Cameras

DJI Osmo Action

Key Features

• RockSteady electronic image stabilisation
• HDR video recording
• 4K video recording @ 60fps
• I12 megapixel stills
• Waterproof to 11 meters
• Two colour screens, including a self-facing selfie screen on the front
• Touchscreen controls on the rear
• Dustproof, shockproof and built to withstand extreme temperatures
• Slo-mo and Timelapse functions
• Range of accessories to take your creativity further

Adventure – In Stunning Detail

The DJI Osmo Action has a 1/2.3-inch sensor allowing it to record 12-megapixel photos and 4K video up to 60fps at 100Mbps in stunning detail, assuring high-quality footage.

A three-glass aspherical lens design records low-distortion content and aids in reducing warping effects for improved scenes.

The lens cap is finished with two layers of anti-fingerprint coating to keep the shot clean during use, as well as an anti-reflective coating to reduce the unwanted effects of lens glare, giving users more flexibility to shoot in bright conditions.

RockSteady Stabilisation

Osmo Action is the first DJI handheld camera to include RockSteady, DJI’s Electronic Image Stabilisation (EIS) technology.

High-performance stabilisation algorithms work in conjunction with EIS to record every movement in smooth, stable, high-quality video, even when recording 4K/60fps.

Osmo Action is capable of High Dynamic Range (HDR) video in 4K/30fps, delivering an additional three stops of dynamic range to the scene, natural transitions between light and dark areas, and rich details that are often lost in complex lighting conditions.

Longer Life To Go Further

Osmo Action has a removable battery with a run time of 93 minutes recording at 4K/30fps with RockSteady enabled, and 135 minutes recording at 1080p/30fps without RockSteady.

Dual microphones let users take advantage of Osmo Action’s Voice Control, and a speaker ensures outstanding playback quality.

Ideal For Harsh Environments

A compact yet durable design makes Osmo Action the ideal camera for life’s adventures. Constructed to handle extreme conditions with ease, Osmo Action is dustproof, shockproof, waterproof and has the ability to operate in sub-freezing temperatures.

Osmo Action is capable of operating at a depth of 36 feet (11 metres) without additional waterproof housing, or up to 60 metres with a diving house.

Colour Screens and Easier Selfies

Osmo Action utilises colour screens on both the front and back, a unique design feature that allows for more convenient scene composition while on the move.

The 2.25-inch rear touchscreen employs a water and fingerprint repelling coating, and the 1.4-inch front screen makes vlogging and selfies easier than ever before.

With a brightness of 750-nits, Osmo Action can be used in harsh lighting conditions including direct sunlight.

Interactive Interface

Osmo Action’s interactive user interface, Action OS, combines a streamlined and functional physical design with flexible operation.

Power on, initiate recording and rotate through the video and photo capture modes in the blink of an eye with three dedicated buttons.

Never miss a moment with the help of SnapShot, which allows Osmo Action to turn on and begin recording in under two seconds by pressing the shutter button once.

 Extra Features At A Tap Of A Button

A staple in DJI’s product lineup, Osmo Action offers a wide variety of highly creative features built into the camera which users can access with a few simple taps. While recording, choose between:

• Slo-mo: 8x slow motion in 1080p 240fps or 4x slow motion in 1080p 120fps creates a visually appealing effect when documenting action-packed scenes.
• Timelapse: If the user is looking to turn minutes into seconds, Timelapse is perfect for capturing unique content with the effect of the world moving faster.
• Custom Exposure Settings: Shoot for the stars with manual and semi-automatic settings that allow up to 120 seconds of exposure, perfect for capturing the night sky.

What resolution settings does Osmo Action support?

What video formats does Osmo Action support?

MOV and MP4.

What is D-Cinelike?

It is designed to capture a wide dynamic range from the sensor, and colors are distributed evenly so the dark part of a picture is greatly improved. It is not a real LUT, but a lower-contrast video with a flat color profile, great for post-processing options.

This is the LawMate Buttonhole Covert Camera Kit, PV-500 Neo Pro recorder, a recorder with all of the features of the PV-500 Neo recorder with the added benefit of a 3” LCD touch-screen.

Features:

Wi-Fi Application features: •    Live view •    Ability to switch between standard or motion detection recording •    Start/stop recording •    Set the time & date / synchronise with your smart phone/tablet •    1080p/720p/WVGA switch •    Card formatting function •    SSID visible/hide switch

LS Vision Lipstick Bullet Camera

• 4.3mm pinhole lens Megapixels lens sdi mini camera
• 1080 (1920x1080p)@30fps 720 (1280x720p)@60fps
• out (BNC) with NTSC/PAL selectable
• 2D+3D DNR, D-WDR, HLC, OSD, Sense-up, Digital zoom
• Output-Megapixel HD CCTV (BNC)&SD CCTV (BNC)Out
• mini hidden camera

Sony A7S Mk3 Camera - FULL SPECTRUM

Imagination in Motion

Іt’ѕ vіdео сараbіlіtіеѕ offer up to 4К 120Р (4:2:2 10bіt) rесоrdіng аnd FНD 240Р fоr ѕtunnіng ѕlоw-mоtіоn video. New versions of XAVC feature the addition of HEVC/H.265 encoding or ALL-I encoding. Improved colour science which draws inspiration from Sony’s FX9 & VENICE cameras with the ability to shoot S-Log3 & S-Gamut3.Cine for better colour matching. 

The Sony A7S Mk3 camera is еquірреd wіth аn іnсrеdіblе 759 роіnt оn-ѕеnѕоr рhаѕе dесіѕіоn АF wіth rеаl-tіmе еуе trасkіng іn bоth vіdео аnd ѕtіllѕ. The camera also features a full size HDMI output capable of outputting 16bit RAW to compatible recorders! Тhіѕ саmеrа dеmоnѕtrаtеѕ Ѕоnу’ѕ аbіlіtу tо рrоduсе ѕtunnіng іmаgе quаlіtу аnd рrоfеѕѕіоnаl реrfоrmаnсе іn оnе bоdу.

New image sensor with double the readout speed

The newly developed back-illuminated full-frame Exmor RTM CMOS sensor, with 12.1 effective megapixels13, boasts a readout speed up to twice as fast as that of the α7S II, along with high sensitivity and wide dynamic range. An advanced colour filter array boosts colour reproduction accuracy, while focal plane phase-detection AF enables substantial increases in autofocus stability and precision, all of which contribute to outstanding image quality.

New image-processing engine with up to 8x the processing performance

The BIONZ XRTM image-processing engine boasts a performance level up to eight times that of the previous processor, minimising latency while markedly improving real-time processing capabilities for both movies and stills. The engine performs real-time processing of AF, image recognition and image-quality adjustments, while also handling data transfer, user interface and other camera operations.

High sensitivity, wide dynamic range

The Sony A7S Mk3 Camera has a full-frame 12.1-megapixel14 configuration enables high sensitivity with low noise throughout the camera's sensitivity range by optimising the output signal from the sensor. The standard ISO range is 80-102400, which is further expandable to 40-409600 (80-409600 for movies). The dynamic range is an impressively wide 15 stops15, for beautiful, true-to-life images without blown highlights. Together, the camera's high sensitivity and wide dynamic range expand your creative freedom during shoots.

Full-frame 4K recording at 120p16

Full-frame 4K recording at 120fps16 with autofocus is possible thanks to the high-speed readout capabilities of the new image sensor working in tandem with the newly developed, powerful BIONZ XR processor. This high image-quality 4K, with full-pixel readout without binning, allows for clear post-produced slow motion (up to x5 slower than real time)17, as well as bokeh effects typical of full-frame cameras, all with smooth, high-precision autofocus. Despite the α7S III's compact size, it provides impressive scope for your creativity.

Recording movies with 10-bit depth and 4:2:2 colour sampling

The camera is capable of performing 4K internal recording with 10-bit depth and 4:2:2 colour sampling when using either Long GOP or All Intra compression. This makes it possible to push your colour grades further, stretching video out for ultimate HDR realism while still retaining natural gradation, for true editing freedom.

All-Intra internal recording

In addition to Long GOP inter-frame compression, the α7S III supports internal intra-frame (All-Intra) recording18 for the first time in an α-model body, where each frame is recorded independently at a high bitrate of up to 600Mbps. This can be useful for certain types of shoots as it allows maximum flexibility in post-production editing.  [1] All-Intra (All-I)  [2] Long GoP  [3] Group of Pictures

HEVC codec with high compression efficiency

Available for the first time, XAVC HS format recording using the MPEG-H HEVC/H.265 codec roughly doubles the compression efficiency. Compared to a normal 4K XAVC S format, XAVC HS allows for detailed 10-bit video with 4:2:2 colour sampling at comparable or lower data rates, delivering even better image quality as well as manageable file sizes19.

16-bit RAW data output

Facilitating improved image quality and more flexible and efficient editing in post production, the camera supports 16-bit RAW data output to an external recorder via HDMI, for the first time in the α series. The output is full-frame 4264 x 2408 (16:9 aspect ratio) 16-bit data from the image sensor, with a choice of frame rates (60p/50p/30p/25p/24p)20.

S-Log2 and S-Log3 with 10bit 4:2:2 support

S-Log2 and S-Log3 gamma curves are available, with S-Log3 designed for better reproduction of gradations from shadows to the mid-grey range (18% grey), enabling a dynamic range of up to 15 stops15. Three colour gamut settings (S-Gamut, S-Gamut3, and S-Gamut3.Cine) are provided, and the latter two settings make it easier to match the colours of footage shot with Sony's professional cinema cameras. Because the colours match, colour grading is easier in post-production editing, making it more convenient to use the α7S III along with other pro cameras.

Proxy recording for more efficient editing workflow

When shooting movies, low bit-rate HD proxy files can be recorded simultaneously with higher bit-rate formats such as XAVC S-I 4K, and these smaller proxy files can then be used for editing and previewing prior to final production delivery. This reduces computer load and allows faster and more efficient workflows. Proxy files can be captured in either 10-bit XAVC HS (1920 x 1080) or 8-bit XAVC S (1280 x 720) 21.

10-bit HLG picture profile

An HLG (Hybrid Log-Gamma) HDR picture profile, complete with the wide-gamut BT.2020 colour space, can be used for direct HDR (HLG) playback on compatible TVs. The result is true-to-life imagery close to what the naked eye can see, with detailed shadows and highlights, less blackout and less whiteout, all without the need for colour grading. In particular, 10-bit recordings reproduce a level of fine gradation and detail for extraordinary realism.  [1] High flexibility to fine-tune images as desired (colour grading required)  [2] Instant high-quality image (colour grading not required)

Enhanced movie image quality

Thanks to the improved capabilities of the α7S III's new image-processing engine, colours and textures of foliage and human skin can be more consistently reproduced without over-dependence on light sources. Gradation rendering has also been refined, for better-looking skin tones and highlight roll-off in portraits. When shooting 4K, the new image sensor and processing engine reduce rolling shutter distortion to as little as one-third that of the α7S II.

Fast Hybrid AF for dependable focus during movie shooting

Inheriting technology and performance standards from Sony's large-format FX9 pro camcorder, Fast Hybrid AF combines focal plane phase-detection AF with contrast-detection AF. This results in highly precise, smooth tracking of fast-moving subjects even over a wide range with a shallow depth of field, taking full advantage of Sony E-mount lenses' smooth linear-motor focusing and power-zoom operations. Newly added AF Transition Speed and AF Subject Shift Sensitivity parameters allow more flexible focus control, as requested by professional users. Both allow preset settings to be recalled during recording by using a customisable button.

AF support in manual-focus mode

The camera's autofocus support can be useful even when you're primarily using manual focus. For full AF speed, half-press the shutter button or press the AF-ON button, as you would when shooting stills. Alternatively, slower, more cinematic AF transitions can be achieved by initiating AF via the touch focus feature or Real-time Eye AF via a custom button assignment, resulting in slow, smooth autofocus at the preset AF Transition Speed.

Game-changing tracking features to revolutionise movie shooting

Real-time Tracking and Real-time Eye AF make movie-making much easier. Touch Tracking initiates subject tracking with an intuitive touch to the LCD monitor, processing data on colour, pattern (brightness), distance (depth) and facial information to keep your subject in steady focus. You can then concentrate more fully on composition, which can be especially useful when you're shooting solo or using a gimbal. Touch operations can be used to temporarily engage AF even when you're shooting manually.

Active Mode optical image stabilisation for handheld shooting16

Relying on a new high-precision stabilisation unit, gyro sensors, and optimised image stabilisation algorithms, the camera's Optical SteadyShotTM Active Mode provides the precise degree of optical image compensation needed during movie shooting, even for 4K video22. With this unprecedented level of stabilisation it's possible to shoot with the camera only, taking advantage of the compact size and mobility of the α system.  [1] Track of camera shake  [2] Standard  [3] Active

Enhanced audio quality

A digital audio interface is incorporated in the camera's Multi Interface (MI) Shoe, to facilitate cleaner, clearer audio recordings without loss of quality. The XLR-K3M XLR Adaptor Kit additionally provides the camera with 4-channel 24-bit digital audio recording capability. Three recording formats can be selected from a menu: 48 kHz/16-bit 2-ch, 48 kHz/24-bit 2-ch, and 48 kHz/24-bit 4-ch, with the XLR-K3M XLR Adaptor Kit required for the latter two formats.

New heat-dissipation design for extended recording times

The camera's design has been optimised to prevent overheating even during extended recording sessions. A unique Sony Σ (sigma) shaped graphite-alloy heatsink is built into the image stabilisation unit, allowing the sensor to dissipate heat five times more effectively than in previous models23, while allowing it to move freely and avoiding interference with the stabilisation system.

Designed for smooth movie-making

Flexibility in positioning the camera and framing shots is provided by the side-opening, vari-angle monitor, which incorporates a bright 3.0-type, 1.44 million-dot13 LCD screen. The MOVIE button is within easy reach on the camera's top panel, and a durable HDMI Type-A terminal ensures reliable connections to external monitors. The item arrangement and initial settings on the mode dial have also been adjusted to meet the needs of pro users.

Dedicated settings menu for movie shooting

A subset of the camera's settings can be changed independently for movie or still shooting, which can be useful if you want to use different ISO, Iris (aperture) and other settings depending on the shooting mode. Another convenient feature is the use of Flexible Exposure Mode instead of normal PASM Mode when Movie or S&Q mode is selected. This allows quick switching between auto and manual control of Iris (aperture) and shutter speed, and the function can be assigned to a custom button to allow one-touch toggling between auto and manual.

Fast Hybrid AF for still shots

The Fast Hybrid AF uses a high-density array of 759 phase-detection AF points (covering around 93% of the imaging area) in conjunction with 425-point contrast-detection AF. Real-time Eye AF (for humans and animals) and Real-time Tracking features are also available for the first time in the S series. Advanced AF algorithms facilitate precise AF down to light levels as low as EV-624, for accurate focus even when the subject would be difficult to see clearly with the naked eye.

High-speed continuous shooting performance

Mechanical and electronic shutters are each capable of continuous shooting at up to 10fps25 with AF/AE. Continuous shooting of over 1000 uncompressed RAW images is possible26 thanks to increases in the buffer memory of the BIONZ XR processor and memory-card writing speed.

Enhanced image quality for stills

The new image sensor and image-processing engine deliver an extraordinary degree of sensitivity, a defining characteristic of the S series, and significantly better reproduction of colour and textural details. Improved rendering capability provides realistic-looking images with reduced noise, particularly in the mid-to-high sensitivity range. A new Visible Light and IR Sensor improves auto white balance, and HEIF file options and an HLG Still Image Mode (for 8-bit and 10-bit HEIF stills) have been added to the Sony A7S Mk3 camera.

Two CFexpress Type A-compatible media slots

The camera's two media slots are compatible with new CFexpress Type A cards as well as SDXC/SDHC cards supporting UHS-I and UHS-II speed classes. CFexpress Type A cards are the next standard for compact storage with fast write/read speeds suitable for both high-speed continuous still shooting and 4K movie recording at high bit rates. They are capable of quickly clearing camera buffers even when high volumes of still image and movie data are being generated.

High-definition 9.44 million-dot13 electronic viewfinder

Boasting the highest resolution in its class28, the Sony A7S Mk3 camera viewfinder rivals the resolution of the human eye. It provides category-leading 0.90x viewfinder magnification29, a 41º diagonal field of view, and a 25mm high eyepoint for clear, low-distortion viewing. Improvements in sealing greatly reduce the chance that even drastic ambient temperature fluctuations will cause interior condensation.

Reliable, durable construction

To maximise dust and moisture resistance, additional sealing has been applied to all body seams and to the battery compartment cover, and the media slot cover has been redesigned to handle harsh outdoor environments. A filter in front of the image sensor oscillates at an ultrasonic frequency of 70,000 cycles per second to remove dust from the sensor surface. The camera chassis is highly durable thanks to full magnesium-alloy construction.

USB Power Delivery

The camera supports USB PD (Power Delivery), to enable continuous shooting for extended periods without draining the internal battery30. PD-compatible31 USB chargers and mobile batteries can be connected to the camera's USB Type C® port, to supply power or to recharge the internal battery at 3 to 4 times the speed23 of conventional power supplies.

Data communications to support on-site workflow

Wired and wireless communications features support FTP transfer for still and movie files as well as remote shooting capability, to facilitate professional workflows during shoots. Wireless 5GHz32/2.4GHz LAN connections are supported, and wired connectivity to 1000BASE-T Ethernet networks is available via a USB-to-Ethernet adaptor cable connected to the camera's USB Type C® port supporting SuperSpeed USB 5Gbps (USB 3.2). Remote shooting can be controlled from a PC with Sony's Imaging Edge DesktopTM application, or from a mobile device with Imaging Edge MobileTM.

Sony A7S Mk3 Camera

The Sony A7S III Camera takes the Sony Alpha series to a whole new level of full-frame movie expression. Іt’ѕ еquірреd wіth а new Ехmоr R 12МР Full Frame ВЅІ Ѕеnѕоr which has been paired with the nеwlу dеѕіgnеd ВІОNZ ХR Рrосеѕѕіng еngіnе. This prоvіdеѕ uр tо 8х fаѕtеr реrfоrmаnсе оvеr рrеvіоuѕ mоdеlѕ, reduced rolling shutter, 15 stops of dynamic range, extra-strong image stabilisation, ultra-low-noise & exceptional low light performance. 

Іt’ѕ vіdео сараbіlіtіеѕ offer up to 4К 120Р (4:2:2 10bіt) rесоrdіng аnd FНD 240Р fоr ѕtunnіng ѕlоw-mоtіоn video. New versions of XAVC feature the addition of HEVC/H.265 encoding or ALL-I encoding. Improved colour science which draws inspiration from Sony’s FX9 & VENICE cameras with the ability to shoot S-Log3 & S-Gamut3.Cine for better colour matching. 

The Sony A7S Mk3 camera is еquірреd wіth аn іnсrеdіblе 759 роіnt оn-ѕеnѕоr рhаѕе dесіѕіоn АF wіth rеаl-tіmе еуе trасkіng іn bоth vіdео аnd ѕtіllѕ. The camera also features a full size HDMI output capable of outputting 16bit RAW to compatible recorders! Тhіѕ саmеrа dеmоnѕtrаtеѕ Ѕоnу’ѕ аbіlіtу tо рrоduсе ѕtunnіng іmаgе quаlіtу аnd рrоfеѕѕіоnаl реrfоrmаnсе іn оnе bоdу.

New image sensor with double the readout speed

The newly developed back-illuminated full-frame Exmor RTM CMOS sensor, with 12.1 effective megapixels13, boasts a readout speed up to twice as fast as that of the α7S II, along with high sensitivity and wide dynamic range. An advanced colour filter array boosts colour reproduction accuracy, while focal plane phase-detection AF enables substantial increases in autofocus stability and precision, all of which contribute to outstanding image quality.

New image-processing engine with up to 8x the processing performance

The BIONZ XRTM image-processing engine boasts a performance level up to eight times that of the previous processor, minimising latency while markedly improving real-time processing capabilities for both movies and stills. The engine performs real-time processing of AF, image recognition and image-quality adjustments, while also handling data transfer, user interface and other camera operations.

High sensitivity, wide dynamic range

The Sony A7S Mk3 Camera has a full-frame 12.1-megapixel14 configuration enables high sensitivity with low noise throughout the camera's sensitivity range by optimising the output signal from the sensor. The standard ISO range is 80-102400, which is further expandable to 40-409600 (80-409600 for movies). The dynamic range is an impressively wide 15 stops15, for beautiful, true-to-life images without blown highlights. Together, the camera's high sensitivity and wide dynamic range expand your creative freedom during shoots.

Full-frame 4K recording at 120p16

Full-frame 4K recording at 120fps16 with autofocus is possible thanks to the high-speed readout capabilities of the new image sensor working in tandem with the newly developed, powerful BIONZ XR processor. This high image-quality 4K, with full-pixel readout without binning, allows for clear post-produced slow motion (up to x5 slower than real time)17, as well as bokeh effects typical of full-frame cameras, all with smooth, high-precision autofocus. Despite the α7S III's compact size, it provides impressive scope for your creativity.

Recording movies with 10-bit depth and 4:2:2 colour sampling

The camera is capable of performing 4K internal recording with 10-bit depth and 4:2:2 colour sampling when using either Long GOP or All Intra compression. This makes it possible to push your colour grades further, stretching video out for ultimate HDR realism while still retaining natural gradation, for true editing freedom.

All-Intra internal recording

In addition to Long GOP inter-frame compression, the α7S III supports internal intra-frame (All-Intra) recording18 for the first time in an α-model body, where each frame is recorded independently at a high bitrate of up to 600Mbps. This can be useful for certain types of shoots as it allows maximum flexibility in post-production editing.  [1] All-Intra (All-I)  [2] Long GoP  [3] Group of Pictures

HEVC codec with high compression efficiency

Available for the first time, XAVC HS format recording using the MPEG-H HEVC/H.265 codec roughly doubles the compression efficiency. Compared to a normal 4K XAVC S format, XAVC HS allows for detailed 10-bit video with 4:2:2 colour sampling at comparable or lower data rates, delivering even better image quality as well as manageable file sizes19.

16-bit RAW data output

Facilitating improved image quality and more flexible and efficient editing in post production, the camera supports 16-bit RAW data output to an external recorder via HDMI, for the first time in the α series. The output is full-frame 4264 x 2408 (16:9 aspect ratio) 16-bit data from the image sensor, with a choice of frame rates (60p/50p/30p/25p/24p)20.

S-Log2 and S-Log3 with 10bit 4:2:2 support

S-Log2 and S-Log3 gamma curves are available, with S-Log3 designed for better reproduction of gradations from shadows to the mid-grey range (18% grey), enabling a dynamic range of up to 15 stops15. Three colour gamut settings (S-Gamut, S-Gamut3, and S-Gamut3.Cine) are provided, and the latter two settings make it easier to match the colours of footage shot with Sony's professional cinema cameras. Because the colours match, colour grading is easier in post-production editing, making it more convenient to use the α7S III along with other pro cameras.

Proxy recording for more efficient editing workflow

When shooting movies, low bit-rate HD proxy files can be recorded simultaneously with higher bit-rate formats such as XAVC S-I 4K, and these smaller proxy files can then be used for editing and previewing prior to final production delivery. This reduces computer load and allows faster and more efficient workflows. Proxy files can be captured in either 10-bit XAVC HS (1920 x 1080) or 8-bit XAVC S (1280 x 720) 21.

10-bit HLG picture profile

An HLG (Hybrid Log-Gamma) HDR picture profile, complete with the wide-gamut BT.2020 colour space, can be used for direct HDR (HLG) playback on compatible TVs. The result is true-to-life imagery close to what the naked eye can see, with detailed shadows and highlights, less blackout and less whiteout, all without the need for colour grading. In particular, 10-bit recordings reproduce a level of fine gradation and detail for extraordinary realism.  [1] High flexibility to fine-tune images as desired (colour grading required)  [2] Instant high-quality image (colour grading not required)

Enhanced movie image quality

Thanks to the improved capabilities of the α7S III's new image-processing engine, colours and textures of foliage and human skin can be more consistently reproduced without over-dependence on light sources. Gradation rendering has also been refined, for better-looking skin tones and highlight roll-off in portraits. When shooting 4K, the new image sensor and processing engine reduce rolling shutter distortion to as little as one-third that of the α7S II.

Fast Hybrid AF for dependable focus during movie shooting

Inheriting technology and performance standards from Sony's large-format FX9 pro camcorder, Fast Hybrid AF combines focal plane phase-detection AF with contrast-detection AF. This results in highly precise, smooth tracking of fast-moving subjects even over a wide range with a shallow depth of field, taking full advantage of Sony E-mount lenses' smooth linear-motor focusing and power-zoom operations. Newly added AF Transition Speed and AF Subject Shift Sensitivity parameters allow more flexible focus control, as requested by professional users. Both allow preset settings to be recalled during recording by using a customisable button.

AF support in manual-focus mode

The camera's autofocus support can be useful even when you're primarily using manual focus. For full AF speed, half-press the shutter button or press the AF-ON button, as you would when shooting stills. Alternatively, slower, more cinematic AF transitions can be achieved by initiating AF via the touch focus feature or Real-time Eye AF via a custom button assignment, resulting in slow, smooth autofocus at the preset AF Transition Speed.

Game-changing tracking features to revolutionise movie shooting

Real-time Tracking and Real-time Eye AF make movie-making much easier. Touch Tracking initiates subject tracking with an intuitive touch to the LCD monitor, processing data on colour, pattern (brightness), distance (depth) and facial information to keep your subject in steady focus. You can then concentrate more fully on composition, which can be especially useful when you're shooting solo or using a gimbal. Touch operations can be used to temporarily engage AF even when you're shooting manually.

Active Mode optical image stabilisation for handheld shooting16

Relying on a new high-precision stabilisation unit, gyro sensors, and optimised image stabilisation algorithms, the camera's Optical SteadyShotTM Active Mode provides the precise degree of optical image compensation needed during movie shooting, even for 4K video22. With this unprecedented level of stabilisation it's possible to shoot with the camera only, taking advantage of the compact size and mobility of the α system.  [1] Track of camera shake  [2] Standard  [3] Active

Enhanced audio quality

A digital audio interface is incorporated in the camera's Multi Interface (MI) Shoe, to facilitate cleaner, clearer audio recordings without loss of quality. The XLR-K3M XLR Adaptor Kit additionally provides the camera with 4-channel 24-bit digital audio recording capability. Three recording formats can be selected from a menu: 48 kHz/16-bit 2-ch, 48 kHz/24-bit 2-ch, and 48 kHz/24-bit 4-ch, with the XLR-K3M XLR Adaptor Kit required for the latter two formats.

New heat-dissipation design for extended recording times

The camera's design has been optimised to prevent overheating even during extended recording sessions. A unique Sony Σ (sigma) shaped graphite-alloy heatsink is built into the image stabilisation unit, allowing the sensor to dissipate heat five times more effectively than in previous models23, while allowing it to move freely and avoiding interference with the stabilisation system.

Designed for smooth movie-making

Flexibility in positioning the camera and framing shots is provided by the side-opening, vari-angle monitor, which incorporates a bright 3.0-type, 1.44 million-dot13 LCD screen. The MOVIE button is within easy reach on the camera's top panel, and a durable HDMI Type-A terminal ensures reliable connections to external monitors. The item arrangement and initial settings on the mode dial have also been adjusted to meet the needs of pro users.

Dedicated settings menu for movie shooting

A subset of the camera's settings can be changed independently for movie or still shooting, which can be useful if you want to use different ISO, Iris (aperture) and other settings depending on the shooting mode. Another convenient feature is the use of Flexible Exposure Mode instead of normal PASM Mode when Movie or S&Q mode is selected. This allows quick switching between auto and manual control of Iris (aperture) and shutter speed, and the function can be assigned to a custom button to allow one-touch toggling between auto and manual.

Fast Hybrid AF for still shots

The Fast Hybrid AF uses a high-density array of 759 phase-detection AF points (covering around 93% of the imaging area) in conjunction with 425-point contrast-detection AF. Real-time Eye AF (for humans and animals) and Real-time Tracking features are also available for the first time in the S series. Advanced AF algorithms facilitate precise AF down to light levels as low as EV-624, for accurate focus even when the subject would be difficult to see clearly with the naked eye.

High-speed continuous shooting performance

Mechanical and electronic shutters are each capable of continuous shooting at up to 10fps25 with AF/AE. Continuous shooting of over 1000 uncompressed RAW images is possible26 thanks to increases in the buffer memory of the BIONZ XR processor and memory-card writing speed.

Enhanced image quality for stills

The new image sensor and image-processing engine deliver an extraordinary degree of sensitivity, a defining characteristic of the S series, and significantly better reproduction of colour and textural details. Improved rendering capability provides realistic-looking images with reduced noise, particularly in the mid-to-high sensitivity range. A new Visible Light and IR Sensor improves auto white balance, and HEIF file options and an HLG Still Image Mode (for 8-bit and 10-bit HEIF stills) have been added to the Sony A7S Mk3 camera.

Two CFexpress Type A-compatible media slots

The camera's two media slots are compatible with new CFexpress Type A cards as well as SDXC/SDHC cards supporting UHS-I and UHS-II speed classes. CFexpress Type A cards are the next standard for compact storage with fast write/read speeds suitable for both high-speed continuous still shooting and 4K movie recording at high bit rates. They are capable of quickly clearing camera buffers even when high volumes of still image and movie data are being generated.

High-definition 9.44 million-dot13 electronic viewfinder

Boasting the highest resolution in its class28, the Sony A7S Mk3 camera viewfinder rivals the resolution of the human eye. It provides category-leading 0.90x viewfinder magnification29, a 41º diagonal field of view, and a 25mm high eyepoint for clear, low-distortion viewing. Improvements in sealing greatly reduce the chance that even drastic ambient temperature fluctuations will cause interior condensation.

Reliable, durable construction

To maximise dust and moisture resistance, additional sealing has been applied to all body seams and to the battery compartment cover, and the media slot cover has been redesigned to handle harsh outdoor environments. A filter in front of the image sensor oscillates at an ultrasonic frequency of 70,000 cycles per second to remove dust from the sensor surface. The camera chassis is highly durable thanks to full magnesium-alloy construction.

USB Power Delivery

The camera supports USB PD (Power Delivery), to enable continuous shooting for extended periods without draining the internal battery30. PD-compatible31 USB chargers and mobile batteries can be connected to the camera's USB Type C® port, to supply power or to recharge the internal battery at 3 to 4 times the speed23 of conventional power supplies.

Data communications to support on-site workflow

Wired and wireless communications features support FTP transfer for still and movie files as well as remote shooting capability, to facilitate professional workflows during shoots. Wireless 5GHz32/2.4GHz LAN connections are supported, and wired connectivity to 1000BASE-T Ethernet networks is available via a USB-to-Ethernet adaptor cable connected to the camera's USB Type C® port supporting SuperSpeed USB 5Gbps (USB 3.2). Remote shooting can be controlled from a PC with Sony's Imaging Edge DesktopTM application, or from a mobile device with Imaging Edge MobileTM.

Panasonic Lumix GH5S 4k Micro Four-Thirds Camera

Photos to Impress, 4K Videos to Inspire

Superb Picture Quality for Lifelike Textures

The image processor Venus Engine is newly developed with new quad-core CPU that enables high speed signal processing. Combination of new Digital Live MOS Sensor and the Venus Engine dramatically improves sensitivity (max.ISO25600), gradation performance, resolution and color reproduction to achieve even higher picture quality. Yet its image description is natural – that is what LUMIX aspires for.

Video Creation to Meet Pro Quality

The new DMC-GH4 further evolves to meet professional quality and standard with the capability of 4K (Cinema 4K: 4096×2160 / 24 fps and QFHD 4K: 3840×2160 / up to 30 fps) video recording in MOV/MP4 or ultra high bitrate video recording at 200 Mbps (ALL-Intra) or 100 Mbps (IPB) without recording time limit.*1 *2 In addition, a variety of practical functions required for professional video recording are newly integrated.

*1 Motion image can be recorded up to 29 min 59 sec depending on the recording format and the camera’s sales area.

*2 Use SDXC/SDHC Memory Card compatible with UHS Speed Class 3 (U3) when using high bitrate video recording mode over 100 Mbps.

Superb Mobility & High Speed Response

Superb mobility and high speed response come equipped with DMC-GH4. The high-precision Contrast AF now integrates DFD (Depth from Defocus) technology to achieve ultra high speed AF of approx.0.07 sec*.The burst shooting power is also boosted to12 fps(AFS). Both 2,359K-dot LVF (Live View Finder) and 1,036K-dot rear monitor adopt OLED to minimize time lag while enhancing the resolution.

Reliable Durability

To be tough enough to withstand even heavy field use, the main structure of the DMC-GH4 is composed of magnesium alloy full diecast front / rear frame. It also features splash / dustproof construction thanks to the sealing on every joint, dial, and button. The shutter unit is also redesigned to be even more durable for approx. 200,000 times release*.

*Panasonic in-house examination.

Expandability for Flexible Usage

To offer more flexible usage, the DMC-GH4 even incorporates Wi-Fi® with NFC Technology or in-camera RAW development capability. It also complies with External Flash (DMW-FL580L), Stereo/Shotgun Microphone (DMW-MS2) or Battery Grip (DMW-BGGH3) to support professional photography/videography. The expansive flexibility of DMC-GH4 goes far beyond the limit of conventional Digital Single Lens Mirrorless camera.

New 16.05MP Digital Live MOS Sensor

The new 16.05-megapixel Digital Live MOS Sensor achieves high quality, high sensitivity image recording with its quick response. Approx.50% higher speed signal readout suppresses rolling shutter effect when using electronic shutter or recording video. Taking full advantage of the Live MOS Sensor, gradation range is expanded by max.1/3 step at low ISO end. Plus, superior noise reduction allows max.60 min long exposure.

Advanced Image Processor Venus Engine

The image processor Venus Engine is also newly developed dramatically boosting its performance with quad-core CPU that enables high speed signal processing required for rich video recording such as 4K. Integrating superior noise reduction systems, DMC-GH4 enables shooting at max.ISO25600. Sensitivity, gradation performance, resolution and color reproduction are dramatically improved to achieve even higher picture quality.

Focus Peaking

Focus Peaking function shows the peak of focus in MF and AF+MF mode. Users can see the peaking of focus while monitoring the subject in live view. It is also available in remote photo / video shooting with smartphone / tablet via Wi-Fi.

Highlight / Shadow Control

Highlight and shadow can be separately adjusted with the front/rear dial. 3 patterns of settings can be customized in addition to 3 preset patterns.

RAW Data Development in Camera

The DMC-GH4 is capable of developing RAW image in camera. In addition to the color space setting (sRGB / AdobeRGB), the parameter of white balance, exposure compensation, contrast, highlight / shadow, saturation, noise reduction, sharpness or hue can be flexibly adjusted while LUMIX’ s Photo Style, Intelligent D-range Control, Intelligent Resolution can also be applied.

Photo Style

You can choose color / texture type for photo / video from Standard / Vivid / Natural / Monochrome / Scenery / Portrait. Contrast, sharpness, noise reduction, saturation and hue parameter for each mode can be adjusted and memorized in camera.

Electronic Shutter & Silent Mode

The DMC-GH4 offers practical electronic shutter. The high-speed signal readout achived by Live MOS Sensor minimizes rolling shutter effect. The Silent mode switches shutter from mechanical to electronic and turns all sound (AF, operation) off while suppressing emission of AF assist lamp and flash with just a single setting for special shooting occasions.

World’s First *1 4K Video Recording

One of the most prominent features of GH4 is unlimited *2 4K video recording (Cinema 4K: 4096×2160 / 24 fps and QFHD 4K: 3840×2160 / up to 30 fps) in MOV/MP4 *3.

*1 For a DSLM as of Feb 7, 2014.

*2 Motion image can be recorded up to 29 min 59 sec depending on the recording format and the camera’s sales area.

*3 Use SDXC/SDHC Memory Card compatible with UHS Speed Class 3 (U3) when using high bitrate video recording mode over 100 Mbps.

Versatile Video Recording Formats

The DMC-GH4 is also capable of ultra high bitrate video recording at 200 Mbps (ALL-Intra) or 100 Mbps (IPB), which has no recording time limit*1 *2. You can freely choose the format from MOV, MP4, AVCHD Progressive and AVCHD at a variety of frame rates according to the usage. In MP4 / MOV, high quality sound in LPCM (Linear Pulse Code Modulation) is recordable.

*1 Motion image can be recorded up to 29 min 59 sec depending on the recording format and the camera’s sales area.

*2 Use SDXC/SDHC Memory Card compatible with UHS Speed Class 3 (U3) when using high bitrate video recording mode over 100 Mbps.

Selectable System Frequency

For the global business of professional users, the system frequency can be flexibly selected from 59.94Hz (23.98Hz) / 50.00Hz / 24.00Hz.

Real-time Output via HDMI

The DMC-GH4 is also capable of real-time image output (4:2:2 / 8 bit or 4:2:2 / 10 bit) to the external monitor via an optional micro HDMI cable*. It is suitable for the professional video making that requires serious monitoring of the imageries. Users can choose to output only the recording content or the content with the setting menus individually depending on a display.When using 4:2:2/10-bit output, simultaneous video recording on SDXC/SDHC Memory Card in the camera is not possible. When using 4:2:2 / 8-bit output, video is recorded in 4:2:0 / 8-bit on SDXC/SDHC Memory Card in the camera.

VFR (Variable Frame Rate)

The VFR (Variable Frame Rate) enables recording video with slow/fast motion such as 96 fps / 4x*, all in Full-HD. See specifications for more effect options.

*In 24p playback.

Time Lapse Shot / Stop Motion Animation

Time Lapse Shot and Stop Motion Animation are available for stationary observation for subjects or for producing a stop motion (stop frame) video with sequential pictures. Both can be produced in camera without needing postproduction process.

Zebra Pattern

It indicates overexposed area before / during shooting and the pattern can be output to the external monitor, too.

Master Pedestal

It allows adjustment of the brightness balance ±15 steps based on the color of black.

Cinelike Gamma

“CINELIKE D” and “CINELIKE V” are newly available for expressive tone like a cinema.

Synchro Scan

It is practical for suppressing flicker over the TV / PC monitor or fluorescent lights.

Center Marker

By displaying it at the center of the viewing angle, center marker works as guide mark for video image composition.

Color Bars

Color Bars (SMPTE / EBU / ARIB Standard) can be the benchmark to fix the color or brightness. 1KHz Test Tone can be the bench mark to fix the sound volume.

Time Code

SMPTE-compliant Time Code either in Rec Run or Free Run count-up methods makes it easy to synchronize the multiple video footage or sound source in the post production workflow.

Professional Video

Contrast AF with DFD Technology

The Contrast AF system is advanced with the DFD (Depth from Defocus) technology which even shortens the time to focus. It figures out the distance to the subject by evaluating 2 images with different depth of field while consulting the data of optical characteristics by using lens in a moment. As a result, ultra high speed AF of approx.0.07 sec* is achieved. This improvement benefits more as focusing distance increases.

*In AFS, with H-FS14140 or H-HS12035

High-Speed Burst Shooting

The DMC-GH4 boasts high speed burst shooting at 12 fps(AFS) with the maximum recordable images of up to approx. 40 (including RAW) / approx. 100 (excluding RAW) and 7 fps (AFC) to capture fast moving subject just in-focus. Together with the quick start-up and short release time lag, the DMC-GH4 never lets you miss fleeting shooting opportunities.

49-Area AF

Focus point is increased from 23 (DMC-GH3) to 49 points for more flexible composition.

Custom Multi AF

Custom Multi mode in which you can freely select the blocks to focus out of the 49 focusing area.

New Face / Eye Detection AF

In addition to the conventional Face Recognition AF, the DMC-GH4 newly incorporates Face / Eye Detection AF which automatically sets focus right on the face or eye in face.

Seamless Magnification of 1-Area Focus Point

Now the 1-area AF area can be seamlessly magnified not only in manual focus but also in auto focus mode.

Dual OLED Displays – LVF & Monitor

The DMC-GH4 boasts newly developed high-precision, high-speed dual OLED (Organic Light-Emitting Diode) displays for 2,359K-dot LVF (Live View Finder) of approx.1.34x / 0.67x* and 3.0-inch 1,036K-dot free-angle rear monitor. They achieve high speed response with minimum time lag while enhancing the resolution. Notably, the OLED for the LVF boasts 10,000:1 high contrast for superior color reproduction.

*35mm camera equiv.

Magnesium Alloy Body & Rugged Design

To be tough enough to withstand even heavy field use, the main structure of the DMC-GH4 is composed of magnesium alloy full diecast front / rear frame. It also features splash / dustproof construction thanks to the sealing on every joint, dial, and button.

 High Performance Shutter Unit

The shutter unit is also redesigned to be even more durable for approx. 200,000 times release*. It offers highest shutter speed at max. 1/8000 not only to capture spur-of-the-moment for fast moving subject but also to use high-speed lens with open aperture even in outdoors to give impressive defocus. Both built-in / external flash can be synchronized with max.1/250 second shutter speed.

*Panasonic in-house examination.

Optimum Layout of Control Components

For quick, intuitive control, 3 dials are equipped on the top and back of the camera and the main dial is now comes with lock structure. A dedicated button allows direct reach to exposure compensation, white balance adjustment or ISO setting and max.5 settings can be assigned to the Fn button. All these external components are designed to be operated easily without taking eyes off from the viewfinder.

Terminals for Expanded Connectivity

The DMC-GH4 comes with a variety of connection terminals. The 3.5mm microphone and the 3.5mm headphone jacks. It is also capable of real-time image output on the external monitor via an optional HDMI micro cable simultaneously while recording video. In addition, AV outputs, flash sync terminal and 2.5mm jack for remote controller are available. It complies with the SDXC / SDHC Memory Card UHS Speed Class 3 (U3).

Wi-Fi® with NFC Technology

The DMC-GH4 integrates Wi-Fi® connectivity (IEEE 802.11 b/g/n) with NFC (Near Field Communication) technology. With the “Panasonic Image App”, remote shooting of photo / video is available with smartphone / tablet. It is also easy to embed geotag in the image after shooting. For the smartphone / tablet without NFC, the camera displays dedicated QR code on its monitor to complete pairing easily by reading the code.

New Interface Unit (Optional)

The Interface Unit(DMW-YAGH) is offered exclusively for professional / industrial workflow enabling more powerful video transmission. It complies with Full HD (4:2:2 / 10 bit) four parallel output or 4K (4:2:2 / 10bit) output, both with time code*. The 2ch XLR input terminals are also equipped for line or condenser microphone. Microphone volume can be controlled L / R separately. It compies with 12V DC IN.

* When using 4:2:2/10-bit output, simultaneous video recording on SDXC/SDHC Memory Card in the camera is not possible.

The E1 by Z Camera gives 4K (4096×2160) image quality from a camera with dimensions no larger than that found on an action camera. Housed in a magnesium alloy body, it is lightweight and therefore ideally suited to POV and aerial (UAV) photography.

It records 4K movies (4096×2160) as well as UHD (3840×2160) at a bit rate of 60Mbps.  In addition, the E1 can record Full 1080p HD movies at up to 60fps, and 720p with the ability to record at 240fps in this lower resolution format but then with the option of presenting slow motion playback.

Due to the power of the Panasonic imaging sensor, the E1 is also capable of recording 16 megapixel still images with an option of recording in RAW. 3D noise filters also ensure lower noise levels in low lighting conditions, especially important when making the most of the maximum ISO sensitivity of 25,600. Burst shooting at up to 15fps is also attainable.

In both still and movie recording modes, the E1 will autofocus continuously, with user-defined variation in focus sensitivity. For manual focusing, there is even a zoom-in feature to ensure focus is pixel-sharp.

This camera is suitable for both Wi-Fi and Bluetooth camera control by mobile devices using Android or iOS operating systems, as well for monitoring and powering on or off, giving you a true remote control option essential to UAV and POV applications.

GoPro Hero 11 Black

• The world’s most versatile camera goes to 11.

  Get incredible highlight videos sent to your phone automatically with the GoPro HERO 11 Black. Its new, larger image sensor captures more of the scene with higher image quality, letting you instantly share vertical shots to social media. HyperSmooth 5.0 features AutoBoost and Horizon Lock built-in, ensuring your smoothest, most stunning shots yet. New Night Effects let you get creative after dark, and 10-bit color brings all your videos to life. All this and more make HERO11 Black the most powerful GoPro yet.

  Product Details

  • Larger new image sensor delivers an immersive, extra-large field of view.
  • Cinematic 5.3K60 + 2.7K240 video with 24.7 megapixel stills from video.
  • Stunning 27 megapixel high-res photos.
  • Emmy® Award-winning HyperSmooth 5.0 video stabilization with Horizon Lock.
  • Waterproof to 33ft + built tough.

Push any adventure beyond the edge with DJI Osmo Action 3 It features a quick-release design for easy horizontal and vertical mounting, and full-color touchscreens front and rear for effortless control of parameters and playback. With additional breakthroughs in cold resistance, battery life, and waterproof capability, there's never been a better time to take action.

4K/120fps 10bit Recording

Any moment can become a highlight. Film in up to 4K/120fps and capture experiences in dynamic, incredibly smooth detail.

155° Super-Wide FOV, adjustable to Narrow View

The DJI Osmo Action has a super-wide FOV makes every scene more appealing, immersive, and memorable.

Color Temperature Calibration

DJI Osmo Action 3’s color temperature sensor intelligently adjusts white balance and AE for highly accurate colors, even in complex lighting environments like when scuba or free diving deep below the surface.

Secure and Efficient

Action 3’s innovative quick-release design enhances impact resistance with the combination of powerful magnetic force and an additional positioning clip. This makes it more than ready for high-intensity scenarios. [5]It’s also easy to detach and flexible enough to quickly switch up locations and accessories.

Go Vertical

Mount it how you want it. The horizontal-vertical protective frame lets you switch things up and shoot vertical within seconds. Just detach it, turn it, and reattach it.

Embrace the Cold: -20° C (-4° F)

Who’s afraid of low temps?  Continuously record for up to 150 minutes in temperatures as low as -20° C (-4° F). DJI Osmo Action 3 doesn’t just handle cold weather. It thrives in it.

160-min Extended Battery Life

Battery life lasts as long as you do. The battery capacity limits have been pushed even further with Action 3 to allow 2.5+ hours of use. [7]Capture entire adventures all on a single charge.

Fast Charging

Stop waiting for power. Action 3 is the first action camera that natively supports fast-charge technology. In just 18 minutes, it can be powered up to 80%, [8] which is enough for approximately two hours of shooting. [8]

RockSteady 3.0

A new generation of intelligent stabilization algorithm fuels the latest version of RockSteady EIS, which can effectively eliminate camera shake in all directions. It supports use while recording at up to 4K/120fps, providing a stable and immersive first-person perspective.

HorizonSteady

This smart stabilization feature helps to eliminate camera shake in all directions, and even horizontally corrects tilt at any angle. That means footage can remain horizontally level, even through heavy bumps and 360° rotations. In addition, you can activate HorizonBalancing, which corrects the tilt horizontally within ±45° and supports recording stable 4K/60fps videos.

16m Waterproof

Let's go deeper. The camera body is fully optimized to be used at depths of up to 16 meters (52 feet), enhancing your underwater adventures without the need for additional accessories.

High-Strength Glass

Drop resistant and hydrophobic. The front screen, rear screen, and lens protective cover are all made with high-strength Gorilla Glass, which is not only wear-resistant and scratch-resistant, but also 1.5-meter drop resistant. [5] In addition, these three spots feature hydrophobic coating, [9] which repels water quickly without affecting image quality.

GoPro Hero 9 Black

• The GoPro Hero 9 Black shoots stunning video with up to 5K resolution, perfect for maintaining serious detail even when zooming in. Packing a new 23.6MP sensor that’s an absolute powerhouse,  it brings lifelike image sharpness, fluid motion and in-camera horizon leveling.
• Capture crisp, pro-quality photos with 20MP clarity. And with SuperPhoto, can automatically pick all the best image processing for you, so it’s super easy to nail the shot.
• No more carrying a separate frame. Just flip out the folding fingers, attach your camera to any mount and go.
• A new, larger rear touch screen with touch zoom on the Hero 9 Black should feel instantly familiar and a dazzling new front display makes for easy framing and intuitive camera control.
• Shooting options include 4k 50fps, 2.7k 120fps & 1080P 240fps

Marshall CV225-M Minicam - HD Mini Lipstick Camera

Marshall CV-225-M Minicm Specs:

Тhе Іnѕtа360 ОNЕ R 1-Іnсh Lеnѕ Wіdе аnglе Моd dеlіvеrѕ 5.3К сарturе оn а hugе 1-іnсh іmаgіng ѕеnѕоr. 
Еnјоу thе hіghеѕt quаlіtу іmаgе dеlіvеrеd bу аn асtіоn саm wіth thіѕ thіѕ mоd fоr ОNЕ R. То tор thіngѕ оff іt 
соmеѕ wіth buіlt-іn lеnѕ рrоtесtоrѕ ѕо thаt уоu саn tаkе іt аnуwhеrе, nо mаttеr thе еnvіrоnmеnt. Тhіѕ mоd іѕ 
іdеаl fоr dосumеntіng уоur аdvеnturеѕ, vlоggіng, аnd fоr сrеаtіng аmаzіng асtіоn ѕhоtѕ. Рlеаѕе nоtе thаt thе 
ОNЕ R іѕ nоt іnсludеd wіth thіѕ рurсhаѕе аnd іѕ fоr іlluѕtrаtіvе рurроѕеѕ оnlу.


Іnѕtа360 ОNЕ R 1-Іnсh Lеnѕ Wіdе аnglе Моd Кеу Fеаturеѕ:
Dеlіvеrѕ hіghеѕt quаlіtу іmаgе оut оf thе thrее mоdѕ fоr ОNЕ R
Еnјоу 5.3К сарturе оn а gеnеrоuѕ 1-іnсh іmаgе ѕеnѕоr
Соmраtіblе wіth Іnѕtа360 ОNЕ R Асtіоn Саm
Соmеѕ еquірреd wіth buіlt-іn lеnѕ рrоtесtоrѕ
Оnlу thе lеnѕ іѕ іnсludеd

The unique Canon XF105 IR switchable is Canon’s smallest camcorder to include an MPEG-2, 50Mbps, 4:2:2 Full HD codec. Studio connectivity, professional audio and extensive customisation provides exceptional versatility.

MPEG-2 recording at up to 50Mbps (4:2:2)

Needed Infrared Lighting?