clips and holders, extension cables, and power supplies.

Wireless microphones

A wide range of connection adapters makes it possible to use DPA miniature microphones with all professional UHF, VHF or digital wireless system available plus 48 V Phantom.

DPA has specific adapters for AKG, Audio Ltd., Audio-Technica, Beyerdynamic, Electro-Voice, Lectrosonics, Micron, Mipro, Pastega, Telex ProStar, Ramsa, Samson, Sennheiser, Shure, Sony, Toa, Vega, and other systems. Each adapter for your cordless microphone is guaranteed to perfectly mate to your system of choice.

Specifications

Offering great detail and resolution, the 4060s have a neutral sonic character and are very natural sounding. The 4060 has a very low noise floor, impressive sensitivity and can handle high SPLs. For full technical specs, please click the Specifications tab above.

Related microphones

The DPA 40614062 and 4063 are acoustically identical to the 4060 but have been adjusted to handle higher SPL and to match some of the more sensitive transmitters on the market. The 4060 is also included in stereo and instrument microphone kit solutions.

BeachTex - DXA-6 - Mic Preamp with Phantom Power
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BeachTex - DXA-6 - Mic Preamp with Phantom Power Image

Specifications:

  • Input Level MIC setting:
    • -35 dBu ideal
    • -6 dBu max
  • LINE setting:
    • 0 dBu ideal
    • +36 dBu max
  • Output Level:
    • nominal MIC levels
  • Frequency Response:
    • 20Hz to 20 KHz (+/- 3 dB)
  • Phantom Power:
    • Dual regulated 48-volt power supplies
    • Current to 14 mA (direct short)
  • Battery Type:
    • One standard 9-volt alkaline battery
    • LED battery indicator
  • Battery Duration:
    • 4 hours continuous use typical
  • Case Powder:
    • Coated Aluminum
  • Dimensions:
    • 6.25” L x 2.5” W x 1.25” H
  • Weight:
    • 16 oz

 

The BeachTek DXA-6A is a two-channel, transformer balanced XLR adapter with built-in 48-volt phantom power supplies. This adapter is designed to easily attach two professional, balanced microphones or wireless systems to the Sony VX and FX series of camcorders. The DXA-6A gives you all the benefits of using balanced audio devices for clean audio as well as control over the signal levels to ensure the best possible sound recording.

The DXA-6A is very easy to set up and use. Its rugged construction ensures years of use and its compact size fits neatly under the camcorder – can also be mounted to any standard tripod. Since the adapter is a passive device, it is completely silent and the premium transformers ensure superb audio.

BeachTex - DXA-4 - Mic Preamp
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BeachTex - DXA-4 - Mic Preamp Image

Specifications:

 

  • Input Level MIC setting:
    • -35 dBu ideal
    • -6 dBu max
  • LINE setting:
    • 0 dBu ideal
    • +36 dBu max
  • Output Level:
    • nominal MIC levels
  • Frequency Response:
    • 20 Hz to 20 KHz (+/- 3 dB)
  • Case:
    • Powder coated aluminum
  • Dimensions:
    • 5.25” L x 2.75” W x 1.25” H
  • Weight:
    • 12 oz

 

The BeachTek DXA-4 is a two-channel, transformer balanced XLR adapter for the Sony VX2100 and FX1 camcorders. The DXA-4P is identical in features but designed for a perfect fit on the Canon GL1 or GL2. These adapters are designed to easily attach balanced or unbalanced type microphones to your camcorder. The DXA-4 and DXA-4P give you all the benefits of using balanced audio devices for clean audio as well as control over the signal levels to ensure the best possible sound recording. The adapters are very easy to set up and use. Their rugged construction ensures years of use and the compact size fits neatly under the camcorder – can also be mounted to any standard tripod. Since the adapters are passive devices, they are completely silent and the premium transformers ensure superb audio.

Audio-Technica - AT889 Noise-cancelling Head worn Microphone
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Audio-Technica - AT889 Noise-cancelling Head worn Microphone Image
  • Noise-cancelling Condenser Wireless Headworn Microphone
  • Designed for professional public speaking, aerobics instruction, and other demanding applications
  • Comfortable, unobtrusive headband design

Operation: After use in high-moisture applications, such as aerobics instruction, on-stage performing, etc., remove the foam screen, wipe off the headset with a towel and permit them to air-dry. (Do not store in a closed space, such as a plastic bag, until all moisture has evaporated.)

AT889cW: Position the adjustable band around the back of the neck, placing the cushioned earpieces over each ear. Adjust the headband as necessary for a stable, comfortable fit.

This has a 6 Pin Lemo fitted for use with radio mic’s like the Audio Ltd 2040’s

Audio-Technica - AT877 Gun Mic
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Audio-Technica - AT877 Gun Mic Image

The Audio Technica AT877 is a wide-range, undirectional short shotgun condenser designed for sound pickup over a long distance. Ideal for broadcasting and film/TV sound. The polar response is designed to provide excellent on-axis sound pickup with maximum rejection from the sides and rear. Phantom or battery powered.

Features:

  • Type Condenser / shotgun
  • Polar pattern: shotgun (short rifle)
  • Frequency Response 60Hz – 15kHz
  • Output Sensitivity 10mV/Pa
  • Max SPL 120dB for 3%THD Self Noise (CCIR) Self Noise (DIN/IEC) 24dB-A
  • Output Impedance 350Ω
  • Powering Phantom 12-48
  • supply current 2mA
  • Alternative Powering 1.5V AA cell

 

Audio-Technica - AT8531 Power Module
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Audio-Technica - AT8531 Power Module Image

Power module for the Audio-Technica – AT889 Noise-cancelling Headworn Microphone

 

Specification:

  • Belt pack type power module
  • 1,5V AA battery & phantom.
  • With low-frequency roll-off.
  • Input: 6 Pin Lemo.
  • Output on integral XLRM 3-pin.
Aquarian Audio - H2A-XLR Hydrophone
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Aquarian Audio - H2A-XLR Hydrophone Image

The H2a-XLR hydrophone is designed to work with any PA system or recording device that offers a balanced, phantom-powered, microphone input. It uses the same low-noise, robust transducer assembly as our other hydrophones, but includes a low noise internal buffer preamp. The operation is very simple: just plug in and use. No additional power supply or proprietary preamp is required. The H2a-XLR offers the following advantages:

  • Low cost
  • Low self-noise
  • Good sensitivity
  • High dynamic range
  • Works with any common phantom power voltage
  • Robust design handles accidental drops and temperature extremes
  • Compact (4.5mm OD) Low-noise cable with tough urethane jacket
  • Connects directly with pro condenser microphone circuits.
  • High-quality Neutrik gold output connector
  • Compact size and easy hand of cable
  • High specific gravity and streamlined shape keeps hydrophone down in currents
  • 1-year limited warranty
Audio
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Sennheiser - E-604 Cardioid Mic Image
Sennheiser - E-604 Cardioid Mic
The frequency response and cardioid pick-up pattern are optimized for drum sets and other percussion instrument miking, while also producing exceptional results on all forms of brass and woodwind. An integral stand mount screws directly onto mic stands and included clip attaches a mic to rim of the drum. Very high sound pressure level handling, in excess of 160 dB, is combined with a balanced, clear, low distortion signal similar to a high-end studio condenser microphone. Lightweight voice coil provides extended high frequency and rapid transient response. A tough reinforced glass fiber body takes the knocks and shocks and suppresses impact noise. Features Rugged reinforced glass-fiber body Low sensitivity to impact and handling noise Very high sound pressure handling capability Low distortion microphone Hum compensating coil Easy to position due to the compact design Integral stand mount Technical Data Pick-up pattern ……………………………………………………………. Cardioid Frequency response ……………………………………………………… 40 – 18,000 Hz Sensitivity (free field, no load, 1 kHz)………………………………….. 1.8 mV/Pa Nominal impedance ……………………………………………………….. 350 Ω Min. terminating impedance …………………………………………….. 1 kΩ Dimensions …………………………………………………………………. Ø 33 x 59 mm Weight ……………………………………………………………………… 60 g
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Ambient Recording - ACL 203 Lockit Box Image
Ambient Recording - ACL 203 Lockit Box
n the last few years Hi-Definition video has emerged to the de facto standard on everyday productions due to superior, crisp picture quality and resolution. Meanwhile, respecting cameras have become economically priced and the portfolio is continuously expanded with new HD models from Panasonic, Sony, Red and Arri. Adding to that HD is currently massively pushed as the future broadcast standard on a global scale. The Lockit ACL 203 stays abreast of this development including the complete variety of current HD video formats as well as Word Clock and AES3 black audio with sample rates up to 192 KHz for syncing audio recorders. The 3 functional blocks, sync format, sync frequency, and time code frame rate are each controlled with a dedicated rotary encoder. This allows for quick and straightforward dialing through even the most exotic variants as pull up/down or cross jam modes. Despite the extensive enhancements it was possible to maintain the original footprint of the predecessor by using latest surface mount components and technology. Thus, with extensive sync modes and an unrivalled accuracy of 0.2ppm in a highly portable package the Lockit continues being the prime choice for sophisticated synchronisation demands on the go, offering significantly less drift than a single frame per day between fully autonomous units on the set. Supported Settings: 720P 23.98, 24, 25, 29.97, 30, 59.94, 50, 60 1080i / PsF 23.98, 24, 25(50i), 29.97(59.94i), 30(60i) 1080P 23.98,  24, 25, 29.97, 30 PAL 25 Fps NTSC 29.97, 30 Fps Word Clock 32, 44.1, 48, 88.2, 96, 176.4, 192 KHz, pull-up / pull-down Black Audio AES3 24 Bit, Samplerates as above
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Ambient Recording - ACD 301 Digislate Image
Ambient Recording - ACD 301 Digislate
Generator/ Reader Slate With Clockit TC generator, a reader capable of low and high speed TC, camera strobe speed and TC diversion check, battery voltage read-out and a selectable offset of up to +/- 7 frames the ACD301 has built up a name of being a real “smart” slate. In the latest revision, MK III more features have been added to stand up for this reputation: Power consumption was optimized for the use of only 6 AA cells with improved lifetime. The 2 super bright LEDs can now externally be selected to flash either at second transition to mark frame “00” for Telecine or clapped frame. Also, the slate can display external TC and internally generated on clapping for improved playback operation with multiple cameras.
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Tiny Lockit Image
Tiny Lockit
ACN-TL – Timecode Generator & Transceiver Technical Data   Highly accurate timecode generator Generator buffered timecode transceiver Drift of less than 1 frame a day (~0,1ppm, 0.0ppm within the ACN) Supports all SMPTE frame rates Sunlight readable OLED Display Adjustable timecode offset Adjustable timecode level for recording TC on audio track MIDI timecode interface with LTC/MTC conversion Built in ACN transceiver with internal antenna RS232, USB and GP I/O port Works 12 hours on 2 AAA batteries Robust machined and anodized aluminum body Dimension: 77 mm x 56.5 mm x 21 mm Weight: 118 g  
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Sony - ECM-77B Image
Sony - ECM-77B
Perfect for television applications, Sony’s ECM77B Omni-Directional Electret Condenser Microphone is a miniature lavalier microphone designed to be inconspicuous. This tiny mic runs on either phantom power or AA battery operation. The ECM77B comes with an XLR connector. Omni-directional lavallier condenser microphone with AA battery power supply and XLR connector Capsule Type: Electret Condenser Frequency Response: 40 Hz to 20 kHz Directivity: 40 Hz to 20 kHz Directivity: Omni-directional Sensitivity: -36.5 dB (15mV) Dynamic Range: 90dB S/N Ratio: 64 dB or more Inherent Noise (0dB=20µPa): 30 dB SPL or less Induction Noise from External Magnetic Field: 5 dB SPL or less Wind Noise: 40 dB SPL or less (with windscreen, at 2 m/s) Max SPL (dB SPL)(0dB=20µP): 120 dB SPL Connector: B type. Supplied with XLR connector in power supply unit (single AA size battery) Cable Length: 9.8 feet Power Requirement: DC 1.5 V, AA size battery or +48V phantom power Dimensions: 1/4 diameter X 1/2 inch (Microphone head) 13/16 diameter X 5 1/4 inch (Power unit XLR type) Weight: 4.3 oz (Includes Mic and Power Supply)
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Voice Technologies - VT610TC125 Earphone Coiled 125 Ohm Image
Voice Technologies - VT610TC125 Earphone Coiled 125 Ohm
VOICE TECHNOLOGIES EARPHONES Voice Technologies is a manufacturer of high-end miniature lavalier microphones, head-worn microphones, and earphones for broadcast, theatre, film, video and conference applications. Established in 1998 in Zurich, Switzerland, the company continues the long tradition of Swiss precision engineering and moulding, resulting in exceptional performance and reliability in their range of miniature and ultra-miniature devices. Equipped with a 3.5mm jack plug, the earphones are ready for connection to most wireless IFB/cue receivers or other personal listening systems. A wide range of accessories and replacement consumable parts is available. Full technical specifications are available at www.voicetechnologies.net. VT600, VT600C, and VT600T The VT600 series has been conceived for the inconspicuous listening requirements of newscasters, security professionals, stage performers and other talent requiring discreet cueing. Excellent sound and ease of use are the primary user benefits. There is no need for a custom ear mould or snap fit parts, one size effectively fits all. It has a short bend, over-ear acoustic loop, with the 500-ohm transducer located discreetly behind and below the ear. This unit will interface with any wireless or hardwired receiver for monitoring. The VT600 has a rugged, sweat-proof 1.5mm diameter straight beige cable, fitted with a 2-pole 3.5mm jack plug. The VT600C has a coiled grey cable. The VT600T has a longer, coiled transparent tube so the transducer can be fully concealed under clothing. Included accessories: The VT600 series are supplied in a silver metal box with a clip and an additional earpiece. Optional accessories: As an alternative to the standard earpiece a flexible ear insert for left or right ear, in three sizes, is also available. VT602 The VT602 is a stereo version of the VT600. Excellent sound and ease of use are the primary user benefits. It is supplied with two flexible ear inserts. The open frame design still allows the user to hear ambient noise, they fit without pressure entirely in the outer auditory canal. They are very comfortable even after many hours, are hygienic and can be cleaned very easily. The VT602 is the ideal solution for discreet stereo listening (for example with a professional camera). Impedance 8-12 ohms, 1.2 metre cable fitted with 3-pole 3.5mm jack plug. Included accessories: The VT602 is supplied in a black pouch bag with a clip and additional earpieces. VT610TC125 The VT610TC125 is an elegant black earphone with an acoustic tube and a cable with connector to suit the equipment to which the earphone is being connected. The earphone has a 125 ohm transducer (‘ear receiver’), a coloured clip and a transparent acoustic tube which directs the sound into the ear canal and reduces the ingress of ambient noise. Impedance 125 ohms, 1.5 metre cable fitted with a 2-pole 3.5mm right angle jack plug. Included accessories: The VT610TC25 is supplied in a silver metal box. VT60M and VT60i MkII The VT60 miniature earphone is a very small and extremely lightweight earphone, totally unobtrusive and in most cases almost invisible. The built-in receiver is connected with a thin cable and the silicon earpiece at the end of the receiver is placed directly into the ear canal, facilitating high quality sound as well as isolation from outside noise. It is designed for applications including stage presentations, theatre and broadcast studio operations. Impedance 500 ohms. cable 1.2 metres fitted with a 2-pole 3.5mm right angle jack plug. The VT60M has a beige 1mm diameter cable, 1.2 metres length, fitted with a 2-pole 3.5mm right and jack plug. The VT60i MkII has an ultra fine connecting wire for the absolute minimum visibility, also terminated in a 2-pole 3.5mm right angle jack plug. Included accessories: Earpiece, clip.
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Sound Devices - MixPre Field Mixer Image
Sound Devices - MixPre Field Mixer
MixPre Compact Field Mixer The Ultimate Portable Mixer for Production, ENG, and Film The MixPre from Sound Devices is a studio-quality two-channel, portable, stereo microphone mixer. Its impressive audio performance and comprehensive features, including pan switches, built-in slate microphone, 1 kHz tone oscillator, and headphone monitoring make it ideal for the front end of any studio or field production system. Radio, television, and film production engineers value the compact size and ability to withstand extremes in the field. The MixPre combines rugged mechanical and electrical construction, compact size, and high-quality components. The MixPre gives no-compromise performance for any application. Key Features Dynamic range exceeding 110 dB 10 Hz to 50 kHz audio bandwidth Maximum of 66 dB of gain per input Premium Lundahl input transformers Discrete 6-transistor balanced output drivers Sealed, conductive plastic potentiometers Seven-segment, sunlight-readable GaN LED meters Phantom power, 48 volts or 15 volts High-pass filters @ 80 or 160 Hz, 6 dB per octave Inputs hard panned to left, center, or right outputs High-power headphone monitoring “Unclippable” input peak limiters via two-stage optoisolator circuit with adjustable limiter threshold (per input) Dual mono or linked stereo limiter operation Two internal AA batteriesExternal 5 to 17 VDC powering Power LED indicates low battery power RF filtering on all inputs and outputs. Free from “Pin 1” grounding problems High-strength, extruded aluminum chassis with protective metal end panels All-metal connectors solidly connected to chassis
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Sound Devices - 302 Field Mixer Image
Sound Devices - 302 Field Mixer
302 Compact Production Field Mixer Developed specifically for audio-for-picture applications, the 302 mixer is the perfect tool for production companies and camera operators wanting to take control of their audio. The 302 is stunning for its size, flexibility, control, and performance; it is the most widely-used compact battery-powered professional audio mixer in its class. With important features to accommodate nearly any over-the-shoulder production, the 302 interfaces with wireless transmitters and receivers, camera audio inputs of all kinds, and external audio recorders. Its microphone inputs share the same superb circuitry as the 552 Portable Production Mixer and MixPre-compact Field Mixer. Like Sound Devices larger 552 Field Mixer, the 302 is a complete Field Mixer but designed in a super-compact package. Controls are accessible on its three main surfaces, its high-efficiency power circuitry runs the mixer from either three internal AA batteries or external 5-18 VDC. Key Features List Lundahl transformer-balanced mic or line-level inputs on XLR connectors Continuously adjustable input trim Two-position high-pass filter Pan switches Limiters on inputs and outputs Stereo and MS linking of channel 1 and 2 Phantom (48 V or 12 V) or “T” microphone powering selected per channel Solo (PFL) channel monitoring in headphones Peak limiters per channel Tape level output on TA3 locking connectors Active-balanced line/tape/mic level outputs on XLR connectors Return input for monitoring Channel 4/5 input option Sunlight-viewable LED meters with proprietary software selected ballistics Onboard MS stereo matrix Push pots for setup feature to keep the front panel clutter-free Durable extruded aluminum chassis Weight less than 1 kg with batteries Powered by three AA batteries or external 5 – 18 VDC
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Sound Devices - 633 Field Mixer/Recorder Image
Sound Devices - 633 Field Mixer/Recorder
The 633 is a compact, six-input mixer with integrated 10-track recorder featuring PowerSafe technology. It offers six analog inputs and records to SD and CompactFlash memory cards. The 633 is designed for audio professionals requiring go-anywhere portability, without compromising recording or mixing capability. Input and Output Flexibility The 633 offers three high-bandwidth mic/ line inputs on XLR connectors (3+3), complete with phantom power, high-pass filter, input limiter and variable pan. Three additional line-level inputs on TA3 (mini-XLR) connectors offer flexibility for more complex productions. All inputs are assignable to its six output buses, left/right plus Aux 1/2/3/4. 10-Track Recording All six inputs plus output buses left/right and Aux 1/2 can be recorded to individual tracks. The 633 offers 10-track 24-bit, 48 kHz uncompressed WAV recording (96 kHz and 192 kHz sampling up to six tracks) to SD and CompactFlash memory cards. The two cards can be set independently, recording either identical material for a real-time backup, or combinations of WAV and time code stamped MP3 files. Quad Power Powered by a unique Quad Power supply with PowerSafe technology, the unit is operational from any of four power sources. Sources can include external DC (12-18 V), two removable 7.2 V L-type lithium ion cells, and six internal AA batteries. The 633 automatically switches from one power supply to the next when power is exhausted or removed. With its combination of power sources, the 633 can operate for a full production day on batteries alone. PowerSafe Technology When all power sources are removed or depleted, the unit’s PowerSafe circuitry is activated. PowerSafe keeps the 633 operating for up to 10 seconds and ensures that all file operations are fully closed and the unit gracefully shuts down. Two second power on-to-recording. Never wait on sound! Ease-of-Use & Full Size Controls Clear, fast, easy to navigate controls and interface; visible in all light conditions, configurable metering and display. Integrated Time Code The 633 integrates a rock-steady Ambient time code generator, supporting all common rates and modes. In addition to time code, the 633 supports extensive file metadata. Metadata is entered from either the front panel or from an attached USB keyboard. Built for the Field Designed to withstand the extremes of field production, the 633’s small, lightweight, compact chassis is made from molded, metalized carbon fiber. It is built on Sound Devices strong heritage of high performance audio mixers, audio recorders, and video recorders. Additional Features AES input, two-channel AES3 or AES42, four channels of AES output. Clear, fast, easy to navigate controls and interface; visible in all light conditions, configurable metering and display. Stereo Linking, MS and L/R. Input delay selectable on all six inputs plus output bus delay on all six buses. User-configurable headphone presets plus a headphone favorite mode for quick source selection. 633 Specifications Analog Inputs Frequency Response 10 Hz to 40 kHz ± 0.5 dB, -3 dB @ 65 kHz (192 kHz sampling rate reference 1 kHz) THD + Noise 0 .09% max (1 kHz, 22 Hz–22 kHz BW, fader at 0, 0 dBu output) Equivalent Input Noise -126 dBu (-128 dBV) maximum. (22 Hz – 22 kHz bandwidth, flat filter, trim control fully up) Input Types XLR Mic: active-balanced for use with ≤600 ohm mics, 4k ohm actual; 12V or 48V phantom power, 10 mA max XLR AES: AES3 or AES42 (10 V power), SRC XLR Line: active-balanced for use with ≤2k ohm outputs, 10k ohm actual TA3 Line: active-balanced for use with ≤2k ohm outputs, 10k ohm actual RTN (3.5 mm): unbalanced stereo for use with ≤2k ohm outputs, 30k ohm actual Maximum Input Level XLR Mic: 0 dBu (0 .78 Vrms) XLR Line: +40 dBu (80 Vrms) RTN (3 .5 mm): +24 dBu (12 .4 Vrms) Maximum Gain Mic-In-to-Line-Out: 91 dB Mic-In-to-Aux-Out, -10 Out: 77 dB Line-In-to-Line-Out: 39 dB High-Pass Filters Sweepable 80 Hz to 240 Hz, 12 dB/oct at 80 Hz, 6 dB/octave at 240 Hz Microphone Powering (each analog Input selectable) 12 V Phantom: through 680 ohm resistors, 10 mA per mic available 48 V Phantom: through 6 .8k resistors, 10 mA per mic available Analog Input Limiters (Inputs 1-3) Affects the output of the mic preamps only (‘Trim’ stage) · +16 dBu threshold (fixed) 20:1 limiting ratio 1 mS attack time 500 mS release time Digital Input Limiters (Inputs 1-6) Post-fader +6 dBu to +18 dBu threshold (adjustable) · 20:1 limiting ratio 1 mS attack time 500 mS release time Digital Inputs AES42 AES42 Mode 1, provides +10 V Digital Phantom Power Analog Outputs Output Type XLR Line: Active Balanced for use with ≥600 ohm inputs XLR -10: Active Balanced for use with ≥10k ohm inputs XLR Mic: Active Balanced for use with ≥600 ohm inputs TA3 Active Balanced Mic/Line: pin-2 and 3 driven, for use with ≥3k ohm inputs · X3,X4 (3 .5 mm): Unbalanced, stereo, for use with ≥6k ohm inputs Headphones (1/4”): Unbalanced, stereo, for use with 8-2k ohm headphones Output Impedance (ohms actual) XLR and TA3 balanced outputs: 100 ohms at Line setting, 3 .2k ohms at -10 setting, 150 ohms at Mic setting TA3 Balanced Outs: 1k ohms at Mic and Line settings · X3,X4 (3 .5 mm): 100 ohms Headphones (1/4”): 100 ohms Line Output Clipping Level (1% THD) 20 dBu minimum with 10k load Maximum Output Level Line: +20 dBu (7.8 Vrms) -10: +6 dBu (1.5 Vrms) Mic: -20 dBu (0.078 Vrms) Aux 3/4: +6 dBu (1.5 Vrms) Output Limiters Affects the outputs of the mixer Threshold selectable from +4 dBu to +18 dBu, 1 dB steps · 20:1 limiting ratio 1 mS attack time 500 mS release time Maximum Gain – Typical (Trim, Fader, Master, Phones, RTN fully up) MIC Level Input LINE Level Input RTN Master Outs (XLR) @ LINE 91 dB 51 dB – Master Outs (XLR) @ -10 77 dB 37 dB – Master Outs (XLR) @ MIC 51 dB 11 dB – X3, X4 Outs (3 .5 mm) 77 dB 37 dB – Headphones (1/4”) 107 dB 67 dB 5dB Digital Outputs/Recorder AES3 Output Transformer-balanced AES Out A,B on XLR 110 ohm, 2 V p-p, AES and S/PDIF compatible with RCA adaptor Sampling Frequency 44.1 kHz 47.952 kHz 48 kHz 48.048 kHz 88.2 kHz 96 kHz 192 kHz A/D 24 bit A/D Dynamic Range 114 dB, A-weighted, typical Recording Storage Type SD, SDXC, SDHC Card FAT32 or exFAT formatted, will format media on-board CompactFlash (CF) FAT32 formatted for CF and SD <32 GB, exFAT for SD cards >32 GB, will format memory cards in-unit File Type Record: WAV (Broadcast Wave File format), polyphonic or MP3 Playback: WAV (Broadcast Wave File format), polyphonic or MP3 Timecode and Sync Modes Supported: off, Rec Run, Free Run, 24h Run, External Frame Rates: 23.976, 24, 25, 29.97DF, 29.97ND, 30DF, 30ND Accuracy: Ambient generator, 0.2 ppm (0.5 frame in 24 hr) Time Code Input: 20k ohm impedance, 0.3 V – 3.0 V p-p (-17 dBu – +3 dBu) Time Code Output: 1k ohm impedance, 3.0V p-p (+12 dBu) Sample/Timecode Accuracy ± 0.2 ppm (0.5 frames per 24 hours) Power External: 10-18 V on locking 4-pin Hirose connector, pin-4 = (+), pin-1 = (-). Removable x 2: 7.2 V (nominal) Sony L-type Li-ion, operational from 6.5–8.5 V, Internal: accepts 6 AA-sized (LR6) batteries, 1.2-1.6 V nominal (NiMH rechargeable compatible) Environmental Operating: -20°C to 60°C, 0 to 90% relative humidity; (non-condensing) Storage: -40°C to 85°C Dimensions and Weight Dimensions: 6 cm x 24 cm x 14 cm (H x W x D); 2.2” x 9.4” x 5.6” Weight: 1.1 kg; 2 lbs. 9 oz. (unpackaged, without batteries)
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Sony - ECM-77B Image
Sony - ECM-77B
Perfect for television applications, Sony’s ECM77B Omni-Directional Electret Condenser Microphone is a miniature lavalier microphone designed to be inconspicuous. This tiny mic runs on either phantom power or AA battery operation. The ECM77B comes with an XLR connector. Omni-directional lavallier condenser microphone with AA battery power supply and XLR connector Capsule Type: Electret Condenser Frequency Response: 40 Hz to 20 kHz Directivity: 40 Hz to 20 kHz Directivity: Omni-directional Sensitivity: -36.5 dB (15mV) Dynamic Range: 90dB S/N Ratio: 64 dB or more Inherent Noise (0dB=20µPa): 30 dB SPL or less Induction Noise from External Magnetic Field: 5 dB SPL or less Wind Noise: 40 dB SPL or less (with windscreen, at 2 m/s) Max SPL (dB SPL)(0dB=20µP): 120 dB SPL Connector: B type. Supplied with XLR connector in power supply unit (single AA size battery) Cable Length: 9.8 feet Power Requirement: DC 1.5 V, AA size battery or +48V phantom power Dimensions: 1/4 diameter X 1/2 inch (Microphone head) 13/16 diameter X 5 1/4 inch (Power unit XLR type) Weight: 4.3 oz (Includes Mic and Power Supply)
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Sennheiser - ME-66 Highly Directional Shotgun Mic Image
Sennheiser - ME-66 Highly Directional Shotgun Mic
The ME 66 is a short gun microphone head designed for use with the K6 and K6P powering modules. It is especially suitable for reporting, film and broadcast location applications and for picking up quiet signals in noisy or acoustically live environments as it discriminates against sound not emanating from the main pick-up direction. Matt black, anodised, scratch-resistant finish. Features Super-cardioid/lobar pick-up pattern Low inherent self-noise High sensitivity Highly directional – Ideal for picking up quiet signals in noisy environments Wide frequency response for authentic sound   Dimensions Ø 22,5 x 221 mm Frequency response (microphone) 40…..20000 Hz +- 2,5 dB Transducer principle (Microphone) pre-polarised condenser microphone Pick-up pattern super-cardioid/lobar Sensitivity in free field, no load (1kHz) 50 mV/Pa +- 2,5 dB Nominal impedance 200 Ohm (K6) Min. terminating impedance 1000 Ohm ( K6) Equivalent noise level 10 dB Equivalent noise level weighted as per CCIR 468-3 21 dB Maximum sound pressure level (passiv) 125 dB / 1 kHz (K = 1%) The K6 powering module is the heart of this Sennheiser professional modular microphone system and can be powered either by its internal ‘AA’ size 1.5 V battery or by 12 – 48 V phantom power. The K6 can be combined with different condenser microphone heads to provide a wide variety of polar patterns. Matt black, anodised scratch-resistant finish. Features Switchable bass roll-off filter protects against rumble, handling, pop and wind noise On/off switch with battery test High output, low noise Transformerless balanced output on 3-pin XLR connector Can be powered either by ‘AA’ size battery or by 12 – 48 V phantom power Can be combined with condenser capsules with various pick-up patterns   Dimensions d 22 x 94 mm (netto) Frequency response (microphone) 30…..20000 Hz +- 1 dB Transducer principle (Microphone) Pre-polarised condenser microphone Weight ca. 45 g Nominal impedance 200 Ohm Min. terminating impedance 1000 Ohm Phantom Operating time max. 150 h (netto) Gain 0 dB Current consumption 2,2 mA (netto) Output voltage 2 V Phantom Battery Specification 12 – 48 V 1x Typ IEC LR 06 Phantom
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Sennheiser - MKE-300 Directional Mic Image
Sennheiser - MKE-300 Directional Mic
The MKE 300 has been specially designed for use on film and video cameras/camcorders. It is fitted onto the camera’s flash mount and by virtue of its super-cardioid/lobar pick-up pattern picks up the sound coming from the direction the camera is pointing at. Colour: anthracite. Features: High directivity Sprung-mounted capsule ensures effective suppression of handling noise Integral power supply using an LR 44 battery (button cell) On/off switch with battery status indication Flashmount adaptor Quality sound with picture Technical Data Pick-up pattern super cardioid / lobar Nominal impedance 200 Ohm Min. terminating impedance 2700 Ohm Operating time 200 h Dimensions 230 x 65 x 50 mm Weight w/o cable ca. 60 g Sensitivity in free field, no load (1kHz) 16 mV/Pa +- 2,5 dB Equivalent noise level 28 dB Equivalent noise level 18 dB Power supply 1,5 V -Batterie Typ IEC LR 44 Jack plug 3,5 mm Mono
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Sennheiser - HD-25 Headphones Image
Sennheiser - HD-25 Headphones
The closed-back HD 25-1 IIs are purpose-designed, professional monitoring headphones offering high attenuation of background noise. Capable of handling very high sound pressure levels and of extremely robust construction, these headphones perform exceptionally well in high-noise environments, e.g. ENG, sound reinforcement, studio monitoring, and audio equipment testing. The capsule is rotatable for one-ear listening. Ideal monitoring headphones for cameramen and DJs. Features: Very lightweight and comfortable, even if used for long periods High maximum sound pressure level 65 .nominal impedance for universal compatibility Tough, detachable steel cable Neodymium ferrous magnet systems and lightweight aluminum/copper voice Profile: Rugged closed dynamic headphone. Max. SPL 120 dB,
frequency response 16 Hz to 22 kHz THD < 0.3 %,
nominal impedance 70 Load rating 0.2 W. 3 m 
cable 3.5 mm stereo jack plug and adaptor to 1 /4 ”
(6.3 mm) stereo jack plug.
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Sanken - COS-11D-BK Image
Sanken - COS-11D-BK
Superb Sound in a New Generation Ultra-miniature Lavalier Mic Overcomes digital transmitter RFI Water Resistant Durable Design Great Clear and Rich Sound 4 Color Choices Improved Moisture Resistance Original Vertical Diaphragm Design Optimized for the Human Voice Sanken has introduced the COS-11D, which overcomes RFI (radio frequency interference) from the digital transmitter. In today’s wireless transmission systems the microphone must remain unaffected by new forms of digital transmitter signals. They present new challenges in the area of emission protection. In many cases, noise levels increase and the S/N ratio is deteriorated by the interference of digital transmitters. Sanken has designed the COS-11D specifically to diminish the instances where interference is an issue.
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AKG - C747 Shotgun Mic Image
AKG - C747 Shotgun Mic
The C 747 is a tiny shotgun microphone designed for exacting orchestral, choir, podium, and boardroom applications. Flat, extended frequency response makes it suitable for high-quality live music recording, while the frequency-independent pattern provides consistent off-axis rejection to control ambient noise and feedback in acoustically difficult environments. A switchable LF roll-off filter suppresses mechanical noise. The low-impedance transformerless preamp operates on 9 to 52 V phantom power. Standard accessories include a shock mount/adapter, mini gooseneck, stand adapter, mounting clamp, thread link, and windscreen. Slim design Extended bass and high-end response Hypercardioid polar pattern High SPL capability   Polar pattern hypercardioid Frequency range 30 to 18,000 Hz Sensitivity 8.5 mV/Pa (-42 dBV) Max. SPL 133 dB Equivalent noise level (IEC 60268-4) 32 dB Equivalent noise level (IEC 60268-4, A-weighted) 21 dB-A Signal/noise ratio (A-weighted) 73 dB Bass filter 12 dB/octave at 150 Hz Impedance 400 ohms Recommended load impedance >1500 ohms Supply voltage 9 to 52 V phantom power to DIN 45596 Powering <2 mA Connector 3-pin XLR Cable 3 m (10 ft.) Finish dark gray Net weight 25 g / 0.9 oz. Shipping weight 750 g / 1.7 lbs. Hypercardioid condenser microphone. Applications: Lectern, places of worship, theater, stage miking, conference. Frequency range: 30–18,000 Hz; sensitivity at 1 kHz: 8.5 mV/Pa; impedance: 400 ohms; maximum SPL: 133 dB SPL, S/N: 73 dB (A). Switchable bass cut filter: 12 dB/octave, 150 Hz. Dimensions: 9 mm (0.35 in.) dia.; 137 mm (5.4 in.) long. Weight excluding accessories, cable, and connector: 25 g (0.9 oz.).
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Micron - Explorer 100 Series - TX716-A Image
Micron - Explorer 100 Series - TX716-A
Micron wireless microphone and communication systems have been setting industry standards in broadcast and location recording for some four decades. The company’s design focus is on applying sophisticated electronic engineering to achieve the optimum balance of performance and cost. The Explorer 100 Series combines the legendary Micron qualities of sonic integrity, long-term reliability and rock-solid construction at a new and highly affordable price point. 16 Channels over 24MHz Very small true diversity receiver ENG/EFP and location sound Ideal for compact DV camcorders TX AF 0dB and low battery indicators RX Signal strength and low battery indicators Unique easy to operate battery compartmen Professional Sound Recordist and Cameraman’s choice for ENG, EFP, Drama, Filming and Location recording with secured Diversity reception even at hostile RF environments. Operating on 16 Channels over three UHF bands in Europe and four UHF bands in USA and Canada (24MHz). COMPLETE KIT supplied with SDR116 small diversity receiver, with two antennas and audio output cable; TX716-A body-worn Transmitter with belt clip and antenna all in a small carrying case with instruction manual on CD, and Quick User Guides.
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DPA - 4062 Omnidirectional, XLo-Sens Image
DPA - 4062 Omnidirectional, XLo-Sens
4062 Omnidirectional, XLo-Sens The 4062 is available in two colors: black and beige DPA 4062 is acoustically identical with the 4060, but the sensitivity is adjusted to match some of the more sensitive transmitters on the market. For a cordless microphone, choose from our adapter system or a hardwired connector. Applications The 4062 handles high sound pressure levels and is ideal for drums and brass. Accessories By changing the supplied grids (one high boost and one soft boost) you can acoustically modify the mic’s response according to placement. Additionally, a range of accessories is available, such as different colored windscreens, clips and holders, extension cables, and power supplies. Wireless microphones A wide range of connection adapters makes it possible to use DPA miniature microphones with all professional UHF, VHF or digital wireless systems. DPA has adapters for AKG, Audio Ltd., Audio-Technica, Beyerdynamic, Electro-Voice, Lectrosonics, Micron, Mipro, Pastega, Telex ProStar, Ramsa, Samson, Sennheiser, Shure, Sony, Toa, Vega, and other systems. Each adapter for your cordless microphone is guaranteed to perfectly mate to your system of choice. Specifications Offering great detail and resolution, the 4062s have a neutral sonic character and are very natural sounding. The 4062 has a very low noise floor, impressive sensitivity and can handle high SPLs. The noise floor of the DPA 4062 is 33 dB(A) re. 20 µPa and if powered correctly the microphone will be able to handle sound pressure levels up to 154 dB SPL before clipping occurs. For full technical specs, please click the Specifications tab above. Related microphones The DPA 4061, 4062 and 4063 are acoustically identical to the 4061 but have different SPL handling or sensitivity.
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Glensound Electronics - GS-MCA001 - Mic Preamp Image
Glensound Electronics - GS-MCA001 - Mic Preamp
Features: Frequency response: 20Hz to 20kHz > -1dB Noise @ Minimum Gain -72 dBu (RMS 20Hz to 20kHz) Noise @ Maximum Gain -52 dBu (RMS 20Hz to 20kHz) Equivalent input noise @ maximum gain 127 dBu Input Gain -25 to -75dB in 5dB steps Gain accuracy > +/- 0.3 dB in relation to front panel scale Maximum Output level: +19 dBu into high impedance Maximum Output level: +17 dBu into 600 Ohms Electronically balanced input Input impedance 1K2 Ohms Transformer Balanced Output Output impedance 50 Ohms THD + Noise: Measured at any gain setting (no limiter) <0.05% CUT LF front panel switched 160Hz/ Flat /80Hz @ 12dB per octave Limiter/ compressor circuit Maximum input level before clipping -6dBu (limiter off) Maximum input level before clipping +14dBu (limiter on) Phantom power switch selectable (rear panel) 48Volts CE marked External Power input +12 to 20 volts <150 mA Maximum Dimensions (excluding belt clip): 101 mm x 104 mm x 45mm Weight (without battery): 355g The Glensound GS-MCA001 is a portable, battery powered microphone preamplifier with limiter. It’s lightweight, small and rugged construction makes it ideal for outside broadcast and film production. As well as offering a high quality compressor/ limiter circuit (with bypass) it also has selectable LF cuts, 48 volts phantom power and a rotary stepped gain control. A belt clip is included for hands free operation and the single PP3 9 Volt battery offers good operational life. Manufactured in Glensound’s UK factory using high quality components & trusted manufacturing techniques the GS-MCA001 will give many years of reliable performance.
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DPA - 4061 Omnidirectional, Lo-Sens Image
DPA - 4061 Omnidirectional, Lo-Sens
DPA 4061 is acoustically identical with the 4060, but the sensitivity is adjusted to match some of the more sensitive transmitters on the market. For a wireless microphone, choose between our adapter system or a hardwired connector. The 4061 is available in four colors: black, brown, beige and white. Applications Excellent speech and vocal mics, the DPA miniatures are used by musicals and theaters worldwide. They are also great live and studio microphones for acoustic string instruments. Accessories Two grids are supplied (one high boost and one soft boost) and by changing these grids you can acoustically modify the microphone according to placement (chest, head etc.) Additionally, a wide range of accessories is available, such as windscreens, clips and holders, extension cables, and power supplies. Wireless microphones With a wide range of connection adapters, you can use DPA miniature microphones with all professional wireless systems plus 48 V Phantom. DPA has specific adapters for AKG, Audio Ltd., Audio-Technica, Beyerdynamic, Electro-Voice, Lectrosonics, Micron, Mipro, Pastega, Telex ProStar, Ramsa, Samson, Sennheiser, Shure, Sony, Toa, Vega, and other systems. Each adapter for your cordless microphone is guaranteed to perfectly mate to your system of choice. Specifications Offering great detail and resolution, the 4061s have a neutral sonic character and are very natural sounding. The 4061 has a very low noise floor, impressive sensitivity and can handle high SPLs. For full technical specs, please click the Specifications tab above. Related microphones The DPA 4060, 4062 and 4063 are acoustically identical to the 4061 but have different SPL handling or sensitivity. The 4061 is also included in stereo and instrument microphone kit solutions.
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Beyer Dynamic - M-58 Dynamic ENG/EFP Microphone (Omnidirectional) Image
Beyer Dynamic - M-58 Dynamic ENG/EFP Microphone (Omnidirectional)
The M 58 has been specifically designed to satisfy the demands of Electric News Gathering (ENG) and Electronic Field Production (EFP) applications. Its sophisticated internal shockmount dramatically reduces handling noise, while the microphone´s frequency response has been tailored to provide broadcasters with a very accurate and intelligible sound. The M 58´s weight-balanced design provides journalists with a high degree of comfort during lengthy interviews. Its rugged construction enables the microphone to withstand physical and environmental punishment typically encountered during field production operations. The M 58´s slim profile and non-glare finish result in a low profile on camera. Features Moving coil transducer Internal shock mount reduces handling noise Extended frequency response with rising high-end for maximum intelligibility Rugged construction Non-reflective finish Weight-balanced, slim-profile design   Technical Data Price category Mid-level Polar pattern microphone Omnidirectional Microphone frequency response 40 – 20,000 Hz Dimensions 260 mm x 40 mm Net weight without packaging 287 g
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DPA - 4060 Omnidirectional, Hi-Sens Image
DPA - 4060 Omnidirectional, Hi-Sens
Originally designed for use with wireless systems in theater, television and close-miked instrument applications, the 4060 capsule is highly unobtrusive. Because of their small size, these tiny condensers exhibit an exceedingly accurate omnidirectional pattern and therefore do not need to be aimed directly at the sound source to achieve quality pickup. The 4060 is available in four colors: black, brown, beige and white. For a wireless microphone, choose between our adapter system or a hardwired connector. Applications Excellent speech and vocal mics, DPA miniatures are de facto theatre standards. Musicians and engineers use them as live or studio microphones for close-miking acoustic string instruments like violin, guitar, bass, viola, and harp. On television, DPA’s small condenser microphones are popular as lavalier lapel and tie clip mics. Accessories Two grids are supplied (one high boost and one soft boost) and by changing these grids you can acoustically modify the microphone’s response according to their placement on the body – the chest, the head etc. Additionally, a wide range of accessories is available, such as windscreens in different colors, clips and holders, extension cables, and power supplies. Wireless microphones A wide range of connection adapters makes it possible to use DPA miniature microphones with all professional UHF, VHF or digital wireless system available plus 48 V Phantom. DPA has specific adapters for AKG, Audio Ltd., Audio-Technica, Beyerdynamic, Electro-Voice, Lectrosonics, Micron, Mipro, Pastega, Telex ProStar, Ramsa, Samson, Sennheiser, Shure, Sony, Toa, Vega, and other systems. Each adapter for your cordless microphone is guaranteed to perfectly mate to your system of choice. Specifications Offering great detail and resolution, the 4060s have a neutral sonic character and are very natural sounding. The 4060 has a very low noise floor, impressive sensitivity and can handle high SPLs. For full technical specs, please click the Specifications tab above. Related microphones The DPA 4061, 4062 and 4063 are acoustically identical to the 4060 but have been adjusted to handle higher SPL and to match some of the more sensitive transmitters on the market. The 4060 is also included in stereo and instrument microphone kit solutions.
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BeachTex - DXA-6 - Mic Preamp with Phantom Power Image
BeachTex - DXA-6 - Mic Preamp with Phantom Power
Specifications: Input Level MIC setting: -35 dBu ideal -6 dBu max LINE setting: 0 dBu ideal +36 dBu max Output Level: nominal MIC levels Frequency Response: 20Hz to 20 KHz (+/- 3 dB) Phantom Power: Dual regulated 48-volt power supplies Current to 14 mA (direct short) Battery Type: One standard 9-volt alkaline battery LED battery indicator Battery Duration: 4 hours continuous use typical Case Powder: Coated Aluminum Dimensions: 6.25” L x 2.5” W x 1.25” H Weight: 16 oz   The BeachTek DXA-6A is a two-channel, transformer balanced XLR adapter with built-in 48-volt phantom power supplies. This adapter is designed to easily attach two professional, balanced microphones or wireless systems to the Sony VX and FX series of camcorders. The DXA-6A gives you all the benefits of using balanced audio devices for clean audio as well as control over the signal levels to ensure the best possible sound recording. The DXA-6A is very easy to set up and use. Its rugged construction ensures years of use and its compact size fits neatly under the camcorder – can also be mounted to any standard tripod. Since the adapter is a passive device, it is completely silent and the premium transformers ensure superb audio.
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BeachTex - DXA-4 - Mic Preamp Image
BeachTex - DXA-4 - Mic Preamp
Specifications:   Input Level MIC setting: -35 dBu ideal -6 dBu max LINE setting: 0 dBu ideal +36 dBu max Output Level: nominal MIC levels Frequency Response: 20 Hz to 20 KHz (+/- 3 dB) Case: Powder coated aluminum Dimensions: 5.25” L x 2.75” W x 1.25” H Weight: 12 oz   The BeachTek DXA-4 is a two-channel, transformer balanced XLR adapter for the Sony VX2100 and FX1 camcorders. The DXA-4P is identical in features but designed for a perfect fit on the Canon GL1 or GL2. These adapters are designed to easily attach balanced or unbalanced type microphones to your camcorder. The DXA-4 and DXA-4P give you all the benefits of using balanced audio devices for clean audio as well as control over the signal levels to ensure the best possible sound recording. The adapters are very easy to set up and use. Their rugged construction ensures years of use and the compact size fits neatly under the camcorder – can also be mounted to any standard tripod. Since the adapters are passive devices, they are completely silent and the premium transformers ensure superb audio.
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Audio-Technica - AT889 Noise-cancelling Head worn Microphone Image
Audio-Technica - AT889 Noise-cancelling Head worn Microphone
Noise-cancelling Condenser Wireless Headworn Microphone Designed for professional public speaking, aerobics instruction, and other demanding applications Comfortable, unobtrusive headband design Operation: After use in high-moisture applications, such as aerobics instruction, on-stage performing, etc., remove the foam screen, wipe off the headset with a towel and permit them to air-dry. (Do not store in a closed space, such as a plastic bag, until all moisture has evaporated.) AT889cW: Position the adjustable band around the back of the neck, placing the cushioned earpieces over each ear. Adjust the headband as necessary for a stable, comfortable fit. This has a 6 Pin Lemo fitted for use with radio mic’s like the Audio Ltd 2040’s
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Audio-Technica - AT877 Gun Mic Image
Audio-Technica - AT877 Gun Mic
The Audio Technica AT877 is a wide-range, undirectional short shotgun condenser designed for sound pickup over a long distance. Ideal for broadcasting and film/TV sound. The polar response is designed to provide excellent on-axis sound pickup with maximum rejection from the sides and rear. Phantom or battery powered. Features: Type Condenser / shotgun Polar pattern: shotgun (short rifle) Frequency Response 60Hz – 15kHz Output Sensitivity 10mV/Pa Max SPL 120dB for 3%THD Self Noise (CCIR) Self Noise (DIN/IEC) 24dB-A Output Impedance 350Ω Powering Phantom 12-48 supply current 2mA Alternative Powering 1.5V AA cell   Switchable Options: Filter/EQ Low-cut   Physical Characteristics: Connector XLR-3M Weight 170g (5.98oz) Length 280mm (11.02″) Max Diameter/Width 21mm (0.82″)
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Audio-Technica - AT8531 Power Module Image
Audio-Technica - AT8531 Power Module
Power module for the Audio-Technica – AT889 Noise-cancelling Headworn Microphone   Specification: Belt pack type power module 1,5V AA battery & phantom. With low-frequency roll-off. Input: 6 Pin Lemo. Output on integral XLRM 3-pin.
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Aquarian Audio - H2A-XLR Hydrophone Image
Aquarian Audio - H2A-XLR Hydrophone
The H2a-XLR hydrophone is designed to work with any PA system or recording device that offers a balanced, phantom-powered, microphone input. It uses the same low-noise, robust transducer assembly as our other hydrophones, but includes a low noise internal buffer preamp. The operation is very simple: just plug in and use. No additional power supply or proprietary preamp is required. The H2a-XLR offers the following advantages: Low cost Low self-noise Good sensitivity High dynamic range Works with any common phantom power voltage Robust design handles accidental drops and temperature extremes Compact (4.5mm OD) Low-noise cable with tough urethane jacket Connects directly with pro condenser microphone circuits. High-quality Neutrik gold output connector Compact size and easy hand of cable High specific gravity and streamlined shape keeps hydrophone down in currents 1-year limited warranty