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DJI Osmo Action

Key Features

  • RockSteady electronic image stabilisation
  • HDR video recording
  • 4K video recording @ 60fps
  • I12 megapixel stills
  • Waterproof to 11 meters
  • Two colour screens, including a self-facing selfie screen on the front
  • Touchscreen controls on the rear
  • Dustproof, shockproof and built to withstand extreme temperatures
  • Slo-mo and Timelapse functions
  • Range of accessories to take your creativity further

Adventure – In Stunning Detail

The DJI Osmo Action has a 1/2.3-inch sensor allowing it to record 12-megapixel photos and 4K video up to 60fps at 100Mbps in stunning detail, assuring high-quality footage.

A three-glass aspherical lens design records low-distortion content and aids in reducing warping effects for improved scenes.

The lens cap is finished with two layers of anti-fingerprint coating to keep the shot clean during use, as well as an anti-reflective coating to reduce the unwanted effects of lens glare, giving users more flexibility to shoot in bright conditions.

RockSteady Stabilisation

Osmo Action is the first DJI handheld camera to include RockSteady, DJI’s Electronic Image Stabilisation (EIS) technology.

High-performance stabilisation algorithms work in conjunction with EIS to record every movement in smooth, stable, high-quality video, even when recording 4K/60fps.

Osmo Action is capable of High Dynamic Range (HDR) video in 4K/30fps, delivering an additional three stops of dynamic range to the scene, natural transitions between light and dark areas, and rich details that are often lost in complex lighting conditions.

Longer Life To Go Further

Osmo Action has a removable battery with a run time of 93 minutes recording at 4K/30fps with RockSteady enabled, and 135 minutes recording at 1080p/30fps without RockSteady.

Dual microphones let users take advantage of Osmo Action’s Voice Control, and a speaker ensures outstanding playback quality.

 

Ideal For Harsh Environments

A compact yet durable design makes Osmo Action the ideal camera for life’s adventures. Constructed to handle extreme conditions with ease, Osmo Action is dustproof, shockproof, waterproof and has the ability to operate in sub-freezing temperatures.

Osmo Action is capable of operating at a depth of 36 feet (11 metres) without additional waterproof housing, or up to 60 metres with a diving house.

Colour Screens and Easier Selfies

Osmo Action utilises colour screens on both the front and back, a unique design feature that allows for more convenient scene composition while on the move.

The 2.25-inch rear touchscreen employs a water and fingerprint repelling coating, and the 1.4-inch front screen makes vlogging and selfies easier than ever before.

With a brightness of 750-nits, Osmo Action can be used in harsh lighting conditions including direct sunlight.

Interactive Interface

Osmo Action’s interactive user interface, Action OS, combines a streamlined and functional physical design with flexible operation.

Power on, initiate recording and rotate through the video and photo capture modes in the blink of an eye with three dedicated buttons.

Never miss a moment with the help of SnapShot, which allows Osmo Action to turn on and begin recording in under two seconds by pressing the shutter button once.

 Extra Features At A Tap Of A Button

A staple in DJI’s product lineup, Osmo Action offers a wide variety of highly creative features built into the camera which users can access with a few simple taps. While recording, choose between:

  • Slo-mo: 8x slow motion in 1080p 240fps or 4x slow motion in 1080p 120fps creates a visually appealing effect when documenting action-packed scenes.
  • Timelapse: If the user is looking to turn minutes into seconds, Timelapse is perfect for capturing unique content with the effect of the world moving faster.
  • Custom Exposure Settings: Shoot for the stars with manual and semi-automatic settings that allow up to 120 seconds of exposure, perfect for capturing the night sky.

What resolution settings does Osmo Action support?

4K (16:9) – 60, 50, 48, 30, 25, and 24fps
4K (4:3) – 30, 25, and 24fps
2.7K (4:3) – 30, 25, and 24fps
2.7K (16:9) – 60, 50, 48, 30, 25, and 24fps
1080p – 240, 200, 120, 100, 60, 50, 48, 30, 25, and 24fps
720p – 240, 200fps

What video formats does Osmo Action support?

MOV and MP4.

What is D-Cinelike?

It is designed to capture a wide dynamic range from the sensor, and colors are distributed evenly so the dark part of a picture is greatly improved. It is not a real LUT, but a lower-contrast video with a flat color profile, great for post-processing options.

Need grip for the camera, check out our selection of grip here http://extremefacilities.com/grip/
For further information on the DJI Osmo Action please call us on 020 7801 9111 or visit the DJI website https://www.dji.com/uk/osmo-action
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2x the performance, yet again.

Simply the best. Features 4K30, 2.7K50 and 1080p120 video, 12MP photos up to 30 frames per second, built-in Wi-Fi and Bluetooth®, and Protune™ for photos and video. Waterproof to 131’ (40m).

Most advanced GoPro ever.

Introducing HERO4 Black, the most advanced GoPro ever. Featuring improved image quality and a 2x more powerful processor with 2x faster video frame rates,1 HERO4 Black takes Emmy® Award-winning GoPro performance to a whole new level. Incredible high-resolution 4K30 and 2.7K50 video and high frame rate 1080p120 video enable stunning, immersive footage of you and your world. New Protune™ settings for both photos and video unlock manual control of Color, ISO Limit, Exposure and more. Waterproof to 131’ (40m) with 12MP photos at a blistering 30 frames per second and improved audio,1 HERO4 Black is the ultimate life-capture solution.

2x the performance.

With a 2x more powerful processor, 2x faster video frame rates and even better image quality than its best-selling predecessor, HERO4 Black delivers footage that’s sharper, richer and more detailed.1 Combined with powerful new features and technologies—and improvements to audio, usability, wireless connectivity and more—HERO4 Black is the most advanced, highest-performing GoPro ever.

4K25. 4x the resolution of 1080p.

4K25, 2.7K50, 1080p120—HERO4 Black is the first camera of its kind to feature ultra high-resolution, high frame rate video as powerful as this. Once the exclusive domain of large, costly cameras, HERO4 Black delivers truly professional video quality in a tiny package. Stunning clarity. Liquid-smooth slow-motion playback. Cinema-quality capture. HERO4 Black brings it all.

Fast, powerful photo capture.

With 12MP Burst photos at a blistering 30 frames per second, HERO4 Black helps you capture the moments you don’t want to miss. Capture single photos, or choose Time Lapse mode to shoot photos automatically at set time intervals from 0.5 to 60 seconds—great for gear-mounted shots when the shutter button is out of reach.

New settings for after dark.

Capture the night sky in a whole new way. New Night Photo and Night Lapse modes offer customizable exposure settings of up to 30 seconds for single and Time Lapse photos. Whether you’re shooting the Milky Way or a campfire hangout, Night Photo and Night Lapse allow you to you capture ultra low-light scenes like never before.

Control, view and share with built-in Wi-Fi + Bluetooth.

HERO4 Black features built-in Wi-Fi and Bluetooth®, allowing you to connect to the GoPro App, Smart Remote2 and more. The GoPro App transforms your phone or tablet into a live video remote for your camera, offering full control of all functions and settings, easy shot preview and playback, plus sharing via text, email, Facebook and more. The Smart Remote allows you to control multiple GoPro cameras from distances of up to 600’ (180m).

HiLight Tag your best moments.

HiLight Tag, a new HERO4 feature, enables you to mark key moments while recording so you can quickly locate your best clips later for convenient playback, editing or sharing using the GoPro App or GoPro Studio. Just press the dedicated button on the camera or Smart Remote,2 or use the GoPro App to tag your highlights.

World’s most immersive video.

HERO4 Black features SuperView™, a GoPro-exclusive video mode that captures the world’s most immersive wide-angle perspective. It allows you to capture more of yourself and your surroundings in the shot—resulting in captivating, ultra engaging footage of every adventure.

Auto Low Light mode.

Let the camera do the thinking for you. Auto Low Light mode intelligently changes frame rates based on lighting conditions for optimal low-light performance, enabling you to move between bright and dark environments without having to adjust your camera settings.

QuikCapture convenience.

Be ready to capture the moment at a moment’s notice with new QuikCapture mode. It turns your GoPro into a one-button camera, allowing you to power on and start recording automatically with the press of a single button. Press once to record video, press and hold for two seconds to capture Time Lapse photos. Never worry again about missing an epic shot.

Professional audio performance.

Featuring a powerful new audio system, HERO4 Black captures clean, high fidelity sound. Its cutting-edge microphone delivers nearly 2x the dynamic range, while a best-in-class audio algorithm ensures your recordings sound smoother and more natural than ever. Plus, with its new, integrated ADC (analog-to-digital converter), HERO4 Black is compatible with a wider variety of professional low-sensitivity external mics3 for immersive stereo audio capture and enhanced performance, whether recording voices, an acoustic jam session or a live show.

Protune™, now for photo + video.

Protune unlocks the camera’s full potential, delivering minimally compressed, cinema-caliber video optimized for professional productions, and advanced manual controls for photos and video. Flex your creativity with customizable settings for Color, ISO Limit, White Balance, Sharpness and Exposure—and enjoy the greatest degree of manual control available in a GoPro camera.

Improved camera control.

HERO4 Black features a new dedicated button that allows you to quickly access and adjust camera settings. Simplified menus make navigating settings more intuitive than ever.

GoPro App + software.

Expand your GoPro experience with the free GoPro App and GoPro Studio software. The GoPro App allows you to control your camera remotely using your phone or tablet, view and share your content and watch “best of” videos on the GoPro Channel. Use GoPro Studio to create your own engaging GoPro-style videos to share with the world.

Tech Spec.

Weight Camera: 88g (3.1oz)

Camera with housing: 152g (5.4oz)

Video Mode Video Resolutions

Video Resolution Frames Per Second (fps) NTSC/PAL Field of View (FOV) Screen Resolution
4K 30, 25, 24 Ultra Wide 3840×2160
4K SuperView 24 Ultra Wide 3840×2160
2.7K 50, 48, 30, 25, 24 Ultra Wide, Medium 2704×1520
2.7K SuperView 30, 25 Ultra Wide 2704×1520
2.7K 4:3 30, 25 Ultra Wide 2704×2028
1440p 80, 60, 50, 48, 30, 25, 24 Ultra Wide 1920×1440
1080p 120, 90, 60, 50, 48, 30, 25, 24 Ultra Wide, Medium, Narrow 1920×1080
1080p SuperView 80, 60, 50, 48, 30, 25, 24 Ultra Wide 1920×1080
960p 120, 60, 50 Ultra Wide 1280×960
720p 120, 60, 50, 30 , 25 Ultra Wide, Medium, Narrow 1280×720
720p SuperView 120, 60, 50 Ultra Wide 1280×720
WVGA 240 Ultra Wide 848×480

Medium FOV is not available for 1080p120 and 1080p90.

Video Format

H.264 codec: mp4 file format

Video + Photo

Record video and capture Time Lapse photos at the same time. Available intervals are 5, 10, 30 and 60 seconds.

Video Resolution Video Frames per Second (fps) Video FOV
1440p 30, 25, 24 Ultra Wide
1080p 30, 25, 24 Ultra Wide, Medium, Narrow
720p 60, 50, 30, 25 Ultra Wide, Medium, Narrow

Ultra Wide is not available for 60 fps.

Looping

Record a continuous video loop that overwrites itself until you press the shutter button to stop it and save.

Advanced Video Capture Settings

SuperView™

SuperView video mode captures the world’s most immersive wide-angle perspective. It allows you to capture more of yourself and your surroundings in the shot, and it provides full widescreen playback.

SuperView Settings

SuperView Mode Video Resolution
4K SuperView 3840 x 2160
2.7K SuperView 2704 x 1520
1080p SuperView 1920 x 1080
720p SuperView 1280 x 720

Auto Low Light

Auto Low Light mode automatically adjusts frame rates according to lighting conditions for enhanced low-light performance. Frame rates are adjusted in medium- and low-light conditions. Playback occurs at the selected resolution and frame rate.

Photo Mode

Photo Resolutions

Resolution Field of View (FOV) Screen Resolution
12MP (Default) Wide 4000 x 3000
7MP Wide, Medium 3000 x 2250
5MP Medium 2560 x 1920

Continuous Photo (up to 30 seconds)

Hold down the shutter button to continuously capture a series of photos until shutter button is released.

Continuous Interval

3 photos/1 second (Default)

5 photos/1 second

10 photos/1 second

Night Photo

Capture a single photo with a customizable exposure time of up to 30 seconds.

Multi-Shot Mode

Resolution Field of View (FOV) Screen Resolution
12MP (Default) Wide 4000 x 3000
7MP Wide, Medium 3000 x 2250
5MP Medium 2560 x 1920

Burst

Capture up to 30 photos per second.

Burst Rate

30 photos/1 second (Default), 30 photos/2 seconds, 30 photos/3 seconds

10 photos/1 second, 10 photos/2 seconds, 10 photos/3 seconds

5 photos/1 second 3 photos/1 second

Time Lapse

Automatically capture a series of photos at timed intervals.

Time Lapse Photo Intervals

0.5, 1, 2, 5, 10, 30 and 60 seconds

Night Lapse

Capture a series of photos at specific intervals and exposure times.

Night Lapse Photo Intervals

15, 20, 30 and 60 seconds 2, 5, 30 and 60 minutes

Advanced Video and Photo Capture Settings

Protune™

Protune unlocks the camera’s full potential, delivering minimally compressed, cinema-caliber video optimized for professional productions, and advanced manual controls for photos and video. Flex your creativity with customizable settings for Color, ISO Limit, White Balance, Sharpness and Exposure—and enjoy the greatest degree of manual control available in a GoPro camera.

  • Captures images with less compression, giving content creators higher quality for professional productions.
  • Protune enables manual control of White Balance, Color, ISO Limit, Sharpness, Shutter and Exposure Value Compensation for advanced control and customization of your videos and photos.
  • Protune is available for all video and photo resolutions.

Protune SettingsWhite Balance

Adjusts the overall color tone of videos and photos.

White Balance Setting Recommended Lighting Conditions
Auto (Default) Automatically adjusts the color tone based on the environmental conditions
3000K Warm light (incandescent or sunrise/sunset lighting)
5500K Slightly cool light (cool fluorescent, average daylight)
6500K Cool light (overcast conditions)
Native Industry standardized optimized color

Color

Allows you to adjust the color profile of your video footage or photos.

Color Setting Resulting Color Profile
GoPro Color (Default) GoPro color-corrected profile (same great color as when Protune is turned off)
Flat Flat, neutral color profile that can be color-corrected to better match footage captured with other equipment, offering more flexibility in post-production

ISO Limit

Adjusts the camera’s sensitivity in low-light environments, and creates a balance between brightness and resulting image noise. Image noise refers to the degree of graininess in the image.

Protune for Video ISO Limit

Setting Resulting Video Quality
6400 (Default) Brighter video in low light, increased image noise
1600 Moderately bright video in low light, moderate image noise
400 Darker video in low light, reduced image noise

Protune for Photo ISO Limit

Setting Resulting Photo Quality
800 (Default) Darker photo in very low light, increased image noise
400 Darker photo in low light, moderate image noise
200 Bright photo in indoor lighting, marginal image noise
100 Bright photo in outdoor daylight, minimal image noise

Sharpness

Controls the sharpness of your video footage or photos.

Sharpness Setting Resulting Quality
High (Default) Ultra sharp video or photo
Medium Moderately sharp video or photo
Low Softer video or photo that allows for more flexibility in post-production

Shutter

Applies only to Night Photo and Night Lapse and determines the amount of time that the shutter is open. Auto applies only to Night Photo.

Shutter Setting Description
Auto (Default) Up to 2 seconds
Fixed 10, 15, 20 or 30 seconds

Exposure Value Compensation (EV COMP)

Affects the brightness of your video. Adjusting this setting can improve image quality when shooting in environments with contrasting lighting conditions.

EV COMP Settings
-2.0
-1.5
-1.0
-0.5
0 (Default)
+0.5
+1.0
+1.5
+2.0

Spot Meter

Spot Meter is ideal for filming within a dark space with the camera pointed towards a brighter setting (such as filming the outdoors from within a car).

QuikCapture

With the press of a button, the camera automatically turns on and begins recording video or capturing Time Lapse photos.

Image Quality + Optics

  • Ultra sharp image quality with all-glass lens
  • Ultra wide-angle field of view with reduced distortion

Battery + Charging

  • Rechargeable lithium-ion battery
  • Rated at 1160mAH, 3.8V, 4.4Wh

Battery Life

The chart below indicates the approximate continuous recording time (hr:min) you can expect when shooting in various video modes using a fully charged battery.

Video Mode Estimated Time Estimated Time Estimated Time Estimated Time Estimated Time
With Wi-Fi Off With Wi-Fi On + Using Wi-Fi Remote With Wi-Fi On + Using GoPro App With Wi-Fi Off + Using Battery BacPac™ With Wi-Fi Off + Using LCD Touch BacPac™
4K 30fps 1:05 0:55 0:50 2:00 0:50
2.7K 48fps 1:05 1:00 0:55 2:10 0:55
2.7K 30fps (4:3) 1:10 1:05 0:55 2:15 0:55
1080p 120fps 1:10 1:05 1:00 2:20 0:55
1080p 60fps 1:20 1:15 1:10 2:30 1:10
1080p 30fps SuperView 1:30 1:20 1:15 2:45 1:15
720p 120fps 1:50 1:40 1:30 3:00 1:20

Based on GoPro engineering testing. Actual performance may vary based on settings, environmental conditions and other factors. Maximum battery capacity will normally decrease with time and use.

Audio

  • Internal Microphone:
    • Mono
    • Approximately 2x greater dynamic range (compared to the HERO3+ Black Edition)
  • Format: AAC compression, advanced AGC with multi-band compressor
  • Increased audio range by approximately 10dB (compared to the HERO3+ Black Edition)
  • Studio quality external microphone support. See list of supported microphones.

Ports

Mini USB

  • Charging
  • Connecting to a computer for playback/file transfer/charging
  • Supports 3.5mm stereo microphone via optional adapter (sold separately)
  • Supports playback to composite TV via optional cable (sold separately)

Micro HDMI

  • Supports playback to HDTV via optional cable (sold separately)
  • HDMI playback is certified up to 1080p

microSD

  • Memory card

Storage

  • microSD memory card with a Class 10 or UHS-1 rating required. See list of recommended microSD cards
  • Up to 64GB capacity supported
  • Record times vary with resolutions and frame rates

Photo + Video Playback

HDTV

Micro HDMI to HDMI cabel required (sold seperately)

Note: HDMI playback depends on the resolution of the device and is certified up to 1080p.

TV

Mini USB to composite cable required (sold separately)

Direct playback may be available using the microSD card and a USB card reader (sold separately). See list of 4k TVs that support SD card playback.

LCD Touch BacPac™ (sold separately)

Attach to your camera for preview and play back of videos and photos.

GoPro App

Use your phone or tablet to preview and play back videos and photos.

Computer

Connect via mini USB to USB cable (included), or copy files from the microSD card to your computer.

Minimum system requirements for best playback on Mac® and Windows® computers

  • Mac OS® X 10.8 and later / Microsoft Windows 7, 8.x
  • Intel® Core 2 Duo™ or Intel® Dual Core™
  • 4GB RAM
  • Mac: Graphics card shipped with Intel® Dual Core™ Macs or better / Windows: Graphics card that supports OpenGL1.2 or later
  • 5400 RPM internal hard drive (7200 RPM drive or SSD recommended)
  • See minimum system requirements for 4k editing and playback here

 

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GoPro Hero 7 Black

Freakishly smooth footage. Smart-capture superpowers. Battle-tested and waterproof without a housing. This is the GoPro  Hero 7 Black, the most advanced GoPro ever. With HyperSmooth stabilization, you’ll get gimbal like video— without the gimbal. A new intelligent photo mode delivers the best, most brilliant images automatically. And now with live streaming and the GoPro app, you can share every amazing moment as you live it. The GoPro Hero 7 Black takes GoPro performance—and your photos and videos—to a whole new level. Shoot upto 4k 50 fps or 1080 240fps, in addition to uptown 30x timewarp and standard timelapse  modes

Camera Features

Key Features
SuperPhoto | HyperSmooth Video Stabilization | Rugged + Waterproof to 33ft (10m) | Live Streaming | TimeWarp Video | 8x Slo-Mo | Touch Screen | Voice Control With Wake on Voice | GPS Performance Stickers | Touch Zoom | Photo Timer | Short Clips | Exposure Control | GP1 Chip | Advanced Metadata | Protune | QuickStories Enabled | Removable Battery (1220mAH lithium-ion) | Karma Compatible | Super Suit (Protection + Dive Housing) Compatible

Audio

RAW Audio (.wav format) | Advanced Wind Noise Reduction With 3-Mic Processing | Stereo Audio

Connected Features

Wi-Fi + Bluethooth® | GPS Enabled | Connects to GoPro App | Auto Offload to Phone | Auto Upload to the Cloud With GoPro Plus Subscription | Smart Remote Compatible | HDMI Video Out | USB-C Port
Extreme Facilities has a massive selection of accessories for the GoPro cameras including an extensive selection of grip, including boy mounts, arms, clamps and our Extreme custom car grip.
Each camera is supplied with 2 spare batteries and charger, 64Gb memory card, and a customisable selection grip.
Have you considered the DJI Osmo Action as an alternative, check out the details here
For the latest news and products check out our facebook page
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Top features: 

– QuikStories edits your video automatically on the app

– 4K Ultra HD video at 60 fps for stunningly smooth movies

– Improved image quality with the all-new GP1 chip

– Built-in WiFi for quickly transferring videos and photos

– Durable design is waterproof to 10 m without housing

QuikStories

Spend less time messing about in the video editing suite and more time sharing your videos. QuikStories means your videos are sent straight from your GoPro HERO6 to your smartphone, where the app transforms it into a stunning edited video, ready for you to share.

Choose from a range of templates, including transitions and music, or customise it further by trimming your video and adding filters. You’ll then be able to save or share it to your friends and followers, without needing to spend hours editing.

4K Ultra HD video

You’ll be able to shoot stunningly detailed and smooth professional-quality video with the GoPro HERO6. Offering twice the performance of the HERO5, you can capture 4K Ultra HD video at 60 fps, or Full HD 1080p video at 240 fps for brilliant slow motion effects.

It’s easy to start filming too thanks to the voice-control feature. Simply tell it to start or stop recording and it will do the hard work for you.

Improved image quality

The all-new GP1 chip is optimised for GoPro capture, ensuring improved image quality and smooth, stabilised footage. Advanced video stabilisation further assists with smooth, blur-free footage, whether the camera is handheld or mounted to your gear.

Built-in WiFi

With 5 GHz WiFi, transferring videos and images to your phone or PC is faster than with the HERO5, meaning you can quickly edit and share with less waiting around. GPS captures your path, speed, elevation gain, and more which can then be added to videos on the Quik desktop app.

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This is the LawMate Buttonhole Covert Camera Kit, PV-500 Neo Pro recorder, a recorder with all of the features of the PV-500 Neo recorder with the added benefit of a 3” LCD touch-screen.

The new PV-500 Neo Pro recorder is part of the range of Wi-Fi enabled devices from LawMate. The Wi-Fi connection allows the recorder to connect to Android and iOS phones & tablets to provide remote full system control and live monitoring. The PV500 Neo Pro recorder is also fitted with a 3” touch-screen allowing the user to either control the unit manually or via the LawMate Wi-Fi application. Using the supplied 2200mAh battery you will get 3 hours of operation if you also opt for the BA-4400mAh battery, operation increases to 6+ hours on a fully charged battery. Optional cameras for this recorder are the new BU18 NEO BUTTON CAMERA with a much simpler cable design compared to earlier models. Providing excellent low-light capability down to 0.03 Lux, this 1100 TV line camera captures exceptional video and audio. Please note that the BU-18 Neo Lawmate Buttonhole Covert camera is designed for the PV-500 Neo and PV-500 Neo Pro recorders only and are not compatible with previous LawMate DVR’s.

Features:

•    Works with Android or iOS device (via LawMate Wi-Fi App) •    Live monitoring up to 5m range •    3” touch screen interface •    1080p/720p/WVGA resolution settings •    Up to 180 minute recording time •    Watermarked time-stamped evidential grade video •    Download recorded footage to your smart device •    Compatible with all current PV500 battery cells •    Normal & Motion detection recording options •    H.264 .MOV File format •    Low light sensitive camera •    Vibration alert (power on/off, recording, low battery)

Wi-Fi Application features: •    Live view •    Ability to switch between standard or motion detection recording •    Start/stop recording •    Set the time & date / synchronise with your smart phone/tablet •    1080p/720p/WVGA switch •    Card formatting function •    SSID visible/hide switch

Need a custom camera hide built, drop us a line through out contact page or call us on 020 7801 9111 For the latest new and products check out our facebook page or our news section
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LS Vision Lipstick Bullet Camera

  • 4.3mm pinhole lens Megapixels lens sdi mini camera
  • 1080 (1920x1080p)@30fps 720 (1280x720p)@60fps
  • out (BNC) with NTSC/PAL selectable
  • 2D+3D DNR, D-WDR, HLC, OSD, Sense-up, Digital zoom
  • Output-Megapixel HD CCTV (BNC)&SD CCTV (BNC)Out
  • mini hidden camera
  SPECIFICATION LS Vision Lipstick Bullet Camera

Imaging Sensor

1/3″Panasonic CMOS(MN34041PL)

Total Pixels

2010(H) x 1108(V) = 2,227,080 (pixel)

Active pixels

1944(H) x 1092(V) = 2,122,848 (pixel)

Scanning system

Progressive Scan

Resolution

1920x1080p(1080p/30fps)

1280x720p(720p/60fps)

More than 1000 TVL(1080p)

Min. illumination

Color : 1.0 lux , BW : 0.5lux

Color DSS : 0.002 lux , BW DSS : 0.001 lux

S/N Ratio

More than 50dB (AGC off)

Video Output

HD-SDI

Analog : NTSC, PAL(w/o WDR)

Brightness

0 ~ 20

Shutter

AUTO/MANUAL(1/30(25)~1/6000)

Sens-up

OFF/x2/x3/x4/x5/x6/x7/x8

AGC

0 ~ 20

Backlight

OFF/HLC/BLC/WDR

Day&Night

AUTO/COLOR/B&W/EXT.

White Balance

AUTO/AUTOext/PRESET/MANUAL

DNR

OFF/LOW/MIDDLE/HIGH

Sharpness

0 ~ 10

Mirror

ON/OFF

FLIP

ON/OFF

D-WDR

OFF/LOW/MIDDLE/HIGH

Shading

ON/OFF

Privacy

ON(32 Points)/OFF

Frame Rate

25 FPS/30 FPS

CVBS

NTSC/PAL

Communication

RS-485(Baud Rate:2400-115200)

Lens

3.7mm/3.6mm 2 Megapixel (Option)

IR LED

Weight

220g

Power

DC12V

Also check to the Marshall CV225-M Lipstick caera. For the latest news and products check out our Facebook page  
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Sony A7S Mk3 Camera - FULL SPECTRUM

The Sony A7s Mk3 camera - full spectrum have been specifically modified to capture images in even lower light then previously possible.  The Sony A7S Mk3 camera has outstanding low light capabilities, however this custom modified version of the camera increases the camera's low light capability by around 3.5 stops!  As well as capturing visible ligh, being full spectrum the camera also captures infra red (IR) light and Ultra Violet (UV) light. The Sony A7S Mk3 camera - full spectrum can be used with a daylight eliminating filter to be used as a standard IR camera.

Imagination in Motion

The Sony A7S III Camera takes the Sony Alpha series to a whole new level of full-frame movie expression. Іt’ѕ еquірреd wіth а new Ехmоr R 12МР Full Frame ВЅІ Ѕеnѕоr which has been paired with the nеwlу dеѕіgnеd ВІОNZ ХR Рrосеѕѕіng еngіnе. This prоvіdеѕ uр tо 8х fаѕtеr реrfоrmаnсе оvеr рrеvіоuѕ mоdеlѕ, reduced rolling shutter, 15 stops of dynamic range, extra-strong image stabilisation, ultra-low-noise & exceptional low light performance. 

Іt’ѕ vіdео сараbіlіtіеѕ offer up to 4К 120Р (4:2:2 10bіt) rесоrdіng аnd FНD 240Р fоr ѕtunnіng ѕlоw-mоtіоn video. New versions of XAVC feature the addition of HEVC/H.265 encoding or ALL-I encoding. Improved colour science which draws inspiration from Sony’s FX9 & VENICE cameras with the ability to shoot S-Log3 & S-Gamut3.Cine for better colour matching. 

The Sony A7S Mk3 camera is еquірреd wіth аn іnсrеdіblе 759 роіnt оn-ѕеnѕоr рhаѕе dесіѕіоn АF wіth rеаl-tіmе еуе trасkіng іn bоth vіdео аnd ѕtіllѕ. The camera also features a full size HDMI output capable of outputting 16bit RAW to compatible recorders! Тhіѕ саmеrа dеmоnѕtrаtеѕ Ѕоnу’ѕ аbіlіtу tо рrоduсе ѕtunnіng іmаgе quаlіtу аnd рrоfеѕѕіоnаl реrfоrmаnсе іn оnе bоdу.

New image sensor with double the readout speed

The newly developed back-illuminated full-frame Exmor RTM CMOS sensor, with 12.1 effective megapixels13, boasts a readout speed up to twice as fast as that of the α7S II, along with high sensitivity and wide dynamic range. An advanced colour filter array boosts colour reproduction accuracy, while focal plane phase-detection AF enables substantial increases in autofocus stability and precision, all of which contribute to outstanding image quality.

New image-processing engine with up to 8x the processing performance

The BIONZ XRTM image-processing engine boasts a performance level up to eight times that of the previous processor, minimising latency while markedly improving real-time processing capabilities for both movies and stills. The engine performs real-time processing of AF, image recognition and image-quality adjustments, while also handling data transfer, user interface and other camera operations.

High sensitivity, wide dynamic range

The Sony A7S Mk3 Camera has a full-frame 12.1-megapixel14 configuration enables high sensitivity with low noise throughout the camera's sensitivity range by optimising the output signal from the sensor. The standard ISO range is 80-102400, which is further expandable to 40-409600 (80-409600 for movies). The dynamic range is an impressively wide 15 stops15, for beautiful, true-to-life images without blown highlights. Together, the camera's high sensitivity and wide dynamic range expand your creative freedom during shoots.

Full-frame 4K recording at 120p16

Full-frame 4K recording at 120fps16 with autofocus is possible thanks to the high-speed readout capabilities of the new image sensor working in tandem with the newly developed, powerful BIONZ XR processor. This high image-quality 4K, with full-pixel readout without binning, allows for clear post-produced slow motion (up to x5 slower than real time)17, as well as bokeh effects typical of full-frame cameras, all with smooth, high-precision autofocus. Despite the α7S III's compact size, it provides impressive scope for your creativity.

Recording movies with 10-bit depth and 4:2:2 colour sampling

The camera is capable of performing 4K internal recording with 10-bit depth and 4:2:2 colour sampling when using either Long GOP or All Intra compression. This makes it possible to push your colour grades further, stretching video out for ultimate HDR realism while still retaining natural gradation, for true editing freedom.

All-Intra internal recording

In addition to Long GOP inter-frame compression, the α7S III supports internal intra-frame (All-Intra) recording18 for the first time in an α-model body, where each frame is recorded independently at a high bitrate of up to 600Mbps. This can be useful for certain types of shoots as it allows maximum flexibility in post-production editing.  [1] All-Intra (All-I)  [2] Long GoP  [3] Group of Pictures

HEVC codec with high compression efficiency

Available for the first time, XAVC HS format recording using the MPEG-H HEVC/H.265 codec roughly doubles the compression efficiency. Compared to a normal 4K XAVC S format, XAVC HS allows for detailed 10-bit video with 4:2:2 colour sampling at comparable or lower data rates, delivering even better image quality as well as manageable file sizes19.

16-bit RAW data output

Facilitating improved image quality and more flexible and efficient editing in post production, the camera supports 16-bit RAW data output to an external recorder via HDMI, for the first time in the α series. The output is full-frame 4264 x 2408 (16:9 aspect ratio) 16-bit data from the image sensor, with a choice of frame rates (60p/50p/30p/25p/24p)20.

S-Log2 and S-Log3 with 10bit 4:2:2 support

S-Log2 and S-Log3 gamma curves are available, with S-Log3 designed for better reproduction of gradations from shadows to the mid-grey range (18% grey), enabling a dynamic range of up to 15 stops15. Three colour gamut settings (S-Gamut, S-Gamut3, and S-Gamut3.Cine) are provided, and the latter two settings make it easier to match the colours of footage shot with Sony's professional cinema cameras. Because the colours match, colour grading is easier in post-production editing, making it more convenient to use the α7S III along with other pro cameras.

Proxy recording for more efficient editing workflow

When shooting movies, low bit-rate HD proxy files can be recorded simultaneously with higher bit-rate formats such as XAVC S-I 4K, and these smaller proxy files can then be used for editing and previewing prior to final production delivery. This reduces computer load and allows faster and more efficient workflows. Proxy files can be captured in either 10-bit XAVC HS (1920 x 1080) or 8-bit XAVC S (1280 x 720) 21.

10-bit HLG picture profile

An HLG (Hybrid Log-Gamma) HDR picture profile, complete with the wide-gamut BT.2020 colour space, can be used for direct HDR (HLG) playback on compatible TVs. The result is true-to-life imagery close to what the naked eye can see, with detailed shadows and highlights, less blackout and less whiteout, all without the need for colour grading. In particular, 10-bit recordings reproduce a level of fine gradation and detail for extraordinary realism.  [1] High flexibility to fine-tune images as desired (colour grading required)  [2] Instant high-quality image (colour grading not required)

Enhanced movie image quality

Thanks to the improved capabilities of the α7S III's new image-processing engine, colours and textures of foliage and human skin can be more consistently reproduced without over-dependence on light sources. Gradation rendering has also been refined, for better-looking skin tones and highlight roll-off in portraits. When shooting 4K, the new image sensor and processing engine reduce rolling shutter distortion to as little as one-third that of the α7S II.

Fast Hybrid AF for dependable focus during movie shooting

Inheriting technology and performance standards from Sony's large-format FX9 pro camcorder, Fast Hybrid AF combines focal plane phase-detection AF with contrast-detection AF. This results in highly precise, smooth tracking of fast-moving subjects even over a wide range with a shallow depth of field, taking full advantage of Sony E-mount lenses' smooth linear-motor focusing and power-zoom operations. Newly added AF Transition Speed and AF Subject Shift Sensitivity parameters allow more flexible focus control, as requested by professional users. Both allow preset settings to be recalled during recording by using a customisable button.

AF support in manual-focus mode

The camera's autofocus support can be useful even when you're primarily using manual focus. For full AF speed, half-press the shutter button or press the AF-ON button, as you would when shooting stills. Alternatively, slower, more cinematic AF transitions can be achieved by initiating AF via the touch focus feature or Real-time Eye AF via a custom button assignment, resulting in slow, smooth autofocus at the preset AF Transition Speed.

Game-changing tracking features to revolutionise movie shooting

Real-time Tracking and Real-time Eye AF make movie-making much easier. Touch Tracking initiates subject tracking with an intuitive touch to the LCD monitor, processing data on colour, pattern (brightness), distance (depth) and facial information to keep your subject in steady focus. You can then concentrate more fully on composition, which can be especially useful when you're shooting solo or using a gimbal. Touch operations can be used to temporarily engage AF even when you're shooting manually.

Active Mode optical image stabilisation for handheld shooting16

Relying on a new high-precision stabilisation unit, gyro sensors, and optimised image stabilisation algorithms, the camera's Optical SteadyShotTM Active Mode provides the precise degree of optical image compensation needed during movie shooting, even for 4K video22. With this unprecedented level of stabilisation it's possible to shoot with the camera only, taking advantage of the compact size and mobility of the α system.  [1] Track of camera shake  [2] Standard  [3] Active

Enhanced audio quality

A digital audio interface is incorporated in the camera's Multi Interface (MI) Shoe, to facilitate cleaner, clearer audio recordings without loss of quality. The XLR-K3M XLR Adaptor Kit additionally provides the camera with 4-channel 24-bit digital audio recording capability. Three recording formats can be selected from a menu: 48 kHz/16-bit 2-ch, 48 kHz/24-bit 2-ch, and 48 kHz/24-bit 4-ch, with the XLR-K3M XLR Adaptor Kit required for the latter two formats.

New heat-dissipation design for extended recording times

The camera's design has been optimised to prevent overheating even during extended recording sessions. A unique Sony Σ (sigma) shaped graphite-alloy heatsink is built into the image stabilisation unit, allowing the sensor to dissipate heat five times more effectively than in previous models23, while allowing it to move freely and avoiding interference with the stabilisation system.

Designed for smooth movie-making

Flexibility in positioning the camera and framing shots is provided by the side-opening, vari-angle monitor, which incorporates a bright 3.0-type, 1.44 million-dot13 LCD screen. The MOVIE button is within easy reach on the camera's top panel, and a durable HDMI Type-A terminal ensures reliable connections to external monitors. The item arrangement and initial settings on the mode dial have also been adjusted to meet the needs of pro users.

Dedicated settings menu for movie shooting

A subset of the camera's settings can be changed independently for movie or still shooting, which can be useful if you want to use different ISO, Iris (aperture) and other settings depending on the shooting mode. Another convenient feature is the use of Flexible Exposure Mode instead of normal PASM Mode when Movie or S&Q mode is selected. This allows quick switching between auto and manual control of Iris (aperture) and shutter speed, and the function can be assigned to a custom button to allow one-touch toggling between auto and manual.

Fast Hybrid AF for still shots

The Fast Hybrid AF uses a high-density array of 759 phase-detection AF points (covering around 93% of the imaging area) in conjunction with 425-point contrast-detection AF. Real-time Eye AF (for humans and animals) and Real-time Tracking features are also available for the first time in the S series. Advanced AF algorithms facilitate precise AF down to light levels as low as EV-624, for accurate focus even when the subject would be difficult to see clearly with the naked eye.

High-speed continuous shooting performance

Mechanical and electronic shutters are each capable of continuous shooting at up to 10fps25 with AF/AE. Continuous shooting of over 1000 uncompressed RAW images is possible26 thanks to increases in the buffer memory of the BIONZ XR processor and memory-card writing speed.

Enhanced image quality for stills

The new image sensor and image-processing engine deliver an extraordinary degree of sensitivity, a defining characteristic of the S series, and significantly better reproduction of colour and textural details. Improved rendering capability provides realistic-looking images with reduced noise, particularly in the mid-to-high sensitivity range. A new Visible Light and IR Sensor improves auto white balance, and HEIF file options and an HLG Still Image Mode (for 8-bit and 10-bit HEIF stills) have been added to the Sony A7S Mk3 camera.

Two CFexpress Type A-compatible media slots

The camera's two media slots are compatible with new CFexpress Type A cards as well as SDXC/SDHC cards supporting UHS-I and UHS-II speed classes. CFexpress Type A cards are the next standard for compact storage with fast write/read speeds suitable for both high-speed continuous still shooting and 4K movie recording at high bit rates. They are capable of quickly clearing camera buffers even when high volumes of still image and movie data are being generated.

High-definition 9.44 million-dot13 electronic viewfinder

Boasting the highest resolution in its class28, the Sony A7S Mk3 camera viewfinder rivals the resolution of the human eye. It provides category-leading 0.90x viewfinder magnification29, a 41º diagonal field of view, and a 25mm high eyepoint for clear, low-distortion viewing. Improvements in sealing greatly reduce the chance that even drastic ambient temperature fluctuations will cause interior condensation.

Reliable, durable construction

To maximise dust and moisture resistance, additional sealing has been applied to all body seams and to the battery compartment cover, and the media slot cover has been redesigned to handle harsh outdoor environments. A filter in front of the image sensor oscillates at an ultrasonic frequency of 70,000 cycles per second to remove dust from the sensor surface. The camera chassis is highly durable thanks to full magnesium-alloy construction.

USB Power Delivery

The camera supports USB PD (Power Delivery), to enable continuous shooting for extended periods without draining the internal battery30. PD-compatible31 USB chargers and mobile batteries can be connected to the camera's USB Type C® port, to supply power or to recharge the internal battery at 3 to 4 times the speed23 of conventional power supplies.

Data communications to support on-site workflow

Wired and wireless communications features support FTP transfer for still and movie files as well as remote shooting capability, to facilitate professional workflows during shoots. Wireless 5GHz32/2.4GHz LAN connections are supported, and wired connectivity to 1000BASE-T Ethernet networks is available via a USB-to-Ethernet adaptor cable connected to the camera's USB Type C® port supporting SuperSpeed USB 5Gbps (USB 3.2). Remote shooting can be controlled from a PC with Sony's Imaging Edge DesktopTM application, or from a mobile device with Imaging Edge MobileTM.

We also offer a standard version of the Sony A7s Mk3 camera http://extremefacilities.com/cameras/?singleproduct=881 We have a dedicated underwater housing available for this camera http://extremefacilities.com/underwater/?singleproduct=876 Follow us on Facebook to see the projects we have worked on using this and other cameras https://www.facebook.com/ExtremeFacilities/
Inquire

Sony A7S Mk3 Camera

The Sony A7S III Camera takes the Sony Alpha series to a whole new level of full-frame movie expression. Іt’ѕ еquірреd wіth а new Ехmоr R 12МР Full Frame ВЅІ Ѕеnѕоr which has been paired with the nеwlу dеѕіgnеd ВІОNZ ХR Рrосеѕѕіng еngіnе. This prоvіdеѕ uр tо 8х fаѕtеr реrfоrmаnсе оvеr рrеvіоuѕ mоdеlѕ, reduced rolling shutter, 15 stops of dynamic range, extra-strong image stabilisation, ultra-low-noise & exceptional low light performance. 

Іt’ѕ vіdео сараbіlіtіеѕ offer up to 4К 120Р (4:2:2 10bіt) rесоrdіng аnd FНD 240Р fоr ѕtunnіng ѕlоw-mоtіоn video. New versions of XAVC feature the addition of HEVC/H.265 encoding or ALL-I encoding. Improved colour science which draws inspiration from Sony’s FX9 & VENICE cameras with the ability to shoot S-Log3 & S-Gamut3.Cine for better colour matching. 

The Sony A7S Mk3 camera is еquірреd wіth аn іnсrеdіblе 759 роіnt оn-ѕеnѕоr рhаѕе dесіѕіоn АF wіth rеаl-tіmе еуе trасkіng іn bоth vіdео аnd ѕtіllѕ. The camera also features a full size HDMI output capable of outputting 16bit RAW to compatible recorders! Тhіѕ саmеrа dеmоnѕtrаtеѕ Ѕоnу’ѕ аbіlіtу tо рrоduсе ѕtunnіng іmаgе quаlіtу аnd рrоfеѕѕіоnаl реrfоrmаnсе іn оnе bоdу.

New image sensor with double the readout speed

The newly developed back-illuminated full-frame Exmor RTM CMOS sensor, with 12.1 effective megapixels13, boasts a readout speed up to twice as fast as that of the α7S II, along with high sensitivity and wide dynamic range. An advanced colour filter array boosts colour reproduction accuracy, while focal plane phase-detection AF enables substantial increases in autofocus stability and precision, all of which contribute to outstanding image quality.

New image-processing engine with up to 8x the processing performance

The BIONZ XRTM image-processing engine boasts a performance level up to eight times that of the previous processor, minimising latency while markedly improving real-time processing capabilities for both movies and stills. The engine performs real-time processing of AF, image recognition and image-quality adjustments, while also handling data transfer, user interface and other camera operations.

High sensitivity, wide dynamic range

The Sony A7S Mk3 Camera has a full-frame 12.1-megapixel14 configuration enables high sensitivity with low noise throughout the camera's sensitivity range by optimising the output signal from the sensor. The standard ISO range is 80-102400, which is further expandable to 40-409600 (80-409600 for movies). The dynamic range is an impressively wide 15 stops15, for beautiful, true-to-life images without blown highlights. Together, the camera's high sensitivity and wide dynamic range expand your creative freedom during shoots.

Full-frame 4K recording at 120p16

Full-frame 4K recording at 120fps16 with autofocus is possible thanks to the high-speed readout capabilities of the new image sensor working in tandem with the newly developed, powerful BIONZ XR processor. This high image-quality 4K, with full-pixel readout without binning, allows for clear post-produced slow motion (up to x5 slower than real time)17, as well as bokeh effects typical of full-frame cameras, all with smooth, high-precision autofocus. Despite the α7S III's compact size, it provides impressive scope for your creativity.

Recording movies with 10-bit depth and 4:2:2 colour sampling

The camera is capable of performing 4K internal recording with 10-bit depth and 4:2:2 colour sampling when using either Long GOP or All Intra compression. This makes it possible to push your colour grades further, stretching video out for ultimate HDR realism while still retaining natural gradation, for true editing freedom.

All-Intra internal recording

In addition to Long GOP inter-frame compression, the α7S III supports internal intra-frame (All-Intra) recording18 for the first time in an α-model body, where each frame is recorded independently at a high bitrate of up to 600Mbps. This can be useful for certain types of shoots as it allows maximum flexibility in post-production editing.  [1] All-Intra (All-I)  [2] Long GoP  [3] Group of Pictures

HEVC codec with high compression efficiency

Available for the first time, XAVC HS format recording using the MPEG-H HEVC/H.265 codec roughly doubles the compression efficiency. Compared to a normal 4K XAVC S format, XAVC HS allows for detailed 10-bit video with 4:2:2 colour sampling at comparable or lower data rates, delivering even better image quality as well as manageable file sizes19.

16-bit RAW data output

Facilitating improved image quality and more flexible and efficient editing in post production, the camera supports 16-bit RAW data output to an external recorder via HDMI, for the first time in the α series. The output is full-frame 4264 x 2408 (16:9 aspect ratio) 16-bit data from the image sensor, with a choice of frame rates (60p/50p/30p/25p/24p)20.

S-Log2 and S-Log3 with 10bit 4:2:2 support

S-Log2 and S-Log3 gamma curves are available, with S-Log3 designed for better reproduction of gradations from shadows to the mid-grey range (18% grey), enabling a dynamic range of up to 15 stops15. Three colour gamut settings (S-Gamut, S-Gamut3, and S-Gamut3.Cine) are provided, and the latter two settings make it easier to match the colours of footage shot with Sony's professional cinema cameras. Because the colours match, colour grading is easier in post-production editing, making it more convenient to use the α7S III along with other pro cameras.

Proxy recording for more efficient editing workflow

When shooting movies, low bit-rate HD proxy files can be recorded simultaneously with higher bit-rate formats such as XAVC S-I 4K, and these smaller proxy files can then be used for editing and previewing prior to final production delivery. This reduces computer load and allows faster and more efficient workflows. Proxy files can be captured in either 10-bit XAVC HS (1920 x 1080) or 8-bit XAVC S (1280 x 720) 21.

10-bit HLG picture profile

An HLG (Hybrid Log-Gamma) HDR picture profile, complete with the wide-gamut BT.2020 colour space, can be used for direct HDR (HLG) playback on compatible TVs. The result is true-to-life imagery close to what the naked eye can see, with detailed shadows and highlights, less blackout and less whiteout, all without the need for colour grading. In particular, 10-bit recordings reproduce a level of fine gradation and detail for extraordinary realism.  [1] High flexibility to fine-tune images as desired (colour grading required)  [2] Instant high-quality image (colour grading not required)

Enhanced movie image quality

Thanks to the improved capabilities of the α7S III's new image-processing engine, colours and textures of foliage and human skin can be more consistently reproduced without over-dependence on light sources. Gradation rendering has also been refined, for better-looking skin tones and highlight roll-off in portraits. When shooting 4K, the new image sensor and processing engine reduce rolling shutter distortion to as little as one-third that of the α7S II.

Fast Hybrid AF for dependable focus during movie shooting

Inheriting technology and performance standards from Sony's large-format FX9 pro camcorder, Fast Hybrid AF combines focal plane phase-detection AF with contrast-detection AF. This results in highly precise, smooth tracking of fast-moving subjects even over a wide range with a shallow depth of field, taking full advantage of Sony E-mount lenses' smooth linear-motor focusing and power-zoom operations. Newly added AF Transition Speed and AF Subject Shift Sensitivity parameters allow more flexible focus control, as requested by professional users. Both allow preset settings to be recalled during recording by using a customisable button.

AF support in manual-focus mode

The camera's autofocus support can be useful even when you're primarily using manual focus. For full AF speed, half-press the shutter button or press the AF-ON button, as you would when shooting stills. Alternatively, slower, more cinematic AF transitions can be achieved by initiating AF via the touch focus feature or Real-time Eye AF via a custom button assignment, resulting in slow, smooth autofocus at the preset AF Transition Speed.

Game-changing tracking features to revolutionise movie shooting

Real-time Tracking and Real-time Eye AF make movie-making much easier. Touch Tracking initiates subject tracking with an intuitive touch to the LCD monitor, processing data on colour, pattern (brightness), distance (depth) and facial information to keep your subject in steady focus. You can then concentrate more fully on composition, which can be especially useful when you're shooting solo or using a gimbal. Touch operations can be used to temporarily engage AF even when you're shooting manually.

Active Mode optical image stabilisation for handheld shooting16

Relying on a new high-precision stabilisation unit, gyro sensors, and optimised image stabilisation algorithms, the camera's Optical SteadyShotTM Active Mode provides the precise degree of optical image compensation needed during movie shooting, even for 4K video22. With this unprecedented level of stabilisation it's possible to shoot with the camera only, taking advantage of the compact size and mobility of the α system.  [1] Track of camera shake  [2] Standard  [3] Active

Enhanced audio quality

A digital audio interface is incorporated in the camera's Multi Interface (MI) Shoe, to facilitate cleaner, clearer audio recordings without loss of quality. The XLR-K3M XLR Adaptor Kit additionally provides the camera with 4-channel 24-bit digital audio recording capability. Three recording formats can be selected from a menu: 48 kHz/16-bit 2-ch, 48 kHz/24-bit 2-ch, and 48 kHz/24-bit 4-ch, with the XLR-K3M XLR Adaptor Kit required for the latter two formats.

New heat-dissipation design for extended recording times

The camera's design has been optimised to prevent overheating even during extended recording sessions. A unique Sony Σ (sigma) shaped graphite-alloy heatsink is built into the image stabilisation unit, allowing the sensor to dissipate heat five times more effectively than in previous models23, while allowing it to move freely and avoiding interference with the stabilisation system.

Designed for smooth movie-making

Flexibility in positioning the camera and framing shots is provided by the side-opening, vari-angle monitor, which incorporates a bright 3.0-type, 1.44 million-dot13 LCD screen. The MOVIE button is within easy reach on the camera's top panel, and a durable HDMI Type-A terminal ensures reliable connections to external monitors. The item arrangement and initial settings on the mode dial have also been adjusted to meet the needs of pro users.

Dedicated settings menu for movie shooting

A subset of the camera's settings can be changed independently for movie or still shooting, which can be useful if you want to use different ISO, Iris (aperture) and other settings depending on the shooting mode. Another convenient feature is the use of Flexible Exposure Mode instead of normal PASM Mode when Movie or S&Q mode is selected. This allows quick switching between auto and manual control of Iris (aperture) and shutter speed, and the function can be assigned to a custom button to allow one-touch toggling between auto and manual.

Fast Hybrid AF for still shots

The Fast Hybrid AF uses a high-density array of 759 phase-detection AF points (covering around 93% of the imaging area) in conjunction with 425-point contrast-detection AF. Real-time Eye AF (for humans and animals) and Real-time Tracking features are also available for the first time in the S series. Advanced AF algorithms facilitate precise AF down to light levels as low as EV-624, for accurate focus even when the subject would be difficult to see clearly with the naked eye.

High-speed continuous shooting performance

Mechanical and electronic shutters are each capable of continuous shooting at up to 10fps25 with AF/AE. Continuous shooting of over 1000 uncompressed RAW images is possible26 thanks to increases in the buffer memory of the BIONZ XR processor and memory-card writing speed.

Enhanced image quality for stills

The new image sensor and image-processing engine deliver an extraordinary degree of sensitivity, a defining characteristic of the S series, and significantly better reproduction of colour and textural details. Improved rendering capability provides realistic-looking images with reduced noise, particularly in the mid-to-high sensitivity range. A new Visible Light and IR Sensor improves auto white balance, and HEIF file options and an HLG Still Image Mode (for 8-bit and 10-bit HEIF stills) have been added to the Sony A7S Mk3 camera.

Two CFexpress Type A-compatible media slots

The camera's two media slots are compatible with new CFexpress Type A cards as well as SDXC/SDHC cards supporting UHS-I and UHS-II speed classes. CFexpress Type A cards are the next standard for compact storage with fast write/read speeds suitable for both high-speed continuous still shooting and 4K movie recording at high bit rates. They are capable of quickly clearing camera buffers even when high volumes of still image and movie data are being generated.

High-definition 9.44 million-dot13 electronic viewfinder

Boasting the highest resolution in its class28, the Sony A7S Mk3 camera viewfinder rivals the resolution of the human eye. It provides category-leading 0.90x viewfinder magnification29, a 41º diagonal field of view, and a 25mm high eyepoint for clear, low-distortion viewing. Improvements in sealing greatly reduce the chance that even drastic ambient temperature fluctuations will cause interior condensation.

Reliable, durable construction

To maximise dust and moisture resistance, additional sealing has been applied to all body seams and to the battery compartment cover, and the media slot cover has been redesigned to handle harsh outdoor environments. A filter in front of the image sensor oscillates at an ultrasonic frequency of 70,000 cycles per second to remove dust from the sensor surface. The camera chassis is highly durable thanks to full magnesium-alloy construction.

USB Power Delivery

The camera supports USB PD (Power Delivery), to enable continuous shooting for extended periods without draining the internal battery30. PD-compatible31 USB chargers and mobile batteries can be connected to the camera's USB Type C® port, to supply power or to recharge the internal battery at 3 to 4 times the speed23 of conventional power supplies.

Data communications to support on-site workflow

Wired and wireless communications features support FTP transfer for still and movie files as well as remote shooting capability, to facilitate professional workflows during shoots. Wireless 5GHz32/2.4GHz LAN connections are supported, and wired connectivity to 1000BASE-T Ethernet networks is available via a USB-to-Ethernet adaptor cable connected to the camera's USB Type C® port supporting SuperSpeed USB 5Gbps (USB 3.2). Remote shooting can be controlled from a PC with Sony's Imaging Edge DesktopTM application, or from a mobile device with Imaging Edge MobileTM.

We also offer a specially modified Full spectrum version of the Sony A7s Mk3 camera We have a dedicated underwater housing available for this camera http://extremefacilities.com/underwater/?singleproduct=876 Follow us on Facebook to see the projects we have worked on using this and other cameras https://www.facebook.com/ExtremeFacilities/
Inquire

Panasonic Lumix GH5S 4k Micro Four-Thirds Camera

4:2:2 10-bit Internal Recording
The Panasonic Lumix GH5S brings game-changing internal 4:2:2 10-bit C4K/4K video recording. For example, 10-bit will render all the subtleties of graduated skies and sunsets without the banding so prone to 8-bit. The power of having film creation capabilities inside the camera sets a new precedent in guerilla-style filmmaking. And you can record 4:2:2 10-bit to SD card whilst simultaneously feeding the live signal thru a full-size HDMI port* connected to an external monitor or recorder. 4:2:2 10-bit recording enables faithful color and grading fidelity with over a billion colors and four times the tonality of 8-bit to match professional intent. *C4K/4K 60p/50p is output only. Cinema 4K 60p/50p* with Unlimited Recording Time The original LUMIX GH5 made it possible to record 4K 60p/50p video on a DLSM camera. Now, to greatly extend your creative possibilities, the LUMIX GH5S takes this even further and, for the first time ever**, includes Cinema 4K (C4K: 4096 x 2160) 60p/50p* video recording. Moreover, there is no limit*** to the recording time, not even when shooting FHD or 4K video. TC IN/OUT Terminal
The time code can be synchronized with an external device by using the bundled BNC conversion cable. This enables easier non-linear timeline editing of footage shot with multiple cameras. LINE Input Supported LINE input is supported by a 3.5mm mic jack. This makes it possible to input sounds from an external audio device, for more efficient video production. Max. 10x Slow Motion Video — VFR (Variable Frame Rate) To elevate video expressivity even further, a variety of effects are available on the LUMIX GH5S. The VFR lets you record overcranked / undercranked videos in C4K/4K (60-fps maximum 2.5x slower*) or FHD (240-fps maximum 10x slower*) quality. The minimum frame rate for quick motion effects video is 2-fps. Pre-installed V-LogL Video Recording Function A neutral or flat logarithmic (“log”) gamma curve captures wide dynamic range pictures ideal for color grading. Plus, a LUT Display function assists your exposure and helps to show directorial intent (e.g., use V-log to Rec.709 LUT for an HDTV look).
 Hybrid Log Gamma for 4K HDR Video HDR (High Dynamic Range) is a mode to reproduce both the bright parts and dark parts of an image, making it look just as the human eyes see it. You can choose Hybrid Log-Gamma (HLG) in Photo Style. Check out our range of car grip here: http://extremefacilities.com/grip/ Follow us on Facebook to see the projects we have worked on using this and other cameras https://www.facebook.com/ExtremeFacilities/
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Photos to Impress, 4K Videos to Inspire

The GH4’s new Live MOS Sensor and Venus Engine team up to reduce noise while raising resolution and improving color reproduction. Innovative DFD technology increases the speed of Contrast AF. As the world’s first* DSLM camera to record 4K videos, it truly meets the needs of professionals.

Superb Picture Quality for Lifelike Textures

The image processor Venus Engine is newly developed with new quad-core CPU that enables high speed signal processing. Combination of new Digital Live MOS Sensor and the Venus Engine dramatically improves sensitivity (max.ISO25600), gradation performance, resolution and color reproduction to achieve even higher picture quality. Yet its image description is natural – that is what LUMIX aspires for.

Video Creation to Meet Pro Quality

The new DMC-GH4 further evolves to meet professional quality and standard with the capability of 4K (Cinema 4K: 4096×2160 / 24 fps and QFHD 4K: 3840×2160 / up to 30 fps) video recording in MOV/MP4 or ultra high bitrate video recording at 200 Mbps (ALL-Intra) or 100 Mbps (IPB) without recording time limit.*1 *2 In addition, a variety of practical functions required for professional video recording are newly integrated.

*1 Motion image can be recorded up to 29 min 59 sec depending on the recording format and the camera’s sales area.

*2 Use SDXC/SDHC Memory Card compatible with UHS Speed Class 3 (U3) when using high bitrate video recording mode over 100 Mbps.

Superb Mobility & High Speed Response

Superb mobility and high speed response come equipped with DMC-GH4. The high-precision Contrast AF now integrates DFD (Depth from Defocus) technology to achieve ultra high speed AF of approx.0.07 sec*.The burst shooting power is also boosted to12 fps(AFS). Both 2,359K-dot LVF (Live View Finder) and 1,036K-dot rear monitor adopt OLED to minimize time lag while enhancing the resolution.

Reliable Durability

To be tough enough to withstand even heavy field use, the main structure of the DMC-GH4 is composed of magnesium alloy full diecast front / rear frame. It also features splash / dustproof construction thanks to the sealing on every joint, dial, and button. The shutter unit is also redesigned to be even more durable for approx. 200,000 times release*.

*Panasonic in-house examination.

Expandability for Flexible Usage

To offer more flexible usage, the DMC-GH4 even incorporates Wi-Fi® with NFC Technology or in-camera RAW development capability. It also complies with External Flash (DMW-FL580L), Stereo/Shotgun Microphone (DMW-MS2) or Battery Grip (DMW-BGGH3) to support professional photography/videography. The expansive flexibility of DMC-GH4 goes far beyond the limit of conventional Digital Single Lens Mirrorless camera.

New 16.05MP Digital Live MOS Sensor

The new 16.05-megapixel Digital Live MOS Sensor achieves high quality, high sensitivity image recording with its quick response. Approx.50% higher speed signal readout suppresses rolling shutter effect when using electronic shutter or recording video. Taking full advantage of the Live MOS Sensor, gradation range is expanded by max.1/3 step at low ISO end. Plus, superior noise reduction allows max.60 min long exposure.

Advanced Image Processor Venus Engine

The image processor Venus Engine is also newly developed dramatically boosting its performance with quad-core CPU that enables high speed signal processing required for rich video recording such as 4K. Integrating superior noise reduction systems, DMC-GH4 enables shooting at max.ISO25600. Sensitivity, gradation performance, resolution and color reproduction are dramatically improved to achieve even higher picture quality.

Focus Peaking

Focus Peaking function shows the peak of focus in MF and AF+MF mode. Users can see the peaking of focus while monitoring the subject in live view. It is also available in remote photo / video shooting with smartphone / tablet via Wi-Fi.

Highlight / Shadow Control

Highlight and shadow can be separately adjusted with the front/rear dial. 3 patterns of settings can be customized in addition to 3 preset patterns.

RAW Data Development in Camera

The DMC-GH4 is capable of developing RAW image in camera. In addition to the color space setting (sRGB / AdobeRGB), the parameter of white balance, exposure compensation, contrast, highlight / shadow, saturation, noise reduction, sharpness or hue can be flexibly adjusted while LUMIX’ s Photo Style, Intelligent D-range Control, Intelligent Resolution can also be applied.

Photo Style

You can choose color / texture type for photo / video from Standard / Vivid / Natural / Monochrome / Scenery / Portrait. Contrast, sharpness, noise reduction, saturation and hue parameter for each mode can be adjusted and memorized in camera.

Electronic Shutter & Silent Mode

The DMC-GH4 offers practical electronic shutter. The high-speed signal readout achived by Live MOS Sensor minimizes rolling shutter effect. The Silent mode switches shutter from mechanical to electronic and turns all sound (AF, operation) off while suppressing emission of AF assist lamp and flash with just a single setting for special shooting occasions.

World’s First *1 4K Video Recording

One of the most prominent features of GH4 is unlimited *2 4K video recording (Cinema 4K: 4096×2160 / 24 fps and QFHD 4K: 3840×2160 / up to 30 fps) in MOV/MP4 *3.

*1 For a DSLM as of Feb 7, 2014.

*2 Motion image can be recorded up to 29 min 59 sec depending on the recording format and the camera’s sales area.

*3 Use SDXC/SDHC Memory Card compatible with UHS Speed Class 3 (U3) when using high bitrate video recording mode over 100 Mbps.

Versatile Video Recording Formats

The DMC-GH4 is also capable of ultra high bitrate video recording at 200 Mbps (ALL-Intra) or 100 Mbps (IPB), which has no recording time limit*1 *2. You can freely choose the format from MOV, MP4, AVCHD Progressive and AVCHD at a variety of frame rates according to the usage. In MP4 / MOV, high quality sound in LPCM (Linear Pulse Code Modulation) is recordable.

*1 Motion image can be recorded up to 29 min 59 sec depending on the recording format and the camera’s sales area.

*2 Use SDXC/SDHC Memory Card compatible with UHS Speed Class 3 (U3) when using high bitrate video recording mode over 100 Mbps.

Selectable System Frequency

For the global business of professional users, the system frequency can be flexibly selected from 59.94Hz (23.98Hz) / 50.00Hz / 24.00Hz.

Real-time Output via HDMI

The DMC-GH4 is also capable of real-time image output (4:2:2 / 8 bit or 4:2:2 / 10 bit) to the external monitor via an optional micro HDMI cable*. It is suitable for the professional video making that requires serious monitoring of the imageries. Users can choose to output only the recording content or the content with the setting menus individually depending on a display.When using 4:2:2/10-bit output, simultaneous video recording on SDXC/SDHC Memory Card in the camera is not possible. When using 4:2:2 / 8-bit output, video is recorded in 4:2:0 / 8-bit on SDXC/SDHC Memory Card in the camera.

VFR (Variable Frame Rate)

The VFR (Variable Frame Rate) enables recording video with slow/fast motion such as 96 fps / 4x*, all in Full-HD. See specifications for more effect options.

*In 24p playback.

Time Lapse Shot / Stop Motion Animation

Time Lapse Shot and Stop Motion Animation are available for stationary observation for subjects or for producing a stop motion (stop frame) video with sequential pictures. Both can be produced in camera without needing postproduction process.

Zebra Pattern

It indicates overexposed area before / during shooting and the pattern can be output to the external monitor, too.

Master Pedestal

It allows adjustment of the brightness balance ±15 steps based on the color of black.

Cinelike Gamma

“CINELIKE D” and “CINELIKE V” are newly available for expressive tone like a cinema.

Synchro Scan

It is practical for suppressing flicker over the TV / PC monitor or fluorescent lights.

Center Marker

By displaying it at the center of the viewing angle, center marker works as guide mark for video image composition.

Color Bars

Color Bars (SMPTE / EBU / ARIB Standard) can be the benchmark to fix the color or brightness. 1KHz Test Tone can be the bench mark to fix the sound volume.

Time Code

SMPTE-compliant Time Code either in Rec Run or Free Run count-up methods makes it easy to synchronize the multiple video footage or sound source in the post production workflow.

Professional Video

Contrast AF with DFD Technology

The Contrast AF system is advanced with the DFD (Depth from Defocus) technology which even shortens the time to focus. It figures out the distance to the subject by evaluating 2 images with different depth of field while consulting the data of optical characteristics by using lens in a moment. As a result, ultra high speed AF of approx.0.07 sec* is achieved. This improvement benefits more as focusing distance increases.

*In AFS, with H-FS14140 or H-HS12035

High-Speed Burst Shooting

The DMC-GH4 boasts high speed burst shooting at 12 fps(AFS) with the maximum recordable images of up to approx. 40 (including RAW) / approx. 100 (excluding RAW) and 7 fps (AFC) to capture fast moving subject just in-focus. Together with the quick start-up and short release time lag, the DMC-GH4 never lets you miss fleeting shooting opportunities.

49-Area AF

Focus point is increased from 23 (DMC-GH3) to 49 points for more flexible composition.

Custom Multi AF

Custom Multi mode in which you can freely select the blocks to focus out of the 49 focusing area.

New Face / Eye Detection AF

In addition to the conventional Face Recognition AF, the DMC-GH4 newly incorporates Face / Eye Detection AF which automatically sets focus right on the face or eye in face.

Seamless Magnification of 1-Area Focus Point

Now the 1-area AF area can be seamlessly magnified not only in manual focus but also in auto focus mode.

Dual OLED Displays – LVF & Monitor

The DMC-GH4 boasts newly developed high-precision, high-speed dual OLED (Organic Light-Emitting Diode) displays for 2,359K-dot LVF (Live View Finder) of approx.1.34x / 0.67x* and 3.0-inch 1,036K-dot free-angle rear monitor. They achieve high speed response with minimum time lag while enhancing the resolution. Notably, the OLED for the LVF boasts 10,000:1 high contrast for superior color reproduction.

*35mm camera equiv.

Magnesium Alloy Body & Rugged Design

To be tough enough to withstand even heavy field use, the main structure of the DMC-GH4 is composed of magnesium alloy full diecast front / rear frame. It also features splash / dustproof construction thanks to the sealing on every joint, dial, and button.

 High Performance Shutter Unit

The shutter unit is also redesigned to be even more durable for approx. 200,000 times release*. It offers highest shutter speed at max. 1/8000 not only to capture spur-of-the-moment for fast moving subject but also to use high-speed lens with open aperture even in outdoors to give impressive defocus. Both built-in / external flash can be synchronized with max.1/250 second shutter speed.

*Panasonic in-house examination.

Optimum Layout of Control Components

For quick, intuitive control, 3 dials are equipped on the top and back of the camera and the main dial is now comes with lock structure. A dedicated button allows direct reach to exposure compensation, white balance adjustment or ISO setting and max.5 settings can be assigned to the Fn button. All these external components are designed to be operated easily without taking eyes off from the viewfinder.

Terminals for Expanded Connectivity

The DMC-GH4 comes with a variety of connection terminals. The 3.5mm microphone and the 3.5mm headphone jacks. It is also capable of real-time image output on the external monitor via an optional HDMI micro cable simultaneously while recording video. In addition, AV outputs, flash sync terminal and 2.5mm jack for remote controller are available. It complies with the SDXC / SDHC Memory Card UHS Speed Class 3 (U3).

Wi-Fi® with NFC Technology

The DMC-GH4 integrates Wi-Fi® connectivity (IEEE 802.11 b/g/n) with NFC (Near Field Communication) technology. With the “Panasonic Image App”, remote shooting of photo / video is available with smartphone / tablet. It is also easy to embed geotag in the image after shooting. For the smartphone / tablet without NFC, the camera displays dedicated QR code on its monitor to complete pairing easily by reading the code.

New Interface Unit (Optional)

The Interface Unit(DMW-YAGH) is offered exclusively for professional / industrial workflow enabling more powerful video transmission. It complies with Full HD (4:2:2 / 10 bit) four parallel output or 4K (4:2:2 / 10bit) output, both with time code*. The 2ch XLR input terminals are also equipped for line or condenser microphone. Microphone volume can be controlled L / R separately. It compies with 12V DC IN.

* When using 4:2:2/10-bit output, simultaneous video recording on SDXC/SDHC Memory Card in the camera is not possible.

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The E1 by Z Camera gives 4K (4096×2160) image quality from a camera with dimensions no larger than that found on an action camera. Housed in a magnesium alloy body, it is lightweight and therefore ideally suited to POV and aerial (UAV) photography.

It records 4K movies (4096×2160) as well as UHD (3840×2160) at a bit rate of 60Mbps.  In addition, the E1 can record Full 1080p HD movies at up to 60fps, and 720p with the ability to record at 240fps in this lower resolution format but then with the option of presenting slow motion playback.

Due to the power of the Panasonic imaging sensor, the E1 is also capable of recording 16 megapixel still images with an option of recording in RAW. 3D noise filters also ensure lower noise levels in low lighting conditions, especially important when making the most of the maximum ISO sensitivity of 25,600. Burst shooting at up to 15fps is also attainable.

In both still and movie recording modes, the E1 will autofocus continuously, with user-defined variation in focus sensitivity. For manual focusing, there is even a zoom-in feature to ensure focus is pixel-sharp.

This camera is suitable for both Wi-Fi and Bluetooth camera control by mobile devices using Android or iOS operating systems, as well for monitoring and powering on or off, giving you a true remote control option essential to UAV and POV applications.

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Z Cam E2 Micro Four-Thirds 4k Camera

The Z Cam E2 offers 10-bit ProRes HQ onboard recording, full remote control from an App, all in a compact sized camera unit.  Ideal for mounting inside a vehicle, the E2 can easily be externally powered allow for long duration operating.

Technical Specifications

Disclaimer: All product features and technical specifications stated are subjected to Z CAM™ ‘s sole interpretation and explanation. Product specifications reflect both current and projected information. Everything is subject to change.
Camera Features
Sensor Type
4/3″ WDR CMOS Sensor
Sensor Size
17.3 x 13 mm
Effective Pixels
10.28M
Dynamic Range
13 Stops (ZLog) / 16 Stops (with WDR activated)
Lens Mount
Micro Four Thirds
Microphone
Built-in Stereo Microphone
Recording
Video System
NTSC / PAL / CINEMA
Video Format
4096 x 2160 @ 59.94 / 50 / 29.97 / 25 / 24 / 23.98 fps 3840 x 2160 @ 59.94 / 50 / 29.97 / 25 / 24 / 23.98 fps 3696 x 2772 @ 59.94 / 50 / 29.97 / 25 / 24 / 23.98 fps 1920 x 1080 @ 59.94 / 50 / 29.97 / 25 / 24 fps
Max Variable Frame Rate
120 fps for 4096 x 2160 120 fps for 3840 x 2160 59.94 fps for 3696 x 2772 240 fps for 1920 x 1080
Max Bit Rate
230 Mbps for 4096 x 2160 230 Mbps for 3840 x 2160 230 Mbps for 3696 x 2772 200 Mbps for 1920 x 1080
Color Bit Depth
10 bit (H.265) / 8 bit (H.264)
Video Encoder
ProRes 4:2:2 HQ, ProRes 4:2:2, ProRes 4:2:2 LT / H.264 high profile / H.265 main 10 profile
Audio Format
24-bit 48 kHz
Audio Encoder
AAC / PCM (for MOV only)
File Format
MOV / MP4
Record Mode
Video / Time Lapse Video
Recording
ISO
Auto, Manual (160 ~ 25600 / 80 ~ 12800 with WDR activated), Native ISO: 80 / 160 / 800 (ISO 80 is available only when WDR is activated)
Shutter
Shutter Speed: Auto, Manual (up to 1/8000”) or Shutter Angle: Auto, Manual (11.25° ~ 360°)
White Balance
Auto, Preset, Manual (2300K ~ 7500K)
Focus Mode
MF / AF / CAF
Image
Brightness / Contrast / Saturation / Sharpness
LUT
Rec.709 / ZLog / FLAT
Audio
Audio In / Audio Out Level
Time Code
Current Time / Manual Input
Storage
Media
CFAST 2.0
File System
exFAT
Connectivity
HDMI
HDMI 2.0 Type A (video output up to C4K @60fps)
USB
USB 3.0 Type C for for data transfer / storage
I/O
10-pin LEMO port for synchronization (requires additional sync cable, not included)
COM
DB-9 connector, supports RS-232
Remote Control
2.5 mm jack socket (Sony LANC compatible)
Audio-in
3.5 mm stereo jack socket for active microphone only, or 5-pin LEMO port for dual channel XLR microphone (requires additional XLR audio connector)
Audio-out
3.5 mm stereo jack socket
Wi-Fi
802.11n, 2.4G with external antenna port
Ethernet
Gigabit Ethernet port for control, setting & live streaming
Power
Battery
Sony NP-F series compatible (Battery not included)
External Power Supply
DC 12V 5A (4-pin LEMO socket), with LEMO connector and AC/DC power adapter, hot swap supported
Physical
Material
Alluminium Alloy
Weight
757 g (without lens)
Dimensions (W x H x D)
91.2 mm x 99.2 mm x 89.1 mm (without lens)
Environment
Storage Temperature
-20 °C ~ 60 °C
Operation Temperature
0 °C ~ 40 °C
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GoPro Hero 9 Black

  • The GoPro Hero 9 Black shoots stunning video with up to 5K resolution, perfect for maintaining serious detail even when zooming in. Packing a new 23.6MP sensor that’s an absolute powerhouse,  it brings lifelike image sharpness, fluid motion and in-camera horizon leveling.
  • Capture crisp, pro-quality photos with 20MP clarity. And with SuperPhoto, can automatically pick all the best image processing for you, so it’s super easy to nail the shot.
  • No more carrying a separate frame. Just flip out the folding fingers, attach your camera to any mount and go.
  • A new, larger rear touch screen with touch zoom on the Hero 9 Black should feel instantly familiar and a dazzling new front display makes for easy framing and intuitive camera control.
  • Shooting options include 4k 50fps, 2.7k 120fps & 1080P 240fps
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Marshall CV225-M Minicam - HD Mini Lipstick Camera

Capture stunning Full-HD video in a versatile, durable and discrete package with the new Marshall CV225-M Minicam, IP67 Lipstick Camera from Marshall. The CV225 utilizes the latest sensor technology in a compact and sleek weatherproof design while maintaining broadcast standards. The CV225 is ideal for professional broadcast television applications including professional sporting events, reality television, live music events, broadcast trucks, weather vehicles and house of worship installations. Marshall worked closely with professional video and systems integrators to improve the popular 1st generation CV200 Lipstick Camera. The 2nd generation CV225 IP67 Lipstick Camera incorporates those improvements to offer greater image clarity, enriched true colors, enhanced low light performance, and added ability to remotely adjust without reliance on screen display (OSD) menus. The CV225 utilizes a state of the art 1/3-inch high-speed 2.5 Megapixel sensor to pack 2,476,296 pixels of clear, crisp color images through a single full-sized BNC (3G/HD-SDI) output in 1920x1080i, 1920x1080p, 1280x720p resolutions @ 60/59.94/50/30/29.97/25 fps. New proprietary pixel technology enables the CV225-MB/M to produce the lowest noise ratio on the market today, resulting in sharp, vivid color images, even in very low light condition. Industry leading low power consumption draws very low power in full 3G SMPTE 424M (2.97 Gbps) 1080p60/59.94/50 modes. The Marshall CV225-M Minicam supports 50/60/25/30fps for all other applications including PAL Broadcast regions The CV225 IP67 Weatherproof design and convenient 1/4″-20 mount allows for versatile mounting options in any outdoor or hidden location, and can withstand dust, sand, or full submersion up to 1m for 30 minutes. The CV225 can be controlled and adjusted remotely via SONY VISCA over RS485 twisted-pair wire, and is compatible with the Marshall CV-RCP-V2 Touchscreen RCP Unit using 3-pin XLR cable.

Marshall CV-225-M Minicm Specs:

1/3-inch 2.5 Megapixel CMOS Sensor 16:9 3.6mm MP M12 Mount Lens – interchangeable IP67 weatherproof camera enclosure w/ 1/4″-20 mount (rear panel) 118 inch (3m) Breakout Cable includes 12V power (2.1mm-center pin +) connector, RS485 phoenix connector, and 3G/HD-SDI (BNC) – 111 inch (2.8m) to OSD Joystick RS485 (Visca) adjustable – CV-RCP-100 compatible 19.5mm diameter (0.76-inch) cylinder 3GSDI / HDSDI (BNC) 0.2Lux (COLOR-Day) / 0.1Lux (B/W-Night), 0.005Lux (DSS on) Auto/Manual White Balance, Exposure, Gamma, Red/Blue Gain, Black Levels (Pedastal) Wide Dynamic Range (ACCE), Digital Noise Reduction (DNR), Digital Defog, HLC 19.5 x 62.5mm, Approx. 195g/0.42Lbs OSD Joystick on Cable assembly Don't forget to like us on Facebook, for the latest news and products
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The unique Canon XF105 IR switchable is Canon’s smallest camcorder to include an MPEG-2, 50Mbps, 4:2:2 Full HD codec. Studio connectivity, professional audio and extensive customisation provides exceptional versatility.

  • MPEG-2 recording to 2 CF cards at up to 50Mbps (4:2:2)
  • Light, compact design; XLR inputs
  • 10x zoom Canon HD Video Lens
  • 1/3 type Full HD Canon CMOS
  • HD-SDI, Timecode, Genlock; 3D Assist Functions
  • 8.8cm (3.5’’) 920k dot LCD; 0.6cm (0.24”), 260k dot EVF
  • Variable frame rates

MPEG-2 recording at up to 50Mbps (4:2:2)

The Canon XF105 IR Camera records MPEG-2 MXF (Media eXchange Format) files – up to 1920 x 1080 Full HD at 50Mbps (4:2:2) – to relatively inexpensive and widely available CompactFlash (CF) memory cards. Relay Recording across two card slots allow filming to continue without interruption, whilst Double Slot Recording lets you store the same footage to both cards.

Light, compact design; XLR inputs

Putting exceptional functionality in the palm of your hand, the durable and lightweight design enables exceptional versatility. Linear PCM audio can be captured via twin XLR inputs and also using the front-mounted stereo microphone.

10x zoom Canon HD Video Lens

Drawing on Canon’s broadcast lens expertise, XF105 features a fast, wide angle Canon HD Video Lens (f1.8-f2.8, 30.4mm) with built-in control ring for adjustment of zoom, focus or iris. An enhanced Optical Image Stabilizer system helps to reduce chromatic aberration, maintain sharpness and reduce lens size.

1/3 type Full HD Canon CMOS

A 2.07MP Full HD CMOS sensor – designed and manufactured by Canon – captures Full HD video at native 1920×1080 resolution. The sensor is equipped with a Bayer pattern colour filter for high sensitivity and wide dynamic range; high-speed data readout technology minimises rolling-shutter skew that can occur in CMOS camcorders.

HD-SDI, Timecode, Genlock; 3D Assist Functions

HD-SDI output is the industry standard, outputting uncompressed Full HD with embedded audio and Timecode. A combined Genlock In and Timecode In/Out terminal allows the XF105 to be used in a multi-camera shoot. Genlock and 3D Shooting Assist functions (OIS Axis Shift and Focal Length Guide) support stereoscopic 3D video capture using two camcorders.

8.8cm (3.5’’) 920k dot LCD; 0.6cm (0.24”), 260k dot EVF

The Canon XF105 IR Camera features a large, side-mounted LCD. This 8.8cm (3.5”) screen has a sharp, 920k dot resolution, with a built-in waveform monitor and Edge Focus function to help set up the shot. A 0.61cm (0.25’’), 260k dot EVF with 100% coverage is also available.

Variable frame rate

A wide range of frame rates is available, from 12 to 50 fps. This gives cameramen the freedom to alter the capture rate for additional creative flexibility.

Needed Infrared Lighting?

We offer a range of IR lights, check them out here: http://extremefacilities.com/lighting/?subcategories=44
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DJI Osmo Action Key Features RockSteady electronic image stabilisation HDR video recording 4K video recording @ 60fps I12 megapixel stills Waterproof to 11 meters Two colour screens, including a self-facing selfie screen on the front Touchscreen controls on the rear Dustproof, shockproof and built to withstand extreme temperatures Slo-mo and Timelapse functions Range of accessories to take your creativity further Adventure – In Stunning Detail The DJI Osmo Action has a 1/2.3-inch sensor allowing it to record 12-megapixel photos and 4K video up to 60fps at 100Mbps in stunning detail, assuring high-quality footage. A three-glass aspherical lens design records low-distortion content and aids in reducing warping effects for improved scenes. The lens cap is finished with two layers of anti-fingerprint coating to keep the shot clean during use, as well as an anti-reflective coating to reduce the unwanted effects of lens glare, giving users more flexibility to shoot in bright conditions. RockSteady Stabilisation Osmo Action is the first DJI handheld camera to include RockSteady, DJI’s Electronic Image Stabilisation (EIS) technology. High-performance stabilisation algorithms work in conjunction with EIS to record every movement in smooth, stable, high-quality video, even when recording 4K/60fps. Osmo Action is capable of High Dynamic Range (HDR) video in 4K/30fps, delivering an additional three stops of dynamic range to the scene, natural transitions between light and dark areas, and rich details that are often lost in complex lighting conditions. Longer Life To Go Further Osmo Action has a removable battery with a run time of 93 minutes recording at 4K/30fps with RockSteady enabled, and 135 minutes recording at 1080p/30fps without RockSteady. Dual microphones let users take advantage of Osmo Action’s Voice Control, and a speaker ensures outstanding playback quality.   Ideal For Harsh Environments A compact yet durable design makes Osmo Action the ideal camera for life’s adventures. Constructed to handle extreme conditions with ease, Osmo Action is dustproof, shockproof, waterproof and has the ability to operate in sub-freezing temperatures. Osmo Action is capable of operating at a depth of 36 feet (11 metres) without additional waterproof housing, or up to 60 metres with a diving house. Colour Screens and Easier Selfies Osmo Action utilises colour screens on both the front and back, a unique design feature that allows for more convenient scene composition while on the move. The 2.25-inch rear touchscreen employs a water and fingerprint repelling coating, and the 1.4-inch front screen makes vlogging and selfies easier than ever before. With a brightness of 750-nits, Osmo Action can be used in harsh lighting conditions including direct sunlight. Interactive Interface Osmo Action’s interactive user interface, Action OS, combines a streamlined and functional physical design with flexible operation. Power on, initiate recording and rotate through the video and photo capture modes in the blink of an eye with three dedicated buttons. Never miss a moment with the help of SnapShot, which allows Osmo Action to turn on and begin recording in under two seconds by pressing the shutter button once.  Extra Features At A Tap Of A Button A staple in DJI’s product lineup, Osmo Action offers a wide variety of highly creative features built into the camera which users can access with a few simple taps. While recording, choose between: Slo-mo: 8x slow motion in 1080p 240fps or 4x slow motion in 1080p 120fps creates a visually appealing effect when documenting action-packed scenes. Timelapse: If the user is looking to turn minutes into seconds, Timelapse is perfect for capturing unique content with the effect of the world moving faster. Custom Exposure Settings: Shoot for the stars with manual and semi-automatic settings that allow up to 120 seconds of exposure, perfect for capturing the night sky. What resolution settings does Osmo Action support? 4K (16:9) – 60, 50, 48, 30, 25, and 24fps 4K (4:3) – 30, 25, and 24fps 2.7K (4:3) – 30, 25, and 24fps 2.7K (16:9) – 60, 50, 48, 30, 25, and 24fps 1080p – 240, 200, 120, 100, 60, 50, 48, 30, 25, and 24fps 720p – 240, 200fps What video formats does Osmo Action support? MOV and MP4. What is D-Cinelike? It is designed to capture a wide dynamic range from the sensor, and colors are distributed evenly so the dark part of a picture is greatly improved. It is not a real LUT, but a lower-contrast video with a flat color profile, great for post-processing options. Need grip for the camera, check out our selection of grip here http://extremefacilities.com/grip/ For further information on the DJI Osmo Action please call us on 020 7801 9111 or visit the DJI website https://www.dji.com/uk/osmo-action
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2x the performance, yet again. Simply the best. Features 4K30, 2.7K50 and 1080p120 video, 12MP photos up to 30 frames per second, built-in Wi-Fi and Bluetooth®, and Protune™ for photos and video. Waterproof to 131’ (40m). Most advanced GoPro ever. Introducing HERO4 Black, the most advanced GoPro ever. Featuring improved image quality and a 2x more powerful processor with 2x faster video frame rates,1 HERO4 Black takes Emmy® Award-winning GoPro performance to a whole new level. Incredible high-resolution 4K30 and 2.7K50 video and high frame rate 1080p120 video enable stunning, immersive footage of you and your world. New Protune™ settings for both photos and video unlock manual control of Color, ISO Limit, Exposure and more. Waterproof to 131’ (40m) with 12MP photos at a blistering 30 frames per second and improved audio,1 HERO4 Black is the ultimate life-capture solution. 2x the performance. With a 2x more powerful processor, 2x faster video frame rates and even better image quality than its best-selling predecessor, HERO4 Black delivers footage that’s sharper, richer and more detailed.1 Combined with powerful new features and technologies—and improvements to audio, usability, wireless connectivity and more—HERO4 Black is the most advanced, highest-performing GoPro ever. 4K25. 4x the resolution of 1080p. 4K25, 2.7K50, 1080p120—HERO4 Black is the first camera of its kind to feature ultra high-resolution, high frame rate video as powerful as this. Once the exclusive domain of large, costly cameras, HERO4 Black delivers truly professional video quality in a tiny package. Stunning clarity. Liquid-smooth slow-motion playback. Cinema-quality capture. HERO4 Black brings it all. Fast, powerful photo capture. With 12MP Burst photos at a blistering 30 frames per second, HERO4 Black helps you capture the moments you don’t want to miss. Capture single photos, or choose Time Lapse mode to shoot photos automatically at set time intervals from 0.5 to 60 seconds—great for gear-mounted shots when the shutter button is out of reach. New settings for after dark. Capture the night sky in a whole new way. New Night Photo and Night Lapse modes offer customizable exposure settings of up to 30 seconds for single and Time Lapse photos. Whether you’re shooting the Milky Way or a campfire hangout, Night Photo and Night Lapse allow you to you capture ultra low-light scenes like never before. Control, view and share with built-in Wi-Fi + Bluetooth. HERO4 Black features built-in Wi-Fi and Bluetooth®, allowing you to connect to the GoPro App, Smart Remote2 and more. The GoPro App transforms your phone or tablet into a live video remote for your camera, offering full control of all functions and settings, easy shot preview and playback, plus sharing via text, email, Facebook and more. The Smart Remote allows you to control multiple GoPro cameras from distances of up to 600’ (180m). HiLight Tag your best moments. HiLight Tag, a new HERO4 feature, enables you to mark key moments while recording so you can quickly locate your best clips later for convenient playback, editing or sharing using the GoPro App or GoPro Studio. Just press the dedicated button on the camera or Smart Remote,2 or use the GoPro App to tag your highlights. World’s most immersive video. HERO4 Black features SuperView™, a GoPro-exclusive video mode that captures the world’s most immersive wide-angle perspective. It allows you to capture more of yourself and your surroundings in the shot—resulting in captivating, ultra engaging footage of every adventure. Auto Low Light mode. Let the camera do the thinking for you. Auto Low Light mode intelligently changes frame rates based on lighting conditions for optimal low-light performance, enabling you to move between bright and dark environments without having to adjust your camera settings. QuikCapture convenience. Be ready to capture the moment at a moment’s notice with new QuikCapture mode. It turns your GoPro into a one-button camera, allowing you to power on and start recording automatically with the press of a single button. Press once to record video, press and hold for two seconds to capture Time Lapse photos. Never worry again about missing an epic shot. Professional audio performance. Featuring a powerful new audio system, HERO4 Black captures clean, high fidelity sound. Its cutting-edge microphone delivers nearly 2x the dynamic range, while a best-in-class audio algorithm ensures your recordings sound smoother and more natural than ever. Plus, with its new, integrated ADC (analog-to-digital converter), HERO4 Black is compatible with a wider variety of professional low-sensitivity external mics3 for immersive stereo audio capture and enhanced performance, whether recording voices, an acoustic jam session or a live show. Protune™, now for photo + video. Protune unlocks the camera’s full potential, delivering minimally compressed, cinema-caliber video optimized for professional productions, and advanced manual controls for photos and video. Flex your creativity with customizable settings for Color, ISO Limit, White Balance, Sharpness and Exposure—and enjoy the greatest degree of manual control available in a GoPro camera. Improved camera control. HERO4 Black features a new dedicated button that allows you to quickly access and adjust camera settings. Simplified menus make navigating settings more intuitive than ever. GoPro App + software. Expand your GoPro experience with the free GoPro App and GoPro Studio software. The GoPro App allows you to control your camera remotely using your phone or tablet, view and share your content and watch “best of” videos on the GoPro Channel. Use GoPro Studio to create your own engaging GoPro-style videos to share with the world. Tech Spec. Weight Camera: 88g (3.1oz) Camera with housing: 152g (5.4oz) Video Mode Video Resolutions Video Resolution Frames Per Second (fps) NTSC/PAL Field of View (FOV) Screen Resolution 4K 30, 25, 24 Ultra Wide 3840×2160 4K SuperView 24 Ultra Wide 3840×2160 2.7K 50, 48, 30, 25, 24 Ultra Wide, Medium 2704×1520 2.7K SuperView 30, 25 Ultra Wide 2704×1520 2.7K 4:3 30, 25 Ultra Wide 2704×2028 1440p 80, 60, 50, 48, 30, 25, 24 Ultra Wide 1920×1440 1080p 120, 90, 60, 50, 48, 30, 25, 24 Ultra Wide, Medium, Narrow 1920×1080 1080p SuperView 80, 60, 50, 48, 30, 25, 24 Ultra Wide 1920×1080 960p 120, 60, 50 Ultra Wide 1280×960 720p 120, 60, 50, 30 , 25 Ultra Wide, Medium, Narrow 1280×720 720p SuperView 120, 60, 50 Ultra Wide 1280×720 WVGA 240 Ultra Wide 848×480 Medium FOV is not available for 1080p120 and 1080p90. Video Format H.264 codec: mp4 file format Video + Photo Record video and capture Time Lapse photos at the same time. Available intervals are 5, 10, 30 and 60 seconds. Video Resolution Video Frames per Second (fps) Video FOV 1440p 30, 25, 24 Ultra Wide 1080p 30, 25, 24 Ultra Wide, Medium, Narrow 720p 60, 50, 30, 25 Ultra Wide, Medium, Narrow Ultra Wide is not available for 60 fps. Looping Record a continuous video loop that overwrites itself until you press the shutter button to stop it and save. Advanced Video Capture Settings SuperView™ SuperView video mode captures the world’s most immersive wide-angle perspective. It allows you to capture more of yourself and your surroundings in the shot, and it provides full widescreen playback. SuperView Settings SuperView Mode Video Resolution 4K SuperView 3840 x 2160 2.7K SuperView 2704 x 1520 1080p SuperView 1920 x 1080 720p SuperView 1280 x 720 Auto Low Light Auto Low Light mode automatically adjusts frame rates according to lighting conditions for enhanced low-light performance. Frame rates are adjusted in medium- and low-light conditions. Playback occurs at the selected resolution and frame rate. Photo Mode Photo Resolutions Resolution Field of View (FOV) Screen Resolution 12MP (Default) Wide 4000 x 3000 7MP Wide, Medium 3000 x 2250 5MP Medium 2560 x 1920 Continuous Photo (up to 30 seconds) Hold down the shutter button to continuously capture a series of photos until shutter button is released. Continuous Interval 3 photos/1 second (Default) 5 photos/1 second 10 photos/1 second Night Photo Capture a single photo with a customizable exposure time of up to 30 seconds. Multi-Shot Mode Resolution Field of View (FOV) Screen Resolution 12MP (Default) Wide 4000 x 3000 7MP Wide, Medium 3000 x 2250 5MP Medium 2560 x 1920 Burst Capture up to 30 photos per second. Burst Rate 30 photos/1 second (Default), 30 photos/2 seconds, 30 photos/3 seconds 10 photos/1 second, 10 photos/2 seconds, 10 photos/3 seconds 5 photos/1 second 3 photos/1 second Time Lapse Automatically capture a series of photos at timed intervals. Time Lapse Photo Intervals 0.5, 1, 2, 5, 10, 30 and 60 seconds Night Lapse Capture a series of photos at specific intervals and exposure times. Night Lapse Photo Intervals 15, 20, 30 and 60 seconds 2, 5, 30 and 60 minutes Advanced Video and Photo Capture Settings Protune™ Protune unlocks the camera’s full potential, delivering minimally compressed, cinema-caliber video optimized for professional productions, and advanced manual controls for photos and video. Flex your creativity with customizable settings for Color, ISO Limit, White Balance, Sharpness and Exposure—and enjoy the greatest degree of manual control available in a GoPro camera. Captures images with less compression, giving content creators higher quality for professional productions. Protune enables manual control of White Balance, Color, ISO Limit, Sharpness, Shutter and Exposure Value Compensation for advanced control and customization of your videos and photos. Protune is available for all video and photo resolutions. Protune SettingsWhite Balance Adjusts the overall color tone of videos and photos. White Balance Setting Recommended Lighting Conditions Auto (Default) Automatically adjusts the color tone based on the environmental conditions 3000K Warm light (incandescent or sunrise/sunset lighting) 5500K Slightly cool light (cool fluorescent, average daylight) 6500K Cool light (overcast conditions) Native Industry standardized optimized color Color Allows you to adjust the color profile of your video footage or photos. Color Setting Resulting Color Profile GoPro Color (Default) GoPro color-corrected profile (same great color as when Protune is turned off) Flat Flat, neutral color profile that can be color-corrected to better match footage captured with other equipment, offering more flexibility in post-production ISO Limit Adjusts the camera’s sensitivity in low-light environments, and creates a balance between brightness and resulting image noise. Image noise refers to the degree of graininess in the image. Protune for Video ISO Limit Setting Resulting Video Quality 6400 (Default) Brighter video in low light, increased image noise 1600 Moderately bright video in low light, moderate image noise 400 Darker video in low light, reduced image noise Protune for Photo ISO Limit Setting Resulting Photo Quality 800 (Default) Darker photo in very low light, increased image noise 400 Darker photo in low light, moderate image noise 200 Bright photo in indoor lighting, marginal image noise 100 Bright photo in outdoor daylight, minimal image noise Sharpness Controls the sharpness of your video footage or photos. Sharpness Setting Resulting Quality High (Default) Ultra sharp video or photo Medium Moderately sharp video or photo Low Softer video or photo that allows for more flexibility in post-production Shutter Applies only to Night Photo and Night Lapse and determines the amount of time that the shutter is open. Auto applies only to Night Photo. Shutter Setting Description Auto (Default) Up to 2 seconds Fixed 10, 15, 20 or 30 seconds Exposure Value Compensation (EV COMP) Affects the brightness of your video. Adjusting this setting can improve image quality when shooting in environments with contrasting lighting conditions. EV COMP Settings -2.0 -1.5 -1.0 -0.5 0 (Default) +0.5 +1.0 +1.5 +2.0 Spot Meter Spot Meter is ideal for filming within a dark space with the camera pointed towards a brighter setting (such as filming the outdoors from within a car). QuikCapture With the press of a button, the camera automatically turns on and begins recording video or capturing Time Lapse photos. Image Quality + Optics Ultra sharp image quality with all-glass lens Ultra wide-angle field of view with reduced distortion Battery + Charging Rechargeable lithium-ion battery Rated at 1160mAH, 3.8V, 4.4Wh Battery Life The chart below indicates the approximate continuous recording time (hr:min) you can expect when shooting in various video modes using a fully charged battery. Video Mode Estimated Time Estimated Time Estimated Time Estimated Time Estimated Time With Wi-Fi Off With Wi-Fi On + Using Wi-Fi Remote With Wi-Fi On + Using GoPro App With Wi-Fi Off + Using Battery BacPac™ With Wi-Fi Off + Using LCD Touch BacPac™ 4K 30fps 1:05 0:55 0:50 2:00 0:50 2.7K 48fps 1:05 1:00 0:55 2:10 0:55 2.7K 30fps (4:3) 1:10 1:05 0:55 2:15 0:55 1080p 120fps 1:10 1:05 1:00 2:20 0:55 1080p 60fps 1:20 1:15 1:10 2:30 1:10 1080p 30fps SuperView 1:30 1:20 1:15 2:45 1:15 720p 120fps 1:50 1:40 1:30 3:00 1:20 Based on GoPro engineering testing. Actual performance may vary based on settings, environmental conditions and other factors. Maximum battery capacity will normally decrease with time and use. Audio Internal Microphone: Mono Approximately 2x greater dynamic range (compared to the HERO3+ Black Edition) Format: AAC compression, advanced AGC with multi-band compressor Increased audio range by approximately 10dB (compared to the HERO3+ Black Edition) Studio quality external microphone support. See list of supported microphones. Ports Mini USB Charging Connecting to a computer for playback/file transfer/charging Supports 3.5mm stereo microphone via optional adapter (sold separately) Supports playback to composite TV via optional cable (sold separately) Micro HDMI Supports playback to HDTV via optional cable (sold separately) HDMI playback is certified up to 1080p microSD Memory card Storage microSD memory card with a Class 10 or UHS-1 rating required. See list of recommended microSD cards Up to 64GB capacity supported Record times vary with resolutions and frame rates Photo + Video Playback HDTV Micro HDMI to HDMI cabel required (sold seperately) Note: HDMI playback depends on the resolution of the device and is certified up to 1080p. TV Mini USB to composite cable required (sold separately) Direct playback may be available using the microSD card and a USB card reader (sold separately). See list of 4k TVs that support SD card playback. LCD Touch BacPac™ (sold separately) Attach to your camera for preview and play back of videos and photos. GoPro App Use your phone or tablet to preview and play back videos and photos. Computer Connect via mini USB to USB cable (included), or copy files from the microSD card to your computer. Minimum system requirements for best playback on Mac® and Windows® computers Mac OS® X 10.8 and later / Microsoft Windows 7, 8.x Intel® Core 2 Duo™ or Intel® Dual Core™ 4GB RAM Mac: Graphics card shipped with Intel® Dual Core™ Macs or better / Windows: Graphics card that supports OpenGL1.2 or later 5400 RPM internal hard drive (7200 RPM drive or SSD recommended) See minimum system requirements for 4k editing and playback here  
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GoPro Hero 7 Black Freakishly smooth footage. Smart-capture superpowers. Battle-tested and waterproof without a housing. This is the GoPro  Hero 7 Black, the most advanced GoPro ever. With HyperSmooth stabilization, you’ll get gimbal like video— without the gimbal. A new intelligent photo mode delivers the best, most brilliant images automatically. And now with live streaming and the GoPro app, you can share every amazing moment as you live it. The GoPro Hero 7 Black takes GoPro performance—and your photos and videos—to a whole new level. Shoot upto 4k 50 fps or 1080 240fps, in addition to uptown 30x timewarp and standard timelapse  modes Camera Features Key Features SuperPhoto | HyperSmooth Video Stabilization | Rugged + Waterproof to 33ft (10m) | Live Streaming | TimeWarp Video | 8x Slo-Mo | Touch Screen | Voice Control With Wake on Voice | GPS Performance Stickers | Touch Zoom | Photo Timer | Short Clips | Exposure Control | GP1 Chip | Advanced Metadata | Protune | QuickStories Enabled | Removable Battery (1220mAH lithium-ion) | Karma Compatible | Super Suit (Protection + Dive Housing) Compatible Audio RAW Audio (.wav format) | Advanced Wind Noise Reduction With 3-Mic Processing | Stereo Audio Connected Features Wi-Fi + Bluethooth® | GPS Enabled | Connects to GoPro App | Auto Offload to Phone | Auto Upload to the Cloud With GoPro Plus Subscription | Smart Remote Compatible | HDMI Video Out | USB-C Port Extreme Facilities has a massive selection of accessories for the GoPro cameras including an extensive selection of grip, including boy mounts, arms, clamps and our Extreme custom car grip. Each camera is supplied with 2 spare batteries and charger, 64Gb memory card, and a customisable selection grip. Have you considered the DJI Osmo Action as an alternative, check out the details here For the latest news and products check out our facebook page
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Top features:  – QuikStories edits your video automatically on the app – 4K Ultra HD video at 60 fps for stunningly smooth movies – Improved image quality with the all-new GP1 chip – Built-in WiFi for quickly transferring videos and photos – Durable design is waterproof to 10 m without housing QuikStories Spend less time messing about in the video editing suite and more time sharing your videos. QuikStories means your videos are sent straight from your GoPro HERO6 to your smartphone, where the app transforms it into a stunning edited video, ready for you to share. Choose from a range of templates, including transitions and music, or customise it further by trimming your video and adding filters. You’ll then be able to save or share it to your friends and followers, without needing to spend hours editing. 4K Ultra HD video You’ll be able to shoot stunningly detailed and smooth professional-quality video with the GoPro HERO6. Offering twice the performance of the HERO5, you can capture 4K Ultra HD video at 60 fps, or Full HD 1080p video at 240 fps for brilliant slow motion effects. It’s easy to start filming too thanks to the voice-control feature. Simply tell it to start or stop recording and it will do the hard work for you. Improved image quality The all-new GP1 chip is optimised for GoPro capture, ensuring improved image quality and smooth, stabilised footage. Advanced video stabilisation further assists with smooth, blur-free footage, whether the camera is handheld or mounted to your gear. Built-in WiFi With 5 GHz WiFi, transferring videos and images to your phone or PC is faster than with the HERO5, meaning you can quickly edit and share with less waiting around. GPS captures your path, speed, elevation gain, and more which can then be added to videos on the Quik desktop app.
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This is the LawMate Buttonhole Covert Camera Kit, PV-500 Neo Pro recorder, a recorder with all of the features of the PV-500 Neo recorder with the added benefit of a 3” LCD touch-screen. The new PV-500 Neo Pro recorder is part of the range of Wi-Fi enabled devices from LawMate. The Wi-Fi connection allows the recorder to connect to Android and iOS phones & tablets to provide remote full system control and live monitoring. The PV500 Neo Pro recorder is also fitted with a 3” touch-screen allowing the user to either control the unit manually or via the LawMate Wi-Fi application. Using the supplied 2200mAh battery you will get 3 hours of operation if you also opt for the BA-4400mAh battery, operation increases to 6+ hours on a fully charged battery. Optional cameras for this recorder are the new BU18 NEO BUTTON CAMERA with a much simpler cable design compared to earlier models. Providing excellent low-light capability down to 0.03 Lux, this 1100 TV line camera captures exceptional video and audio. Please note that the BU-18 Neo Lawmate Buttonhole Covert camera is designed for the PV-500 Neo and PV-500 Neo Pro recorders only and are not compatible with previous LawMate DVR’s. Features: •    Works with Android or iOS device (via LawMate Wi-Fi App) •    Live monitoring up to 5m range •    3” touch screen interface •    1080p/720p/WVGA resolution settings •    Up to 180 minute recording time •    Watermarked time-stamped evidential grade video •    Download recorded footage to your smart device •    Compatible with all current PV500 battery cells •    Normal & Motion detection recording options •    H.264 .MOV File format •    Low light sensitive camera •    Vibration alert (power on/off, recording, low battery) Wi-Fi Application features: •    Live view •    Ability to switch between standard or motion detection recording •    Start/stop recording •    Set the time & date / synchronise with your smart phone/tablet •    1080p/720p/WVGA switch •    Card formatting function •    SSID visible/hide switch Need a custom camera hide built, drop us a line through out contact page or call us on 020 7801 9111 For the latest new and products check out our facebook page or our news section
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LS Vision Lipstick Bullet Camera 4.3mm pinhole lens Megapixels lens sdi mini camera 1080 (1920x1080p)@30fps 720 (1280x720p)@60fps out (BNC) with NTSC/PAL selectable 2D+3D DNR, D-WDR, HLC, OSD, Sense-up, Digital zoom Output-Megapixel HD CCTV (BNC)&SD CCTV (BNC)Out mini hidden camera   SPECIFICATION LS Vision Lipstick Bullet Camera Imaging Sensor 1/3″Panasonic CMOS(MN34041PL) Total Pixels 2010(H) x 1108(V) = 2,227,080 (pixel) Active pixels 1944(H) x 1092(V) = 2,122,848 (pixel) Scanning system Progressive Scan Resolution 1920x1080p(1080p/30fps) 1280x720p(720p/60fps) More than 1000 TVL(1080p) Min. illumination Color : 1.0 lux , BW : 0.5lux Color DSS : 0.002 lux , BW DSS : 0.001 lux S/N Ratio More than 50dB (AGC off) Video Output HD-SDI Analog : NTSC, PAL(w/o WDR) Brightness 0 ~ 20 Shutter AUTO/MANUAL(1/30(25)~1/6000) Sens-up OFF/x2/x3/x4/x5/x6/x7/x8 AGC 0 ~ 20 Backlight OFF/HLC/BLC/WDR Day&Night AUTO/COLOR/B&W/EXT. White Balance AUTO/AUTOext/PRESET/MANUAL DNR OFF/LOW/MIDDLE/HIGH Sharpness 0 ~ 10 Mirror ON/OFF FLIP ON/OFF D-WDR OFF/LOW/MIDDLE/HIGH Shading ON/OFF Privacy ON(32 Points)/OFF Frame Rate 25 FPS/30 FPS CVBS NTSC/PAL Communication RS-485(Baud Rate:2400-115200) Lens 3.7mm/3.6mm 2 Megapixel (Option) IR LED Weight 220g Power DC12V Also check to the Marshall CV225-M Lipstick caera. For the latest news and products check out our Facebook page  
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Sony A7S Mk3 Camera - FULL SPECTRUM The Sony A7s Mk3 camera - full spectrum have been specifically modified to capture images in even lower light then previously possible.  The Sony A7S Mk3 camera has outstanding low light capabilities, however this custom modified version of the camera increases the camera's low light capability by around 3.5 stops!  As well as capturing visible ligh, being full spectrum the camera also captures infra red (IR) light and Ultra Violet (UV) light. The Sony A7S Mk3 camera - full spectrum can be used with a daylight eliminating filter to be used as a standard IR camera. Imagination in Motion The Sony A7S III Camera takes the Sony Alpha series to a whole new level of full-frame movie expression. Іt’ѕ еquірреd wіth а new Ехmоr R 12МР Full Frame ВЅІ Ѕеnѕоr which has been paired with the nеwlу dеѕіgnеd ВІОNZ ХR Рrосеѕѕіng еngіnе. This prоvіdеѕ uр tо 8х fаѕtеr реrfоrmаnсе оvеr рrеvіоuѕ mоdеlѕ, reduced rolling shutter, 15 stops of dynamic range, extra-strong image stabilisation, ultra-low-noise & exceptional low light performance.  Іt’ѕ vіdео сараbіlіtіеѕ offer up to 4К 120Р (4:2:2 10bіt) rесоrdіng аnd FНD 240Р fоr ѕtunnіng ѕlоw-mоtіоn video. New versions of XAVC feature the addition of HEVC/H.265 encoding or ALL-I encoding. Improved colour science which draws inspiration from Sony’s FX9 & VENICE cameras with the ability to shoot S-Log3 & S-Gamut3.Cine for better colour matching.  The Sony A7S Mk3 camera is еquірреd wіth аn іnсrеdіblе 759 роіnt оn-ѕеnѕоr рhаѕе dесіѕіоn АF wіth rеаl-tіmе еуе trасkіng іn bоth vіdео аnd ѕtіllѕ. The camera also features a full size HDMI output capable of outputting 16bit RAW to compatible recorders! Тhіѕ саmеrа dеmоnѕtrаtеѕ Ѕоnу’ѕ аbіlіtу tо рrоduсе ѕtunnіng іmаgе quаlіtу аnd рrоfеѕѕіоnаl реrfоrmаnсе іn оnе bоdу. New image sensor with double the readout speed The newly developed back-illuminated full-frame Exmor RTM CMOS sensor, with 12.1 effective megapixels13, boasts a readout speed up to twice as fast as that of the α7S II, along with high sensitivity and wide dynamic range. An advanced colour filter array boosts colour reproduction accuracy, while focal plane phase-detection AF enables substantial increases in autofocus stability and precision, all of which contribute to outstanding image quality. New image-processing engine with up to 8x the processing performance The BIONZ XRTM image-processing engine boasts a performance level up to eight times that of the previous processor, minimising latency while markedly improving real-time processing capabilities for both movies and stills. The engine performs real-time processing of AF, image recognition and image-quality adjustments, while also handling data transfer, user interface and other camera operations. High sensitivity, wide dynamic range The Sony A7S Mk3 Camera has a full-frame 12.1-megapixel14 configuration enables high sensitivity with low noise throughout the camera's sensitivity range by optimising the output signal from the sensor. The standard ISO range is 80-102400, which is further expandable to 40-409600 (80-409600 for movies). The dynamic range is an impressively wide 15 stops15, for beautiful, true-to-life images without blown highlights. Together, the camera's high sensitivity and wide dynamic range expand your creative freedom during shoots. Full-frame 4K recording at 120p16 Full-frame 4K recording at 120fps16 with autofocus is possible thanks to the high-speed readout capabilities of the new image sensor working in tandem with the newly developed, powerful BIONZ XR processor. This high image-quality 4K, with full-pixel readout without binning, allows for clear post-produced slow motion (up to x5 slower than real time)17, as well as bokeh effects typical of full-frame cameras, all with smooth, high-precision autofocus. Despite the α7S III's compact size, it provides impressive scope for your creativity. Recording movies with 10-bit depth and 4:2:2 colour sampling The camera is capable of performing 4K internal recording with 10-bit depth and 4:2:2 colour sampling when using either Long GOP or All Intra compression. This makes it possible to push your colour grades further, stretching video out for ultimate HDR realism while still retaining natural gradation, for true editing freedom. All-Intra internal recording In addition to Long GOP inter-frame compression, the α7S III supports internal intra-frame (All-Intra) recording18 for the first time in an α-model body, where each frame is recorded independently at a high bitrate of up to 600Mbps. This can be useful for certain types of shoots as it allows maximum flexibility in post-production editing.  [1] All-Intra (All-I)  [2] Long GoP  [3] Group of Pictures HEVC codec with high compression efficiency Available for the first time, XAVC HS format recording using the MPEG-H HEVC/H.265 codec roughly doubles the compression efficiency. Compared to a normal 4K XAVC S format, XAVC HS allows for detailed 10-bit video with 4:2:2 colour sampling at comparable or lower data rates, delivering even better image quality as well as manageable file sizes19. 16-bit RAW data output Facilitating improved image quality and more flexible and efficient editing in post production, the camera supports 16-bit RAW data output to an external recorder via HDMI, for the first time in the α series. The output is full-frame 4264 x 2408 (16:9 aspect ratio) 16-bit data from the image sensor, with a choice of frame rates (60p/50p/30p/25p/24p)20. S-Log2 and S-Log3 with 10bit 4:2:2 support S-Log2 and S-Log3 gamma curves are available, with S-Log3 designed for better reproduction of gradations from shadows to the mid-grey range (18% grey), enabling a dynamic range of up to 15 stops15. Three colour gamut settings (S-Gamut, S-Gamut3, and S-Gamut3.Cine) are provided, and the latter two settings make it easier to match the colours of footage shot with Sony's professional cinema cameras. Because the colours match, colour grading is easier in post-production editing, making it more convenient to use the α7S III along with other pro cameras. Proxy recording for more efficient editing workflow When shooting movies, low bit-rate HD proxy files can be recorded simultaneously with higher bit-rate formats such as XAVC S-I 4K, and these smaller proxy files can then be used for editing and previewing prior to final production delivery. This reduces computer load and allows faster and more efficient workflows. Proxy files can be captured in either 10-bit XAVC HS (1920 x 1080) or 8-bit XAVC S (1280 x 720) 21. 10-bit HLG picture profile An HLG (Hybrid Log-Gamma) HDR picture profile, complete with the wide-gamut BT.2020 colour space, can be used for direct HDR (HLG) playback on compatible TVs. The result is true-to-life imagery close to what the naked eye can see, with detailed shadows and highlights, less blackout and less whiteout, all without the need for colour grading. In particular, 10-bit recordings reproduce a level of fine gradation and detail for extraordinary realism.  [1] High flexibility to fine-tune images as desired (colour grading required)  [2] Instant high-quality image (colour grading not required) Enhanced movie image quality Thanks to the improved capabilities of the α7S III's new image-processing engine, colours and textures of foliage and human skin can be more consistently reproduced without over-dependence on light sources. Gradation rendering has also been refined, for better-looking skin tones and highlight roll-off in portraits. When shooting 4K, the new image sensor and processing engine reduce rolling shutter distortion to as little as one-third that of the α7S II. Fast Hybrid AF for dependable focus during movie shooting Inheriting technology and performance standards from Sony's large-format FX9 pro camcorder, Fast Hybrid AF combines focal plane phase-detection AF with contrast-detection AF. This results in highly precise, smooth tracking of fast-moving subjects even over a wide range with a shallow depth of field, taking full advantage of Sony E-mount lenses' smooth linear-motor focusing and power-zoom operations. Newly added AF Transition Speed and AF Subject Shift Sensitivity parameters allow more flexible focus control, as requested by professional users. Both allow preset settings to be recalled during recording by using a customisable button. AF support in manual-focus mode The camera's autofocus support can be useful even when you're primarily using manual focus. For full AF speed, half-press the shutter button or press the AF-ON button, as you would when shooting stills. Alternatively, slower, more cinematic AF transitions can be achieved by initiating AF via the touch focus feature or Real-time Eye AF via a custom button assignment, resulting in slow, smooth autofocus at the preset AF Transition Speed. Game-changing tracking features to revolutionise movie shooting Real-time Tracking and Real-time Eye AF make movie-making much easier. Touch Tracking initiates subject tracking with an intuitive touch to the LCD monitor, processing data on colour, pattern (brightness), distance (depth) and facial information to keep your subject in steady focus. You can then concentrate more fully on composition, which can be especially useful when you're shooting solo or using a gimbal. Touch operations can be used to temporarily engage AF even when you're shooting manually. Active Mode optical image stabilisation for handheld shooting16 Relying on a new high-precision stabilisation unit, gyro sensors, and optimised image stabilisation algorithms, the camera's Optical SteadyShotTM Active Mode provides the precise degree of optical image compensation needed during movie shooting, even for 4K video22. With this unprecedented level of stabilisation it's possible to shoot with the camera only, taking advantage of the compact size and mobility of the α system.  [1] Track of camera shake  [2] Standard  [3] Active Enhanced audio quality A digital audio interface is incorporated in the camera's Multi Interface (MI) Shoe, to facilitate cleaner, clearer audio recordings without loss of quality. The XLR-K3M XLR Adaptor Kit additionally provides the camera with 4-channel 24-bit digital audio recording capability. Three recording formats can be selected from a menu: 48 kHz/16-bit 2-ch, 48 kHz/24-bit 2-ch, and 48 kHz/24-bit 4-ch, with the XLR-K3M XLR Adaptor Kit required for the latter two formats. New heat-dissipation design for extended recording times The camera's design has been optimised to prevent overheating even during extended recording sessions. A unique Sony Σ (sigma) shaped graphite-alloy heatsink is built into the image stabilisation unit, allowing the sensor to dissipate heat five times more effectively than in previous models23, while allowing it to move freely and avoiding interference with the stabilisation system. Designed for smooth movie-making Flexibility in positioning the camera and framing shots is provided by the side-opening, vari-angle monitor, which incorporates a bright 3.0-type, 1.44 million-dot13 LCD screen. The MOVIE button is within easy reach on the camera's top panel, and a durable HDMI Type-A terminal ensures reliable connections to external monitors. The item arrangement and initial settings on the mode dial have also been adjusted to meet the needs of pro users. Dedicated settings menu for movie shooting A subset of the camera's settings can be changed independently for movie or still shooting, which can be useful if you want to use different ISO, Iris (aperture) and other settings depending on the shooting mode. Another convenient feature is the use of Flexible Exposure Mode instead of normal PASM Mode when Movie or S&Q mode is selected. This allows quick switching between auto and manual control of Iris (aperture) and shutter speed, and the function can be assigned to a custom button to allow one-touch toggling between auto and manual. Fast Hybrid AF for still shots The Fast Hybrid AF uses a high-density array of 759 phase-detection AF points (covering around 93% of the imaging area) in conjunction with 425-point contrast-detection AF. Real-time Eye AF (for humans and animals) and Real-time Tracking features are also available for the first time in the S series. Advanced AF algorithms facilitate precise AF down to light levels as low as EV-624, for accurate focus even when the subject would be difficult to see clearly with the naked eye. High-speed continuous shooting performance Mechanical and electronic shutters are each capable of continuous shooting at up to 10fps25 with AF/AE. Continuous shooting of over 1000 uncompressed RAW images is possible26 thanks to increases in the buffer memory of the BIONZ XR processor and memory-card writing speed. Enhanced image quality for stills The new image sensor and image-processing engine deliver an extraordinary degree of sensitivity, a defining characteristic of the S series, and significantly better reproduction of colour and textural details. Improved rendering capability provides realistic-looking images with reduced noise, particularly in the mid-to-high sensitivity range. A new Visible Light and IR Sensor improves auto white balance, and HEIF file options and an HLG Still Image Mode (for 8-bit and 10-bit HEIF stills) have been added to the Sony A7S Mk3 camera. Two CFexpress Type A-compatible media slots The camera's two media slots are compatible with new CFexpress Type A cards as well as SDXC/SDHC cards supporting UHS-I and UHS-II speed classes. CFexpress Type A cards are the next standard for compact storage with fast write/read speeds suitable for both high-speed continuous still shooting and 4K movie recording at high bit rates. They are capable of quickly clearing camera buffers even when high volumes of still image and movie data are being generated. High-definition 9.44 million-dot13 electronic viewfinder Boasting the highest resolution in its class28, the Sony A7S Mk3 camera viewfinder rivals the resolution of the human eye. It provides category-leading 0.90x viewfinder magnification29, a 41º diagonal field of view, and a 25mm high eyepoint for clear, low-distortion viewing. Improvements in sealing greatly reduce the chance that even drastic ambient temperature fluctuations will cause interior condensation. Reliable, durable construction To maximise dust and moisture resistance, additional sealing has been applied to all body seams and to the battery compartment cover, and the media slot cover has been redesigned to handle harsh outdoor environments. A filter in front of the image sensor oscillates at an ultrasonic frequency of 70,000 cycles per second to remove dust from the sensor surface. The camera chassis is highly durable thanks to full magnesium-alloy construction. USB Power Delivery The camera supports USB PD (Power Delivery), to enable continuous shooting for extended periods without draining the internal battery30. PD-compatible31 USB chargers and mobile batteries can be connected to the camera's USB Type C® port, to supply power or to recharge the internal battery at 3 to 4 times the speed23 of conventional power supplies. Data communications to support on-site workflow Wired and wireless communications features support FTP transfer for still and movie files as well as remote shooting capability, to facilitate professional workflows during shoots. Wireless 5GHz32/2.4GHz LAN connections are supported, and wired connectivity to 1000BASE-T Ethernet networks is available via a USB-to-Ethernet adaptor cable connected to the camera's USB Type C® port supporting SuperSpeed USB 5Gbps (USB 3.2). Remote shooting can be controlled from a PC with Sony's Imaging Edge DesktopTM application, or from a mobile device with Imaging Edge MobileTM. We also offer a standard version of the Sony A7s Mk3 camera http://extremefacilities.com/cameras/?singleproduct=881 We have a dedicated underwater housing available for this camera http://extremefacilities.com/underwater/?singleproduct=876 Follow us on Facebook to see the projects we have worked on using this and other cameras https://www.facebook.com/ExtremeFacilities/
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Sony A7S Mk3 Camera The Sony A7S III Camera takes the Sony Alpha series to a whole new level of full-frame movie expression. Іt’ѕ еquірреd wіth а new Ехmоr R 12МР Full Frame ВЅІ Ѕеnѕоr which has been paired with the nеwlу dеѕіgnеd ВІОNZ ХR Рrосеѕѕіng еngіnе. This prоvіdеѕ uр tо 8х fаѕtеr реrfоrmаnсе оvеr рrеvіоuѕ mоdеlѕ, reduced rolling shutter, 15 stops of dynamic range, extra-strong image stabilisation, ultra-low-noise & exceptional low light performance.  Іt’ѕ vіdео сараbіlіtіеѕ offer up to 4К 120Р (4:2:2 10bіt) rесоrdіng аnd FНD 240Р fоr ѕtunnіng ѕlоw-mоtіоn video. New versions of XAVC feature the addition of HEVC/H.265 encoding or ALL-I encoding. Improved colour science which draws inspiration from Sony’s FX9 & VENICE cameras with the ability to shoot S-Log3 & S-Gamut3.Cine for better colour matching.  The Sony A7S Mk3 camera is еquірреd wіth аn іnсrеdіblе 759 роіnt оn-ѕеnѕоr рhаѕе dесіѕіоn АF wіth rеаl-tіmе еуе trасkіng іn bоth vіdео аnd ѕtіllѕ. The camera also features a full size HDMI output capable of outputting 16bit RAW to compatible recorders! Тhіѕ саmеrа dеmоnѕtrаtеѕ Ѕоnу’ѕ аbіlіtу tо рrоduсе ѕtunnіng іmаgе quаlіtу аnd рrоfеѕѕіоnаl реrfоrmаnсе іn оnе bоdу. New image sensor with double the readout speed The newly developed back-illuminated full-frame Exmor RTM CMOS sensor, with 12.1 effective megapixels13, boasts a readout speed up to twice as fast as that of the α7S II, along with high sensitivity and wide dynamic range. An advanced colour filter array boosts colour reproduction accuracy, while focal plane phase-detection AF enables substantial increases in autofocus stability and precision, all of which contribute to outstanding image quality. New image-processing engine with up to 8x the processing performance The BIONZ XRTM image-processing engine boasts a performance level up to eight times that of the previous processor, minimising latency while markedly improving real-time processing capabilities for both movies and stills. The engine performs real-time processing of AF, image recognition and image-quality adjustments, while also handling data transfer, user interface and other camera operations. High sensitivity, wide dynamic range The Sony A7S Mk3 Camera has a full-frame 12.1-megapixel14 configuration enables high sensitivity with low noise throughout the camera's sensitivity range by optimising the output signal from the sensor. The standard ISO range is 80-102400, which is further expandable to 40-409600 (80-409600 for movies). The dynamic range is an impressively wide 15 stops15, for beautiful, true-to-life images without blown highlights. Together, the camera's high sensitivity and wide dynamic range expand your creative freedom during shoots. Full-frame 4K recording at 120p16 Full-frame 4K recording at 120fps16 with autofocus is possible thanks to the high-speed readout capabilities of the new image sensor working in tandem with the newly developed, powerful BIONZ XR processor. This high image-quality 4K, with full-pixel readout without binning, allows for clear post-produced slow motion (up to x5 slower than real time)17, as well as bokeh effects typical of full-frame cameras, all with smooth, high-precision autofocus. Despite the α7S III's compact size, it provides impressive scope for your creativity. Recording movies with 10-bit depth and 4:2:2 colour sampling The camera is capable of performing 4K internal recording with 10-bit depth and 4:2:2 colour sampling when using either Long GOP or All Intra compression. This makes it possible to push your colour grades further, stretching video out for ultimate HDR realism while still retaining natural gradation, for true editing freedom. All-Intra internal recording In addition to Long GOP inter-frame compression, the α7S III supports internal intra-frame (All-Intra) recording18 for the first time in an α-model body, where each frame is recorded independently at a high bitrate of up to 600Mbps. This can be useful for certain types of shoots as it allows maximum flexibility in post-production editing.  [1] All-Intra (All-I)  [2] Long GoP  [3] Group of Pictures HEVC codec with high compression efficiency Available for the first time, XAVC HS format recording using the MPEG-H HEVC/H.265 codec roughly doubles the compression efficiency. Compared to a normal 4K XAVC S format, XAVC HS allows for detailed 10-bit video with 4:2:2 colour sampling at comparable or lower data rates, delivering even better image quality as well as manageable file sizes19. 16-bit RAW data output Facilitating improved image quality and more flexible and efficient editing in post production, the camera supports 16-bit RAW data output to an external recorder via HDMI, for the first time in the α series. The output is full-frame 4264 x 2408 (16:9 aspect ratio) 16-bit data from the image sensor, with a choice of frame rates (60p/50p/30p/25p/24p)20. S-Log2 and S-Log3 with 10bit 4:2:2 support S-Log2 and S-Log3 gamma curves are available, with S-Log3 designed for better reproduction of gradations from shadows to the mid-grey range (18% grey), enabling a dynamic range of up to 15 stops15. Three colour gamut settings (S-Gamut, S-Gamut3, and S-Gamut3.Cine) are provided, and the latter two settings make it easier to match the colours of footage shot with Sony's professional cinema cameras. Because the colours match, colour grading is easier in post-production editing, making it more convenient to use the α7S III along with other pro cameras. Proxy recording for more efficient editing workflow When shooting movies, low bit-rate HD proxy files can be recorded simultaneously with higher bit-rate formats such as XAVC S-I 4K, and these smaller proxy files can then be used for editing and previewing prior to final production delivery. This reduces computer load and allows faster and more efficient workflows. Proxy files can be captured in either 10-bit XAVC HS (1920 x 1080) or 8-bit XAVC S (1280 x 720) 21. 10-bit HLG picture profile An HLG (Hybrid Log-Gamma) HDR picture profile, complete with the wide-gamut BT.2020 colour space, can be used for direct HDR (HLG) playback on compatible TVs. The result is true-to-life imagery close to what the naked eye can see, with detailed shadows and highlights, less blackout and less whiteout, all without the need for colour grading. In particular, 10-bit recordings reproduce a level of fine gradation and detail for extraordinary realism.  [1] High flexibility to fine-tune images as desired (colour grading required)  [2] Instant high-quality image (colour grading not required) Enhanced movie image quality Thanks to the improved capabilities of the α7S III's new image-processing engine, colours and textures of foliage and human skin can be more consistently reproduced without over-dependence on light sources. Gradation rendering has also been refined, for better-looking skin tones and highlight roll-off in portraits. When shooting 4K, the new image sensor and processing engine reduce rolling shutter distortion to as little as one-third that of the α7S II. Fast Hybrid AF for dependable focus during movie shooting Inheriting technology and performance standards from Sony's large-format FX9 pro camcorder, Fast Hybrid AF combines focal plane phase-detection AF with contrast-detection AF. This results in highly precise, smooth tracking of fast-moving subjects even over a wide range with a shallow depth of field, taking full advantage of Sony E-mount lenses' smooth linear-motor focusing and power-zoom operations. Newly added AF Transition Speed and AF Subject Shift Sensitivity parameters allow more flexible focus control, as requested by professional users. Both allow preset settings to be recalled during recording by using a customisable button. AF support in manual-focus mode The camera's autofocus support can be useful even when you're primarily using manual focus. For full AF speed, half-press the shutter button or press the AF-ON button, as you would when shooting stills. Alternatively, slower, more cinematic AF transitions can be achieved by initiating AF via the touch focus feature or Real-time Eye AF via a custom button assignment, resulting in slow, smooth autofocus at the preset AF Transition Speed. Game-changing tracking features to revolutionise movie shooting Real-time Tracking and Real-time Eye AF make movie-making much easier. Touch Tracking initiates subject tracking with an intuitive touch to the LCD monitor, processing data on colour, pattern (brightness), distance (depth) and facial information to keep your subject in steady focus. You can then concentrate more fully on composition, which can be especially useful when you're shooting solo or using a gimbal. Touch operations can be used to temporarily engage AF even when you're shooting manually. Active Mode optical image stabilisation for handheld shooting16 Relying on a new high-precision stabilisation unit, gyro sensors, and optimised image stabilisation algorithms, the camera's Optical SteadyShotTM Active Mode provides the precise degree of optical image compensation needed during movie shooting, even for 4K video22. With this unprecedented level of stabilisation it's possible to shoot with the camera only, taking advantage of the compact size and mobility of the α system.  [1] Track of camera shake  [2] Standard  [3] Active Enhanced audio quality A digital audio interface is incorporated in the camera's Multi Interface (MI) Shoe, to facilitate cleaner, clearer audio recordings without loss of quality. The XLR-K3M XLR Adaptor Kit additionally provides the camera with 4-channel 24-bit digital audio recording capability. Three recording formats can be selected from a menu: 48 kHz/16-bit 2-ch, 48 kHz/24-bit 2-ch, and 48 kHz/24-bit 4-ch, with the XLR-K3M XLR Adaptor Kit required for the latter two formats. New heat-dissipation design for extended recording times The camera's design has been optimised to prevent overheating even during extended recording sessions. A unique Sony Σ (sigma) shaped graphite-alloy heatsink is built into the image stabilisation unit, allowing the sensor to dissipate heat five times more effectively than in previous models23, while allowing it to move freely and avoiding interference with the stabilisation system. Designed for smooth movie-making Flexibility in positioning the camera and framing shots is provided by the side-opening, vari-angle monitor, which incorporates a bright 3.0-type, 1.44 million-dot13 LCD screen. The MOVIE button is within easy reach on the camera's top panel, and a durable HDMI Type-A terminal ensures reliable connections to external monitors. The item arrangement and initial settings on the mode dial have also been adjusted to meet the needs of pro users. Dedicated settings menu for movie shooting A subset of the camera's settings can be changed independently for movie or still shooting, which can be useful if you want to use different ISO, Iris (aperture) and other settings depending on the shooting mode. Another convenient feature is the use of Flexible Exposure Mode instead of normal PASM Mode when Movie or S&Q mode is selected. This allows quick switching between auto and manual control of Iris (aperture) and shutter speed, and the function can be assigned to a custom button to allow one-touch toggling between auto and manual. Fast Hybrid AF for still shots The Fast Hybrid AF uses a high-density array of 759 phase-detection AF points (covering around 93% of the imaging area) in conjunction with 425-point contrast-detection AF. Real-time Eye AF (for humans and animals) and Real-time Tracking features are also available for the first time in the S series. Advanced AF algorithms facilitate precise AF down to light levels as low as EV-624, for accurate focus even when the subject would be difficult to see clearly with the naked eye. High-speed continuous shooting performance Mechanical and electronic shutters are each capable of continuous shooting at up to 10fps25 with AF/AE. Continuous shooting of over 1000 uncompressed RAW images is possible26 thanks to increases in the buffer memory of the BIONZ XR processor and memory-card writing speed. Enhanced image quality for stills The new image sensor and image-processing engine deliver an extraordinary degree of sensitivity, a defining characteristic of the S series, and significantly better reproduction of colour and textural details. Improved rendering capability provides realistic-looking images with reduced noise, particularly in the mid-to-high sensitivity range. A new Visible Light and IR Sensor improves auto white balance, and HEIF file options and an HLG Still Image Mode (for 8-bit and 10-bit HEIF stills) have been added to the Sony A7S Mk3 camera. Two CFexpress Type A-compatible media slots The camera's two media slots are compatible with new CFexpress Type A cards as well as SDXC/SDHC cards supporting UHS-I and UHS-II speed classes. CFexpress Type A cards are the next standard for compact storage with fast write/read speeds suitable for both high-speed continuous still shooting and 4K movie recording at high bit rates. They are capable of quickly clearing camera buffers even when high volumes of still image and movie data are being generated. High-definition 9.44 million-dot13 electronic viewfinder Boasting the highest resolution in its class28, the Sony A7S Mk3 camera viewfinder rivals the resolution of the human eye. It provides category-leading 0.90x viewfinder magnification29, a 41º diagonal field of view, and a 25mm high eyepoint for clear, low-distortion viewing. Improvements in sealing greatly reduce the chance that even drastic ambient temperature fluctuations will cause interior condensation. Reliable, durable construction To maximise dust and moisture resistance, additional sealing has been applied to all body seams and to the battery compartment cover, and the media slot cover has been redesigned to handle harsh outdoor environments. A filter in front of the image sensor oscillates at an ultrasonic frequency of 70,000 cycles per second to remove dust from the sensor surface. The camera chassis is highly durable thanks to full magnesium-alloy construction. USB Power Delivery The camera supports USB PD (Power Delivery), to enable continuous shooting for extended periods without draining the internal battery30. PD-compatible31 USB chargers and mobile batteries can be connected to the camera's USB Type C® port, to supply power or to recharge the internal battery at 3 to 4 times the speed23 of conventional power supplies. Data communications to support on-site workflow Wired and wireless communications features support FTP transfer for still and movie files as well as remote shooting capability, to facilitate professional workflows during shoots. Wireless 5GHz32/2.4GHz LAN connections are supported, and wired connectivity to 1000BASE-T Ethernet networks is available via a USB-to-Ethernet adaptor cable connected to the camera's USB Type C® port supporting SuperSpeed USB 5Gbps (USB 3.2). Remote shooting can be controlled from a PC with Sony's Imaging Edge DesktopTM application, or from a mobile device with Imaging Edge MobileTM. We also offer a specially modified Full spectrum version of the Sony A7s Mk3 camera We have a dedicated underwater housing available for this camera http://extremefacilities.com/underwater/?singleproduct=876 Follow us on Facebook to see the projects we have worked on using this and other cameras https://www.facebook.com/ExtremeFacilities/
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Panasonic Lumix GH5S 4k Micro Four-Thirds Camera 4:2:2 10-bit Internal Recording The Panasonic Lumix GH5S brings game-changing internal 4:2:2 10-bit C4K/4K video recording. For example, 10-bit will render all the subtleties of graduated skies and sunsets without the banding so prone to 8-bit. The power of having film creation capabilities inside the camera sets a new precedent in guerilla-style filmmaking. And you can record 4:2:2 10-bit to SD card whilst simultaneously feeding the live signal thru a full-size HDMI port* connected to an external monitor or recorder. 4:2:2 10-bit recording enables faithful color and grading fidelity with over a billion colors and four times the tonality of 8-bit to match professional intent. *C4K/4K 60p/50p is output only. Cinema 4K 60p/50p* with Unlimited Recording Time The original LUMIX GH5 made it possible to record 4K 60p/50p video on a DLSM camera. Now, to greatly extend your creative possibilities, the LUMIX GH5S takes this even further and, for the first time ever**, includes Cinema 4K (C4K: 4096 x 2160) 60p/50p* video recording. Moreover, there is no limit*** to the recording time, not even when shooting FHD or 4K video. TC IN/OUT Terminal The time code can be synchronized with an external device by using the bundled BNC conversion cable. This enables easier non-linear timeline editing of footage shot with multiple cameras. LINE Input Supported LINE input is supported by a 3.5mm mic jack. This makes it possible to input sounds from an external audio device, for more efficient video production. Max. 10x Slow Motion Video — VFR (Variable Frame Rate) To elevate video expressivity even further, a variety of effects are available on the LUMIX GH5S. The VFR lets you record overcranked / undercranked videos in C4K/4K (60-fps maximum 2.5x slower*) or FHD (240-fps maximum 10x slower*) quality. The minimum frame rate for quick motion effects video is 2-fps. Pre-installed V-LogL Video Recording Function A neutral or flat logarithmic (“log”) gamma curve captures wide dynamic range pictures ideal for color grading. Plus, a LUT Display function assists your exposure and helps to show directorial intent (e.g., use V-log to Rec.709 LUT for an HDTV look).  Hybrid Log Gamma for 4K HDR Video HDR (High Dynamic Range) is a mode to reproduce both the bright parts and dark parts of an image, making it look just as the human eyes see it. You can choose Hybrid Log-Gamma (HLG) in Photo Style. Check out our range of car grip here: http://extremefacilities.com/grip/ Follow us on Facebook to see the projects we have worked on using this and other cameras https://www.facebook.com/ExtremeFacilities/
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Photos to Impress, 4K Videos to Inspire The GH4’s new Live MOS Sensor and Venus Engine team up to reduce noise while raising resolution and improving color reproduction. Innovative DFD technology increases the speed of Contrast AF. As the world’s first* DSLM camera to record 4K videos, it truly meets the needs of professionals. Superb Picture Quality for Lifelike Textures The image processor Venus Engine is newly developed with new quad-core CPU that enables high speed signal processing. Combination of new Digital Live MOS Sensor and the Venus Engine dramatically improves sensitivity (max.ISO25600), gradation performance, resolution and color reproduction to achieve even higher picture quality. Yet its image description is natural – that is what LUMIX aspires for. Video Creation to Meet Pro Quality The new DMC-GH4 further evolves to meet professional quality and standard with the capability of 4K (Cinema 4K: 4096×2160 / 24 fps and QFHD 4K: 3840×2160 / up to 30 fps) video recording in MOV/MP4 or ultra high bitrate video recording at 200 Mbps (ALL-Intra) or 100 Mbps (IPB) without recording time limit.*1 *2 In addition, a variety of practical functions required for professional video recording are newly integrated. *1 Motion image can be recorded up to 29 min 59 sec depending on the recording format and the camera’s sales area. *2 Use SDXC/SDHC Memory Card compatible with UHS Speed Class 3 (U3) when using high bitrate video recording mode over 100 Mbps. Superb Mobility & High Speed Response Superb mobility and high speed response come equipped with DMC-GH4. The high-precision Contrast AF now integrates DFD (Depth from Defocus) technology to achieve ultra high speed AF of approx.0.07 sec*.The burst shooting power is also boosted to12 fps(AFS). Both 2,359K-dot LVF (Live View Finder) and 1,036K-dot rear monitor adopt OLED to minimize time lag while enhancing the resolution. Reliable Durability To be tough enough to withstand even heavy field use, the main structure of the DMC-GH4 is composed of magnesium alloy full diecast front / rear frame. It also features splash / dustproof construction thanks to the sealing on every joint, dial, and button. The shutter unit is also redesigned to be even more durable for approx. 200,000 times release*. *Panasonic in-house examination. Expandability for Flexible Usage To offer more flexible usage, the DMC-GH4 even incorporates Wi-Fi® with NFC Technology or in-camera RAW development capability. It also complies with External Flash (DMW-FL580L), Stereo/Shotgun Microphone (DMW-MS2) or Battery Grip (DMW-BGGH3) to support professional photography/videography. The expansive flexibility of DMC-GH4 goes far beyond the limit of conventional Digital Single Lens Mirrorless camera. New 16.05MP Digital Live MOS Sensor The new 16.05-megapixel Digital Live MOS Sensor achieves high quality, high sensitivity image recording with its quick response. Approx.50% higher speed signal readout suppresses rolling shutter effect when using electronic shutter or recording video. Taking full advantage of the Live MOS Sensor, gradation range is expanded by max.1/3 step at low ISO end. Plus, superior noise reduction allows max.60 min long exposure. Advanced Image Processor Venus Engine The image processor Venus Engine is also newly developed dramatically boosting its performance with quad-core CPU that enables high speed signal processing required for rich video recording such as 4K. Integrating superior noise reduction systems, DMC-GH4 enables shooting at max.ISO25600. Sensitivity, gradation performance, resolution and color reproduction are dramatically improved to achieve even higher picture quality. Focus Peaking Focus Peaking function shows the peak of focus in MF and AF+MF mode. Users can see the peaking of focus while monitoring the subject in live view. It is also available in remote photo / video shooting with smartphone / tablet via Wi-Fi. Highlight / Shadow Control Highlight and shadow can be separately adjusted with the front/rear dial. 3 patterns of settings can be customized in addition to 3 preset patterns. RAW Data Development in Camera The DMC-GH4 is capable of developing RAW image in camera. In addition to the color space setting (sRGB / AdobeRGB), the parameter of white balance, exposure compensation, contrast, highlight / shadow, saturation, noise reduction, sharpness or hue can be flexibly adjusted while LUMIX’ s Photo Style, Intelligent D-range Control, Intelligent Resolution can also be applied. Photo Style You can choose color / texture type for photo / video from Standard / Vivid / Natural / Monochrome / Scenery / Portrait. Contrast, sharpness, noise reduction, saturation and hue parameter for each mode can be adjusted and memorized in camera. Electronic Shutter & Silent Mode The DMC-GH4 offers practical electronic shutter. The high-speed signal readout achived by Live MOS Sensor minimizes rolling shutter effect. The Silent mode switches shutter from mechanical to electronic and turns all sound (AF, operation) off while suppressing emission of AF assist lamp and flash with just a single setting for special shooting occasions. World’s First *1 4K Video Recording One of the most prominent features of GH4 is unlimited *2 4K video recording (Cinema 4K: 4096×2160 / 24 fps and QFHD 4K: 3840×2160 / up to 30 fps) in MOV/MP4 *3. *1 For a DSLM as of Feb 7, 2014. *2 Motion image can be recorded up to 29 min 59 sec depending on the recording format and the camera’s sales area. *3 Use SDXC/SDHC Memory Card compatible with UHS Speed Class 3 (U3) when using high bitrate video recording mode over 100 Mbps. Versatile Video Recording Formats The DMC-GH4 is also capable of ultra high bitrate video recording at 200 Mbps (ALL-Intra) or 100 Mbps (IPB), which has no recording time limit*1 *2. You can freely choose the format from MOV, MP4, AVCHD Progressive and AVCHD at a variety of frame rates according to the usage. In MP4 / MOV, high quality sound in LPCM (Linear Pulse Code Modulation) is recordable. *1 Motion image can be recorded up to 29 min 59 sec depending on the recording format and the camera’s sales area. *2 Use SDXC/SDHC Memory Card compatible with UHS Speed Class 3 (U3) when using high bitrate video recording mode over 100 Mbps. Selectable System Frequency For the global business of professional users, the system frequency can be flexibly selected from 59.94Hz (23.98Hz) / 50.00Hz / 24.00Hz. Real-time Output via HDMI The DMC-GH4 is also capable of real-time image output (4:2:2 / 8 bit or 4:2:2 / 10 bit) to the external monitor via an optional micro HDMI cable*. It is suitable for the professional video making that requires serious monitoring of the imageries. Users can choose to output only the recording content or the content with the setting menus individually depending on a display.When using 4:2:2/10-bit output, simultaneous video recording on SDXC/SDHC Memory Card in the camera is not possible. When using 4:2:2 / 8-bit output, video is recorded in 4:2:0 / 8-bit on SDXC/SDHC Memory Card in the camera. VFR (Variable Frame Rate) The VFR (Variable Frame Rate) enables recording video with slow/fast motion such as 96 fps / 4x*, all in Full-HD. See specifications for more effect options. *In 24p playback. Time Lapse Shot / Stop Motion Animation Time Lapse Shot and Stop Motion Animation are available for stationary observation for subjects or for producing a stop motion (stop frame) video with sequential pictures. Both can be produced in camera without needing postproduction process. Zebra Pattern It indicates overexposed area before / during shooting and the pattern can be output to the external monitor, too. Master Pedestal It allows adjustment of the brightness balance ±15 steps based on the color of black. Cinelike Gamma “CINELIKE D” and “CINELIKE V” are newly available for expressive tone like a cinema. Synchro Scan It is practical for suppressing flicker over the TV / PC monitor or fluorescent lights. Center Marker By displaying it at the center of the viewing angle, center marker works as guide mark for video image composition. Color Bars Color Bars (SMPTE / EBU / ARIB Standard) can be the benchmark to fix the color or brightness. 1KHz Test Tone can be the bench mark to fix the sound volume. Time Code SMPTE-compliant Time Code either in Rec Run or Free Run count-up methods makes it easy to synchronize the multiple video footage or sound source in the post production workflow. Professional Video Contrast AF with DFD Technology The Contrast AF system is advanced with the DFD (Depth from Defocus) technology which even shortens the time to focus. It figures out the distance to the subject by evaluating 2 images with different depth of field while consulting the data of optical characteristics by using lens in a moment. As a result, ultra high speed AF of approx.0.07 sec* is achieved. This improvement benefits more as focusing distance increases. *In AFS, with H-FS14140 or H-HS12035 High-Speed Burst Shooting The DMC-GH4 boasts high speed burst shooting at 12 fps(AFS) with the maximum recordable images of up to approx. 40 (including RAW) / approx. 100 (excluding RAW) and 7 fps (AFC) to capture fast moving subject just in-focus. Together with the quick start-up and short release time lag, the DMC-GH4 never lets you miss fleeting shooting opportunities. 49-Area AF Focus point is increased from 23 (DMC-GH3) to 49 points for more flexible composition. Custom Multi AF Custom Multi mode in which you can freely select the blocks to focus out of the 49 focusing area. New Face / Eye Detection AF In addition to the conventional Face Recognition AF, the DMC-GH4 newly incorporates Face / Eye Detection AF which automatically sets focus right on the face or eye in face. Seamless Magnification of 1-Area Focus Point Now the 1-area AF area can be seamlessly magnified not only in manual focus but also in auto focus mode. Dual OLED Displays – LVF & Monitor The DMC-GH4 boasts newly developed high-precision, high-speed dual OLED (Organic Light-Emitting Diode) displays for 2,359K-dot LVF (Live View Finder) of approx.1.34x / 0.67x* and 3.0-inch 1,036K-dot free-angle rear monitor. They achieve high speed response with minimum time lag while enhancing the resolution. Notably, the OLED for the LVF boasts 10,000:1 high contrast for superior color reproduction. *35mm camera equiv. Magnesium Alloy Body & Rugged Design To be tough enough to withstand even heavy field use, the main structure of the DMC-GH4 is composed of magnesium alloy full diecast front / rear frame. It also features splash / dustproof construction thanks to the sealing on every joint, dial, and button.  High Performance Shutter Unit The shutter unit is also redesigned to be even more durable for approx. 200,000 times release*. It offers highest shutter speed at max. 1/8000 not only to capture spur-of-the-moment for fast moving subject but also to use high-speed lens with open aperture even in outdoors to give impressive defocus. Both built-in / external flash can be synchronized with max.1/250 second shutter speed. *Panasonic in-house examination. Optimum Layout of Control Components For quick, intuitive control, 3 dials are equipped on the top and back of the camera and the main dial is now comes with lock structure. A dedicated button allows direct reach to exposure compensation, white balance adjustment or ISO setting and max.5 settings can be assigned to the Fn button. All these external components are designed to be operated easily without taking eyes off from the viewfinder. Terminals for Expanded Connectivity The DMC-GH4 comes with a variety of connection terminals. The 3.5mm microphone and the 3.5mm headphone jacks. It is also capable of real-time image output on the external monitor via an optional HDMI micro cable simultaneously while recording video. In addition, AV outputs, flash sync terminal and 2.5mm jack for remote controller are available. It complies with the SDXC / SDHC Memory Card UHS Speed Class 3 (U3). Wi-Fi® with NFC Technology The DMC-GH4 integrates Wi-Fi® connectivity (IEEE 802.11 b/g/n) with NFC (Near Field Communication) technology. With the “Panasonic Image App”, remote shooting of photo / video is available with smartphone / tablet. It is also easy to embed geotag in the image after shooting. For the smartphone / tablet without NFC, the camera displays dedicated QR code on its monitor to complete pairing easily by reading the code. New Interface Unit (Optional) The Interface Unit(DMW-YAGH) is offered exclusively for professional / industrial workflow enabling more powerful video transmission. It complies with Full HD (4:2:2 / 10 bit) four parallel output or 4K (4:2:2 / 10bit) output, both with time code*. The 2ch XLR input terminals are also equipped for line or condenser microphone. Microphone volume can be controlled L / R separately. It compies with 12V DC IN. * When using 4:2:2/10-bit output, simultaneous video recording on SDXC/SDHC Memory Card in the camera is not possible.
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The E1 by Z Camera gives 4K (4096×2160) image quality from a camera with dimensions no larger than that found on an action camera. Housed in a magnesium alloy body, it is lightweight and therefore ideally suited to POV and aerial (UAV) photography. It records 4K movies (4096×2160) as well as UHD (3840×2160) at a bit rate of 60Mbps.  In addition, the E1 can record Full 1080p HD movies at up to 60fps, and 720p with the ability to record at 240fps in this lower resolution format but then with the option of presenting slow motion playback. Due to the power of the Panasonic imaging sensor, the E1 is also capable of recording 16 megapixel still images with an option of recording in RAW. 3D noise filters also ensure lower noise levels in low lighting conditions, especially important when making the most of the maximum ISO sensitivity of 25,600. Burst shooting at up to 15fps is also attainable. In both still and movie recording modes, the E1 will autofocus continuously, with user-defined variation in focus sensitivity. For manual focusing, there is even a zoom-in feature to ensure focus is pixel-sharp. This camera is suitable for both Wi-Fi and Bluetooth camera control by mobile devices using Android or iOS operating systems, as well for monitoring and powering on or off, giving you a true remote control option essential to UAV and POV applications.
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Z Cam E2 Micro Four-Thirds 4k Camera The Z Cam E2 offers 10-bit ProRes HQ onboard recording, full remote control from an App, all in a compact sized camera unit.  Ideal for mounting inside a vehicle, the E2 can easily be externally powered allow for long duration operating. Technical Specifications Disclaimer: All product features and technical specifications stated are subjected to Z CAM™ ‘s sole interpretation and explanation. Product specifications reflect both current and projected information. Everything is subject to change. Camera Features Sensor Type 4/3″ WDR CMOS Sensor Sensor Size 17.3 x 13 mm Effective Pixels 10.28M Dynamic Range 13 Stops (ZLog) / 16 Stops (with WDR activated) Lens Mount Micro Four Thirds Microphone Built-in Stereo Microphone Recording Video System NTSC / PAL / CINEMA Video Format 4096 x 2160 @ 59.94 / 50 / 29.97 / 25 / 24 / 23.98 fps 3840 x 2160 @ 59.94 / 50 / 29.97 / 25 / 24 / 23.98 fps 3696 x 2772 @ 59.94 / 50 / 29.97 / 25 / 24 / 23.98 fps 1920 x 1080 @ 59.94 / 50 / 29.97 / 25 / 24 fps Max Variable Frame Rate 120 fps for 4096 x 2160 120 fps for 3840 x 2160 59.94 fps for 3696 x 2772 240 fps for 1920 x 1080 Max Bit Rate 230 Mbps for 4096 x 2160 230 Mbps for 3840 x 2160 230 Mbps for 3696 x 2772 200 Mbps for 1920 x 1080 Color Bit Depth 10 bit (H.265) / 8 bit (H.264) Video Encoder ProRes 4:2:2 HQ, ProRes 4:2:2, ProRes 4:2:2 LT / H.264 high profile / H.265 main 10 profile Audio Format 24-bit 48 kHz Audio Encoder AAC / PCM (for MOV only) File Format MOV / MP4 Record Mode Video / Time Lapse Video Recording ISO Auto, Manual (160 ~ 25600 / 80 ~ 12800 with WDR activated), Native ISO: 80 / 160 / 800 (ISO 80 is available only when WDR is activated) Shutter Shutter Speed: Auto, Manual (up to 1/8000”) or Shutter Angle: Auto, Manual (11.25° ~ 360°) White Balance Auto, Preset, Manual (2300K ~ 7500K) Focus Mode MF / AF / CAF Image Brightness / Contrast / Saturation / Sharpness LUT Rec.709 / ZLog / FLAT Audio Audio In / Audio Out Level Time Code Current Time / Manual Input Storage Media CFAST 2.0 File System exFAT Connectivity HDMI HDMI 2.0 Type A (video output up to C4K @60fps) USB USB 3.0 Type C for for data transfer / storage I/O 10-pin LEMO port for synchronization (requires additional sync cable, not included) COM DB-9 connector, supports RS-232 Remote Control 2.5 mm jack socket (Sony LANC compatible) Audio-in 3.5 mm stereo jack socket for active microphone only, or 5-pin LEMO port for dual channel XLR microphone (requires additional XLR audio connector) Audio-out 3.5 mm stereo jack socket Wi-Fi 802.11n, 2.4G with external antenna port Ethernet Gigabit Ethernet port for control, setting & live streaming Power Battery Sony NP-F series compatible (Battery not included) External Power Supply DC 12V 5A (4-pin LEMO socket), with LEMO connector and AC/DC power adapter, hot swap supported Physical Material Alluminium Alloy Weight 757 g (without lens) Dimensions (W x H x D) 91.2 mm x 99.2 mm x 89.1 mm (without lens) Environment Storage Temperature -20 °C ~ 60 °C Operation Temperature 0 °C ~ 40 °C Need an in-car lighting kit check out our Extreme Litegear kits here Follow us on Facebook to see what projects we have used the Z Cam E2 on
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GoPro Hero 9 Black The GoPro Hero 9 Black shoots stunning video with up to 5K resolution, perfect for maintaining serious detail even when zooming in. Packing a new 23.6MP sensor that’s an absolute powerhouse,  it brings lifelike image sharpness, fluid motion and in-camera horizon leveling. Capture crisp, pro-quality photos with 20MP clarity. And with SuperPhoto, can automatically pick all the best image processing for you, so it’s super easy to nail the shot. No more carrying a separate frame. Just flip out the folding fingers, attach your camera to any mount and go. A new, larger rear touch screen with touch zoom on the Hero 9 Black should feel instantly familiar and a dazzling new front display makes for easy framing and intuitive camera control. Shooting options include 4k 50fps, 2.7k 120fps & 1080P 240fps Check out our range of grip available to hire here Keep up to date with the latest news and products through our Facebook page
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Marshall CV225-M Minicam - HD Mini Lipstick Camera Capture stunning Full-HD video in a versatile, durable and discrete package with the new Marshall CV225-M Minicam, IP67 Lipstick Camera from Marshall. The CV225 utilizes the latest sensor technology in a compact and sleek weatherproof design while maintaining broadcast standards. The CV225 is ideal for professional broadcast television applications including professional sporting events, reality television, live music events, broadcast trucks, weather vehicles and house of worship installations. Marshall worked closely with professional video and systems integrators to improve the popular 1st generation CV200 Lipstick Camera. The 2nd generation CV225 IP67 Lipstick Camera incorporates those improvements to offer greater image clarity, enriched true colors, enhanced low light performance, and added ability to remotely adjust without reliance on screen display (OSD) menus. The CV225 utilizes a state of the art 1/3-inch high-speed 2.5 Megapixel sensor to pack 2,476,296 pixels of clear, crisp color images through a single full-sized BNC (3G/HD-SDI) output in 1920x1080i, 1920x1080p, 1280x720p resolutions @ 60/59.94/50/30/29.97/25 fps. New proprietary pixel technology enables the CV225-MB/M to produce the lowest noise ratio on the market today, resulting in sharp, vivid color images, even in very low light condition. Industry leading low power consumption draws very low power in full 3G SMPTE 424M (2.97 Gbps) 1080p60/59.94/50 modes. The Marshall CV225-M Minicam supports 50/60/25/30fps for all other applications including PAL Broadcast regions The CV225 IP67 Weatherproof design and convenient 1/4″-20 mount allows for versatile mounting options in any outdoor or hidden location, and can withstand dust, sand, or full submersion up to 1m for 30 minutes. The CV225 can be controlled and adjusted remotely via SONY VISCA over RS485 twisted-pair wire, and is compatible with the Marshall CV-RCP-V2 Touchscreen RCP Unit using 3-pin XLR cable. Marshall CV-225-M Minicm Specs: 1/3-inch 2.5 Megapixel CMOS Sensor 16:9 3.6mm MP M12 Mount Lens – interchangeable IP67 weatherproof camera enclosure w/ 1/4″-20 mount (rear panel) 118 inch (3m) Breakout Cable includes 12V power (2.1mm-center pin +) connector, RS485 phoenix connector, and 3G/HD-SDI (BNC) – 111 inch (2.8m) to OSD Joystick RS485 (Visca) adjustable – CV-RCP-100 compatible 19.5mm diameter (0.76-inch) cylinder 3GSDI / HDSDI (BNC) 0.2Lux (COLOR-Day) / 0.1Lux (B/W-Night), 0.005Lux (DSS on) Auto/Manual White Balance, Exposure, Gamma, Red/Blue Gain, Black Levels (Pedastal) Wide Dynamic Range (ACCE), Digital Noise Reduction (DNR), Digital Defog, HLC 19.5 x 62.5mm, Approx. 195g/0.42Lbs OSD Joystick on Cable assembly Don't forget to like us on Facebook, for the latest news and products
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Тhе Іnѕtа360 ОNЕ R 1-Іnсh Lеnѕ Wіdе аnglе Моd dеlіvеrѕ 5.3К сарturе оn а hugе 1-іnсh іmаgіng ѕеnѕоr. Еnјоу thе hіghеѕt quаlіtу іmаgе dеlіvеrеd bу аn асtіоn саm wіth thіѕ thіѕ mоd fоr ОNЕ R. То tор thіngѕ оff іt соmеѕ wіth buіlt-іn lеnѕ рrоtесtоrѕ ѕо thаt уоu саn tаkе іt аnуwhеrе, nо mаttеr thе еnvіrоnmеnt. Тhіѕ mоd іѕ іdеаl fоr dосumеntіng уоur аdvеnturеѕ, vlоggіng, аnd fоr сrеаtіng аmаzіng асtіоn ѕhоtѕ. Рlеаѕе nоtе thаt thе ОNЕ R іѕ nоt іnсludеd wіth thіѕ рurсhаѕе аnd іѕ fоr іlluѕtrаtіvе рurроѕеѕ оnlу. Іnѕtа360 ОNЕ R 1-Іnсh Lеnѕ Wіdе аnglе Моd Кеу Fеаturеѕ: Dеlіvеrѕ hіghеѕt quаlіtу іmаgе оut оf thе thrее mоdѕ fоr ОNЕ R Еnјоу 5.3К сарturе оn а gеnеrоuѕ 1-іnсh іmаgе ѕеnѕоr Соmраtіblе wіth Іnѕtа360 ОNЕ R Асtіоn Саm Соmеѕ еquірреd wіth buіlt-іn lеnѕ рrоtесtоrѕ Оnlу thе lеnѕ іѕ іnсludеd
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The unique Canon XF105 IR switchable is Canon’s smallest camcorder to include an MPEG-2, 50Mbps, 4:2:2 Full HD codec. Studio connectivity, professional audio and extensive customisation provides exceptional versatility. MPEG-2 recording to 2 CF cards at up to 50Mbps (4:2:2) Light, compact design; XLR inputs 10x zoom Canon HD Video Lens 1/3 type Full HD Canon CMOS HD-SDI, Timecode, Genlock; 3D Assist Functions 8.8cm (3.5’’) 920k dot LCD; 0.6cm (0.24”), 260k dot EVF Variable frame rates MPEG-2 recording at up to 50Mbps (4:2:2) The Canon XF105 IR Camera records MPEG-2 MXF (Media eXchange Format) files – up to 1920 x 1080 Full HD at 50Mbps (4:2:2) – to relatively inexpensive and widely available CompactFlash (CF) memory cards. Relay Recording across two card slots allow filming to continue without interruption, whilst Double Slot Recording lets you store the same footage to both cards. Light, compact design; XLR inputs Putting exceptional functionality in the palm of your hand, the durable and lightweight design enables exceptional versatility. Linear PCM audio can be captured via twin XLR inputs and also using the front-mounted stereo microphone. 10x zoom Canon HD Video Lens Drawing on Canon’s broadcast lens expertise, XF105 features a fast, wide angle Canon HD Video Lens (f1.8-f2.8, 30.4mm) with built-in control ring for adjustment of zoom, focus or iris. An enhanced Optical Image Stabilizer system helps to reduce chromatic aberration, maintain sharpness and reduce lens size. 1/3 type Full HD Canon CMOS A 2.07MP Full HD CMOS sensor – designed and manufactured by Canon – captures Full HD video at native 1920×1080 resolution. The sensor is equipped with a Bayer pattern colour filter for high sensitivity and wide dynamic range; high-speed data readout technology minimises rolling-shutter skew that can occur in CMOS camcorders. HD-SDI, Timecode, Genlock; 3D Assist Functions HD-SDI output is the industry standard, outputting uncompressed Full HD with embedded audio and Timecode. A combined Genlock In and Timecode In/Out terminal allows the XF105 to be used in a multi-camera shoot. Genlock and 3D Shooting Assist functions (OIS Axis Shift and Focal Length Guide) support stereoscopic 3D video capture using two camcorders. 8.8cm (3.5’’) 920k dot LCD; 0.6cm (0.24”), 260k dot EVF The Canon XF105 IR Camera features a large, side-mounted LCD. This 8.8cm (3.5”) screen has a sharp, 920k dot resolution, with a built-in waveform monitor and Edge Focus function to help set up the shot. A 0.61cm (0.25’’), 260k dot EVF with 100% coverage is also available. Variable frame rate A wide range of frame rates is available, from 12 to 50 fps. This gives cameramen the freedom to alter the capture rate for additional creative flexibility. Needed Infrared Lighting? We offer a range of IR lights, check them out here: http://extremefacilities.com/lighting/?subcategories=44 Visit the Canon website for further information: https://www.canon.co.uk/support/consumer_products/products/camcorders/digital/hdv_series/xf105.html?type=download&language=&os=macos%2010.15%20(catalina)