Motorola GP340 6 Way Charger
Motorola HTN9005 is a 6-way charger for the Motorola GP340 series of two way radios.
The frequency response and cardioid pick-up pattern are optimized for drum sets and other percussion instrument miking, while also producing exceptional results on all forms of brass and woodwind. An integral stand mount screws directly onto mic stands and included clip attaches a mic to rim of the drum. Very high sound pressure level handling, in excess of 160 dB, is combined with a balanced, clear, low distortion signal similar to a high-end studio condenser microphone. Lightweight voice coil provides extended high frequency and rapid transient response. A tough reinforced glass fiber body takes the knocks and shocks and suppresses impact noise.
Features
- Rugged reinforced glass-fiber body
- Low sensitivity to impact and handling noise
- Very high sound pressure handling capability
- Low distortion microphone
- Hum compensating coil
- Easy to position due to the compact design
- Integral stand mount
Technical Data
Pick-up pattern ……………………………………………………………. Cardioid
Frequency response ……………………………………………………… 40 – 18,000 Hz
Sensitivity (free field, no load, 1 kHz)………………………………….. 1.8 mV/Pa
Nominal impedance ……………………………………………………….. 350 Ω
Min. terminating impedance …………………………………………….. 1 kΩ
Dimensions …………………………………………………………………. Ø 33 x 59 mm
Weight ……………………………………………………………………… 60 g
The H2a-XLR hydrophone is designed to work with any PA system or recording device that offers a balanced, phantom-powered, microphone input. It uses the same low-noise, robust transducer assembly as our other hydrophones, but includes a low noise internal buffer preamp. The operation is very simple: just plug in and use. No additional power supply or proprietary preamp is required. The H2a-XLR offers the following advantages:
- Low cost
- Low self-noise
- Good sensitivity
- High dynamic range
- Works with any common phantom power voltage
- Robust design handles accidental drops and temperature extremes
- Compact (4.5mm OD) Low-noise cable with tough urethane jacket
- Connects directly with pro condenser microphone circuits.
- High-quality Neutrik gold output connector
- Compact size and easy hand of cable
- High specific gravity and streamlined shape keeps hydrophone down in currents
- 1-year limited warranty
Power module for the Audio-Technica – AT889 Noise-cancelling Headworn Microphone
Specification:
- Belt pack type power module
- 1,5V AA battery & phantom.
- With low-frequency roll-off.
- Input: 6 Pin Lemo.
- Output on integral XLRM 3-pin.
The Audio Technica AT877 is a wide-range, undirectional short shotgun condenser designed for sound pickup over a long distance. Ideal for broadcasting and film/TV sound. The polar response is designed to provide excellent on-axis sound pickup with maximum rejection from the sides and rear. Phantom or battery powered.
Features:
- Type Condenser / shotgun
- Polar pattern: shotgun (short rifle)
- Frequency Response 60Hz – 15kHz
- Output Sensitivity 10mV/Pa
- Max SPL 120dB for 3%THD Self Noise (CCIR) Self Noise (DIN/IEC) 24dB-A
- Output Impedance 350Ω
- Powering Phantom 12-48
- supply current 2mA
- Alternative Powering 1.5V AA cell
Switchable Options:
- Filter/EQ Low-cut
Physical Characteristics:
- Connector XLR-3M
- Weight 170g (5.98oz)
- Length 280mm (11.02″)
- Max Diameter/Width 21mm (0.82″)
- Noise-cancelling Condenser Wireless Headworn Microphone
- Designed for professional public speaking, aerobics instruction, and other demanding applications
- Comfortable, unobtrusive headband design
Operation: After use in high-moisture applications, such as aerobics instruction, on-stage performing, etc., remove the foam screen, wipe off the headset with a towel and permit them to air-dry. (Do not store in a closed space, such as a plastic bag, until all moisture has evaporated.)
AT889cW: Position the adjustable band around the back of the neck, placing the cushioned earpieces over each ear. Adjust the headband as necessary for a stable, comfortable fit.
This has a 6 Pin Lemo fitted for use with radio mic’s like the Audio Ltd 2040’s
Specifications:
- Input Level MIC setting:
- -35 dBu ideal
- -6 dBu max
- LINE setting:
- 0 dBu ideal
- +36 dBu max
- Output Level:
- nominal MIC levels
- Frequency Response:
- 20 Hz to 20 KHz (+/- 3 dB)
- Case:
- Powder coated aluminum
- Dimensions:
- 5.25” L x 2.75” W x 1.25” H
- Weight:
- 12 oz
The BeachTek DXA-4 is a two-channel, transformer balanced XLR adapter for the Sony VX2100 and FX1 camcorders. The DXA-4P is identical in features but designed for a perfect fit on the Canon GL1 or GL2. These adapters are designed to easily attach balanced or unbalanced type microphones to your camcorder. The DXA-4 and DXA-4P give you all the benefits of using balanced audio devices for clean audio as well as control over the signal levels to ensure the best possible sound recording. The adapters are very easy to set up and use. Their rugged construction ensures years of use and the compact size fits neatly under the camcorder – can also be mounted to any standard tripod. Since the adapters are passive devices, they are completely silent and the premium transformers ensure superb audio.
Specifications:
- Input Level MIC setting:
- -35 dBu ideal
- -6 dBu max
- LINE setting:
- 0 dBu ideal
- +36 dBu max
- Output Level:
- nominal MIC levels
- Frequency Response:
- 20Hz to 20 KHz (+/- 3 dB)
- Phantom Power:
- Dual regulated 48-volt power supplies
- Current to 14 mA (direct short)
- Battery Type:
- One standard 9-volt alkaline battery
- LED battery indicator
- Battery Duration:
- 4 hours continuous use typical
- Case Powder:
- Coated Aluminum
- Dimensions:
- 6.25” L x 2.5” W x 1.25” H
- Weight:
- 16 oz
The BeachTek DXA-6A is a two-channel, transformer balanced XLR adapter with built-in 48-volt phantom power supplies. This adapter is designed to easily attach two professional, balanced microphones or wireless systems to the Sony VX and FX series of camcorders. The DXA-6A gives you all the benefits of using balanced audio devices for clean audio as well as control over the signal levels to ensure the best possible sound recording.
The DXA-6A is very easy to set up and use. Its rugged construction ensures years of use and its compact size fits neatly under the camcorder – can also be mounted to any standard tripod. Since the adapter is a passive device, it is completely silent and the premium transformers ensure superb audio.
Originally designed for use with wireless systems in theater, television and close-miked instrument applications, the 4060 capsule is highly unobtrusive.
Because of their small size, these tiny condensers exhibit an exceedingly accurate omnidirectional pattern and therefore do not need to be aimed directly at the sound source to achieve quality pickup.
The 4060 is available in four colors: black, brown, beige and white.
For a wireless microphone, choose between our adapter system or a hardwired connector.
Applications
Excellent speech and vocal mics, DPA miniatures are de facto theatre standards. Musicians and engineers use them as live or studio microphones for close-miking acoustic string instruments like violin, guitar, bass, viola, and harp. On television, DPA’s small condenser microphones are popular as lavalier lapel and tie clip mics.
Accessories
Two grids are supplied (one high boost and one soft boost) and by changing these grids you can acoustically modify the microphone’s response according to their placement on the body – the chest, the head etc. Additionally, a wide range of accessories is available, such as windscreens in different colors, clips and holders, extension cables, and power supplies.
Wireless microphones
A wide range of connection adapters makes it possible to use DPA miniature microphones with all professional UHF, VHF or digital wireless system available plus 48 V Phantom.
DPA has specific adapters for AKG, Audio Ltd., Audio-Technica, Beyerdynamic, Electro-Voice, Lectrosonics, Micron, Mipro, Pastega, Telex ProStar, Ramsa, Samson, Sennheiser, Shure, Sony, Toa, Vega, and other systems. Each adapter for your cordless microphone is guaranteed to perfectly mate to your system of choice.
Specifications
Offering great detail and resolution, the 4060s have a neutral sonic character and are very natural sounding. The 4060 has a very low noise floor, impressive sensitivity and can handle high SPLs. For full technical specs, please click the Specifications tab above.
Related microphones
The DPA 4061, 4062 and 4063 are acoustically identical to the 4060 but have been adjusted to handle higher SPL and to match some of the more sensitive transmitters on the market. The 4060 is also included in stereo and instrument microphone kit solutions.
The M 58 has been specifically designed to satisfy the demands of Electric News Gathering (ENG) and Electronic Field Production (EFP) applications. Its sophisticated internal shockmount dramatically reduces handling noise, while the microphone´s frequency response has been tailored to provide broadcasters with a very accurate and intelligible sound. The M 58´s weight-balanced design provides journalists with a high degree of comfort during lengthy interviews. Its rugged construction enables the microphone to withstand physical and environmental punishment typically encountered during field production operations. The M 58´s slim profile and non-glare finish result in a low profile on camera.
Features
- Moving coil transducer
- Internal shock mount reduces handling noise
- Extended frequency response with rising high-end for maximum intelligibility
- Rugged construction
- Non-reflective finish
- Weight-balanced, slim-profile design
Technical Data
| Price category | Mid-level | |
| Polar pattern microphone | Omnidirectional | |
| Microphone frequency response | 40 – 20,000 Hz | |
| Dimensions | 260 mm x 40 mm | |
| Net weight without packaging | 287 g |
DPA 4061 is acoustically identical with the 4060, but the sensitivity is adjusted to match some of the more sensitive transmitters on the market. For a wireless microphone, choose between our adapter system or a hardwired connector.
The 4061 is available in four colors: black, brown, beige and white.
Applications
Excellent speech and vocal mics, the DPA miniatures are used by musicals and theaters worldwide. They are also great live and studio microphones for acoustic string instruments.
Accessories
Two grids are supplied (one high boost and one soft boost) and by changing these grids you can acoustically modify the microphone according to placement (chest, head etc.) Additionally, a wide range of accessories is available, such as windscreens, clips and holders, extension cables, and power supplies.
Wireless microphones
With a wide range of connection adapters, you can use DPA miniature microphones with all professional wireless systems plus 48 V Phantom.
DPA has specific adapters for AKG, Audio Ltd., Audio-Technica, Beyerdynamic, Electro-Voice, Lectrosonics, Micron, Mipro, Pastega, Telex ProStar, Ramsa, Samson, Sennheiser, Shure, Sony, Toa, Vega, and other systems. Each adapter for your cordless microphone is guaranteed to perfectly mate to your system of choice.
Specifications
Offering great detail and resolution, the 4061s have a neutral sonic character and are very natural sounding. The 4061 has a very low noise floor, impressive sensitivity and can handle high SPLs. For full technical specs, please click the Specifications tab above.
Related microphones
The DPA 4060, 4062 and 4063 are acoustically identical to the 4061 but have different SPL handling or sensitivity. The 4061 is also included in stereo and instrument microphone kit solutions.
Features:
- Frequency response: 20Hz to 20kHz > -1dB
- Noise @ Minimum Gain -72 dBu (RMS 20Hz to 20kHz)
- Noise @ Maximum Gain -52 dBu (RMS 20Hz to 20kHz)
- Equivalent input noise @ maximum gain 127 dBu
- Input Gain -25 to -75dB in 5dB steps
- Gain accuracy > +/- 0.3 dB in relation to front panel scale
- Maximum Output level: +19 dBu into high impedance
- Maximum Output level: +17 dBu into 600 Ohms
- Electronically balanced input
- Input impedance 1K2 Ohms
- Transformer Balanced Output
- Output impedance 50 Ohms
- THD + Noise: Measured at any gain setting (no limiter) <0.05%
- CUT LF front panel switched 160Hz/ Flat /80Hz @ 12dB per octave
- Limiter/ compressor circuit
- Maximum input level before clipping -6dBu (limiter off)
- Maximum input level before clipping +14dBu (limiter on)
- Phantom power switch selectable (rear panel) 48Volts
- CE marked
- External Power input +12 to 20 volts <150 mA
- Maximum Dimensions (excluding belt clip): 101 mm x 104 mm x 45mm
- Weight (without battery): 355g
The Glensound GS-MCA001 is a portable, battery powered microphone preamplifier with limiter. It’s lightweight, small and rugged construction makes it ideal for outside broadcast and film production. As well as offering a high quality compressor/ limiter circuit (with bypass) it also has selectable LF cuts, 48 volts phantom power and a rotary stepped gain control. A belt clip is included for hands free operation and the single PP3 9 Volt battery offers good operational life. Manufactured in Glensound’s UK factory using high quality components & trusted manufacturing techniques the GS-MCA001 will give many years of reliable performance.
4062 Omnidirectional, XLo-Sens
The 4062 is available in two colors: black and beige
DPA 4062 is acoustically identical with the 4060, but the sensitivity is adjusted to match some of the more sensitive transmitters on the market. For a cordless microphone, choose from our adapter system or a hardwired connector.
Applications
The 4062 handles high sound pressure levels and is ideal for drums and brass.
Accessories
By changing the supplied grids (one high boost and one soft boost) you can acoustically modify the mic’s response according to placement. Additionally, a range of accessories is available, such as different colored windscreens, clips and holders, extension cables, and power supplies.
Wireless microphones
A wide range of connection adapters makes it possible to use DPA miniature microphones with all professional UHF, VHF or digital wireless systems.
DPA has adapters for AKG, Audio Ltd., Audio-Technica, Beyerdynamic, Electro-Voice, Lectrosonics, Micron, Mipro, Pastega, Telex ProStar, Ramsa, Samson, Sennheiser, Shure, Sony, Toa, Vega, and other systems. Each adapter for your cordless microphone is guaranteed to perfectly mate to your system of choice.
Specifications
Offering great detail and resolution, the 4062s have a neutral sonic character and are very natural sounding. The 4062 has a very low noise floor, impressive sensitivity and can handle high SPLs. The noise floor of the DPA 4062 is 33 dB(A) re. 20 µPa and if powered correctly the microphone will be able to handle sound pressure levels up to 154 dB SPL before clipping occurs. For full technical specs, please click the Specifications tab above.
Related microphones
The DPA 4061, 4062 and 4063 are acoustically identical to the 4061 but have different SPL handling or sensitivity.
Micron wireless microphone and communication systems have been setting industry standards in broadcast and location recording for some four decades. The company’s design focus is on applying sophisticated electronic engineering to achieve the optimum balance of performance and cost. The Explorer 100 Series combines the legendary Micron qualities of sonic integrity, long-term reliability and rock-solid construction at a new and highly affordable price point.
- 16 Channels over 24MHz
- Very small true diversity receiver
- ENG/EFP and location sound
- Ideal for compact DV camcorders
- TX AF 0dB and low battery indicators
- RX Signal strength and low battery indicators
- Unique easy to operate battery compartmen
Professional Sound Recordist and Cameraman’s choice for ENG, EFP, Drama, Filming and Location recording with secured Diversity reception even at hostile RF environments. Operating on 16 Channels over three UHF bands in Europe and four UHF bands in USA and Canada (24MHz). COMPLETE KIT supplied with SDR116 small diversity receiver, with two antennas and audio output cable; TX716-A body-worn Transmitter with belt clip and antenna all in a small carrying case with instruction manual on CD, and Quick User Guides.
Superb Sound in a New Generation Ultra-miniature Lavalier Mic
- Overcomes digital transmitter RFI
- Water Resistant
- Durable Design
- Great Clear and Rich Sound
- 4 Color Choices
- Improved Moisture Resistance
- Original Vertical Diaphragm Design
- Optimized for the Human Voice
Sanken has introduced the COS-11D, which overcomes RFI (radio frequency interference) from the digital transmitter. In today’s wireless transmission systems the microphone must remain unaffected by new forms of digital transmitter signals. They present new challenges in the area of emission protection. In many cases, noise levels increase and the S/N ratio is deteriorated by the interference of digital transmitters. Sanken has designed the COS-11D specifically to diminish the instances where interference is an issue.
The closed-back HD 25-1 IIs are purpose-designed, professional monitoring headphones offering high attenuation of background noise. Capable of handling very high sound pressure levels and of extremely robust construction, these headphones perform exceptionally well in high-noise environments, e.g. ENG, sound reinforcement, studio monitoring, and audio equipment testing. The capsule is rotatable for one-ear listening. Ideal monitoring headphones for cameramen and DJs.
Features:
- Very lightweight and comfortable, even if used for long periods
- High maximum sound pressure level
- 65 .nominal impedance for universal compatibility
- Tough, detachable steel cable
- Neodymium ferrous magnet systems and lightweight aluminum/copper voice
Profile:
- Rugged closed dynamic headphone.
- Max. SPL 120 dB, frequency response 16 Hz to 22 kHz
- THD < 0.3 %, nominal impedance 70
- Load rating 0.2 W. 3 m cable
- 3.5 mm stereo jack plug and adaptor to 1 /4 ” (6.3 mm) stereo jack plug.
The MKE 300 has been specially designed for use on film and video cameras/camcorders. It is fitted onto the camera’s flash mount and by virtue of its super-cardioid/lobar pick-up pattern picks up the sound coming from the direction the camera is pointing at. Colour: anthracite.
Features:
- High directivity
- Sprung-mounted capsule ensures effective suppression of handling noise
- Integral power supply using an LR 44 battery (button cell)
- On/off switch with battery status indication
- Flashmount adaptor
- Quality sound with picture
Technical Data
| Pick-up pattern | super cardioid / lobar |
| Nominal impedance | 200 Ohm |
| Min. terminating impedance | 2700 Ohm |
| Operating time | 200 h |
| Dimensions | 230 x 65 x 50 mm |
| Weight w/o cable | ca. 60 g |
| Sensitivity in free field, no load (1kHz) | 16 mV/Pa +- 2,5 dB |
| Equivalent noise level | 28 dB |
| Equivalent noise level | 18 dB |
| Power supply | 1,5 V -Batterie Typ IEC LR 44 |
| Jack plug | 3,5 mm Mono |
The ME 66 is a short gun microphone head designed for use with the K6 and K6P powering modules. It is especially suitable for reporting, film and broadcast location applications and for picking up quiet signals in noisy or acoustically live environments as it discriminates against sound not emanating from the main pick-up direction. Matt black, anodised, scratch-resistant finish.
Features
- Super-cardioid/lobar pick-up pattern
- Low inherent self-noise
- High sensitivity
- Highly directional – Ideal for picking up quiet signals in noisy environments
- Wide frequency response for authentic sound
| Dimensions | Ø 22,5 x 221 mm |
|---|---|
| Frequency response (microphone) | 40…..20000 Hz +- 2,5 dB |
| Transducer principle (Microphone) | pre-polarised condenser microphone |
| Pick-up pattern | super-cardioid/lobar |
| Sensitivity in free field, no load (1kHz) | 50 mV/Pa +- 2,5 dB |
| Nominal impedance | 200 Ohm (K6) |
| Min. terminating impedance | 1000 Ohm ( K6) |
| Equivalent noise level | 10 dB |
| Equivalent noise level weighted as per CCIR 468-3 | 21 dB |
| Maximum sound pressure level (passiv) | 125 dB / 1 kHz (K = 1%) |
The K6 powering module is the heart of this Sennheiser professional modular microphone system and can be powered either by its internal ‘AA’ size 1.5 V battery or by 12 – 48 V phantom power. The K6 can be combined with different condenser microphone heads to provide a wide variety of polar patterns. Matt black, anodised scratch-resistant finish.
Features
- Switchable bass roll-off filter protects against rumble, handling, pop and wind noise
- On/off switch with battery test
- High output, low noise
- Transformerless balanced output on 3-pin XLR connector
- Can be powered either by ‘AA’ size battery or by 12 – 48 V phantom power
- Can be combined with condenser capsules with various pick-up patterns
| Dimensions | d 22 x 94 mm (netto) |
|---|---|
| Frequency response (microphone) | 30…..20000 Hz +- 1 dB |
| Transducer principle (Microphone) | Pre-polarised condenser microphone |
| Weight | ca. 45 g |
| Nominal impedance | 200 Ohm |
| Min. terminating impedance | 1000 Ohm Phantom |
| Operating time | max. 150 h (netto) |
| Gain | 0 dB |
| Current consumption | 2,2 mA (netto) |
| Output voltage | 2 V Phantom |
| Battery Specification | 12 – 48 V 1x Typ IEC LR 06 Phantom |
Perfect for television applications, Sony’s ECM77B Omni-Directional Electret Condenser Microphone is a miniature lavalier microphone designed to be inconspicuous. This tiny mic runs on either phantom power or AA battery operation. The ECM77B comes with an XLR connector.
Omni-directional lavallier condenser microphone with AA battery power supply and XLR connector
- Capsule Type: Electret Condenser
- Frequency Response: 40 Hz to 20 kHz
- Directivity: 40 Hz to 20 kHz
- Directivity: Omni-directional
- Sensitivity: -36.5 dB (15mV)
- Dynamic Range: 90dB
- S/N Ratio: 64 dB or more
- Inherent Noise (0dB=20µPa): 30 dB SPL or less
- Induction Noise from External Magnetic Field: 5 dB SPL or less
- Wind Noise: 40 dB SPL or less (with windscreen, at 2 m/s)
- Max SPL (dB SPL)(0dB=20µP): 120 dB SPL
- Connector: B type. Supplied with XLR connector in power supply unit (single AA size battery)
- Cable Length: 9.8 feet
- Power Requirement: DC 1.5 V, AA size battery or +48V phantom power
- Dimensions: 1/4 diameter X 1/2 inch (Microphone head)
- 13/16 diameter X 5 1/4 inch (Power unit XLR type)
- Weight: 4.3 oz (Includes Mic and Power Supply)
The 633 is a compact, six-input mixer with integrated 10-track recorder featuring PowerSafe technology. It offers six analog inputs and records to SD and CompactFlash memory cards. The 633 is designed for audio professionals requiring go-anywhere portability, without compromising recording or mixing capability.
Input and Output Flexibility
The 633 offers three high-bandwidth mic/ line inputs on XLR connectors (3+3), complete with phantom power, high-pass filter, input limiter and variable pan. Three additional line-level inputs on TA3 (mini-XLR) connectors offer flexibility for more complex productions. All inputs are assignable to its six output buses, left/right plus Aux 1/2/3/4.
10-Track Recording
All six inputs plus output buses left/right and Aux 1/2 can be recorded to individual tracks. The 633 offers 10-track 24-bit, 48 kHz uncompressed WAV recording (96 kHz and 192 kHz sampling up to six tracks) to SD and CompactFlash memory cards. The two cards can be set independently, recording either identical material for a real-time backup, or combinations of WAV and time code stamped MP3 files.
Quad Power
Powered by a unique Quad Power supply with PowerSafe technology, the unit is operational from any of four power sources. Sources can include external DC (12-18 V), two removable 7.2 V L-type lithium ion cells, and six internal AA batteries. The 633 automatically switches from one power supply to the next when power is exhausted or removed. With its combination of power sources, the 633 can operate for a full production day on batteries alone.
PowerSafe Technology
When all power sources are removed or depleted, the unit’s PowerSafe circuitry is activated. PowerSafe keeps the 633 operating for up to 10 seconds and ensures that all file operations are fully closed and the unit gracefully shuts down.
Two second power on-to-recording. Never wait on sound!
Ease-of-Use & Full Size Controls
Clear, fast, easy to navigate controls and interface; visible in all light conditions, configurable metering and display.
Integrated Time Code
The 633 integrates a rock-steady Ambient time code generator, supporting all common rates and modes. In addition to time code, the 633 supports extensive file metadata. Metadata is entered from either the front panel or from an attached USB keyboard.
Built for the Field
Designed to withstand the extremes of field production, the 633’s small, lightweight, compact chassis is made from molded, metalized carbon fiber. It is built on Sound Devices strong heritage of high performance audio mixers, audio recorders, and video recorders.
Additional Features
- AES input, two-channel AES3 or AES42, four channels of AES output.
- Clear, fast, easy to navigate controls and interface; visible in all light conditions, configurable metering and display.
- Stereo Linking, MS and L/R.
- Input delay selectable on all six inputs plus output bus delay on all six buses.
- User-configurable headphone presets plus a headphone favorite mode for quick source selection.
633 Specifications
Analog Inputs
Frequency Response
- 10 Hz to 40 kHz ± 0.5 dB, -3 dB @ 65 kHz (192 kHz sampling rate reference 1 kHz)
THD + Noise
0 .09% max (1 kHz, 22 Hz–22 kHz BW, fader at 0, 0 dBu output)
Equivalent Input Noise
- -126 dBu (-128 dBV) maximum. (22 Hz – 22 kHz bandwidth, flat filter, trim control fully up)
Input Types
- XLR Mic: active-balanced for use with ≤600 ohm mics, 4k ohm actual; 12V or 48V phantom power, 10 mA max
- XLR AES: AES3 or AES42 (10 V power), SRC
- XLR Line: active-balanced for use with ≤2k ohm outputs, 10k ohm actual
- TA3 Line: active-balanced for use with ≤2k ohm outputs, 10k ohm actual
- RTN (3.5 mm): unbalanced stereo for use with ≤2k ohm outputs, 30k ohm actual
Maximum Input Level
- XLR Mic: 0 dBu (0 .78 Vrms)
- XLR Line: +40 dBu (80 Vrms)
- RTN (3 .5 mm): +24 dBu (12 .4 Vrms)
Maximum Gain
- Mic-In-to-Line-Out: 91 dB
- Mic-In-to-Aux-Out, -10 Out: 77 dB
- Line-In-to-Line-Out: 39 dB
High-Pass Filters
- Sweepable 80 Hz to 240 Hz, 12 dB/oct at 80 Hz, 6 dB/octave at 240 Hz
Microphone Powering (each analog Input selectable)
- 12 V Phantom: through 680 ohm resistors, 10 mA per mic available
- 48 V Phantom: through 6 .8k resistors, 10 mA per mic available
Analog Input Limiters (Inputs 1-3)
- Affects the output of the mic preamps only (‘Trim’ stage) · +16 dBu threshold (fixed)
- 20:1 limiting ratio
- 1 mS attack time
- 500 mS release time
Digital Input Limiters (Inputs 1-6)
- Post-fader
- +6 dBu to +18 dBu threshold (adjustable) · 20:1 limiting ratio
- 1 mS attack time
- 500 mS release time
Digital Inputs
AES42
- AES42 Mode 1, provides +10 V Digital Phantom Power
Analog Outputs
Output Type
- XLR Line: Active Balanced for use with ≥600 ohm inputs
- XLR -10: Active Balanced for use with ≥10k ohm inputs
- XLR Mic: Active Balanced for use with ≥600 ohm inputs
- TA3 Active Balanced Mic/Line: pin-2 and 3 driven, for use with ≥3k ohm inputs · X3,X4 (3 .5 mm): Unbalanced, stereo, for use with ≥6k ohm inputs
- Headphones (1/4”): Unbalanced, stereo, for use with 8-2k ohm headphones
Output Impedance (ohms actual)
- XLR and TA3 balanced outputs: 100 ohms at Line setting, 3 .2k ohms at -10 setting, 150 ohms at Mic setting
- TA3 Balanced Outs: 1k ohms at Mic and Line settings · X3,X4 (3 .5 mm): 100 ohms
- Headphones (1/4”): 100 ohms
Line Output Clipping Level (1% THD)
- 20 dBu minimum with 10k load
Maximum Output Level
- Line: +20 dBu (7.8 Vrms)
- -10: +6 dBu (1.5 Vrms)
- Mic: -20 dBu (0.078 Vrms)
- Aux 3/4: +6 dBu (1.5 Vrms)
Output Limiters
- Affects the outputs of the mixer
- Threshold selectable from +4 dBu to +18 dBu, 1 dB steps · 20:1 limiting ratio
- 1 mS attack time
- 500 mS release time
Maximum Gain – Typical (Trim, Fader, Master, Phones, RTN fully up)
|
MIC Level Input |
LINE Level Input |
RTN |
|
|---|---|---|---|
|
Master Outs (XLR) @ LINE |
91 dB | 51 dB | – |
|
Master Outs (XLR) @ -10 |
77 dB | 37 dB | – |
|
Master Outs (XLR) @ MIC |
51 dB | 11 dB | – |
|
X3, X4 Outs (3 .5 mm) |
77 dB | 37 dB | – |
|
Headphones (1/4”) |
107 dB | 67 dB | 5dB |
Digital Outputs/Recorder
AES3 Output
- Transformer-balanced AES Out A,B on XLR
- 110 ohm, 2 V p-p, AES and S/PDIF compatible with RCA adaptor
Sampling Frequency
- 44.1 kHz
- 47.952 kHz
- 48 kHz
- 48.048 kHz
- 88.2 kHz
- 96 kHz
- 192 kHz
A/D
- 24 bit
A/D Dynamic Range
- 114 dB, A-weighted, typical
Recording Storage Type
- SD, SDXC, SDHC Card
- FAT32 or exFAT formatted, will format media on-board
- CompactFlash (CF)
- FAT32 formatted for CF and SD <32 GB, exFAT for SD cards >32 GB, will format memory cards in-unit
File Type
- Record: WAV (Broadcast Wave File format), polyphonic or MP3
- Playback: WAV (Broadcast Wave File format), polyphonic or MP3
Timecode and Sync
- Modes Supported: off, Rec Run, Free Run, 24h Run, External
- Frame Rates: 23.976, 24, 25, 29.97DF, 29.97ND, 30DF, 30ND
- Accuracy: Ambient generator, 0.2 ppm (0.5 frame in 24 hr)
- Time Code Input: 20k ohm impedance, 0.3 V – 3.0 V p-p (-17 dBu – +3 dBu)
- Time Code Output: 1k ohm impedance, 3.0V p-p (+12 dBu)
Sample/Timecode Accuracy
- ± 0.2 ppm (0.5 frames per 24 hours)
Power
- External: 10-18 V on locking 4-pin Hirose connector, pin-4 = (+), pin-1 = (-).
- Removable x 2: 7.2 V (nominal) Sony L-type Li-ion, operational from 6.5–8.5 V,
- Internal: accepts 6 AA-sized (LR6) batteries, 1.2-1.6 V nominal (NiMH rechargeable compatible)
Environmental
- Operating: -20°C to 60°C, 0 to 90% relative humidity; (non-condensing)
- Storage: -40°C to 85°C
Dimensions and Weight
- Dimensions: 6 cm x 24 cm x 14 cm (H x W x D); 2.2” x 9.4” x 5.6”
- Weight: 1.1 kg; 2 lbs. 9 oz. (unpackaged, without batteries)
302 Compact Production Field Mixer
Developed specifically for audio-for-picture applications, the 302 mixer is the perfect tool for production companies and camera operators wanting to take control of their audio. The 302 is stunning for its size, flexibility, control, and performance; it is the most widely-used compact battery-powered professional audio mixer in its class.
With important features to accommodate nearly any over-the-shoulder production, the 302 interfaces with wireless transmitters and receivers, camera audio inputs of all kinds, and external audio recorders. Its microphone inputs share the same superb circuitry as the 552 Portable Production Mixer and MixPre-compact Field Mixer.
Like Sound Devices larger 552 Field Mixer, the 302 is a complete Field Mixer but designed in a super-compact package. Controls are accessible on its three main surfaces, its high-efficiency power circuitry runs the mixer from either three internal AA batteries or external 5-18 VDC.
Key Features List
- Lundahl transformer-balanced mic or line-level inputs on XLR connectors
- Continuously adjustable input trim
- Two-position high-pass filter
- Pan switches
- Limiters on inputs and outputs
- Stereo and MS linking of channel 1 and 2
- Phantom (48 V or 12 V) or “T” microphone powering selected per channel
- Solo (PFL) channel monitoring in headphones
- Peak limiters per channel
- Tape level output on TA3 locking connectors
- Active-balanced line/tape/mic level outputs on XLR connectors
- Return input for monitoring
- Channel 4/5 input option
- Sunlight-viewable LED meters with proprietary software selected ballistics
- Onboard MS stereo matrix
- Push pots for setup feature to keep the front panel clutter-free
- Durable extruded aluminum chassis
- Weight less than 1 kg with batteries
- Powered by three AA batteries or external 5 – 18 VDC
MixPre Compact Field Mixer
The Ultimate Portable Mixer for Production, ENG, and Film
The MixPre from Sound Devices is a studio-quality two-channel, portable, stereo microphone mixer. Its impressive audio performance and comprehensive features, including pan switches, built-in slate microphone, 1 kHz tone oscillator, and headphone monitoring make it ideal for the front end of any studio or field production system.
Radio, television, and film production engineers value the compact size and ability to withstand extremes in the field. The MixPre combines rugged mechanical and electrical construction, compact size, and high-quality components. The MixPre gives no-compromise performance for any application.
Key Features
- Dynamic range exceeding 110 dB
- 10 Hz to 50 kHz audio bandwidth
- Maximum of 66 dB of gain per input
- Premium Lundahl input transformers
- Discrete 6-transistor balanced output drivers
- Sealed, conductive plastic potentiometers
- Seven-segment, sunlight-readable GaN LED meters
- Phantom power, 48 volts or 15 volts
- High-pass filters @ 80 or 160 Hz, 6 dB per octave
- Inputs hard panned to left, center, or right outputs
- High-power headphone monitoring
- “Unclippable” input peak limiters via two-stage optoisolator circuit with adjustable limiter threshold (per input)
- Dual mono or linked stereo limiter operation
- Two internal AA batteriesExternal 5 to 17 VDC powering
- Power LED indicates low battery power
- RF filtering on all inputs and outputs. Free from “Pin 1” grounding problems
- High-strength, extruded aluminum chassis with protective metal end panels
- All-metal connectors solidly connected to chassis
VOICE TECHNOLOGIES EARPHONES
Voice Technologies is a manufacturer of high-end miniature lavalier microphones, head-worn microphones, and earphones for broadcast, theatre, film, video and conference applications. Established in 1998 in Zurich, Switzerland, the company continues the long tradition of Swiss precision engineering and moulding, resulting in exceptional performance and reliability in their range of miniature and ultra-miniature devices.
Equipped with a 3.5mm jack plug, the earphones are ready for connection to most wireless IFB/cue receivers or other personal listening systems. A wide range of accessories and replacement consumable parts is available.
Full technical specifications are available at www.voicetechnologies.net.
VT600, VT600C, and VT600T
The VT600 series has been conceived for the inconspicuous listening requirements of newscasters, security professionals, stage performers and other talent requiring discreet cueing. Excellent sound and ease of use are the primary user benefits. There is no need for a custom ear mould or snap fit parts, one size effectively fits all. It has a short bend, over-ear acoustic loop, with the 500-ohm transducer located discreetly behind and below the ear. This unit will interface with any wireless or hardwired receiver for monitoring.
The VT600 has a rugged, sweat-proof 1.5mm diameter straight beige cable, fitted with a 2-pole 3.5mm jack plug. The VT600C has a coiled grey cable. The VT600T has a longer, coiled transparent tube so the transducer can be fully concealed under clothing.
Included accessories: The VT600 series are supplied in a silver metal box with a clip and an additional earpiece.
Optional accessories: As an alternative to the standard earpiece a flexible ear insert for left or right ear, in three sizes, is also available.
VT602
The VT602 is a stereo version of the VT600. Excellent sound and ease of use are the primary user benefits. It is supplied with two flexible ear inserts. The open frame design still allows the user to hear ambient noise, they fit without pressure entirely in the outer auditory canal. They are very comfortable even after many hours, are hygienic and can be cleaned very easily. The VT602 is the ideal solution for discreet stereo listening (for example with a professional camera).
Impedance 8-12 ohms, 1.2 metre cable fitted with 3-pole 3.5mm jack plug.
Included accessories: The VT602 is supplied in a black pouch bag with a clip and additional earpieces.
VT610TC125
The VT610TC125 is an elegant black earphone with an acoustic tube and a cable with connector to suit the equipment to which the earphone is being connected. The earphone has a 125 ohm transducer (‘ear receiver’), a coloured clip and a transparent acoustic tube which directs the sound into the ear canal and reduces the ingress of ambient noise.
Impedance 125 ohms, 1.5 metre cable fitted with a 2-pole 3.5mm right angle jack plug.
Included accessories: The VT610TC25 is supplied in a silver metal box.
VT60M and VT60i MkII
The VT60 miniature earphone is a very small and extremely lightweight earphone, totally unobtrusive and in most cases almost invisible. The built-in receiver is connected with a thin cable and the silicon earpiece at the end of the receiver is placed directly into the ear canal, facilitating high quality sound as well as isolation from outside noise. It is designed for applications including stage presentations, theatre and broadcast studio operations. Impedance 500 ohms. cable 1.2 metres fitted with a 2-pole 3.5mm right angle jack plug.
The VT60M has a beige 1mm diameter cable, 1.2 metres length, fitted with a 2-pole 3.5mm right and jack plug. The VT60i MkII has an ultra fine connecting wire for the absolute minimum visibility, also terminated in a 2-pole 3.5mm right angle jack plug.
Included accessories: Earpiece, clip.
Perfect for television applications, Sony’s ECM77B Omni-Directional Electret Condenser Microphone is a miniature lavalier microphone designed to be inconspicuous. This tiny mic runs on either phantom power or AA battery operation. The ECM77B comes with an XLR connector.
Omni-directional lavallier condenser microphone with AA battery power supply and XLR connector
- Capsule Type: Electret Condenser
- Frequency Response: 40 Hz to 20 kHz
- Directivity: 40 Hz to 20 kHz
- Directivity: Omni-directional
- Sensitivity: -36.5 dB (15mV)
- Dynamic Range: 90dB
- S/N Ratio: 64 dB or more
- Inherent Noise (0dB=20µPa): 30 dB SPL or less
- Induction Noise from External Magnetic Field: 5 dB SPL or less
- Wind Noise: 40 dB SPL or less (with windscreen, at 2 m/s)
- Max SPL (dB SPL)(0dB=20µP): 120 dB SPL
- Connector: B type. Supplied with XLR connector in power supply unit (single AA size battery)
- Cable Length: 9.8 feet
- Power Requirement: DC 1.5 V, AA size battery or +48V phantom power
- Dimensions: 1/4 diameter X 1/2 inch (Microphone head)
- 13/16 diameter X 5 1/4 inch (Power unit XLR type)
- Weight: 4.3 oz (Includes Mic and Power Supply)
ACN-TL – Timecode Generator & Transceiver
| Technical Data
|
| Highly accurate timecode generator |
| Generator buffered timecode transceiver |
| Drift of less than 1 frame a day (~0,1ppm, 0.0ppm within the ACN) |
| Supports all SMPTE frame rates |
| Sunlight readable OLED Display |
| Adjustable timecode offset |
| Adjustable timecode level for recording TC on audio track |
| MIDI timecode interface with LTC/MTC conversion |
| Built in ACN transceiver with internal antenna |
| RS232, USB and GP I/O port |
| Works 12 hours on 2 AAA batteries |
| Robust machined and anodized aluminum body |
| Dimension: 77 mm x 56.5 mm x 21 mm |
| Weight: 118 g
|
With Clockit TC generator, a reader capable of low and high speed TC, camera strobe speed and TC diversion check, battery voltage read-out and a selectable offset of up to +/- 7 frames the ACD301 has built up a name of being a real “smart” slate. In the latest revision, MK III more features have been added to stand up for this reputation: Power consumption was optimized for the use of only 6 AA cells with improved lifetime. The 2 super bright LEDs can now externally be selected to flash either at second transition to mark frame “00” for Telecine or clapped frame. Also, the slate can display external TC and internally generated on clapping for improved playback operation with multiple cameras.
n the last few years Hi-Definition video has emerged to the de facto standard on everyday productions due to superior, crisp picture quality and resolution. Meanwhile, respecting cameras have become economically priced and the portfolio is continuously expanded with new HD models from Panasonic, Sony, Red and Arri. Adding to that HD is currently massively pushed as the future broadcast standard on a global scale. The Lockit ACL 203 stays abreast of this development including the complete variety of current HD video formats as well as Word Clock and AES3 black audio with sample rates up to 192 KHz for syncing audio recorders.
The 3 functional blocks, sync format, sync frequency, and time code frame rate are each controlled with a dedicated rotary encoder. This allows for quick and straightforward dialing through even the most exotic variants as pull up/down or cross jam modes. Despite the extensive enhancements it was possible to maintain the original footprint of the predecessor by using latest surface mount components and technology.
Thus, with extensive sync modes and an unrivalled accuracy of 0.2ppm in a highly portable package the Lockit continues being the prime choice for sophisticated synchronisation demands on the go, offering significantly less drift than a single frame per day between fully autonomous units on the set.
Supported Settings:
|
720P |
23.98, 24, 25, 29.97, 30, 59.94, 50, 60 |
|
1080i / PsF |
23.98, 24, 25(50i), 29.97(59.94i), 30(60i) |
|
1080P |
23.98, 24, 25, 29.97, 30 |
|
PAL |
25 Fps |
|
NTSC |
29.97, 30 Fps |
|
Word Clock |
32, 44.1, 48, 88.2, 96, 176.4, 192 KHz, pull-up / pull-down |
|
Black Audio AES3 |
24 Bit, Samplerates as above |
The Tentacle Sync Timecode Standard Set is a complete hardware/software solution to get started with timecode syncing. It includes two super-small and user-friendly timecode generators and a free license of our timecode syncing software for OS X. So Tentacle Sync will help you to accelerate your syncing workflow from shooting to post-production.
Tentacle Sync Hardware
Tentacles are basically timecode generators completely stripped-down to what you really need: They are accurate, small, lightweight, smart and easy to use devices. The versatile timecode output of Tentacle will allow you to connect Tentacles to nearly every kind of camera or recorder. From a DSLR to an ARRI Alexa, Tentacle works with them. Once connected, you can leave Tentacles on your equipment for the whole day because Tentacles stay frame-accurate for 24 hours and the built-in battery lasts for up to 40 hours.
– Super small (34 x 50 x 16 mm) and lightweight (30 g / 1 oz)
– Frame rate and TC output level setup via software-app (OSX, Windows, iOS, Android)
– DSLR-ready: Switchable mic/line output + built-in microphone for reference sound
– Generates all SMPTE timecode rates: 23.98, 24, 25, 29.97, 29.97DF and 30 FPS
– Compatible with all professional equipment: Uses LTC timecode according to SMPTE-12M standard
– High precision TCXO: Inaccuracy less than 1 frame in 24 hours, Temperature range -30°C to +85°C
– Can act as the master clock (Green Mode) or jam-sync to any external timecode source (Red Mode)
– Built-in rechargeable lithium polymer battery, lasts for up to 40 hrs, fast charging via USB (1.5 hrs)
– More than 3 years of battery life (depends on usage); Battery will be replaceable
– Integrated hook surface on the back for easy mounting
– Designed and made with love in Cologne
Tentacle Sync Software for OS X
Syncing, viewing and exporting dailies prepares your material for editing. Our Tentacle Sync software does all that for you within a glimpse.
Just throw your clips in and that’s it. Tentacle Sync automatically synchronizes video and audio and allows you to read and analyze all kind of timecodes including audio timecode. The software enables you to sync, view and export dailies immediately. This means that you can view and control your synced material directly after shooting with almost no effort!
The Tentacle Sync Software (min. OS X 10.9) can be downloaded for free on our website. The Tentacle units act as a dongle to unlock the export features.
The C 747 is a tiny shotgun microphone designed for exacting orchestral, choir, podium, and boardroom applications. Flat, extended frequency response makes it suitable for high-quality live music recording, while the frequency-independent pattern provides consistent off-axis rejection to control ambient noise and feedback in acoustically difficult environments. A switchable LF roll-off filter suppresses mechanical noise. The low-impedance transformerless preamp operates on 9 to 52 V phantom power. Standard accessories include a shock mount/adapter, mini gooseneck, stand adapter, mounting clamp, thread link, and windscreen.
- Slim design
- Extended bass and high-end response
- Hypercardioid polar pattern
- High SPL capability
| Polar pattern | hypercardioid |
| Frequency range | 30 to 18,000 Hz |
| Sensitivity | 8.5 mV/Pa (-42 dBV) |
| Max. SPL | 133 dB |
| Equivalent noise level (IEC 60268-4) | 32 dB |
| Equivalent noise level (IEC 60268-4, A-weighted) | 21 dB-A |
| Signal/noise ratio (A-weighted) | 73 dB |
| Bass filter | 12 dB/octave at 150 Hz |
| Impedance | 400 ohms |
| Recommended load impedance | >1500 ohms |
| Supply voltage | 9 to 52 V phantom power to DIN 45596 |
| Powering | <2 mA |
| Connector | 3-pin XLR |
| Cable | 3 m (10 ft.) |
| Finish | dark gray |
| Net weight | 25 g / 0.9 oz. |
| Shipping weight | 750 g / 1.7 lbs. |
Hypercardioid condenser microphone. Applications: Lectern, places of worship, theater, stage miking, conference. Frequency range: 30–18,000 Hz; sensitivity at 1 kHz: 8.5 mV/Pa; impedance: 400 ohms; maximum SPL: 133 dB SPL, S/N: 73 dB (A). Switchable bass cut filter: 12 dB/octave, 150 Hz. Dimensions: 9 mm (0.35 in.) dia.; 137 mm (5.4 in.) long. Weight excluding accessories, cable, and connector: 25 g (0.9 oz.).