SmallHD MON-702 (MON-702) 702 Bright Full HD 7-inch LCD Daylight Viewable Field Monitor with 1000 NITs Brightness. The SmallHD 702 Bright is the first of a new line of feature rich 7-inch monitors, the 700 Series. With a 1000 NIT, 1920 x 1080 LCD, the 702 Bright is pixel perfect for daylight shooting.
The 702 Bright represents a new breed of daylight viewable displays. Along with the 1000 NITs of brightness (2-3x traditional LCD), the LCD panel features optically bonded glass with anti-reflective coating. This greatly reduces glare and helps the high resolution, colour accurate display remain visible, even in the brightest of environments.
Ruggedly handsome, beautifully designed
Housed in an aircraft grade aluminium unibody, the 702 Bright is both durable and functional. Contributing to its slim physique is an industry first, Sony L Series and CanonLP-E6 battery solution (no battery plate required). The 702 Bright’s construction is the perfect complement to its daylight viewable display.
Powerful processing, intuitive interaction.
Screen Size: 7 Inch
Video Resolution: Full HD
Resolution: 1920 x 1080
Aspect Ratio: 16:10
Panel Type: LCD
Inputs: 3G-SDI, HD-SDI, HDMI, Micro USB, SD-SDI
Outputs: 3G-SDI, HD-SDI, HDMI, SD-SDI
The Blackmagic Mini Converter range are the worlds most advanced converters because they include the latest 6G-SDI technology, plus automatically detect the input video format and instantly change between virtually all SD, HD and Ultra HD video standards. Simply plug in and Mini Converters will convert between your equipment all automatically.
You get advanced features such as redundant SDI inputs, re-clocked loop outputs and full analog and AES/EBU audio inputs and outputs so you can convert between formats as well as embed or de-embed audio all on the one converter.
HDMI to SDI 4K
Mini Converter HDMI to SDI 4K includes everything you need to convert from HDMI devices to SD, HD, 3G and 6G-SDI video in SD, HD and Ultra HD video formats. You can easily embed SDI audio from HDMI, AES/EBU or balanced analogue audio inputs. Get the perfect solution to convert HDMI consumer cameras to SDI, or add SDI outputs to computers with HDMI connections.
Easy To Use Features
Broadcast, post production and professional AV environments are built using SDI equipment and cabling. It’s essential when converting to and from SDI that you maintain the highest possible video and audio quality. Mini Converters are compact, affordable and easy-to-use. Settings can be changed quickly using built-in mini switches, and with a diagram showing pin settings printed on the back you never need to refer to a manual. Mini Converters use standard broadcast video and audio connections, so you get the convenience and cost savings of using your own cables.
Ultra HD and 6G-SDI Technology
Make the move to Ultra HD, the broadcast standard of the future, easy. Be prepared now by installing equipment that is fully compatible with all your SD and HD-SDI infrastructure, but will also switch over to Ultra HD via 6G-SDI when you need to run Ultra HD. This means you’re ready for the future and can build your system with full Ultra HD compatibility. Ultra HD features an incredible 4 times the resolution of regular 1080 HD video for a massive 3840 x 2160 frame size. Ultra HD is amazing. The advanced 6G-SDI design also means the new Blackmagic Mini Converters models perform better when used in SD and HD formats than simple HD only converters.
Standard Audio Connections
Mini Converters support embedded SDI and HDMI audio and several models let you separately embed or de-embed analogue or digital audio. Mini Converters support 24 bit analogue and AES/EBU audio and use standard 1/4″ audio jacks so you don’t need custom cables.
Highest Quality Processing
With the highest quality video processing, Mini Converters are ideal for all broadcast, post production and professional AV applications. Multiple internal power supplies ensure incredibly low noise levels when moving between analog and digital video formats. Specific models include up/down/cross conversion that lets you move easily between PAL and NTSC SD video standards and the high number of HD formats in up to 3840 x 2160 Ultra HD resolutions.
Easy Settings Control
Changing Mini Converter’s built-in mini switch settings is as easy as using a pen. This is great when you need to change settings quickly as there are no complicated menus to navigate. You can also control settings using the included Converter Utility software.
Connect a Mini Converter to any Mac OS X or Windows based laptop or desktop computer. All models can be updated via USB 2.0 by simply downloading software upgrades directly from the Blackmagic Design website.
Features• Convert from HDMI devices to SD, HD, 3G and 6G-SDI video in SD, HD and Ultra HD video formats
- Easily embed SDI audio from HDMI, AES/EBU or balanced analogue audio inputs
- Convert HDMI consumer cameras to SDI, or add SDI outputs to computers with HDMI connections
- Features redundant SDI inputs
- Re-clocked loop outputs
Miniature (3G/HD/SD)-SDI MultiViewer / Quad-Split with (3G/HD/SDI)-SDI and HDMI Outputs
- Professional 3G/HD/SD Test Pattern Generator featuring:
- 26 Selectable Output Formats
- 54 Test Patterns including Luma and Chroma Zone-plates
- Audio Tone Generator
- In Quad-Split mode the first 8-channels of audio from any input can now be passed to both the HDMI and SDI output
- On-screen audio id pop-up when selection audio source in Quad-Split mode
- On-screen display pop-up when using the rotary to allow for use when without a PC
FEATURES:
- Miniature (3G/HD/SD)-SDI 4 to 1 Quad Split or 4 to 1 input multiplexer
- Selectable output format in Quad-Split mode
- Dynamic UMD and Tally support via RS422/485 pins on RJ45 connector
- GPI on RJ-45 for remote switching and Tallies
- Low latency buffering for each input allowing non-synchronous inputs
- Linked (3G/HD/SD)-SDI and HDMI outputs
- 4 x (3G/HD/SD)-SDI inputs with auto detection (26 Formats supported in total)
- 8-Channel Audio metering for each quadrant with:
– The first two audio groups individually selectable
– Vertical or Horizontal Bars
– AES/EBU, VU, Extended VU, BBC, EBU, DIN and
NORDIC Scales
– Bar & Float, Bar only or
Float only (Float is not available for MQS serials)
– Transparency adjustment
– Separate Bar and Float Ballistics control
– Adjustable Reference level
– Red, Yellow and Green Range adjustment
– Bar thickness adjustment
– Margin adjustment
- Each quadrant is independent of the others, allowing any 3G/HD/SD format of any frame rate to be displayed simultaneously
- Variable aspect ratios per quadrant
- All 4 inputs can be displayed simultaneously on a single output
- Pass-Through mode allowing any of the 4 inputs to be selected for output
- In Pass-Through mode the selected input is passed through to both the (3G/HD/SD)-SDI and HDMI outputs
- On-Screen 16 character IDs (UMDs) for each input
- An extensive selection of user controllable functions via a easy to use rotary encoder for menu selection. LEDs and a push button can then be used for status and control
- USB port for control and updates
- Locking DC Power Socket
- The following is included with the unit:
Power Supply, HDMI Cable, USB Cable and Mounting Bracket - The first two audio groups individually selectable
- Vertical or Horizontal Bars
- AES/EBU, VU, Extended VU, BBC, EBU, DIN and NORDIC Scales
- Bar & Float, Bar only or Float only (Float is not available for MQS serials)
- Transparency adjustment
- Separate Bar and Float Ballistics control
- Adjustable Reference level
- Red, Yellow and Green Range adjustment
- Bar thickness adjustment
- Margin adjustment
- Each quadrant is independent of the others, allowing any 3G/HD/SD format of any frame rate to be displayed simultaneously
- Variable aspect ratios per quadrant
- All 4 inputs can be displayed simultaneously on a single output
- Pass-Through mode allowing any of the 4 inputs to be selected for output
- In Pass-Through mode the selected input is passed through to both the (3G/HD/SD)-SDI and HDMI outputs
- On-Screen 16 character IDs (UMDs) for each input
- An extensive selection of user controllable functions via a easy to use rotary encoder for menu selection. LEDs and a push button can then be used for status and control
- USB port for control and updates
- Locking DC Power Socket
- The following is included with the unit:
Power Supply, HDMI Cable, USB Cable and Mounting Bracket
HDMI / SDI CROSS CONVERTER with Scaling and Frame Rate Conversion
- Supports both 3G level A and B on the input and output. Allowing conversion between A and B.
- Horizontal and/or Vertical image flipping via the built in scaler.
- Combines several converters for the price of one (e.g. SDI to HDMI, HDMI to SDI, Down Up Cross Converter, etc.)
- Robust Aluminium Case with easy to use LCD and button control system.
- Features the following 14 modes:
- SDI IN to HDMI and SDI OUT
- SDI IN to SDI OUT and HDMI IN to HDMI OUT
- SDI IN to SDI OUT and Scaled SDI IN to HDMI OUT
- SDI IN to SDI OUT and Scaled HDMI IN to HDMI OUT
- HDMI IN to SDI OUT and SDI IN to HDMI OUT
- HDMI IN to HDMI and SDI OUT
- HDMI IN to SDI OUT and Scaled SDI IN to HDMI OUT
- HDMI IN to SDI OUT and Scaled HDMI IN to HDMI OUT
- Scaled SDI IN to SDI OUT and SDI IN to HDMI OUT
- Scaled SDI IN to SDI OUT and HDMI IN to HDMI OUT
- Scaled SDI IN to HDMI and SDI OUT
- Scaled HDMI IN to SDI OUT and SDI IN to HDMI OUT
- Scaled HDMI IN to SDI OUT and HDMI IN to HDMI OUT
- Scaled HDMI IN to HDMI and SDI OUT
- 4 x (3G/HD/SD)-SDI outputs, that allow it to be used as a 1 to 4 distribution amplifier. Output pair 1 can either be a copy of the SDI input (default) or the same as pair 2.
- The audio pairs in the SDI and HDMI outputs can be rearranged as required.
- Includes the same Down Up Cross Converter from our multi-award winning MD-DUCC, allowing either the HDMI or SDI input to be scaled and/or frame rate converted to the required standard.
Atomos Sumo19 Directors Kit
Director’s dedicated tool on set. Record and monitor with one, while the director has a dedicated unit to be always in control. Includes: 1x Sumo19 + 1x Sumo19M. Save $700 with this kit! Kit available only through March 30th, 2018.
About the Sumo 19 On-set & In-studio 4Kp60 HDR 19″ monitor-recorder
The first production monitor that also records 4K 12bit Raw, 10bit ProRes/DNxHR, plus 1080p60 live switching and recording
BUILT FOR PRODUCTION
Rugged construction. Flexible mounting
The Aluminium alloy chassis with built-in armor houses ten mounting points around the top/bottom/side, a rear panel VESA mount and an included stand for a variety of mounting configurations. Alongside the XLR connections for power and balanced audio, there is a 3.5mm stereo headphone jack and built-in speakers. The optional mounting plates connect dual V-Lock or Anton Bauer batteries work in tandem with our patent-pending continuous power system. This allows batteries to be hot swapped to ensure you are never without power in the field.
QUAD SDI & HDMI 2.0 IN/OUT
Seamlessly connect any SDI or HDMI device and convert between HDMI 2.0 and SDI (3G QuadLink/6G/12G) in any combination. Quad SDI inputs connect cameras with multiple 1.5 or 3G SDI outputs without the need for converters. HDMI 2.0 supports up to 4Kp60 input/output along with the very latest Atomos open protocol that supports HDR automation including importing of camera settings. There is also support for Genlock and LTC timecode.
PROFESSIONAL RECORDING
12-bit Raw, 10-bit ProRes/DNxHR up to 4Kp60
Capture the RAW output from Sony FS5/FS7/FS700, Canon C300MKII/ C500 or Panasonic Varicam LT over SDI up to 12-bit 4Kp30 as CDNG or 10-bit Apple ProRes / Avid DNxHR up to 4Kp60 / 2Kp240 depending on the camera’s capability. The processing power of Sumo preserves pristine quality direct from the sensor with data rates of up to 3.2 Gbps.
MONITOR. SWITCH. RECORD
Live Switch and Record up to four 1080/60p channels, 4 x ISO record, and playback
Make working with multi-cam a breeze. Switch and mix a live record and stream or record 4 x HD ISO recordings using the QuadLink SDI connections. Switch between feeds on screen with cueing, crossfade and hard cuts from the locked sources or tag and adjust final edits with advanced metadata tagging preserving ISO feeds, with the desired final result infinitely editable.
XLR MONITOR & RECORD
Balanced XLR Monitor & Record with 48V Phantom
Eliminate the need for a separate audio recorder by using the full-size XLR connections to connect and power external microphones for balanced analog audio with dedicated meters and adjustments for frame delay and gain. 48V phantom mics or line level audio are all seamlessly synchronized for the most advanced audio feature set in a monitor today. There is also a 3.5mm stereo headphone jack and built-in speakers for on set instant immersive review or complete internal recording review anytime anywhere with clients or production team.
GO HDR TODAY
In the field & the studio
Sumo’s 19” 1920×1080 10-bit LCD panel is driven by the AtomHDR engine which precisely maps the Log/PQ/HLG from popular cameras, game consoles or TV makers to perfectly resolve 10+ stops of HDR in real time. The brightness range and vivid colors of HDR bring scenes to life either on the monitor itself or when output to larger HDR/Rec709 displays for on-set review. It can also be used with popular NLE or grading suites for affordable HDR or SDR editing or grading in the studio.
HIGH BRIGHT FOR REC709 OUTDOOR SHOOTING
1200nit 19” calibrated 1920×1080 monitor
The extremely bright 1200nit display means you can accurately monitor, even when outside in full daylight. Additionally, for the ultimate low light performance, an optional hood is available. The simplicity of AtomOS means its only a single tap on screen to bring up focus peaking, 2:1/1:1 zoom, Zebra, False Color, Frame guides, SMPTE Safe Area, Waveform, RGB parade, Vectorscope, Anamorphic desqueeze and a flexible 3D LUT implementation to upload your own LUTs as .cube files.
TRUST WHAT YOU SEE
Calibrate for accurate color
Like all high-end monitor’s, Sumo also has optional calibration to compensate for the natural color and brightness drift that monitors exhibit over time. Sumo’s calibration input lets you use X-Rite’s i1DisplayPro to always ensure accurate HDR and Rec709 monitoring.
CONTINUOUS POWER
Never go without power
The optional mounting plates connect dual V-Lock or Anton Bauer batteries that work in tandem with our patent-pending continuous power system. Sumo automatically swaps to the second battery when power is low, allowing the drained battery to be hot swapped to ensure you are never without power in the field.
CHOOSE THE SSD TO SUIT YOUR WORKFLOW
Media solutions that are affordable, time-saving and convenient
Sumo records using our patented Master Caddy system. High capacity and widely available 2.5″ SSD’s provide an affordable solution for long recording times. We’ve tested and approved over 20 drives for Sumo (atomos.com/drives) that neatly slot into the provided Master Caddy or use the custom Atomos caddy from G-Technology to integrate directly into their EV series of Raid and desktop solutions for the ultimate in workflow efficiency.
About Sumo19M Monitor Only
Large 1200nit daylight viewable 1920×1080 display with HDR capability
REALTIME EXPOSURE ON SET FROM LOG FOR HDR & SDR
The AtomHDR engine perfectly maps Log/PQ/HLG from popular cameras/ game consoles to SUMO19M’s amazing panel, resolving 10+ stops of HDR in real-time for the perfect setting. Pass-on HDR to other devices over HDMI or SDI, in HD or 4K and in Rec709/HLG/PQ. To get the best image from your sensor, you must shoot Log and only AtomHDR makes exposing Log easier, unlocking every camera’s HDR potential. The SUMO19M inputs can be used as an editing and grading companion in the studio with full SDR & HDR support through 709/HLG/PQ.
MONITORING MADE EVEN SIMPLER WITH ATOMOS 8
The SUMO19M is all about performance monitoring; HDR or SDR, 4Kp60 or HD, 12G-SDI or HDMI 2.0 and everything in between. With the recording functions removed, the user interface has been redesigned to emulate a button-based monitor. All the precision scopes can be accessed from the bottom of the screen as an overlay – simple and intuitive adjustments, just like your phone.
The DMON-16S from Decimator Design is a low cost, miniature 16 to 1 Multiviewer. The 16 SDI inputs are independent of each other, meaning you can monitor a mix of 3G/HD/SD feeds. Select from preset layouts or customise your own, depending on the number of feeds you wish to monitor.
- The Decimator DMON-16S multiviewer allows you to:
- Monitor between 1 and 16 independent 3G/HD/SD-SDI feeds
- Select your output format over SDI and/or HDMI
- Fully customisable layouts with the ability to save & load
- 16 character customisable UMD overlay per window
- 8 channel customisable Audio Metering overlay per window
- Customisable Safe Action, Safe Title and Centre Cross overlays
- Each window is independent of the others with variable aspect ratios
- Auto Detect & display any format of any frame rate simultaneously
- Select any of the 16 inputs for pass-through on the SDI and HDMI outputs
- 32 GPI on 37-pin D-SUB for Tallies and Remote Switching
- RS422/485 on 37-pin D-SUB for Dynamic UMDs and Tallies using TSL protocol
- USB for PC/MAC control
- Control on-unit using the buttons and LCD screen
- Toggle one feed to fullscreen
TVLogic’s LVM-071W offers the newest 7″ LED-backlit widescreen LCD panel with Multi-format inputs (HD/SD-SDI, Composite, Component, YC, and DVI w/HDCP), a built-in Waveform/Vector Scope display, battery mount, and speaker with volume control all in a sleek diecast aluminium package.
Key Features:
- Remote (RJ45)
- Embedded Audio Level Meter (16Ch)
- Waveform (SDI)
- Vector Scope (SDI)
- Aluminum Diecast Case
- Timecode display
- UMD
- V-mount for Battery Powered Operation
- Closed Caption: CEA-608/708 (SDI)
- 1:1 Pixel Mapping function
- Highlight Focus Assist function
- Y/C Error Check Function (SDI)
- Audio Disembedder & Speaker
Specifications:
- Input – 1x DVI-I: DVI IN / VGA IN3x BNC: Analog Input1x BNC: SDI Channel Input
- Output –1x BNC: SDI Channel Output (Active Through-Out)
- Input Signal – Analog: Composite / S-Video / Component / RGBHD-SDI: 1.485Gb/sSD-SDI: 270MbpsDVI-Analog: 640×480/800×600/1024×768/1280×1024/720×400DVI-Digital (Graphic): 640×480/800×600/1024×768/1280×768/1280×1024/720×400DVI-Digital (Video): 1080p (24/25/30/50/60)/1080i (50/60)/720p (50/60)/480i (60)/480p (60)/576i (50)/576p (50)
- Analog Input Spec – Composite: 1.0Vpp (With Sync)S-Video: 1.0Vpp (Y With Sync), 0.286 Vpp (C)Component: 1.0Vpp (Y With Sync), 0.7 Vpp (Pb, Pr)RGB: 1.0Vpp (G With Sync), 0.7 Vpp (B, R)
- SDI Input Signal Formats – SMPTE-274M: 1080i (60 / 59.94 / 50), 1080p (30/29.97/25/24/24sF/23.98/23.98sF)SMPTE-296M: 720p (60 / 59.94 / 50)SMPTE-260M: 1035i (60 / 59.94)SMPTE-125M: 480i (59.94)ITU-R BT.656: 576i (50)2K Format: 2048 x 1080p (24/24sF/23.98/23.98sF)
- Audio IN – Embedded Audio / Analog Stereo (Phone Jack)
- Audio OUT – Analog stereo (Phone Jack) / Internal Speaker (Mono)
- LCD – Size: 7″Resolution: 800 x 480 (15:9 )Dot Pitch: 0.190 mmColour: 16.7M (true), 24bitViewing Angle (Typical): H : 130 degrees, V : 110 degreesLuminance of White: 350cd (center)Contrast: 400:1Display Area: 152 x 91 mm
- Power – 12V DC
- Power Consumption (Approx.) – 12 Watts (DC)
- Operating Temperature – 0 °C to 40 °C (32 °F to 104 °F )
- Storage Temperature – -30 °C to 50 °C (-22 °F to 122 °F )
- Accessory – AC Power Cord / DC Power Adaptor / Camera Mount
- Option – 19″ Rack Mountable Kit(3U/Dual Monitor/Single Monitor) / Carrying Case /Sun-Hood / Acrylic Filter
- Body Dimensions – 203 x 131 x 60 (8.4 x 5.2 x 2.4)217 x 143 x 69 (8.6 x 5.6 x 2.7) with stand
- Weight – 1.35 kg / 2.97 lb
Features:
- Down-converted output format is either automatic (PAL for 1080p50, 1080i50, 1080psf25, 1080p25, 720p50, 720p25 and NTSC for all others) or selectable between NTSC or PAL
- Auto detects 3G, HD or SD (26 Formats in total) and can handle switching of synchronous sources
- On-screen display of input and output format.
- Low latency 3G/HD to SD Down-conversion with ARC (Aspect Ratio Conversion)
- SD Pass-through
- 3G/HD/SD-SDI Re-clocked Loop-through output
- Full 10-bit data path and multipoint interpolation
- 8 Channels of Audio passed as 20 or 24-bit
- Selectable analog video from: 3 x CVBS / YPbPr / RGB / CVBS & YC
- Safe Action, Title and Centre Cross Generator
- 32 Video Test Patterns, including 4 Moving and 4 Static Zoneplates
- Tone / Broken Tone Audio Generator
- 12-bit D/A Conversion with 16 times over-sampling for SD output
- Dolby E™ Transparent
- An extensive selection of user controllable functions via an easy to use rotary encoder for menu selection. LEDs and push buttons can then be used for status and control
- Locking DC Power Socket
Video Formats:
- 3G:SMPTE 424M@2.97 and 2.967Gb/s
- 1080p@60/59.94/50Hz
- HD:SMPTE 292M/274M/296M@1.485 and 1.435Gb/s
- 1080i@60/59.94/50Hz
- 1080p/psf@30/29.97/25/24/23.98Hz
- 720p@60/59.94/50/30/29.97/25/24/23.98Hz
- SD:SMPTE 259M@270Mb/s
- 625i50
- 525i59.94
Controls:
- Analog output selection of 3 x CVBS / YPbPr / RGB / Composite & S-Video
- SD Pedestal
- 4:3, 16:9 & 14:9 Safe Action, Title and Centre Cross Generator
- Output Formats
- Anamorphic, Letterbox and Centre Cut output
- 32 Test Patterns
- Embedded Broken / Unbroken Audio Test Tone
Inputs:
- 3G/HD/SD-SDI 10-bit
- Input Equalization ~ 350M for SDI, ~200M for HD-SDI or ~120M 3G-SDI using Belden 1694A
Outputs:
- 1 x 3G/HD/SD-SDI Re-clocked Loop-Through
- 2 x 10-bit SD-SDI Re-clocked
- SDTV: (3 x CVBS) / (Y, Pb, Pr) / (G, B, R) / (CVBS, Y & C)
LED Status:
- Power
- Signal Lock
Dimensions:
- 4.3” x 3.9” x 1” or (110mm x 100mm x 25mm)
Power:
- +5V to +20V DC, 4 Watts
- Positive Centre Pin
The VFM-058W the lightweight viewfinder monitor offers an outstanding picture quality with 5.5 LCD and Full HD resolution of 1920 x 1080.
The innovative and ergonomic design of VFM-058W makes you comfortable in the shooting environment and its light solid magnesium case achieves the highest efficiency of ventilation.
The VFM-058W supports multi-formats including 3G/HD/SD-SDI and HDMI that offers a wide application range from DSLR cameras to Pro camcorder for broadcasting and movie shooting.
The VFM-058W has various features such as Max Brightness function Temperature Adaptive Color HDMI-to-SDI conversion output 1:1 -pixel mode Luma(Y) Zone Check function DSLR Scale Waveform Vectorscope Range Error Focus Assist Markers Audio Level Meter with speaker and time code display.
Features:
- 5.5″ 1920×1080 (16:9) Resolution
- Includes External Acrylic Protection Screen
- Magnesium Housing + Light Weight
- LED Backlight
- Max Brightness On / Off
- Supports TVLogic Color Calibration Utility for proper color alignment
- Temperature Adaptive Color
- Focus Assist
- Marker
- User Aspect
- Blue Only/Mono
- H/V Delay
- Various Scan modes
- HDMI & SDI Embedded Audio
- True Color – True 8bit & 70% of NTSC
- Zoom
- Tally signal In/Out (Mini XLR)
- Low Power Consumption
- HDMI-to-SDI conversion output
- Waveform/Vectorscope
- (Y/ Cb/Cr, Line Waveform)
- Range Error
- 3G Level A/B
- Luma(Y’) Zone Check
- Embedded Audio Level Meter 16ch
- Time Code Display.
Specification:
| LCD | ||
| Size | 5.5″ | |
| Resolution | 1920 x1080 (16 : 9) | |
| Pixel Pitch | 0.063mm | |
| Color Depth | 16.7M Color (True 8bit) | |
| Viewing Angle (Typ.) | 160°(H) / 160°(V) | |
| Luminance (Max.) | 450cd/m² (Typ.) | |
| Contrast Ratio | 1000:1 | |
| Display Area | 120.96(H) x 68.04(V) mm | |
| Input | ||
| 1 X BNC | SDI Input | |
| 1 X HDMI | HDMI(1.2Ver) Input | |
| Output | ||
| 1 X BNC | HDMI to SDI conversion output | |
| 1 X HDMI | HDMI Output | |
| Input Signal | ||
| 3G-SDI | 2.970Gbps | |
| HD-SDI | 1.485Gbps | |
| SD-SDI | 270Mbps | |
| HDMI | 1080p(24/25/30/50/60)/1080i(50/60)/720p(50/60)/480i(60)/ 480p(60)/576i(50)/576p(50)&VESA/IBM Mode |
|
| SDI Input Signal Format | ||
| SMPTE-425M-A/B | 1080p (60/59.94/50/30/29.97/25/24/23.98/30sF/29.9 7sF/25sF/24sF/23.98sF) / 1080i (60/59.94/50) |
|
| SMPTE-274M | 1080i (60 / 59.94 / 50) | |
| 1080p (30/29.97/25/24/24sF/23.98/23.98sF) | ||
| SMPTE-296M | 720p (60/59.94/50) | |
| SMPTE-260M | 1035i (60/59.94) | |
| SMPTE-125M | 480i (59.94) | |
| ITU-R BT.656 | 576i (50) | |
| Other Spec | ||
| Audio IN | Embedded Audio / Analog stereo (Phone Jack) | |
| Audio OUT | Analog stereo (Phone Jack) / Internal Speaker (Mono) | |
| Power | DC 6.8 ~ 12V | |
| Power Consumption (Approx.) |
9.6 Watts (Typ.) | |
| Operating Temperature | 0°C to 45°C (32°F to 113°F ) | |
| Storage Temperature | -20°C to 60°C (-4°F to 140°F ) | |
| Accessory | DC Power Adaptor | |
The world’s smallest professional HD/SD and HDMI Recorder/Player.
The nanoFlash from Convergent Design is the smallest, solid state HD/SD or HDMI recorder/player currently available. Recording to MXF or QuickTime format using 2 x CompactFlash cards, the nanoFlash can be mounted to a camera or connected to any HD-SDI source via BNC coax.
Audio levels are displayed on the LCD panel and the nanoFlash records up to 8 channels of quality audio embedded in the HD-SDI/HDMI stream.
When ready to shoot, you can start and stop recording using the control buttons, your camcorder’s record button or an external trigger. On completion, simply transfer the source files to your laptop editor using a Firewire-800 reader, drop the footage straight onto the timeline and edit while you continue to shoot…..
With no moving parts and low power consumption, the nanoFlash is ideal for use in extreme conditions.
Features:
- Master Quality I-Frame Only 4:2:2 @ 220 Mbps or XDCAM 422 @ 160 Mbps
- Maintain outstanding video quality – benefit from the virtual elimination of motion-artifacts, mosquito noise, and keying problems. Master Quality XDCAM 422 recordings are, in tests by Convergent-Design, visually indistinguishable from uncompressed.
- 24bit/48K audio: embedded or analog inputs, headphone/line output, level meters
- 2 CompactFlash slots for recording media
- Up to 2.5 hours of recording time without swapping cards (@50Mbps using 2 x 32Gb CompactFlash cards)
- QuickTime and MXF File Format for easy transfer to leading NLE programs, including Final Cut Pro, Avid, Edius and Vegas Pro
- Camera-mountable, silent, ALL solid state design
- Robust and lightweight, weighing just 400g
- Low power, 6 Watts, using a locking connector
- Can be used with optional battery pack (6.5 – 20V, 7.5W active/ 0.2W standby)
The portable PIX 240i is an essential companion for any production environment. It simplifies any production and post-production environment bringing edit-ready Apple ProRes or Avid DNxHD recording to SD/HD-SDI or HDMI-equipped video cameras
File-Based Recording
The PIX 240i records Quicktime files in either Apple ProRes or Avid DNxHD video formats. Files recorded in these intra-frame codecs are ready-for-editing directly from the recorder. For color-critical applications recording to Apple ProRes 4444 provides uncompressed alpha-channel transparency for superb chroma keying and grading performance.
Extensive Video I/O
The video input on the PIX 240i has extensive compatibility with a wide range of cameras. It’s BNC input accepts 12-bit 3G SDI (4:4:4 RGB or YCbCr), HD-SDI, SDI. Its HDMI input accepts high-definition and standard-definition video.
With its 3G-SDI 4:4:4 input, recording to ProRes 4444 offers recordings that are perceptually indistinguishable from the original source material.
Frame Rate Converter and Scaler
The PIX 240i features a powerful hardware scaler and frame rate converter. Up, down, cross-conversion and pulldown removal give users the ability to record files in a customer-requested rate, even rates not supported by the camera. The PIX 240i also supports aspect ratio conversion, HD to SD and SD to HD.
Time Code Generator
The on-board high-accuracy Ambient time code generator makes the PIX 240i right at home on any production from simple single camera shoots, to complex multi-camera sync-sound productions. All common time code frame rates and modes are supported. Embedded time code over SDI and HDMI is also supported.
IPS Field Monitor
With its 5-inch, IPS display, the PIX 240i becomes an accurate field monitor for production cameras. The display’s accurate color representation and excellent off-axis visibility assist in framing, exposure evaluation, and focus evaluation. It is complete with 12-step false color and two-level zebra, peaking, and 1:1 pixel viewing.
Defeatable detail overlayed on the picture includes audio metering, time code, file type, record status, and frame rate information. The display also doubles as a fast, simple menu interface.
Time code and record state display can be sent to the SDI and HDMI outputs.
Superb Audio Performance
With its deep expertise in production sound, Sound Devices included no-compromise audio performance into the PIX 240i. Its full-sized XLR audio inputs accept microphone or line level signals. Microphone-level inputs offer 48 V phantom power, input limiters, and sweepable high-pass filters. Inputs can also be set to accept AES3 digital audio, up to four channels.
Inputs offer selectable audio delay. Since video cameras often introduce several frames of delay because of internal processing, audio signals connected directly to the PIX 240i can be delayed up to 500 ms to accommodate that delay and provide perfect synchronization between video and audio signals.
Playback
The PIX 240i offers a wide range of playback features. Off-speed, forward, backward, freeze-frame, looping, and custom playlists give users extensive playback control. File markers can be set while in record or playback mode with the press of a button and loop playback modes allow continuous looping playback of entire files or between files markers. Playlists allow users to quickly organize multiple files for consecutive or loop playback.
File Storage and Transfer
PIX 220i and PIX 240i record and play back Quicktime files to either removable CompactFlash cards or removable 2.5-inch solid-state drives (recording media and PIX-CADDY 2 are optional accessories). Both CompactFlash and SSD media are formatted by PIX recorders as exFAT volumes that are directly mountable, readable, and writable in Mac OS and Windows.
Mechanical Construction
The PIX 240i is designed and built for the rigors of field production with a durable chassis made of light weight, molded, metalized-carbon-fiber. Its four 1/4-20 thread mounts on two different axis offer countless mounting options. All important connections on the PIX 240i use full-sized, locking connectors, including its BNC video and XLR audio connections. Data drives mount to the available PIX-CADDY2 for a secure, hot-swappable, locking data connection.
Powering
The PIX 240i is powered from removable Sony-compatible (L-mount) lithium-ion camcorder batteries or external 10-18 VDC power. Battery mounts are connected in parallel so batteries can be hot-swapped during operation, with no loss of power. When external power is removed while a removable battery is mounted, the PIX 240i seamlessly transfers to battery power. Battery source and voltage is shown on the on-screen display.
Controls
The side panel rotary knob makes menu navigation fast and simple. Simple controls and a straight-forward plain-language menu makes setups easy for both new and experienced users. Four large, illuminated, tactile record, stop, play, rew, and fast-forward controls are easy to access with gloved hands. Screen and button brightness are adjustable.
Key Features List
- 4:4:4, 12-bit recording
- 5-inch IPS (In-Plane Switching), glossy, 800×480 pixel LCD display
- Apple ProRes or Avid DNxHD codec at multiple data rates
- Quicktime file type
- 12-bit input and output video resolution
- Monitor functions including False Color, Zebra Stripes, 1:1 Pixel Mapping, Peaking Filter
- Built-in hardware based frame rate converter and de-interlacer
- Up/Down/Cross Conversion of 480i, 525i, 720p, 1080i, 1080p
- Aspect ratio conversion
- 3:2 Pulldown Removal
- High-accuracy built-in time code generator, with genlock and word clock output (PIX 240i only)
- Ultra low-noise (-128 dBu) mic preamps with phantom, limiters, line input (based on 7-Series recorders)
- Ability to defeat audio output delay while maintaining audio/ video sync on recorded file
- CompactFlash or removable 2.5-inch solid-state drive file storage with media spanning, UDF format for Mac OS and Windows compatibility
- Large, illuminated, tactile buttons for fast and simple menu control
- Simultaneous HDMI and HD-SDI output (PIX 240i only)
- 336-core, 32-bit massively parallel processor with 1.2 TeraOps for efficient video encoding
- 10-18 VDC and dual L-series battery powering
- Metalized, molded carbon fiber chassis
PIX 240i Specifications
SDI Input & Output
- 4:4:4 or 4:2:2; 12, 10, or 8-bit
- Input: 3G-SDI (levels A and B), HD-SDI, or SDI
- Output: 3G-SDI (level A), HD-SDI, or SDI
- SMPTE 12M-1, 12M-2, 125M, 259M, 272M, 291M, 292, 296M, 299, 352M, 372, 424, 425
HDMI I/O
- Input: v1.4a, 4:4:4 or 4:2:2, RGB or YCbCr, 10 or 8-bit, HDCP-enabled
- Output: v1.3, 4:2:2 8-bit, RGB and YCbCr
Video Input Resolutions / Rates
- 1080p23.976/24/25/29.97/30
- 1080i50/59.94/60
- 1080PsF23.976/24/25/29.97/30
- 720p23.976/24/25/29.97/30 (SDI Only)
- 720p50/59.94/60
- 576i50 (PAL)
- 480i59.94 (NTSC)
Video Codecs and Files
- Apple ProRes 4444, 330 Mb/s, 12-bit
- Apple ProRes 36, 100, 145, 220 Mb/s, 8 and 10-bit
- Avid DNxHD 36, 100, 145, 220 Mb/s, 8 and 10-bit
- Quicktime wrapper (.MOV), UDF File System
Up/Down/Cross Conversion
- 480i, 576i, 720p, 1080i, 1080p to any 480i, 576i, 720p, 1080i, 1080p
- Hardware based, 10 bit
Frame Rate Conversion
- 24, 25, 30, 50, 60 to 24, 25, 30, 50,60, 23.976, 29.97, 59.94 to 23.976, 29.97, 59.94, automatic 3:2 pull-down removal in 23.976 and 24 frame modes, other pull-down cadences include 2:2:2:4, 2:3:3:2, 3:2:3:2:2, and 2:2
- Hardware based, 10 bit
LCD Display
- 5-inch LCD – IPS (In-Plane Switching), glossy, 800×480 pixel LCD display
- Ultra wide viewing sngle and color accuracy
Audio Recording
- 8 channels record/playback, simultaneous with video
- Analog, HDMI or SDI, AES/EBU, selectable per channel
Analog Audio
- 2 Balanced, mic- or line-level inputs on XLR. (48V phantom switchable)
- 2 Balanced, line-level outputs on 5-pin XLR.
- Frequency Response: 10 Hz-20 kHz, +/- 0.5 dB re 1 kHz;
- THD + Noise: 0.004% max (1 kHz, 22 Hz-22 kHz)
- Input and Output Topology: fully electronically balanced, line-level, RF, ESD, short, and overload protected; pin-2 hot, pin-3 cold
- Line Output Clipping Level: +18dBu
- Output Attenuation 0-20 dB, 1 dB increments
- Headphone, 1/8″ with gain control
Digital Audio
- Sampling Rate / Bit Depth: 48 kHz, 24-bit
- AES/EBU: 4 channels in via XLR, 110 ohm, 2 V p-p.
- Accepts 32k, 44.1k, 48k, 96k, 192k sample rates with SRC at input.
- HDMI: 2 channels embedded HDMI input, 8 channels embedded HDMI output
- Accepts 32k, 44.1k, 48k, 96k, 192k sample rates.
- SDI: 8 channels embedded SDI input, 8 channels embedded SDI output, 48k sample rate
File Storage
- PIX-CADDY 2 mounted drive or eSATAp-connected drive: Sound Devices approved 2.5-inch drive
- CompactFlash card: Sound Devices approved CF card
- eSATAp supplies 5V @ 2A
Timecode
- Modes Supported: Freerun, Record run, External
- Frame Rates: 23.976, 24, 25, 29.97DF, 29.97ND, 30DF, 30ND
- Accuracy: +/- 0.2ppm, holds accurate time code for 2 hours after power is removed
- Inputs / Outputs: BNC (LTC input and output), SDI or HDMI (Sony protocol), LEMO 5-pin
Sync Output
- Analog bi-, tri-level sync / genlock
- Wordclock (square wave, 48 kHz sampling rate, 3.3 vp-p, 75 ohm)
Sync Input
- Analog bi-, tri-level sync / genlock
- Wordclock (square wave, 48 kHz sampling rate, 3.3 vp-p, 75 ohm)
Control
- Record triggering via SMPTE timecode
- LANC or GPIO on 2.5mm jack
Keyboard
- USB host. Keyboards without hubs acceptable.
Power
- 4-pin Hirose, 10-18 VDC, pin-1 (-) pin-4 (+)
Physical
- Size (H x W x D): 5.5″ x 4.0″ x 2.4″ (14 cm x 10.2 cm x 6.1 cm)
- Weight: 2.0 lbs
- Operating Temperature: -10C to +40C
Record directly from the camera sensor to your choice of Apple ProRes, DNxHD/DNxHR or RAW* in 10-bit 422 quality onto affordable media options. Based on the camera’s output the Shogun can accept and record up to 4K 30p and HD 120p over HDMI or 12/6/3/1.5G SDI. The creative recording options are impressive as well with multistep scheduled time-lapse recording, pre-roll recording to ensure you never miss a shot. Use anamorphic de-squeeze monitoring to allow for those using 2x, 1.5x, 1.33x and even Panasonic 8:3 anamorphic solutions.
Full playback controls allow collaboration on set to review content the moment it’s captured, using the full suite of monitor tools on screen or out to a larger HDMI or SDI monitor. Our playlist feature makes reviewing rushes and favorite scenes even easier and with 4K to HD downscaling you can connect with HD monitors, wireless transmitters and Atomos HD recorders.
A stunning 7.1” 1920 x 1200 320ppi IPS screen makes Shogun perfect as a director’s monitor. Shoot more accurate colors with class-leading 3D LUTs that can be viewed on screen, out a monitor or burned into the recording. There’s 2:1/1:1 zoom for critical focus, waveform, focal assist, and an optional Spyder calibration unit. It’s the perfect tool for the perfect creative shot setup.
Save time in post by tagging your captured content the moment you review on set. Mark Favorite/Reject, create a custom playlist*, upload custom metadata tags* and even cut in/out points. Save them out as an XML on the Shogun and drop straight onto the timeline of your favorite NLE.
PIX-E7 4K Monitor and Video Recorder
The 7-inch PIX-E7 4K-compatible recording field monitor combines powerful recording capabilities (Apple ProRes & H.264), an impressive suite of precision monitoring and scopes, and build quality that is second to none, to give video professionals an essential all-in-one tool for their kit.
SpeedDrive Recording and File Delivery
The PIX-E7 records to the innovative, super fast SpeedDrive, a custom-designed enclosure that holds an industry standard mSATA drive. The SpeedDrive, which plugs directly into the PIX-E, doubles as a USB 3.0 thumb drive for very high-speed offload to any computer without the need for a special cable or drive docking station.
The Video Devices PIX-E7 monitor/ recorder comes equipped with 1TB SSD storage.
Outstanding Recording Capabilities
The PIX-E7 offers the full range of Apple® ProRes codecs from Proxy to 4444 XQ. The latter is a 12-bit codec designed to preserve the detail in wide dynamic range imagery captured by today’s high-performance digital image sensors. PIX-E7 can record 4K up to 30 fps, UHD up to 30 fps and 1080p or 720p up to 120 fps.
The PIX-E7 is also capable of recording H.264, a codec which offers a good balance between compression and quality to reach low data rates and small file sizes, perfect for web streaming, email, and faster file uploads. Like ProRes, H.264 may be recorded to the SpeedDrive, if chosen as the primary codec. Otherwise, end users can enable the monitor’s dual codec recording capability, where ProRes is recorded to the SpeedDrive and H.264 is simultaneously recorded to an SD card. While recording 4K in ProRes, the monitor will automatically scale the 4K to 1080p for recording H.264, thereby reducing its file size even further.
If a LUT is active, it will be baked into the recorded H.264 file, but will not impact ProRes recordings. This is ideal for when you want to simultaneously record a full dynamic range, log-encoded ProRes master file for the edit suite and a REC709 H.264 file suitable for normal viewing.