DJI RS 3 Pro - Nothing Out of Reach
Expanding on the powerful features of the Ronin series, DJI RS 3 Pro is an advanced, comprehensive camera expansion platform that empowers videographers and provides coordinated shooting solutions for professional crews. With DJI RS 3 Pro, nothing is out of reach.Handle Big Payloads
RS 3 Pro uses extended carbon fiber axis arms to allow more balancing space for professional cameras, making it a perfect fit for cameras like the Sony FX6 or Canon C70 with 24-70mm F2.8 lenses, expanding creative possibilities.
The new Extended Lower Quick-Release Plate  ensures more stable camera mounting, and is convenient for installing a lens support for more secure setups.
To make the balancing process easier, a fine-tuning knob has been added for the tilt axis to move the camera forward or backward more precisely, even down to the millimeter. With Teflon®-coated components, RS 3 Pro can be balanced with less friction and lower resistance, even when mounting heavy cameras.Automated Axis Locks
RS 3 Pro allows you to get started fast to never miss a shot. Simply press and hold the power button and the three axes unlock and expand automatically, allowing you to start shooting within seconds. Press the power button once, and the axes automatically lock and enter sleep mode, making company move significantly more efficient. Press and hold the power button and it will fold and lock automatically.High-Capacity Payloads
The optimized structural design of RS 3 Pro ensures that its weight remains the same as RS 2 at just 1.5 kg/3.3 lbs (includes gimbal, battery grip, and dual-layered quick-release plates), while its load capacity is a robust 4.5 kg/10 lbs, delivering powerful support in a lightweight body.Wireless Shutter Control
Equipped with Dual-Mode Bluetooth technology, RS 3 Pro is able to achieve efficient and reliable wireless shutter control. After the initial Bluetooth pairing, you can control video and photo shooting by simply pressing the record button on the stabilizer. A previously paired camera will automatically reconnect, saving you time with every ensuing use.Instant Mode Switching
By simply sliding the new Gimbal Mode Switch, you can alternate between Pan follow, Pan and Tilt follow, and FPV modes. The FPV mode selection is also customizable to 3D Roll 360, Portrait, or Custom, allowing you to adjust your equipment and get started fast.Bigger is Better
A large, built-in 1.8-inch OLED full-color touchscreen increases screen size by 28% compared to RS 2, making it incredibly convenient for setting parameters, checking shooting status, and framing your tracked subjects.  And with the redesigned user interface, every setting is more intuitive and precise. The OLED screen also offers higher brightness than the LCD screen of RS 2 for better outdoor viewing with lower power consumption.Sleek Carbon Fiber Construction
The RS 3 Pro arms are constructed from layered sheets of uncut carbon fiber, just like the Ronin 2. This makes it lighter and stronger than the jointed carbon fiber material used on RS 2, increasing stiffness and lowering weight to cope with even more demanding shooting environments.The Next Evolution of RS Stabilization
Empowered by the third generation of RS stabilization algorithms, RS 3 Pro provides significantly enhanced stability in any scenario. Laboratory sampling data shows RS 3 Pro provides a 20% increase in stability over RS 2, effortlessly managing low-angle shots, running scenarios, or switching between high and low positions.Get SuperSmooth Results
When SuperSmooth mode is enabled, RS 3 Pro increases motor torque to further enhance stabilization, delivering stable footage even in fast-moving scenarios or when using 100mm-equivalent focal length lenses.LiDAR Assistance
To make focusing easier, Ronin 4D’s LiDAR focusing technology is applied to RS 3 Pro. The new LiDAR Range Finder (RS) can project 43,200 ranging points within a 14-meter distance.  It also features a built-in camera with an equivalent focal length of 30 mm and a wide FOV of 70°, catering to the focusing needs of most scenarios.
Compared with conventional focusing technology, the LiDAR focusing system does not need to rely on the surface texture of the subject. This is especially useful in low-light environments or complicated scenarios with multiple subjects and results in exceptionally stable focus. It supports both Wide Mode and Spot Mode. In Wide Mode, the range finder automatically detects the subject and follows focus. In Spot Mode, users can manually frame or tap the subject to focus.All-New Focus Motor
The next-generation DJI RS Focus Motor (2022) provides torque three times stronger (up to 1 N·m) and reduces audible noise by 50%. This delivers a smoother focusing experience and reduces the effect on audio recording. It also adopts a quick-release structure, allowing it to be assembled easily without any tools for faster use.Enables Cinematic Autofocus
The pairing of the LiDAR Range Finder with the new Focus Motor also makes cinematic autofocus on manual lenses possible. Press the M button on the gimbal once to quickly switch between manual focus and autofocus to meet your needs for both modes effortlessly.
After the calibration of manual lenses, several lens calibration profiles can be stored in the focus motor, so there is no need to re-calibrate before ensuing uses. Certain cinema lenses  can even directly connect to the focus motor for autofocus with no need for calibration.
Users can also directly connect the LiDAR Range Finder and focus motor to the camera and operate independently from the gimbal, enabling autofocus on manual lenses as well with an external battery.ActiveTrack Pro
Tracking on the Ronin series has never been more accurate or responsive.
The next-generation ActiveTrack Pro can directly read images from the camera built into the LiDAR Range Finder, with no need for the Ronin Image Transmitter (previously known as the Ronin RavenEye Image Transmitter). The LiDAR Range Finder also carries a self-developed chip identical to the one used by Ronin 4D, which boosts the computing power of ActiveTrack Pro by more than 60 times compared to ActiveTrack 3.0 on the Ronin Image Transmitter.
When using ActiveTrack Pro, you can directly monitor or frame the subject on the RS 3 Pro’s OLED touchscreen. The live feed latency is reduced to just 40 ms, 60% lower than that of the Ronin Image Transmitter, allowing for swift tracking, even when the subject is moving fast. With a neural network accelerator, it can identify and track targets, even when they are numerous and at a distance.Quick Mounting
RS 3 Pro can pair with the all-new DJI Transmission to offer a customized shooting solution. The DJI Video Transmitter can be powered directly by RS 3 Pro and mounts conveniently on the bottom via the cold shoe without the need for an additional battery, reducing the burden for handheld setup.Long-Range Wireless Transmission
O3 Pro Video Transmission supports a 6km/20,000ft  video and audio transmission range with ultra-low latency, as well as automatic frequency hopping between 2.4 GHz, 5.8 GHz, and DFS bands, providing crews with an impressively stable and interference-free remote monitoring experience.Coordinated Shooting
The DJI High-Bright Remote Monitor supports 1080p/60fps live feeds and one transmitter with multiple receivers. In Control mode, two receivers can be used at the same time to collaboratively control RS 3 Pro’s gimbal, focus, and camera parameters for an integrated reception, monitoring, and control experience.
Gimbal and Focus Control 
The High-Bright Remote Monitor can be used with Ronin 4D Hand Grips, DJI Master Wheels, or DJI Force Pro to control the gimbal and focus precisely. It is also equipped with a built-in gyroscopic sensor that can turn the remote monitor into a standalone motion controller for RS 3 Pro without additional accessories to achieve more complex camera movements from a moving vehicle or with a jib.Seamless Wireless Camera Control
When RS 3 Pro is mounted to carriers like a jib, cable cam, or a vehicle suction cup mount, Mirror Control mode unlocks seamless wireless control from anywhere on set. This mode allows direct control of the core menu operations for Sony mirrorless cameras via a remote monitor, all without having to detach your camera.Extensive Expandability
With dual RSA/NATO ports and a battery port, RS 3 Pro can be connected to various accessories such as the Twist Grip Dual Handle, Tethered Control Handle, and the new DJI Briefcase Handle to flexibly meet a variety of shooting requirements.Solutions for Any Scenario
With DJI RS SDK protocol, third-party manufacturers and individual developers can now create customized solutions for RS 3 Pro. Whether it’s filming from a moving vehicle, with a jib or Steadicam, or from a cable cam or slider, RS 3 Pro provides you with comprehensive shooting solutions and greater creative possibilities.Ronin Image Transmitter
RS 3 Pro supports two official video transmission solutions. Besides DJI Transmission, the Ronin Image Transmitter provides HD live feeds, remote gimbal and camera control, ActiveTrack 3.0, Force Mobile, and many other features, bringing integrated monitoring and control to independent videographers and small crews.New Briefcase Handle
The redesigned briefcase handle is foldable for convenient storage, and comes with a new ergonomic handle to make it easier and faster to install and switch to Briefcase mode. The built-in cold shoe mount and 1/4"-20 mounting holes can connect to external monitors for shooting assistance, making low-angle camera movements more intuitive.Using the long range control the gimbal can be used on our polecam rig for even more amazing shots. Check out our facebook page for all the latest news
The Multi-Function Controller is possibly the most sophisticated remote head and camera controller available. Both remote heads and cameras can be controlled from this controller including camera engineering functions.
The Multi-Function Controller can control up to 8 remote cameras and heads using the one-touch selection buttons or up to 99 cameras with the addition of a keypad Camera Selector. Because the output data is generic, any number of different cameras and heads can be controlled by using a data receiver and protocol converter at the remote end. The protocols are open and available for 3rd party interfacing. All Bradley Engineering products operate as plug-and-play units.
Advanced Control Functions
The main controls are positioned in a familiar ergonomic layout to enable ease of operation over extended periods with minimum operator fatigue. All corners are rounded for comfort.
The main LCD display has several pages of information and selectable functions.
The CCU LCD section has three knobs that can be individually assigned to various camera functions. Should a new function be required this can be written into the software and will simply become another option on this LCD panel. All these functions and more can also be accessed via the optional Remote Engineering Panel which offers touchdown joystick engineering control of up to 4 cameras each. This enables a single control path for Pan & Tilt, Lens, and Camera.
Power & Data
Power input is 12-18v and data output is RS485 via industry standard XLR3 and XLR4 sockets on the back panel. Also on this panel, optional data input can be fitted for remote inputs. eg. RCPs.
- Primary Control Functions Pan
- Auto/Manual Focus
- Fine Focus
- Auto/Manual Iris
- Pan Speed
- Tilt Speed
- Preset Positions x 8
- Preset Position Store
- 8 x Head Select (Additional selector panel for up to 99 heads)
Ronin 2 exists to let filmmakers capture the scene they see in their mind. Upgraded high torque motors allow it to support a wider range of cameras, resist high winds and G-forces caused when mounted to a car and keep it moving smoothly in flight.
A newly designed detachable Grip allows Ronin 2 to stand up on its own and is easily separated when the lower part of the hand grip is not needed. Ronin 2 is also highly compatible with cable cams, drones, cranes, Steadicams, and more.
The simplicity of Ronin has been amplified with Ronin 2, making setup and use easier than ever. Everything, from mounting cameras to balancing and tuning, powering accessories and transportation has been tweaked and refined for ease and speed.
Enhanced intelligence means filmmakers can get shots with Ronin 2 that would once have needed specialist expertise or additional equipment, from total smoothness control to studio-oriented smart features.
Power systems are now tightly integrated into Ronin 2, capable of powering its motors and the attached camera and accessories without dangling cables or multiple power systems. As it uses a dual battery system, filmmakers can hot swap to keep the camera and accessories powered and maximize shooting time.
Every element of Ronin 2 has been designed to maximize reliability, from materials to the splash-proof enclosed motor design, cable management, and redundancy. All of this creates a system that shines in the most demanding of shooting environments.
Revolutionary Handheld Video Shooting Experience.
Have you ever taken a video with your smartphones, cameras, or GoPro? How is the video quality shot by barely your hand holding it? How many times do you need to delete precious moments taken after finding out those videos turn out to be useless due to your shaky hand? Don’t feel so sad, It’s definitely not your fault.
As the filming devices and technology are progressing extremely fast, bigger aperture, long-range zoom, high megapixels, have brought the image quality to another level, but somehow diminish the tolerance of human error. Any tiny error while filming can be enlarged when reviewing it on your big screen with HD quality, especially taking videos of moving objects while walking or running, such as filming outdoor sports, traveling or even home movies. Here it comes a savior for making handheld shooting a lot easier than ever and save your bittersweet memories taken with your best friends and family.
Designed to enhance the video quality of handheld GoPro shooting! The Handled 3 – axis Gimbal stabilizes your GoPro with built-in 3-axis gyro, provides wider and adjustable shooting angles by simply pressing buttons on the pole. Go outdoor exercising, skateboarding, downhill cycling and experience how cool your life can be. No matter how jolted your journey is, this system will smoothen it and record your bittersweet memories along the way.
The system contains sensors that detect the roll and tilt movement of the camera mounted. When the sensor senses either the camera’s roll of tilt movements, it will predict its next movement and calculate how much movement the brushless motors need to react for leveling it back to keep the camera steady. Though it’s just a few sentences of words to explain, actually it contains hundreds of thousands of calculations made by the sensor and processor inside. Thanks for the modern technology and creative ideas by engineers worldwide that make it happen to improve our lives.
- The gimbal will do self-calibration every time you turn it on, make sure you put the GoPro Hero 4 on before power on.
- While self-calibrating, hold the gimbal as level as possible.
- Check if there’s any tear or wear on the components.
- Every gimbal is well checked and tuned before shipment, read the manual thoroughly before use.
- Standard attachment point for GoPro cameras.
- Lightweight, high strength anodized aluminum pole.
- Built-in 3 -axis gyro system.
- Remote control angle adjusts the design.
- Durable Brushless motors provide the ultimate response to every move you made.
- Rechargeable battery pack and charger included.
- Input: 9 – 11.1V
- Handle Size: D25x77mm (Diameter x Length)
- Gimbal Size: 92x82x57mm (Length x Width x Height)
- Weight: 313g (Wth Battery but without Gopro)
- Side tilt: ±45°
- Vertical tilt: +45°~ -90°
The Kessler CineSlider™ is an extremely heavy-duty and durable camera slider designed for the heaviest rigs while still remaining portable and lightweight. Reinforced aluminum, protected rails, and precision machining combine to give filmmakers assurance that no matter what, the CineSlider will get the job done.
With an 80 lb. weight capacity the CineSlider holds more weight than any of our other sliders yet still remains extremely portable at a starting weight of 7.7 lbs. Add cameras, monitors, matte boxes, large lenses and more and still have weight to spare on the CineSlider.
Adjustable Drag Control
Everyone knows how important fluid drag controls are to tripod heads, so why not add the same idea to a slider? Now you can have that same ultra-smooth resistance to control your motion ensuring a perfect shot.
Removable Crank Handle
Depending on use and user, the removable crank handle on the CineSlider provides options for manual operation.
Motion Control Ready
The CineSlider is compatible for use with elektraDrive™, CineDrive™, and/or Second Shooter™ motion control systems. Adding a motion control system to your slider will increase precision in movement and provide a platform to capture professional time-lapse, stop-motion and live camera movement.
Backed by our manufacturer’s Lifetime Warranty, we guarantee that it is free from defects in material and workmanship, otherwise, we’ll fix it.
With the addition of the Parallax bar, easily add a panning axis to the slider.
DitoGear™ OmniSlider provides you probably the richest feature set suited for nearly all kinds of cinematography work, be it real-time filming, macro shots, speed matching, advanced time-lapse operation or stop motion.
With DitoGear™ OmniSlider you don’t have to change the motors to get different speed ranges. From 1m/3.7s to 1m in 1.5 years your creativity is not limited anymore.
The interface of the DitoGear™ OmniSlider delivers all features in a clear and intuitive way – right at your fingertips when you need them.
Thanks to refined design concepts making use of precise CNC-machined parts and servo motors, the DitoGear™ OmniSlider allows you to feel comfortable on a set, even while working with the sound.
The DitoGear™ OmniSlider makes use of high-precision servo motors proprietary technology of controlling them to deliver unmatched positioning precision (up to 0.1mm) and ultimate smoothness of motion which allows you even for shooting macro.
The DitoGear™ OmniSlider is probably the strongest compact slider available on the market. With its horizontal payload of over 70kg and vertical of 15kg, it allows you to work with a range of cameras starting from DSLRs, through video, digital cinema to broadcast setups.
Thanks to amazing build quality and technologies used, DitoGear™ OmniSlider delivers perfect motion repeatability which you need for advanced match-moving, compositing, and sophisticated special effects.
No more limitations.
Low Power Consumption
What’s the most amazing is that you get this performance with really impressive power efficiency.
- Working speeds: Min: 1m/450 days in timelapse mode Max: 1m/3.85s in video mode
- Positioning precision in StopMotion mode: 0.1mm = 10 000 steps/m
- Working track lengths: 0.5m (1.64ft) to 2.5m (6.5ft)
- Operation temperature range: -25°C to 45°C
- Workload: 70kg in horizontal operation mode 12kg (15kg2) in the vertical operation mode
- Power supply: 11.4V – 24V DC
- Current draw: 0.3A – 4A (at 12V DC)
Battery operating time ~ up to 40h (low payload, horizontal operation) ~ up to 12h (estimated operation time in mixed mode & average payloads) ~ 2-3h (under maximum workload, vertical operation, upwards)
Controller User Interface
- Precise 4-directional, 1-button joystick control
- Speed dampening dial
- Max speed dial
- High resolution backlit LCD Display
Dimensions & Weight
- Travel Length: 1033mm
- Total Length: 1300mm
- Width: 70mm
- Total Height: 220mm
- Slider Height: 42mm
- Weight: 7.6kg
The advantages of being a mechanical accessory make Parallax extremely easy to set up and use in run-and-gun environments. In addition, Parallax removes the difficulty of trying to achieve smooth panning shots with a fluid head. With Parallax the move is as simple as aligning your subject and pushing the slider cart left and right.Not a One-Trick-Pony
Kessler Parallax does not require specific measurement calibration and does not have a fixed subject distance requirement to accomplish 2 axis panning and fixed-point linear sliding shots.
Motion Control Ready
Combine with any of Kessler’s motion control solutions to get effortless repeatable fixed-point panning shots perfect for long interviews and time-lapse work.
Backed by our manufacturer’s Lifetime Warranty, we guarantee that it is free from defects in material and workmanship, otherwise, we’ll fix it.
Kessler MC1001 (MC-1001) Revolution Pan and Tilt Head
The Digital Revolution Head brings the latest in digital motion control technology to a proven Kessler platform that can accommodate rigs up to 20 lbs. Ideal for cranes and jibs as well as able to be tripod or slider mounted, the Digital Revolution Head can be mounted over or under-slung to provide dynamic pan and tilt camera movement in a variety of shooting environments.
The Kessler REVOLUTION Pan and Tilt System is Kessler’s answer to the need for an affordable, quality motorised pan & tilt head. After two years of development, they produced a motorised head that addresses the failings of other pan / tilt heads in a similar price range. When paired with the ORACLE Controller kit, we are confident that this should be able to serve as an affordable option for a motorised pan and tilt head.
The Mini RCP is a sophisticated yet simple remote camera control panel. It is housed in a rugged aluminum extrusion with rubber surrounds and fitted with soft-touch knobs.
The camera protocols including, Toshiba TU48/63, Hitachi, Sony, Ikegami, JVC etc. are stored in the remote Protocol Converters which are individually ident-assignable. In this way, up to 4 different cameras can be controlled with the same RCP. Controlling different cameras is simply a matter of purchasing the appropriate Protocol Converter.
8 most-used controls are directly available with another 3, user-assignable controls available at the touch of a button. These 3 secondary controls can be selected and changed from any number of other camera adjustments available on the specified camera.
All values are displayed either on the LCD or LED displays and all the switch and knob legends all have LED backlighting for easy reading in dark environments.
The output is on an industry standard XLR3 or XLR4 socket in RS485 format. The XLR4 version also carries power for the protocol converter. The remote Protocol Converters can be up to 1km from the Mini RCP using a standard audio cable. An LED indicates power and data at the remote end.
The Protocol Converters are supplied with the appropriate camera connector.
Protocol Converter & camera plug
Data can also be routed via any Bradley Engineering joystick controller and is interlaced into the pan, tilt and lens command data. This enables engineering commands to be sent via the same data path but to a different camera to that being controlled by the camera operator.
Direct access knobs:
- Master Pedestal
- Red Gain
- Blue Gain
- White Balance & Bars
- Camera Select
- Display Iris/Master Pedestal
One-Touch Sub Functions; (The operation of these functions is dependent on the camera)
- Black Gamma
- Chroma Gain
- Shutter Mode
- Menu Page
- Menu Up/Dn & Select
- 16:9 / 4:3
Functions may change, be removed or be added depending on the specification and camera
The RT MOTION MK3.1 Lens Control system is optimised for high-end Wireless and Wired remote control of Cinema and Still camera lenses. The range is specifically designed to enable a low-cost entry point (single motor), with a broad expansion capability.
World’s smallest and lightest lens control receiver – 3 motor control as standard.
OLED menu screen.
World’s first interference-free FHSS (frequency hopping spread spectrum) wireless.
Adjustable wireless range up to 1,500 meters line-of-sight with 42 channels.
Automatic and Manual (soft stop) calibration.
Adjustable motor response for silky smooth to quick and sharp moves.
Unique calibration algorithm and torque control to protect lenses.
Simultaneous 4 Axis control as standard (Knob, Slider, A, and B), 6 with optional force-joystick (X and Y).
No noticeable latency, 2ms.
Integral protected antennas to help prevent damage.
Run-stop support for Arri, Alexa, Red EPIC, Red One, Sony F55, Phantom Flex, LANC and Black Magic etc.
Full 16bit digital transmission
Support for external controllers (Analogue or Digital).
Micro USB ports for updates and new features, OSX / Windows compatible.
Auxiliary port for trigger, analogue and digital serial data communication.
FCC/IC/CE Certified wireless, Worldwide license-free 2.4 GHz.
Precision machined from aerospace grade aluminum billet.
DJI Ronin-S Handheld Gimbal for DSLRs and Mirrorless Cameras – Essentials Kit. Please Note: Camera not included. Gimbal only.
Designed for DSLR and mirrorless cameras, the Ronin-S combines advanced stabilization, precision control, and manual focus control capabilities in a compact, single-handed form factor. With the Ronin-S, creators can shoot with the freedom of stabilised shots on the move.
Design: The Ronin-S’s innovative framework elevates camera payload above the Roll Axis, making the camera’s built-in display obstruction free and always in your line of sight. This ergonomic design also frees the Ronin-S from unwanted shake as you shift from underslung to an upright position in one smooth take.
SmoothTrack: With only one hand, SmoothTrack technology allows you to transition smoothly from motion to camera angle effortlessly. Two customisable parameter groups enable you to store your favorite SmoothTrack settings, switching between them in a single click. The Ronin-S’s new Sport mode now intelligently increases SmoothTrack responsiveness to keep up…
Extreme Facilities offer a variety of portable tracking options, for mounting to any vehicle. The lightweight custom Phoenix Tracking Rigs offer fully stabilized Camera, Gimbal, & vertical damper. Shooting up to 5.2k, options include, our ultra-smooth motorized riser, for back, front or side mounting. This whole package travels as check-in luggage in only 4 cases including all controls, rigging, and camera system. The Extreme Riser is a heavier duty motorized riser used with a Black Arm and Ronin 2, the system can carry cameras such as the Arri Alexa/Mini, Red Helium, Sony F55, and similar camera systems.
Phoenix & Phoenix Riser
The Phoenix system can be mounted onto any vehicle, front-rear or corner mounted; and packs down in flight cases to be transported. It can be used with just the dampening suspension arm, similar to a Black Arm, by 80% lighter, or with the Riser system as well. The Phoenix Riser is a lightweight 185cm motorized riser fully remote controlled. The X5s Camera can record both ProRes and Cinema DNG and is available with a wide selection of prime lenses and a remote zoom lens.
The Extreme Riser works with the Black Arm and a Ronin 2 to carry full-size cameras such as the Arri Alexa/Mini, Reds’ & Sony F55. Like the small Phoenix system, it can be mounted to any vehicle. Extreme Tracking Car Perfect for mounting the Phoenix or Extreme Riser rigs, the 320BHP Audi A6 All-road 4×4 with adjustable damping and ride height, and sports diff makes a perfect tracking vehicle.
Continuing to build on the success of the CamBall series, the CamBall 3 takes a number of steps forward. Keeping all the features of the original unit but replacing the internal sensor and lens with a far more advanced package. It retains the full, simultaneous control of Pan, Tilt, Zoom and Focus, with smooth-move, feedback controlled motors.
The unit now boasts a 30x optical zoom matched to a larger and higher resolution sensor with increased low light sensitivity and outputs up to 1080p
Wide angle lenses can still be fitted inside the carbon housing by simply pulling off the ‘O-ring’ sealed front port, screwing the lens onto the camera and replacing the port. Internally the camera is fitted onto a slide plate and can be adjusted fore and aft.
The Cam-Ball 3 is fully weatherproof and can withstand extended periods outside in all types of weather. Slipping clutches are fitted to both axes to protect the mechanics from external forces and to make rigging very easy. It can be mounted either way up.
Slip rings enable continuous 360 degree pans. All the SD and HD signals pass through the slip rings and both SD or HDSDI outputs are available on the base together with the 1080p analogue output signals.
The camera offers full HD broadcast images and is remotely SD/HD switchable. Wide angle converters can easily be attached to the camera. All camera functions can be remotely controlled via our RCPs. The Infrared mode is also activated remotely. This camera is used on many high end prestige programmes worldwide and quality matches many larger cameras.
32 preset positions can be memorised and re-called. This includes: Pan, Tilt, Zoom and Focus for each preset. These positions, and all the camera settings, are automatically stored into non-volatile memory when set or adjusted.
Clutch slip, even when powered down, does not affect the preset positions. Absolute position sensors are used on the shafts so it always knows where it is.
– New larger 5-inch TFT LCD Touchscreen (800×480) with fine-tune adjustment knobs.
– Directly adjust and match up to seven different cameras from the convenience of control truck or control booth.
– Common 3-pin XLR cable connection allows for cable-runs at distances of up to 300 meters (1,000 ft).
– Adjustments made on camera without OSD Menu appearing on video stream.
Remote adjust, paint, and match Marshall Cameras without ever having to leave the convenience of a production room or broadcast truck. Match mini POV cameras without an OSD Menu to provide a seamless workflow and next level convenience on multi-view camera displays.
Marshall has teamed up with a five-time Sports Emmy award winner to develop a standalone remote RCP solution to adjust, paint, and match Marshall broadcast cameras. The new 5-inch Touchscreen RCP Camera Control unit allows for remote operation of up to seven broadcast cameras at up to 300m (1,000 foot) distance over common XLR cable, and it features a new intuitive touchscreen control with user-friendly, fine-tune adjustment dials for quick changes on the fly.
The touchscreen interface offers self-help dialogs, favorites settings, save features, and intelligent menu and sub-menu layouts. The fine-tune finger dials enable precise adjustments for white balance, red/blue gain, gamma, black level, brightness, exposure, iris, shutter, resolution, frame-rate, and more, and they can be adjusted simultaneously or one at a time. The CV-RCP-V2 comes pre-programmed with control protocols for all Marshall Cameras, including Marshall’s POV cameras, varifocal cameras, zoom cameras, PTZ cameras, as well as other popular non-Marshall branded cameras on the market.
Easily convert to fiber using common fiber media converters for much longer distances.
Seven cameras are select-able from ALL screen menus with intuitive navigation layout.
Global or individual camera adjustment capability without OSD (On-screen Display) Menu appearing on video stream.
Adjust Red/Blue, Pedestal (Black-levels), Brightness (AE Offset), Gain, Gamma, Iris, Shutter, Saturation, Hue, Optical/Digital Zoom, Pan-Tilt, Focus, and more.
– Rugged machined aluminum enclosure provides durability while a larger 5-inch screen provides easier access to digital buttons.
– Easy access USB port for field up-gradable firmware and memory saves using USB thumb drives (sold separately).
– Red and Blue adjustment follows every screen menu with optional Favorites Menu to save important controls to specific events for easy access.
– Set up multiple cameras with one global preset or multiple presets that are savable on-board the RCP unit or external USB memory sticks.
– Low power consumption requires 12V power at less than 12W (AC or battery packs).
Gremsy H16 is a state of the art product designed especially for professional filmmakers. Features latest technologies in advanced stabilization and motor control give ultra smooth footage in the most extreme conditions. Handling payload of up to 16lbs allows RED EPIC, Arri Mini or F55 and Cinema lenses at ease for the very high demand production.
3-Axis Camera Stabilizer
2.6 kgs / 5.73 lbs
Weight in Aerial Mode
2.2 kgs / 4.85 lbs
Camera Cage (Standard) (L x W x H)
200mm x 195mm x 55-200mm
Aluminum, Carbon Fiber
4Sx 3400mAh Li-ion Battery
7.25 kgs / 16 lbs
OS Platform Supported
Windows / Mac / iOS / Android
Follow Mode, Thumb Joystick
SBUS / Spektrum / PPM/ Hurricane Wheels
360 degree continuous
(+/-) 90 degree
(+/-) 45 degree