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Robotic/Remote Camera Systems
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DJI Ronin RS2 isn’t just a gimbal – it is an unparalleled solution for dynamic cinematography. Every design element and feature is made to deliver industry-leading camera stabilisation. Simply put, DJI Ronin RS2 gimbal is crafted for you to master filmmaking.  Matches perfectly with the Panasonic Lumix GH5S Weight and Payload Film More, Pack Less Monocoque carbon fiber construction adds incredible strength and unbelievable lightness to the axis arms. A 1kg (2.3lbs) gimbal with 4.5kg (10lbs) tested payload offers the highest weight-to-payload ratio in the industry. LCD Touchscreen Full-Colour Touchscreen Access Active Track 3.0 right from the touchscreen, freeing your creative control. The full-colour LCD screen allows you to quickly adjust parameters and access Ronin app features. Stabilisation Titan: DJI Stabilisation Evolved No one makes camera stabilisers like DJI. Our Titan Stabilisation Algorithm captures smoother footage than ever. Need more? SuperSmooth mode compensates for micromovements and increases torque, stabilising even 100mm zoom lenses. Multi-Scenario Solution Endless Possibilities While DJI RS 2 is optimised for capturing unique shots with a single hand, it is also designed to be a professional filmmaking solution. No matter how complex your shot, DJI RS 2 adapts to achieve your vision. Both RSA ports are NATO-compatible, opening DJI RS 2 to a universe of third-party accessories along with versatile handling and mounting possibilities. RSA/NATO with Focus Wheel Adjust camera focus or zoom with fine control. RSA/NATO with Twist Grip Dual Handle Open up more possibilities to hold the camera for the right shot. RSA/NATO with Universal Mount Integrates RS 2 with a car, jib, or slider, and control from a distance. Looking to film in portrait mode? The vertical camera mount lets you capture professional-grade footage for your social media content. Focus System Cinematic Sharpness A built-in front dial above the trigger allows for single handed focus control. It also complements a mounted Focus Wheel for two-channel focus and zoom control, right from the handle. The 3D Focus System uses ToF sensors to measure the distance between lens and subject for a sharp picture, even in low lighting. This advanced system enables fast autofocusing on manual, large-aperture lenses. Construction Conveniently Built for Instant Use Manfrotto + Arca-SwissManfrotto + Arca-SwissDual-layer camera mounting plate is compatible with most cameras. Dual-layer camera mounting plate is compatible with most cameras. Fine-Tune Balancing Knob Literally dial in the perfect balance for your setup. Axis Locks Keep gimbal arms in place for easier balancing and storage. Teflon-Coated Arms Allow smoother movement of the arms during balance adjustment. Wi-Fi Image Transmitter RavenEye: See Farther RavenEye transmits video while giving you remote control of camera parameters. Transmits 1080p video from up to 200 m (656 ft) away with a latency of just 60 ms. With ActiveTrack built in, DJI RS 2 uses the source signal from the camera to track your subject. RavenEye enhances Force Mobile, increasing responsiveness and decreasing latency. Battery Our Best Battery Yet The BG30 grip has a max runtime of 12 hours and can charge independently from DJI RS 2. Fast charging enables two hours of runtime with just a 15min charge. DJI RS 2 employs a cartridge design for more secure battery mounting and faster battery swaps. Creative Functions Unleash Your Creativity Like Never Before Combine Roll 360 with hyperlapse to twist the fabric of space and time. With a steady pan from the gimbal, create gigapixel panoramas from your camera. Capture the passage of time with a steady frame. Create a repeatable camera movement path for a tightly choreographed shot. Lightweight Carrying Case This redesigned carrying case has a splash-proof body with dedicated compartments for all RS 2 parts.   For a fill list of compatible cameras visit DJI website Check out our facebook page of the latest products and news.
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– New larger 5-inch TFT LCD Touchscreen (800×480) with fine-tune adjustment knobs.
– Directly adjust and match up to seven different cameras from the convenience of control truck or control booth.
– Common 3-pin XLR cable connection allows for cable-runs at distances of up to 300 meters (1,000 ft).
– Adjustments made on camera without OSD Menu appearing on video stream.

Remote adjust, paint, and match Marshall Cameras without ever having to leave the convenience of a production room or broadcast truck. Match mini POV cameras without an OSD Menu to provide a seamless workflow and next level convenience on multi-view camera displays.

Marshall has teamed up with a five-time Sports Emmy award winner to develop a standalone remote RCP solution to adjust, paint, and match Marshall broadcast cameras. The new 5-inch Touchscreen RCP Camera Control unit allows for remote operation of up to seven broadcast cameras at up to 300m (1,000 foot) distance over common XLR cable, and it features a new intuitive touchscreen control with user-friendly, fine-tune adjustment dials for quick changes on the fly.

The touchscreen interface offers self-help dialogs, favorites settings, save features, and intelligent menu and sub-menu layouts. The fine-tune finger dials enable precise adjustments for white balance, red/blue gain, gamma, black level, brightness, exposure, iris, shutter, resolution, frame-rate, and more, and they can be adjusted simultaneously or one at a time. The CV-RCP-V2 comes pre-programmed with control protocols for all Marshall Cameras, including Marshall’s POV cameras, varifocal cameras, zoom cameras, PTZ cameras, as well as other popular non-Marshall branded cameras on the market.

Easily convert to fiber using common fiber media converters for much longer distances.
Seven cameras are select-able from ALL screen menus with intuitive navigation layout.
Global or individual camera adjustment capability without OSD (On-screen Display) Menu appearing on video stream.
Adjust Red/Blue, Pedestal (Black-levels), Brightness (AE Offset), Gain, Gamma, Iris, Shutter, Saturation, Hue, Optical/Digital Zoom, Pan-Tilt, Focus, and more.
– Rugged machined aluminum enclosure provides durability while a larger 5-inch screen provides easier access to digital buttons.
– Easy access USB port for field up-gradable firmware and memory saves using USB thumb drives (sold separately).
– Red and Blue adjustment follows every screen menu with optional Favorites Menu to save important controls to specific events for easy access.
– Set up multiple cameras with one global preset or multiple presets that are savable on-board the RCP unit or external USB memory sticks.
– Low power consumption requires 12V power at less than 12W (AC or battery packs).

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Continuing to build on the success of the CamBall series, the CamBall 3 takes a number of steps forward. Keeping all the features of the original unit but replacing the internal sensor and lens with a far more advanced package. It retains the full, simultaneous control of Pan, Tilt, Zoom and Focus, with smooth-move, feedback controlled motors.

The unit now boasts a 30x optical zoom matched to a larger and higher resolution sensor with increased low light sensitivity and outputs up to 1080p

Wide angle lenses can still be fitted inside the carbon housing by simply pulling off the ‘O-ring’ sealed front port, screwing the lens onto the camera and replacing the port. Internally the camera is fitted onto a slide plate and can be adjusted fore and aft.

The Cam-Ball 3 is fully weatherproof and can withstand extended periods outside in all types of weather. Slipping clutches are fitted to both axes to protect the mechanics from external forces and to make rigging very easy. It can be mounted either way up.

Slip rings enable continuous 360 degree pans. All the SD and HD signals pass through the slip rings and both SD or HDSDI outputs are available on the base together with the 1080p analogue output signals.

The camera offers full HD broadcast images and is remotely SD/HD switchable. Wide angle converters can easily be attached to the camera. All camera functions can be remotely controlled via our RCPs. The Infrared mode is also activated remotely. This camera is used on many high end prestige programmes worldwide and quality matches many larger cameras.

32 preset positions can be memorised and re-called. This includes: Pan, Tilt, Zoom and Focus for each preset. These positions, and all the camera settings, are automatically stored into non-volatile memory when set or adjusted.

Clutch slip, even when powered down, does not affect the preset positions. Absolute position sensors are used on the shafts so it always knows where it is.

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Extreme Facilities offer a variety of portable tracking options, for mounting to any vehicle. The lightweight custom Phoenix Tracking Rigs offer fully stabilized Camera, Gimbal, & vertical damper. Shooting up to 5.2k, options include, our ultra-smooth motorized riser, for back, front or side mounting. This whole package travels as check-in luggage in only 4 cases including all controls, rigging, and camera system. The Extreme Riser is a heavier duty motorized riser used with a Black Arm and Ronin 2, the system can carry cameras such as the Arri Alexa/Mini, Red Helium, Sony F55, and similar camera systems.

 

Phoenix & Phoenix Riser

The Phoenix system can be mounted onto any vehicle, front-rear or corner mounted; and packs down in flight cases to be transported. It can be used with just the dampening suspension arm, similar to a Black Arm, by 80% lighter, or with the Riser system as well. The Phoenix Riser is a lightweight 185cm motorized riser fully remote controlled. The X5s Camera can record both ProRes and Cinema DNG and is available with a wide selection of prime lenses and a remote zoom lens.

 

Extreme Riser

The Extreme Riser works with the Black Arm and a Ronin 2 to carry full-size cameras such as the Arri Alexa/Mini, Reds’ & Sony F55. Like the small Phoenix system, it can be mounted to any vehicle. Extreme Tracking Car Perfect for mounting the Phoenix or Extreme Riser rigs, the 320BHP Audi A6 All-road 4×4 with adjustable damping and ride height, and sports diff makes a perfect tracking vehicle.

 

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DJI Ronin-S Handheld Gimbal for DSLRs and Mirrorless Cameras – Essentials Kit. Please Note: Camera not included. Gimbal only.
Designed for DSLR and mirrorless cameras, the Ronin-S combines advanced stabilization, precision control, and manual focus control capabilities in a compact, single-handed form factor. With the Ronin-S, creators can shoot with the freedom of stabilised shots on the move.
Design: The Ronin-S’s innovative framework elevates camera payload above the Roll Axis, making the camera’s built-in display obstruction free and always in your line of sight. This ergonomic design also frees the Ronin-S from unwanted shake as you shift from underslung to an upright position in one smooth take.
SmoothTrack: With only one hand, SmoothTrack technology allows you to transition smoothly from motion to camera angle effortlessly. Two customisable parameter groups enable you to store your favorite SmoothTrack settings, switching between them in a single click. The Ronin-S’s new Sport mode now intelligently increases SmoothTrack responsiveness to keep up…

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RT Motion Follow Focus RT Motion Follow Focus has emerged as one of the top wireless follow focus brands in recent times and we get why. The RT Motion MK3.1 LCS (Lens Control System) is a joy to use. It gives you solid, reliable, precision wireless control of lenses with powerful and very quiet motors. The controller has simultaneous 4 Axis control as standard (Knob, Slider, A and B), with optional force-joystick and has an OLED screen with easy to use menu systems. The receiver can take up to three motors and also supports run/stop for most cameras (Alexa Mini, Sony F55, Venice, Red Epic, Blackmagic etc). The motors, built with a brushless vector drive lens, have an adjustable compensation for zero-backlash and perfect accuracy all day long and can be mounted on either side of the camera. This is the perfect follow focus for gimbals and rigs. It has up to 1.5Km line-of-sight and weighs 3484g. For the latest news and products check out our Facebook page
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The RT MOTION MK3.1 Lens Control system is optimised for high-end Wireless and Wired remote control of Cinema and Still camera lenses. The range is specifically designed to enable a low-cost entry point (single motor), with a broad expansion capability.

World’s smallest and lightest lens control receiver – 3 motor control as standard.

OLED menu screen.

World’s first interference-free FHSS (frequency hopping spread spectrum) wireless.

Adjustable wireless range up to 1,500 meters line-of-sight with 42 channels.

Automatic and Manual (soft stop) calibration.

Adjustable motor response for silky smooth to quick and sharp moves.

Unique calibration algorithm and torque control to protect lenses.

Simultaneous 4 Axis control as standard (Knob, Slider, A, and B), 6 with optional force-joystick (X and Y).

No noticeable latency, 2ms.

Integral protected antennas to help prevent damage.

Run-stop support for Arri, Alexa, Red EPIC, Red One, Sony F55, Phantom Flex, LANC and Black Magic etc.

Full 16bit digital transmission

Support for external controllers (Analogue or Digital).

Micro USB ports for updates and new features, OSX / Windows compatible.

Auxiliary port for trigger, analogue and digital serial data communication.

FCC/IC/CE Certified wireless, Worldwide license-free 2.4 GHz.

Precision machined from aerospace grade aluminum billet.

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The Mini RCP is a sophisticated yet simple remote camera control panel. It is housed in a rugged aluminum extrusion with rubber surrounds and fitted with soft-touch knobs.

The camera protocols including, Toshiba TU48/63, Hitachi, Sony, Ikegami, JVC etc. are stored in the remote Protocol Converters which are individually ident-assignable. In this way, up to 4 different cameras can be controlled with the same RCP. Controlling different cameras is simply a matter of purchasing the appropriate Protocol Converter.

8 most-used controls are directly available with another 3, user-assignable controls available at the touch of a button. These 3 secondary controls can be selected and changed from any number of other camera adjustments available on the specified camera.

All values are displayed either on the LCD or LED displays and all the switch and knob legends all have LED backlighting for easy reading in dark environments.

The output is on an industry standard XLR3 or XLR4 socket in RS485 format. The XLR4 version also carries power for the protocol converter. The remote Protocol Converters can be up to 1km from the Mini RCP using a standard audio cable. An LED indicates power and data at the remote end.

The Protocol Converters are supplied with the appropriate camera connector.

Protocol Converter & camera plug

Data can also be routed via any Bradley Engineering joystick controller and is interlaced into the pan, tilt and lens command data. This enables engineering commands to be sent via the same data path but to a different camera to that being controlled by the camera operator.

 

Direct access knobs:

  • Iris
  • Master Pedestal
  • Gain
  • Shutter
  • Detail
  • Red Gain
  • Blue Gain
  • White Balance & Bars
  • Camera Select
  • Update
  • Display Iris/Master Pedestal

One-Touch Sub Functions; (The operation of these functions is dependent on the camera)

  • Gamma
  • Black Gamma
  • Shading
  • Chroma Gain
  • Shutter Mode
  • Menu Page
  • Menu Up/Dn & Select
  • Synchronisation
  • 16:9 / 4:3

Functions may change, be removed or be added depending on the specification and camera

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The Multi-Function Controller is possibly the most sophisticated remote head and camera controller available. Both remote heads and cameras can be controlled from this controller including camera engineering functions.

Multi-Camera Operation

The Multi-Function Controller can control up to 8 remote cameras and heads using the one-touch selection buttons or up to 99 cameras with the addition of a keypad Camera Selector. Because the output data is generic, any number of different cameras and heads can be controlled by using a data receiver and protocol converter at the remote end. The protocols are open and available for 3rd party interfacing. All Bradley Engineering products operate as plug-and-play units.

Advanced Control Functions

The main controls are positioned in a familiar ergonomic layout to enable ease of operation over extended periods with minimum operator fatigue. All corners are rounded for comfort.

The main LCD display has several pages of information and selectable functions.

The CCU LCD section has three knobs that can be individually assigned to various camera functions. Should a new function be required this can be written into the software and will simply become another option on this LCD panel. All these functions and more can also be accessed via the optional Remote Engineering Panel which offers touchdown joystick engineering control of up to 4 cameras each. This enables a single control path for Pan & Tilt, Lens, and Camera.

Power & Data

Power input is 12-18v and data output is RS485 via industry standard XLR3 and XLR4 sockets on the back panel. Also on this panel, optional data input can be fitted for remote inputs. eg. RCPs.

 

Functions:

  • Primary Control Functions Pan
  • Tilt
  • Zoom
  • Focus
  • Auto/Manual Focus
  • Fine Focus
  • Iris
  • Auto/Manual Iris
  • Ramp
  • Pan Speed
  • Tilt Speed
  • Preset Positions x 8
  • Preset Position Store
  • 8 x Head Select (Additional selector panel for up to 99 heads)
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Kessler MC1001 (MC-1001) Revolution Pan and Tilt Head

The Digital Revolution Head brings the latest in digital motion control technology to a proven Kessler platform that can accommodate rigs up to 20 lbs. Ideal for cranes and jibs as well as able to be tripod or slider mounted, the Digital Revolution Head can be mounted over or under-slung to provide dynamic pan and tilt camera movement in a variety of shooting environments.

The Kessler REVOLUTION Pan and Tilt System is Kessler’s answer to the need for an affordable, quality motorised pan & tilt head. After two years of development, they produced a motorised head that addresses the failings of other pan / tilt heads in a similar price range. When paired with the ORACLE Controller kit, we are confident that this should be able to serve as an affordable option for a motorised pan and tilt head.

 

 

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The Kessler Parallax system provides automatic panning and fixed-point shooting capabilities to the Kessler line of sliders. Previously only capable with motorized panning devices, Kessler Parallax accomplishes inward and outward panning shots, providing users a second axis to their linear movements. The Kessler Parallax’s non-intrusive design allows users to choose between automatic panning or standard linear sliding without removing the Parallax bar.
Quick Setup and Easy to Use
The advantages of being a mechanical accessory make Parallax extremely easy to set up and use in run-and-gun environments. In addition, Parallax removes the difficulty of trying to achieve smooth panning shots with a fluid head. With Parallax the move is as simple as aligning your subject and pushing the slider cart left and right.Not a One-Trick-Pony
Kessler Parallax does not require specific measurement calibration and does not have a fixed subject distance requirement to accomplish 2 axis panning and fixed-point linear sliding shots.

Motion Control Ready
Combine with any of Kessler’s motion control solutions to get effortless repeatable fixed-point panning shots perfect for long interviews and time-lapse work.

Lifetime Warranty
Backed by our manufacturer’s Lifetime Warranty, we guarantee that it is free from defects in material and workmanship, otherwise, we’ll fix it.

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DitoGear™ OmniSlider provides you probably the richest feature set suited for nearly all kinds of cinematography work, be it real-time filming, macro shots, speed matching, advanced time-lapse operation or stop motion.

With DitoGear™ OmniSlider you don’t have to change the motors to get different speed ranges. From 1m/3.7s to 1m in 1.5 years your creativity is not limited anymore.

The interface of the DitoGear™ OmniSlider delivers all features in a clear and intuitive way – right at your fingertips when you need them.

Thanks to refined design concepts making use of precise CNC-machined parts and servo motors, the DitoGear™ OmniSlider allows you to feel comfortable on a set, even while working with the sound.

The DitoGear™ OmniSlider makes use of high-precision servo motors proprietary technology of controlling them to deliver unmatched positioning precision (up to 0.1mm) and ultimate smoothness of motion which allows you even for shooting macro.

The DitoGear™ OmniSlider is probably the strongest compact slider available on the market. With its horizontal payload of over 70kg and vertical of 15kg, it allows you to work with a range of cameras starting from DSLRs, through video, digital cinema to broadcast setups.

Thanks to amazing build quality and technologies used, DitoGear™ OmniSlider delivers perfect motion repeatability which you need for advanced match-moving, compositing, and sophisticated special effects.

No more limitations.

Low Power Consumption

What’s the most amazing is that you get this performance with really impressive power efficiency.

Spec:

  • Working speeds:
 Min: 1m/450 days in timelapse mode
 Max: 1m/3.85s in video mode
  • Positioning precision in StopMotion mode:
0.1mm = 10 000 steps/m
  • Working track lengths:
0.5m (1.64ft) to 2.5m (6.5ft)
  • Operation temperature range:
-25°C to 45°C
  • Workload:
70kg in horizontal operation mode
12kg (15kg2) in the vertical operation mode
  • Power supply: 11.4V – 24V DC
  • Current draw:
0.3A – 4A (at 12V DC)

Battery operating time
~ up to 40h (low payload, horizontal operation)
~ up to 12h
(estimated operation time in mixed mode & average payloads)
~ 2-3h
(under maximum workload, vertical operation, upwards)

Controller User Interface

  • Precise 4-directional, 1-button joystick control
  • Speed dampening dial
  • Max speed dial
  • High resolution backlit LCD Display

Dimensions & Weight

  • Travel Length: 1033mm
  • Total Length: 1300mm
  • Width: 70mm
  • Total Height: 220mm
  • Slider Height: 42mm
  • Weight: 7.6kg
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The Kessler CineSlider™ is an extremely heavy-duty and durable camera slider designed for the heaviest rigs while still remaining portable and lightweight. Reinforced aluminum, protected rails, and precision machining combine to give filmmakers assurance that no matter what, the CineSlider will get the job done.

Heavy Duty
With an 80 lb. weight capacity the CineSlider holds more weight than any of our other sliders yet still remains extremely portable at a starting weight of 7.7 lbs. Add cameras, monitors, matte boxes, large lenses and more and still have weight to spare on the CineSlider.

Adjustable Drag Control
Everyone knows how important fluid drag controls are to tripod heads, so why not add the same idea to a slider? Now you can have that same ultra-smooth resistance to control your motion ensuring a perfect shot.

Removable Crank Handle
Depending on use and user, the removable crank handle on the CineSlider provides options for manual operation.

Motion Control Ready
The CineSlider is compatible for use with elektraDrive™, CineDrive™, and/or Second Shooter™ motion control systems. Adding a motion control system to your slider will increase precision in movement and provide a platform to capture professional time-lapse, stop-motion and live camera movement.

Lifetime Warranty
Backed by our manufacturer’s Lifetime Warranty, we guarantee that it is free from defects in material and workmanship, otherwise, we’ll fix it.

Parallax
With the addition of the Parallax bar, easily add a panning axis to the slider.

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Revolutionary Handheld Video Shooting Experience.

 

Have you ever taken a video with your smartphones, cameras, or GoPro? How is the video quality shot by barely your hand holding it? How many times do you need to delete precious moments taken after finding out those videos turn out to be useless due to your shaky hand? Don’t feel so sad, It’s definitely not your fault.

As the filming devices and technology are progressing extremely fast, bigger aperture, long-range zoom, high megapixels, have brought the image quality to another level, but somehow diminish the tolerance of human error. Any tiny error while filming can be enlarged when reviewing it on your big screen with HD quality, especially taking videos of moving objects while walking or running, such as filming outdoor sports, traveling or even home movies. Here it comes a savior for making handheld shooting a lot easier than ever and save your bittersweet memories taken with your best friends and family.

Designed to enhance the video quality of handheld GoPro shooting! The Handled 3 – axis  Gimbal stabilizes your GoPro with built-in 3-axis gyro, provides wider and adjustable shooting angles by simply pressing buttons on the pole. Go outdoor exercising, skateboarding, downhill cycling and experience how cool your life can be. No matter how jolted your journey is, this system will smoothen it and record your bittersweet memories along the way.

The system contains sensors that detect the roll and tilt movement of the camera mounted. When the sensor senses either the camera’s roll of tilt movements, it will predict its next movement and calculate how much movement the brushless motors need to react for leveling it back to keep the camera steady. Though it’s just a few sentences of words to explain, actually it contains hundreds of thousands of calculations made by the sensor and processor inside. Thanks for the modern technology and creative ideas by engineers worldwide that make it happen to improve our lives.

 

Setup:

  • The gimbal will do self-calibration every time you turn it on, make sure you put the GoPro Hero 4 on before power on.
  • While self-calibrating, hold the gimbal as level as possible.
  • Check if there’s any tear or wear on the components.
  • Every gimbal is well checked and tuned before shipment, read the manual thoroughly before use.

 

Features:

  • Standard attachment point for GoPro cameras.
  • Lightweight, high strength anodized aluminum pole.
  • Built-in 3 -axis gyro system.
  • Remote control angle adjusts the design.
  • Durable Brushless motors provide the ultimate response to every move you made.
  • Rechargeable battery pack and charger included.

 

Specification:

  • Input: 9 – 11.1V
  • Handle Size: D25x77mm (Diameter x Length)
  • Gimbal Size: 92x82x57mm (Length x Width x Height)
  • Weight: 313g (Wth Battery but without Gopro)
  • Side tilt: ±45°
  • Vertical tilt: +45°~ -90°
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POWERFUL

Ronin 2 exists to let filmmakers capture the scene they see in their mind. Upgraded high torque motors allow it to support a wider range of cameras, resist high winds and G-forces caused when mounted to a car and keep it moving smoothly in flight.

 

VERSATILITY

A newly designed detachable Grip allows Ronin 2 to stand up on its own and is easily separated when the lower part of the hand grip is not needed. Ronin 2 is also highly compatible with cable cams, drones, cranes, Steadicams, and more.

 

EASY

The simplicity of Ronin has been amplified with Ronin 2, making setup and use easier than ever. Everything, from mounting cameras to balancing and tuning, powering accessories and transportation has been tweaked and refined for ease and speed.

 

INTELLIGENT

Enhanced intelligence means filmmakers can get shots with Ronin 2 that would once have needed specialist expertise or additional equipment, from total smoothness control to studio-oriented smart features.

 

INTEGRATED

Power systems are now tightly integrated into Ronin 2, capable of powering its motors and the attached camera and accessories without dangling cables or multiple power systems. As it uses a dual battery system, filmmakers can hot swap to keep the camera and accessories powered and maximize shooting time.

 

RELIABLE

Every element of Ronin 2 has been designed to maximize reliability, from materials to the splash-proof enclosed motor design, cable management, and redundancy. All of this creates a system that shines in the most demanding of shooting environments.

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Gremsy H16 is a state of the art product designed especially for professional filmmakers. Features latest technologies in advanced stabilization and motor control give ultra smooth footage in the most extreme conditions. Handling payload of up to 16lbs allows RED EPIC, Arri Mini or F55 and Cinema lenses at ease for the very high demand production.

 

System Type

3-Axis Camera Stabilizer

Weight

2.6 kgs / 5.73 lbs

Weight in Aerial Mode

2.2 kgs / 4.85 lbs

Camera Cage (Standard) (L x W x H)

200mm x 195mm x 55-200mm

Construction

Aluminum, Carbon Fiber

Input Voltage

16.8 VDC

Battery

4Sx 3400mAh Li-ion Battery

Connection

USB, Wifi

Payload

7.25 kgs / 16 lbs

OS Platform Supported

Windows / Mac / iOS / Android

Single Operator

Follow Mode, Thumb Joystick

Dual Operator

SBUS / Spektrum / PPM/ Hurricane Wheels

Pan Range

360 degree continuous

Tilt Range

(+/-) 90 degree

Roll Range

(+/-) 45 degree

Robotic/Remote Camera Systems
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DJI Ronin RS2 isn’t just a gimbal – it is an unparalleled solution for dynamic cinematography. Every design element and feature is made to deliver industry-leading camera stabilisation. Simply put, DJI Ronin RS2 gimbal is crafted for you to master filmmaking.  Matches perfectly with the Panasonic Lumix GH5S Weight and Payload Film More, Pack Less Monocoque carbon fiber construction adds incredible strength and unbelievable lightness to the axis arms. A 1kg (2.3lbs) gimbal with 4.5kg (10lbs) tested payload offers the highest weight-to-payload ratio in the industry. LCD Touchscreen Full-Colour Touchscreen Access Active Track 3.0 right from the touchscreen, freeing your creative control. The full-colour LCD screen allows you to quickly adjust parameters and access Ronin app features. Stabilisation Titan: DJI Stabilisation Evolved No one makes camera stabilisers like DJI. Our Titan Stabilisation Algorithm captures smoother footage than ever. Need more? SuperSmooth mode compensates for micromovements and increases torque, stabilising even 100mm zoom lenses. Multi-Scenario Solution Endless Possibilities While DJI RS 2 is optimised for capturing unique shots with a single hand, it is also designed to be a professional filmmaking solution. No matter how complex your shot, DJI RS 2 adapts to achieve your vision. Both RSA ports are NATO-compatible, opening DJI RS 2 to a universe of third-party accessories along with versatile handling and mounting possibilities. RSA/NATO with Focus Wheel Adjust camera focus or zoom with fine control. RSA/NATO with Twist Grip Dual Handle Open up more possibilities to hold the camera for the right shot. RSA/NATO with Universal Mount Integrates RS 2 with a car, jib, or slider, and control from a distance. Looking to film in portrait mode? The vertical camera mount lets you capture professional-grade footage for your social media content. Focus System Cinematic Sharpness A built-in front dial above the trigger allows for single handed focus control. It also complements a mounted Focus Wheel for two-channel focus and zoom control, right from the handle. The 3D Focus System uses ToF sensors to measure the distance between lens and subject for a sharp picture, even in low lighting. This advanced system enables fast autofocusing on manual, large-aperture lenses. Construction Conveniently Built for Instant Use Manfrotto + Arca-SwissManfrotto + Arca-SwissDual-layer camera mounting plate is compatible with most cameras. Dual-layer camera mounting plate is compatible with most cameras. Fine-Tune Balancing Knob Literally dial in the perfect balance for your setup. Axis Locks Keep gimbal arms in place for easier balancing and storage. Teflon-Coated Arms Allow smoother movement of the arms during balance adjustment. Wi-Fi Image Transmitter RavenEye: See Farther RavenEye transmits video while giving you remote control of camera parameters. Transmits 1080p video from up to 200 m (656 ft) away with a latency of just 60 ms. With ActiveTrack built in, DJI RS 2 uses the source signal from the camera to track your subject. RavenEye enhances Force Mobile, increasing responsiveness and decreasing latency. Battery Our Best Battery Yet The BG30 grip has a max runtime of 12 hours and can charge independently from DJI RS 2. Fast charging enables two hours of runtime with just a 15min charge. DJI RS 2 employs a cartridge design for more secure battery mounting and faster battery swaps. Creative Functions Unleash Your Creativity Like Never Before Combine Roll 360 with hyperlapse to twist the fabric of space and time. With a steady pan from the gimbal, create gigapixel panoramas from your camera. Capture the passage of time with a steady frame. Create a repeatable camera movement path for a tightly choreographed shot. Lightweight Carrying Case This redesigned carrying case has a splash-proof body with dedicated compartments for all RS 2 parts.   For a fill list of compatible cameras visit DJI website Check out our facebook page of the latest products and news.
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– New larger 5-inch TFT LCD Touchscreen (800×480) with fine-tune adjustment knobs. – Directly adjust and match up to seven different cameras from the convenience of control truck or control booth. – Common 3-pin XLR cable connection allows for cable-runs at distances of up to 300 meters (1,000 ft). – Adjustments made on camera without OSD Menu appearing on video stream. Remote adjust, paint, and match Marshall Cameras without ever having to leave the convenience of a production room or broadcast truck. Match mini POV cameras without an OSD Menu to provide a seamless workflow and next level convenience on multi-view camera displays. Marshall has teamed up with a five-time Sports Emmy award winner to develop a standalone remote RCP solution to adjust, paint, and match Marshall broadcast cameras. The new 5-inch Touchscreen RCP Camera Control unit allows for remote operation of up to seven broadcast cameras at up to 300m (1,000 foot) distance over common XLR cable, and it features a new intuitive touchscreen control with user-friendly, fine-tune adjustment dials for quick changes on the fly. The touchscreen interface offers self-help dialogs, favorites settings, save features, and intelligent menu and sub-menu layouts. The fine-tune finger dials enable precise adjustments for white balance, red/blue gain, gamma, black level, brightness, exposure, iris, shutter, resolution, frame-rate, and more, and they can be adjusted simultaneously or one at a time. The CV-RCP-V2 comes pre-programmed with control protocols for all Marshall Cameras, including Marshall’s POV cameras, varifocal cameras, zoom cameras, PTZ cameras, as well as other popular non-Marshall branded cameras on the market. Easily convert to fiber using common fiber media converters for much longer distances. Seven cameras are select-able from ALL screen menus with intuitive navigation layout. Global or individual camera adjustment capability without OSD (On-screen Display) Menu appearing on video stream. Adjust Red/Blue, Pedestal (Black-levels), Brightness (AE Offset), Gain, Gamma, Iris, Shutter, Saturation, Hue, Optical/Digital Zoom, Pan-Tilt, Focus, and more. – Rugged machined aluminum enclosure provides durability while a larger 5-inch screen provides easier access to digital buttons. – Easy access USB port for field up-gradable firmware and memory saves using USB thumb drives (sold separately). – Red and Blue adjustment follows every screen menu with optional Favorites Menu to save important controls to specific events for easy access. – Set up multiple cameras with one global preset or multiple presets that are savable on-board the RCP unit or external USB memory sticks. – Low power consumption requires 12V power at less than 12W (AC or battery packs).
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Continuing to build on the success of the CamBall series, the CamBall 3 takes a number of steps forward. Keeping all the features of the original unit but replacing the internal sensor and lens with a far more advanced package. It retains the full, simultaneous control of Pan, Tilt, Zoom and Focus, with smooth-move, feedback controlled motors. The unit now boasts a 30x optical zoom matched to a larger and higher resolution sensor with increased low light sensitivity and outputs up to 1080p Wide angle lenses can still be fitted inside the carbon housing by simply pulling off the ‘O-ring’ sealed front port, screwing the lens onto the camera and replacing the port. Internally the camera is fitted onto a slide plate and can be adjusted fore and aft. The Cam-Ball 3 is fully weatherproof and can withstand extended periods outside in all types of weather. Slipping clutches are fitted to both axes to protect the mechanics from external forces and to make rigging very easy. It can be mounted either way up. Slip rings enable continuous 360 degree pans. All the SD and HD signals pass through the slip rings and both SD or HDSDI outputs are available on the base together with the 1080p analogue output signals. The camera offers full HD broadcast images and is remotely SD/HD switchable. Wide angle converters can easily be attached to the camera. All camera functions can be remotely controlled via our RCPs. The Infrared mode is also activated remotely. This camera is used on many high end prestige programmes worldwide and quality matches many larger cameras. 32 preset positions can be memorised and re-called. This includes: Pan, Tilt, Zoom and Focus for each preset. These positions, and all the camera settings, are automatically stored into non-volatile memory when set or adjusted. Clutch slip, even when powered down, does not affect the preset positions. Absolute position sensors are used on the shafts so it always knows where it is.
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Extreme Facilities offer a variety of portable tracking options, for mounting to any vehicle. The lightweight custom Phoenix Tracking Rigs offer fully stabilized Camera, Gimbal, & vertical damper. Shooting up to 5.2k, options include, our ultra-smooth motorized riser, for back, front or side mounting. This whole package travels as check-in luggage in only 4 cases including all controls, rigging, and camera system. The Extreme Riser is a heavier duty motorized riser used with a Black Arm and Ronin 2, the system can carry cameras such as the Arri Alexa/Mini, Red Helium, Sony F55, and similar camera systems.   Phoenix & Phoenix Riser The Phoenix system can be mounted onto any vehicle, front-rear or corner mounted; and packs down in flight cases to be transported. It can be used with just the dampening suspension arm, similar to a Black Arm, by 80% lighter, or with the Riser system as well. The Phoenix Riser is a lightweight 185cm motorized riser fully remote controlled. The X5s Camera can record both ProRes and Cinema DNG and is available with a wide selection of prime lenses and a remote zoom lens.   Extreme Riser The Extreme Riser works with the Black Arm and a Ronin 2 to carry full-size cameras such as the Arri Alexa/Mini, Reds’ & Sony F55. Like the small Phoenix system, it can be mounted to any vehicle. Extreme Tracking Car Perfect for mounting the Phoenix or Extreme Riser rigs, the 320BHP Audi A6 All-road 4×4 with adjustable damping and ride height, and sports diff makes a perfect tracking vehicle.  
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DJI Ronin-S Handheld Gimbal for DSLRs and Mirrorless Cameras – Essentials Kit. Please Note: Camera not included. Gimbal only. Designed for DSLR and mirrorless cameras, the Ronin-S combines advanced stabilization, precision control, and manual focus control capabilities in a compact, single-handed form factor. With the Ronin-S, creators can shoot with the freedom of stabilised shots on the move. Design: The Ronin-S’s innovative framework elevates camera payload above the Roll Axis, making the camera’s built-in display obstruction free and always in your line of sight. This ergonomic design also frees the Ronin-S from unwanted shake as you shift from underslung to an upright position in one smooth take. SmoothTrack: With only one hand, SmoothTrack technology allows you to transition smoothly from motion to camera angle effortlessly. Two customisable parameter groups enable you to store your favorite SmoothTrack settings, switching between them in a single click. The Ronin-S’s new Sport mode now intelligently increases SmoothTrack responsiveness to keep up…
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RT Motion Follow Focus RT Motion Follow Focus has emerged as one of the top wireless follow focus brands in recent times and we get why. The RT Motion MK3.1 LCS (Lens Control System) is a joy to use. It gives you solid, reliable, precision wireless control of lenses with powerful and very quiet motors. The controller has simultaneous 4 Axis control as standard (Knob, Slider, A and B), with optional force-joystick and has an OLED screen with easy to use menu systems. The receiver can take up to three motors and also supports run/stop for most cameras (Alexa Mini, Sony F55, Venice, Red Epic, Blackmagic etc). The motors, built with a brushless vector drive lens, have an adjustable compensation for zero-backlash and perfect accuracy all day long and can be mounted on either side of the camera. This is the perfect follow focus for gimbals and rigs. It has up to 1.5Km line-of-sight and weighs 3484g. For the latest news and products check out our Facebook page
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The RT MOTION MK3.1 Lens Control system is optimised for high-end Wireless and Wired remote control of Cinema and Still camera lenses. The range is specifically designed to enable a low-cost entry point (single motor), with a broad expansion capability. World’s smallest and lightest lens control receiver – 3 motor control as standard. OLED menu screen. World’s first interference-free FHSS (frequency hopping spread spectrum) wireless. Adjustable wireless range up to 1,500 meters line-of-sight with 42 channels. Automatic and Manual (soft stop) calibration. Adjustable motor response for silky smooth to quick and sharp moves. Unique calibration algorithm and torque control to protect lenses. Simultaneous 4 Axis control as standard (Knob, Slider, A, and B), 6 with optional force-joystick (X and Y). No noticeable latency, 2ms. Integral protected antennas to help prevent damage. Run-stop support for Arri, Alexa, Red EPIC, Red One, Sony F55, Phantom Flex, LANC and Black Magic etc. Full 16bit digital transmission Support for external controllers (Analogue or Digital). Micro USB ports for updates and new features, OSX / Windows compatible. Auxiliary port for trigger, analogue and digital serial data communication. FCC/IC/CE Certified wireless, Worldwide license-free 2.4 GHz. Precision machined from aerospace grade aluminum billet.
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The Mini RCP is a sophisticated yet simple remote camera control panel. It is housed in a rugged aluminum extrusion with rubber surrounds and fitted with soft-touch knobs. The camera protocols including, Toshiba TU48/63, Hitachi, Sony, Ikegami, JVC etc. are stored in the remote Protocol Converters which are individually ident-assignable. In this way, up to 4 different cameras can be controlled with the same RCP. Controlling different cameras is simply a matter of purchasing the appropriate Protocol Converter. 8 most-used controls are directly available with another 3, user-assignable controls available at the touch of a button. These 3 secondary controls can be selected and changed from any number of other camera adjustments available on the specified camera. All values are displayed either on the LCD or LED displays and all the switch and knob legends all have LED backlighting for easy reading in dark environments. The output is on an industry standard XLR3 or XLR4 socket in RS485 format. The XLR4 version also carries power for the protocol converter. The remote Protocol Converters can be up to 1km from the Mini RCP using a standard audio cable. An LED indicates power and data at the remote end. The Protocol Converters are supplied with the appropriate camera connector. Protocol Converter & camera plug Data can also be routed via any Bradley Engineering joystick controller and is interlaced into the pan, tilt and lens command data. This enables engineering commands to be sent via the same data path but to a different camera to that being controlled by the camera operator.   Direct access knobs: Iris Master Pedestal Gain Shutter Detail Red Gain Blue Gain White Balance & Bars Camera Select Update Display Iris/Master Pedestal One-Touch Sub Functions; (The operation of these functions is dependent on the camera) Gamma Black Gamma Shading Chroma Gain Shutter Mode Menu Page Menu Up/Dn & Select Synchronisation 16:9 / 4:3 Functions may change, be removed or be added depending on the specification and camera
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The Multi-Function Controller is possibly the most sophisticated remote head and camera controller available. Both remote heads and cameras can be controlled from this controller including camera engineering functions. Multi-Camera Operation The Multi-Function Controller can control up to 8 remote cameras and heads using the one-touch selection buttons or up to 99 cameras with the addition of a keypad Camera Selector. Because the output data is generic, any number of different cameras and heads can be controlled by using a data receiver and protocol converter at the remote end. The protocols are open and available for 3rd party interfacing. All Bradley Engineering products operate as plug-and-play units. Advanced Control Functions The main controls are positioned in a familiar ergonomic layout to enable ease of operation over extended periods with minimum operator fatigue. All corners are rounded for comfort. The main LCD display has several pages of information and selectable functions. The CCU LCD section has three knobs that can be individually assigned to various camera functions. Should a new function be required this can be written into the software and will simply become another option on this LCD panel. All these functions and more can also be accessed via the optional Remote Engineering Panel which offers touchdown joystick engineering control of up to 4 cameras each. This enables a single control path for Pan & Tilt, Lens, and Camera. Power & Data Power input is 12-18v and data output is RS485 via industry standard XLR3 and XLR4 sockets on the back panel. Also on this panel, optional data input can be fitted for remote inputs. eg. RCPs.   Functions: Primary Control Functions Pan Tilt Zoom Focus Auto/Manual Focus Fine Focus Iris Auto/Manual Iris Ramp Pan Speed Tilt Speed Preset Positions x 8 Preset Position Store 8 x Head Select (Additional selector panel for up to 99 heads)
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Kessler MC1001 (MC-1001) Revolution Pan and Tilt Head The Digital Revolution Head brings the latest in digital motion control technology to a proven Kessler platform that can accommodate rigs up to 20 lbs. Ideal for cranes and jibs as well as able to be tripod or slider mounted, the Digital Revolution Head can be mounted over or under-slung to provide dynamic pan and tilt camera movement in a variety of shooting environments. The Kessler REVOLUTION Pan and Tilt System is Kessler’s answer to the need for an affordable, quality motorised pan & tilt head. After two years of development, they produced a motorised head that addresses the failings of other pan / tilt heads in a similar price range. When paired with the ORACLE Controller kit, we are confident that this should be able to serve as an affordable option for a motorised pan and tilt head.    
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The Kessler Parallax system provides automatic panning and fixed-point shooting capabilities to the Kessler line of sliders. Previously only capable with motorized panning devices, Kessler Parallax accomplishes inward and outward panning shots, providing users a second axis to their linear movements. The Kessler Parallax’s non-intrusive design allows users to choose between automatic panning or standard linear sliding without removing the Parallax bar. Quick Setup and Easy to Use The advantages of being a mechanical accessory make Parallax extremely easy to set up and use in run-and-gun environments. In addition, Parallax removes the difficulty of trying to achieve smooth panning shots with a fluid head. With Parallax the move is as simple as aligning your subject and pushing the slider cart left and right.Not a One-Trick-Pony Kessler Parallax does not require specific measurement calibration and does not have a fixed subject distance requirement to accomplish 2 axis panning and fixed-point linear sliding shots. Motion Control Ready Combine with any of Kessler’s motion control solutions to get effortless repeatable fixed-point panning shots perfect for long interviews and time-lapse work. Lifetime Warranty Backed by our manufacturer’s Lifetime Warranty, we guarantee that it is free from defects in material and workmanship, otherwise, we’ll fix it.
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DitoGear™ OmniSlider provides you probably the richest feature set suited for nearly all kinds of cinematography work, be it real-time filming, macro shots, speed matching, advanced time-lapse operation or stop motion. With DitoGear™ OmniSlider you don’t have to change the motors to get different speed ranges. From 1m/3.7s to 1m in 1.5 years your creativity is not limited anymore. The interface of the DitoGear™ OmniSlider delivers all features in a clear and intuitive way – right at your fingertips when you need them. Thanks to refined design concepts making use of precise CNC-machined parts and servo motors, the DitoGear™ OmniSlider allows you to feel comfortable on a set, even while working with the sound. The DitoGear™ OmniSlider makes use of high-precision servo motors proprietary technology of controlling them to deliver unmatched positioning precision (up to 0.1mm) and ultimate smoothness of motion which allows you even for shooting macro. The DitoGear™ OmniSlider is probably the strongest compact slider available on the market. With its horizontal payload of over 70kg and vertical of 15kg, it allows you to work with a range of cameras starting from DSLRs, through video, digital cinema to broadcast setups. Thanks to amazing build quality and technologies used, DitoGear™ OmniSlider delivers perfect motion repeatability which you need for advanced match-moving, compositing, and sophisticated special effects. No more limitations. Low Power Consumption What’s the most amazing is that you get this performance with really impressive power efficiency. Spec: Working speeds:
 Min: 1m/450 days in timelapse mode
 Max: 1m/3.85s in video mode Positioning precision in StopMotion mode:
0.1mm = 10 000 steps/m Working track lengths:
0.5m (1.64ft) to 2.5m (6.5ft) Operation temperature range:
-25°C to 45°C Workload:
70kg in horizontal operation mode
12kg (15kg2) in the vertical operation mode Power supply: 11.4V – 24V DC Current draw:
0.3A – 4A (at 12V DC) Battery operating time
~ up to 40h (low payload, horizontal operation)
~ up to 12h
(estimated operation time in mixed mode & average payloads)
~ 2-3h
(under maximum workload, vertical operation, upwards) Controller User Interface Precise 4-directional, 1-button joystick control Speed dampening dial Max speed dial High resolution backlit LCD Display Dimensions & Weight Travel Length: 1033mm Total Length: 1300mm Width: 70mm Total Height: 220mm Slider Height: 42mm Weight: 7.6kg
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The Kessler CineSlider™ is an extremely heavy-duty and durable camera slider designed for the heaviest rigs while still remaining portable and lightweight. Reinforced aluminum, protected rails, and precision machining combine to give filmmakers assurance that no matter what, the CineSlider will get the job done. Heavy Duty With an 80 lb. weight capacity the CineSlider holds more weight than any of our other sliders yet still remains extremely portable at a starting weight of 7.7 lbs. Add cameras, monitors, matte boxes, large lenses and more and still have weight to spare on the CineSlider. Adjustable Drag Control Everyone knows how important fluid drag controls are to tripod heads, so why not add the same idea to a slider? Now you can have that same ultra-smooth resistance to control your motion ensuring a perfect shot. Removable Crank Handle Depending on use and user, the removable crank handle on the CineSlider provides options for manual operation. Motion Control Ready The CineSlider is compatible for use with elektraDrive™, CineDrive™, and/or Second Shooter™ motion control systems. Adding a motion control system to your slider will increase precision in movement and provide a platform to capture professional time-lapse, stop-motion and live camera movement. Lifetime Warranty Backed by our manufacturer’s Lifetime Warranty, we guarantee that it is free from defects in material and workmanship, otherwise, we’ll fix it. Parallax With the addition of the Parallax bar, easily add a panning axis to the slider.
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Revolutionary Handheld Video Shooting Experience.   Have you ever taken a video with your smartphones, cameras, or GoPro? How is the video quality shot by barely your hand holding it? How many times do you need to delete precious moments taken after finding out those videos turn out to be useless due to your shaky hand? Don’t feel so sad, It’s definitely not your fault. As the filming devices and technology are progressing extremely fast, bigger aperture, long-range zoom, high megapixels, have brought the image quality to another level, but somehow diminish the tolerance of human error. Any tiny error while filming can be enlarged when reviewing it on your big screen with HD quality, especially taking videos of moving objects while walking or running, such as filming outdoor sports, traveling or even home movies. Here it comes a savior for making handheld shooting a lot easier than ever and save your bittersweet memories taken with your best friends and family. Designed to enhance the video quality of handheld GoPro shooting! The Handled 3 – axis  Gimbal stabilizes your GoPro with built-in 3-axis gyro, provides wider and adjustable shooting angles by simply pressing buttons on the pole. Go outdoor exercising, skateboarding, downhill cycling and experience how cool your life can be. No matter how jolted your journey is, this system will smoothen it and record your bittersweet memories along the way. The system contains sensors that detect the roll and tilt movement of the camera mounted. When the sensor senses either the camera’s roll of tilt movements, it will predict its next movement and calculate how much movement the brushless motors need to react for leveling it back to keep the camera steady. Though it’s just a few sentences of words to explain, actually it contains hundreds of thousands of calculations made by the sensor and processor inside. Thanks for the modern technology and creative ideas by engineers worldwide that make it happen to improve our lives.   Setup: The gimbal will do self-calibration every time you turn it on, make sure you put the GoPro Hero 4 on before power on. While self-calibrating, hold the gimbal as level as possible. Check if there’s any tear or wear on the components. Every gimbal is well checked and tuned before shipment, read the manual thoroughly before use.   Features: Standard attachment point for GoPro cameras. Lightweight, high strength anodized aluminum pole. Built-in 3 -axis gyro system. Remote control angle adjusts the design. Durable Brushless motors provide the ultimate response to every move you made. Rechargeable battery pack and charger included.   Specification: Input: 9 – 11.1V Handle Size: D25x77mm (Diameter x Length) Gimbal Size: 92x82x57mm (Length x Width x Height) Weight: 313g (Wth Battery but without Gopro) Side tilt: ±45° Vertical tilt: +45°~ -90°
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POWERFUL Ronin 2 exists to let filmmakers capture the scene they see in their mind. Upgraded high torque motors allow it to support a wider range of cameras, resist high winds and G-forces caused when mounted to a car and keep it moving smoothly in flight.   VERSATILITY A newly designed detachable Grip allows Ronin 2 to stand up on its own and is easily separated when the lower part of the hand grip is not needed. Ronin 2 is also highly compatible with cable cams, drones, cranes, Steadicams, and more.   EASY The simplicity of Ronin has been amplified with Ronin 2, making setup and use easier than ever. Everything, from mounting cameras to balancing and tuning, powering accessories and transportation has been tweaked and refined for ease and speed.   INTELLIGENT Enhanced intelligence means filmmakers can get shots with Ronin 2 that would once have needed specialist expertise or additional equipment, from total smoothness control to studio-oriented smart features.   INTEGRATED Power systems are now tightly integrated into Ronin 2, capable of powering its motors and the attached camera and accessories without dangling cables or multiple power systems. As it uses a dual battery system, filmmakers can hot swap to keep the camera and accessories powered and maximize shooting time.   RELIABLE Every element of Ronin 2 has been designed to maximize reliability, from materials to the splash-proof enclosed motor design, cable management, and redundancy. All of this creates a system that shines in the most demanding of shooting environments.
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Gremsy H16 is a state of the art product designed especially for professional filmmakers. Features latest technologies in advanced stabilization and motor control give ultra smooth footage in the most extreme conditions. Handling payload of up to 16lbs allows RED EPIC, Arri Mini or F55 and Cinema lenses at ease for the very high demand production.   System Type 3-Axis Camera Stabilizer Weight 2.6 kgs / 5.73 lbs Weight in Aerial Mode 2.2 kgs / 4.85 lbs Camera Cage (Standard) (L x W x H) 200mm x 195mm x 55-200mm Construction Aluminum, Carbon Fiber Input Voltage 16.8 VDC Battery 4Sx 3400mAh Li-ion Battery Connection USB, Wifi Payload 7.25 kgs / 16 lbs OS Platform Supported Windows / Mac / iOS / Android Single Operator Follow Mode, Thumb Joystick Dual Operator SBUS / Spektrum / PPM/ Hurricane Wheels Pan Range 360 degree continuous Tilt Range (+/-) 90 degree Roll Range (+/-) 45 degree